Catching Leaves and Picking Clover

How does it feel

to truly be free?

To know that your wounds

have all been kissed?

To live without fear

because you know you’re prepared?

To give all of your heart

without reservations?

To sit in still silence

and hear the wind speak?

How does it feel

to forgive all mistakes?

To accept every circumstance

exactly as they turned out?

To breathe with clean lungs

from a state of good health?

To smile in the rain

knowing the sun will soon shine?

To dance through the days

and rest peacefully each night?

How does it feel

to finally be free?

© 2018, Scott Thomas Outlar

High Tide Hallelujah

Crystalline shards/shattered

across the spine

of a skeletal system/infused

with hues

of explosive blue/adrenaline

pumping

in waves of paint/pouring

forth from ecstatic neurons

to cover the canvass

in electric yellow/yelling

Holy Hallelujah at the crescendo

where glass meets God meets window/

stained with higher visions

of primal focus

manifesting into form/fallout frenzy/

flapping wings

of butterfly dreams

float through wild winds/abstracted

chaos melts/merges/coalescing

into strains of structured order/

amalgamated/nesting at the zero-point/

the perfect pitch

of color/of sound/of fury/

where truth meets taste meets tangible

realizations of randomness/righteous rumblings

reacting at the center/the core/

the truth/the tidal surge

of waters that wish only to dance

© 2018, Scott Thomas Outlar

The Spirit of Us

There was an interval
When we ascended
Stairs in a dream
Referring the rose pink light of dawn
To cleave apart that golden drapery
Silently waiting for
the pictureque azure
in the sky
Whereupon we sight
the silver lining
Whilst the gate of empyrean bewray
For us
To reminisce our first sacrament

© 2018, poem, Deborah Setiyawait
© 2018, photograph, Carl Scharwath

The Star

Survival of the fittest
Political temperatures dictate
Fight, flight, freeze
Been frozen for a few years
Chronologically too old for fight
Adrenal glands choose flight
Travel with jars of natural
Peanut butter and jelly
Crackers withstanding staleness
Jugs of water
Rolls of toilet paper for trips
Behind hedges
Baby wipes hygiene
Oh, why did I
Get rid of the travel trailer
Can I live on 4 wheels with 3 dogs
And a driver?

Icy dawn heading north
Wind whipping long hair
Through minute window cracks
Canine scent-sense tells me
When we pass salty or loamy aromas
The truck a speeding bullet
Of movement
Until yawning stars give way
To a cloudy dawn
Where have I gone?
Flying away to safety
Bicameral brain
Merely a strain
Logic says no safety in denial
Creativity says
Draw, write, sing SAFETY
Until it is real

The sky is falling
How do I make it right…?

© 2018, Clarissa Simmens (ViataMaja)

for those who don’t know the chocolate …

for those who don’t know the chocolate
the children of poverty
and the sleepers in the corners of the ancient streets
for those who survived from the famine but still hungry
for those boys who never dream
cause they never sleep
for those who don’t know the chocolate
and heard more news about its sweet
the people with half soul
and lack food and the imaginary house

for those who crawled on the sharp platforms in the mid-night of every day
seeking for the warmth living
for those babies who never taste the milk
with wide eyes looking for any help
for the hands of charity
and the sensitive hearts which cry and bleed
for those who gathered in the torn tents around the world
waiting from a long time
for those who don’t know the chocolate
and haven’t the ability to imagine it

the innocent faces washed under the rain
the seekers for the smell of humanity in each alley, place, and content
for those who kiss the sun through their contemplate glances
for those who write with heavy heart and smashed dreams
the climbers of the existence shoulder
looking for the justice face

for the dancers with bare feet on the top of Everest
who do their best to bring the joy and the peace
for the sun of tolerance which touching our bones
for the bloom of the flowers
and the skies gloom

for those who never taste the chocolate
but they still hearing about its magic
the crawlers on the earth with a great desire
to make the difference between the past and the future

for those who draw on the sand
with belief in the friendship with the waves of the sea
for the killed persons in every battle
for the injured soldiers in every war
for those women who haven’t the right to vote

for the fishermen in their ships
for the highest star in our sky
and for the rainbow
for those people with disabilities
and for those players with the wool ball
for the little boys who sell the water
for the little girls who feed the roosters

for the nations which suffer from dry
for the victims of racism
for the dead from the terrorism

i write these poems for those
who don’t know the chocolate

© 2018, Amirah Al Wassif

the poetry is …

the poetry is the deep philosophy of the cry and laugh
it is the unseen language which touches our soul bitterly and joyful

