Posted in Environment/Deep Ecology/Climate Change, Essay, First Peoples, Michael Watson, Music

Emergent Universe Oratorio Blues

Breeding Barn, Shelburne at FarmsRecently we traveled down to Shelburne Farms for the world premiere of the Emergent Universe Oratorio, composed by Sam Guarnaccia.  The Oratorio is a work that re-imagines the dominant culture’s physics-based creation narrative, and seeks to universalize the story. Before the Oratorio we were treated to the soulful playing of Eugene Friesen, of Paul Winter Consort fame. New Paintings, created for the event,by our friend, the marvelous artist, Cameron Davis, graced the walls in the remarkable, “cathedral-like” Breeding Barn.

Just prior to the performance, Mary Evelyn Tucker and John Grim, Co-Directors of the Forum on Religion and Ecology at Yale, and whose film of the same title was the inspiration for the oratorio, spoke. They acknowledged, and expressed appreciation for, Indigenous friends and adopted family. (No Indigenous people spoke.) They then spoke about a vision they hold, in which all of the Earth’s people have one creation story, a story that leads us to an Earthly paradise.

The Oratorio draws on texts from many Western traditions, but appears to include no Indigenous authors. This is problematic and, unfortunately, common in the Deep Ecology world. ( I have been reviewing Ecopsychology texts in preparation for teaching and have noticed a paucity of Indigenous voices, even in texts published this year.)

Of more concern is the notion that any narrative should be the ONLY narrative. This is an idea Indigenous people know well, whether presented in the guise of religious or economic dogma. The very idea of a universal point of view is imperial and colonizing, and alien to Native American cultures. We have many creation stories, each loved and valued.

I was feeling rather blue as I read the text and listened to the lovely melodies of the oratorio. I imagined myself to be the only one in the audience of hundreds who was discomforted. Then intermission came and others stopped by to share their concerns. As so often happens following such events, the concert has remained a topic of conversation at our house.

A few days ago I was having coffee with a Six Nations friend. Out of the blue he looked me in the eye and said, “I am so appreciative of time with you. It’s such a relief to not have to explain myself.” When I asked what he meant, he replied that I understood his struggles and, although we are from different tribal backgrounds, we share a similar ethos. Sometimes I forget how wide the divide between cultures can be in one geographically defined country. To be reminded, as I was at the concert, of the chasm we cross daily can be painful indeed.

– Michael Watson, Ph.D.

© 2013, essay and photographs (includes the one below), Michael Watson, All rights reserved

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

6 thoughts on “Emergent Universe Oratorio Blues

  1. I tend to agree with what you have said here. Or, yes, I do feel as you do. I wonder if this group did not express it self accurately. I believe that “we are all one,” coming from many, many different places, nations … whatever you wish to say. We are each a piece of a grand jigsaw. Thank you for this piece.


  2. Michael: Thanks for sharing this wonderful piece. It is great that we are now beginning to honor a variety of “narratives” –creation myths, new/old ways of seeing the mystery of being! Sorry that no Indiginous visions of being were spoken and shared.


    1. I is good to allow there to be many stories and ways to the Creator. Perhaps we will get to the place where we can allow ourselves to practice knowing the Creator is larger than our minds can imagine.


  3. A really interesting discussion. It is always difficult for minority groups to be fully appreciated and understood for their differing social mores. Even dreaming an image of a Totem Pole, would mean something so completely different in essence, if dreamed by someone from a Judao-Christian background. Psyches are structured differently ~ made of different, yet universal stuff. All we can do is try to construct a rainbow bridge to cross a chasm.


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