the poetry is the skin of the sensibility and the incredible race among the clouds
it is the pouring of the sky blue in our opening hearts

the poetry is the art of the mess
that far world which told you what behind the galaxy

it is our previous feelings and the forthcoming ones
when we believe in spirit and science and madness

the poetry is finding the details in eyes of someone
it is means this amazing ability to read the maps of souls
it is the smell of honey and the necessary of wings
and the tragedy of nights
it is the long walking in the land of the imagination republic

the poetry is more than contemplating the moon through a poetic night
it is more than rhythm and free verse
more than the extraordinary words and the visual scenes

the poetry is more than the silence of beauty
and the gossiping of people

it is what beyond breath
it is what beyond the sea
it is what beyond the legends

the poetry is discovering the hidden smile of the orphans!

© 2018, Amirah Al Wassif

Windows of Madrid

I remember when we woke together in the ancient streets of Spain
I remember I felt a strong shiver which could heal any pain
when the fantastic windows whispered in my ears ” hello ”
I couldn’t dare to reply
I thought that voice came from my fellow
so I began to spy
here, I discovered the magnificent magic
her shape take more than my like
when I jumped like a child in the street
because I fall in love with the windows of Madrid
this a romantic story escaped from the old age
and rapidly came to me and wrote its secret on my page
the beauty windows of Madrid
inspired me to write in Casa Maria plaza mayor
it makes my soul singing for the coming light and also for
the ancient art of Spain
which could heal you entire of suffering and pain

© 2018, Amirah Al Wassif

A Girl in a Box

packing
my blue bag
pocketing
my lipstick
turning my back
to Brentwood

I’m on my way home.

Brooklyn beckons
as it always did
as it always does
Hudson River
city parks
a cacophony of languages
a melting pot

She’s on her way too.

by air
not track

her trunk
packed
by strangers
shipped

light
with flip-flops
a blouse
a skirt
poor
practical
that would be her

Occasionally I’d seen her laugh.

I’m
on my way
train grumbling
wheels screeching
town
upon town
Flatbush- a hub
and my stop

and there was my aunt
and there was my mother
and there was the news

Teresa Margaret
is on her way home
shipped
from Florida
on a DC10

stored
along with her trunk
a girl in a wooden box
in a cargo hold

a poor cold girl
Colder bullet in her head.

© 2017, poem, Jamie Dedes; photo courtesy of Linda Allardice, Public Domain Pictures.net.

A Poem for the Tree of Life Synagogue

 

Etz Haim עצ חאים David Friedman ©2002 In the poet's collection.
Etz Haim עץ חיים
David Friedman
©2002 David Friedman
In the poet’s collection.

Etz Chaim  עץ חיים

Tonight the clocks rolled back.
Time changes, but we
cannot sleep an hour
more. Who can sleep tonight?

Man shot the Tree of Life,
riddled its trunk with lead,
that soft and poisonous
metal turned to gold

through twisted alchemy—
profit-politics a strained
Philosopher’s Stone.
Stone-cold fucked-up NRA,

stone-cold fear-monger swamp-
creature calling out loud
to lock up the Jew they
blame, honing fear’s dull blade

until it cuts the trunk,
and bloodies us all.

—Michael Dickel
Jerusalem
19 Heshvan 5779
(28 October 2018 C.E.)

©2018

Say their names:

Joyce Fienberg, 75
Richard Gottfried, 65
Rose Mallinger, 97
Jerry Rabinowitz, 66
Cecil Rosenthal, 59
David Rosenthal, 54
Bernice Simon, 84
Sylvan Simon, 86
Daniel Stein, 71
Melvin Wax, 88
Irving Younger, 69

Read about them in The New York Times.

Tree of Life
David Friedman
©the artist

Just a few days before the Etz Chaim Murders…

“Just minutes after President Donald Trump called for unity in the wake of attempted bombings targeting a number of Democratic officials, he took a swing at ‘globalists’ and used the phrase ‘lock him up’ while chuckling. Trump was responding to a crowd yelling to lock up George Soros, a victim of the bombing attempt.”

—Nicole Goodkind, “Donald Trump Repeats ‘Lock Him Up’ Chant About George Soros Minutes After Calling for Unity Around Bomb Threats.” Newsweek 26 October, 2018


Transcending and Including
David Friedman
©the artist


Etz Chaim  עץ חיים — Hebrew for Tree of Life [return to poem]

 


In Israel, the roll back to Daylight Savings Time was the evening of the shooting, motsei Shabbat, the evening after the Sabbath, which is the beginning of the week. In the Jewish Calendar, days go from sundown until sundown. So, Shabbat (the Sabbath) begins on Friday evening at sundown and ends Saturday evening, after sunset (defined as when three stars can be seen in the sky, in the past, more typically about one-hour after Shabbat began on Friday, in modern times). [return to poem]

Snow Angels

Her nightmares began in the week before Christmas;
screaming, fearsome trespass into the child’s mind.
The news of the day had infringed with no conscience
and stolen a bit of innocence from the six-year-old,
waking her from a terror that others could not escape.
“I don’t want Santa to come into our house,”
she said one night. “It scares me.”

“You’ll be safe, hon,” her father whispered.
“Mommy and Daddy will protect you,”
her mother said. “And your Guardian Angel, too.”
“Why didn’t their Guardian Angels
protect them?” she asked,
in the direct distillation of thought
only a child can accomplish.

Her father closed his eyes and drew a breath
before telling her:
“Because so many little kids
and their Mommies and Daddies
fear this world more than we used to,
God needed more brave little angels
to help them feel protected.”

As snow fell outside the bedroom window,
the little one lay down with her mother,
satisfied for a bit, sleeping safely in her arms.
Her dad thanked God for her and that
she heard not the door open and close twice.

When she awoke in the morning,
little Emma called into the kitchen,
“Daddy come see, come see.”
There in the night-fallen snow, a score
of snow angels had ringed their blessings
upon a home and a little girl.

I’m sorry if this doesn’t really sound like a poem. I’ve been struggling with these feelings for a long time and I have difficulty expressing such things sometimes except by writing them out for myself.  Some folks say I’m some kind of storyteller, but I often lack the emotional capacity to couch thoughts of such horrible things as the Newtown tragedy and other mass shootings in words. As a father and grandfather, this piece helped me gather a few in one place. May all our angels rest in the peace of this season, and all the seasons to come.

© 2018, Joe Hesch

my decision is not new, since …

I have learnt to decide,
nor my inner self trouble,
since I have learnt to analyze;
it is easier now to get over feelings
hurt or saddened, painfully burdened-

I walked and walked and walked,
and thought…one more step and
I would reach the pure water spring,
brief known journey came to an end
my feet touched Mother Earth-

it was a beautiful afternoon-
there was a time I had transport in which,
I would be dropping friends, colleagues
and their kids that was my time, I could do that
that was my memory, this, my experience,

that came wafting touching the clayey frame,
painlessly, then flooding the heart-
I stood for a while, looking,
as the water flowed, in the river
under the bridge, the vulnerable bridge…why are
bridges made? to connect? No.
To break connections?

cannot say,well , just to pass over to the other end-
looking at the Korang River, for a while I lost
sense of time-the water flowed and I stood still-
water always did, it always will, sometimes high
sometimes low-I did not know where
to go, I did not feel the Earth under my feet
how long was I in that small seat,
moments not long, but the last ever to be
I saw Nothingness staring back at me-
till I could no more see, nothing red,
till the trembling subsided,
nothing white, nor blue..
Hey you? can I drop you?

many cars passed, people stared through
the windows, unsmiling faces raced by
hurrying to their destinations
a strange lady with a bag, changing hands,
shifting the load, had to be carried,
walking all by herself-

looking peaceful but carrying a turbulent storm
‘turn now, move on, like the river, be like
the bridge, connect and remain in quietude-

I walked…felt numb, thoughtless with acceptance,
happy moments are brief, short lived,
yet they come leaving fleeting memories-
walking helped the heavy spirit but lightened
not the load…mistake mistake, mistake-

‘you crossed the line-turn turn turn’
walk walk walk…till you can…the sun came closer,
pouring love with its rays, drenching me
in a comforting warmth-

Nature Loves us deeply, we know not…
I turned stepped on, step by step, step by step
distance unmeasured, no desert can be measured
deserted desert ,mirage unseen, this is The Unseen
The Nothingness became visible, I walked -I felt Peace

I saw the Unseen I saw Peace I saw love descending
from above-then more -the resurrection,

the road the river and I were moving, walking flowing together
in the same…..direction

© 2018, poem and illustration, Anjum Wasim Dar

The Other World

At eighteen, I stepped into the other world,
the one that sounds fantastical but is not.
Drainage pond at the bottom of a hill on campus,
behind it a small straggle of winter woods,
beyond that, a path towards the sports fields.
Grass still green in the mild mid-Atlantic,
twiggy dried milkweed standing and fallen,
plain as plain, just hidden, just waste.
An ordinary afternoon, and I felt surfeited with reading;
walking down the hill, I cast away my mind.
At the water’s edge I looked at the surface;
the water looked back at me. The world had eyes:
perceived me as I perceived it, all the same.
The bare treetops in the distance moved in my arms.
I felt the cawing of the crows that rose inside my chest.
But no crows there, no chest here, only that cawing,
that burning and empty annunciation
of how we too are the shine in the tufts of the cracked pods,
falling and lifted in the wind through everything.
All of this I could see, while I rubbed my eyes,
as if to dislodge a film that was not there.
This happened. I was a freshman, with no one to tell.
Why do we seek imagined worlds? We know nothing
of what is real, how wondrous and complete.

© 2018, Anne Myles

Wabi Sabi

Japanese tea house: reflects the wabi sabi aesthetic, Kenroku-n Garden

Japanese tea house: reflects the wabi sabi aesthetic, Kenroku-en Garden


if only i knew
what the artist knows

about the great perfection
in imperfection

i would sip grace slowly
at the ragged edges of the creek

kiss the pitted
face of the moon

befriend the sea
though it can be a danger

embrace the thunder of a waterfall
as if its strains were a symphony

prostrate myself atop the rank dregs on the forest floor,
worshiping them as compost for fertile seeds
and the breeding ground for a million small lives

if i knew what the artist knows,
then i wouldn’t be afraid to die,
to leave everyone

i would be sure that some part of me
would remain present
and that one day you would join me
as the wind howling on its journey
or the bright moment of a flowering desert

if i knew what the artist knows,
i would surely respond soul and body
to the echo of the Ineffable in rough earthy things

i would not fear decay or work left undone
i would travel like the river through its rugged, irregular channels
comfortable with this life; imperfect, impermanent, and incomplete

Inspired by Leonard Koren, Wabi Sabi for Artists, Designers, Poets & Philosophers

© 2013, Jamie Dedes

Blessed Sacrament

In the ever-Summer glare and heat
I found my life’s pain and regret
sanctified into something replete
with but little Hope baptized in sweat.
So the torment, no matter how holy,
still rips around my beaten heart
as if it was something mad and solely
bent and intent to rip it apart.

Perhaps I can hallow my vessel so hollow
with the heat from a different kind of light,
as good for my soul as the heart to follow,
soothing all my pain with its godly might.
And that’s why I’m here dipping pen in ink,
the black sprung from my soul to my heart.
Drawing pictures in words so we all might drink
of this sacrament that heals me called Art.

 

As I like to say, completing these pieces I share does not make me feel better. But all the time spent immersed in the process of writing them does. And that, my friend, is the miracle of Art, no matter how poorly rendered. 

—Joseph Hesch © 2018

Potting Up the Peppermint

One drop of motor oil

rainbows on a puddle.

 

Limitless mileage

of mycelial felt tugs at roots.

 

Platters of map lichen spread

across the patient boulder.

 

Metastasis. Proliferation

screws up to war. Epidemics.

 

You’ve witnessed ignorance

stretch boundaries of hate.

 

When you yearn

for peace, cut sprigs

 

from the tub that tethers

run-away mint,

 

brew tea to tip

into a green cup,

 

pour love to all

gathered at your weary table.

© 2018, Tricia Knoll

Yours If You Will Take It

If you want to feel
the passing of night to day,
take my hand.
And if you would know
the road best travelled
see the lines on my face.
If you wish
the greatest gift ever,
lie beside me, feel my heart
and if you want to know
what lies behind the stars,
look into my eyes.
If you would feel
the world shift, then accept
happiness from my soul.
And if you want
a place always to return to
join me.
For this is not
slavish devotion.
Without thought.
Nor a storybook rhyme
that ends happily, regardless.
This is love.
As simple as it can be.

© 2018, Miki Byrne

Sore Spots

When we love. Truly love,
our skin becomes thin.
A fine, tender membrane.
Sensitive, delicate.
That leaves us vulnerable.
Open to the blade and scour
of a harsh word
or thoughtless gesture.
Yet that same skin rebounds.
Strong in its flexibility.
Allows healing and repairs
the sore spots of wounds
unintentionally inflicted.

© 2018, Miki Byrne