On Tenacity

ON TENACITY

by

Karen Fayeth (Oh Fair New Mexico)

Earlier this week I received the results of a competition I had entered, and for which I held out great hope. It was related to my writing and even an honorable mention would have been a huge step forward for me.

While entering I knew it was a long shot, but I really believed I had a chance.

Predictably, when the results were announced I was nowhere in the list, and yes, this got me a little down.

That’s the trouble, sometimes, with having hope. A burgeoning flower bud of belief can so easily get ravaged by insatiable locusts (over dramatic metaphor alert!!!).

When one is a rather sensitive artist type, it’s hard not to feel steamrolled at such times. Then again, what separates the doers from the dilettantes is tenacity.

So after feeling mopey for several days I am starting to rally. In defeat my resolve becomes just that much stronger.
For almost two years I have been using a really wonderful service that forces me to submit writing to literary journals every quarter. They are strict taskmasters and they keep me focused.

Once every three months I send out about thirty submissions, of which most of them are rejected. This means piles and piles of both email and snail mail arrive at my door just to say “you are not a good fit.”

Amazing how something like two hundred rejections can really make a girl immune to the woes. It’s like a pair of ill-fitting shoes. At first it hurts, then it makes a really painful blister, then finally a callus forms. The thin skin has toughened to endure the scraping.

Like that.

This morning I was thinking back to about seven years ago, back before The Good Man and I had married, and he was living in San Francisco’s North Beach. A really cool new art store had opened on Columbus Ave. near his place and I was just beginning my foray into the visual arts. Visual arts were a big departure from writing, which had dominated my creative juices for so long.
I loved everything about the art store and bought quite a few supplies there. One day they had posters up announcing an auction. Customers were invited to submit art works and the store would display them and then at the end of the month, the store auctioned them off for charity.

Great! I was on board. I created an item to give to the auction and when The Good Man turned in my piece for me, he was asked to put a starting bid. Because he loves me and encourages my work, he put the amount of $50 as a starting price instead of starting at zero as most other artists were doing.

Later, when we walked into the store to see my stuff on display, my piece was at the very, very back of the store among the tools and shelves where they stretch canvas. My work was clearly more amateur than the rest of the offerings and it stood out as the only one using the photographic medium, but ok. It was on display which was a huge rush.

When the auction was finished, they called to ask me to come pick up my work. The rather arrogant and sniffly clerk informed me bluntly that my piece was the ONLY one that hadn’t sold (meanwhile, he gave us a flyer so we could attend his exhibit of butt ugly paintings at a local small gallery).

I was, of course, embarrassed beyond belief, humiliated and totally crushed. Being judged by a more experienced (and in my mind, more talented) artist just about did me in.

Just thinking about it still gives me shudders of embarrassment. This morning in the wake of my recent defeat I thought again about this experience. I recalled today that among all the donated pieces, my work was the only one that listed a starting bid.

All others put in a starting bid of $0, and they all sold. Snotty clerk said they didn’t have a lot of bids and bidders. All of this means that at the end of the auction, someone could have thrown $5 at a piece of artwork and would have won.

Today I understand that instead of being sheepish about that whole thing, I should be proud. I may not have sold my work but I valued my art enough to put a price on it.

Which is stronger? Valuing my own work and not selling it at that auction, or giving it away for free, thus saying the value of my work is nothing?

I know which one I choose. Today I have straightened my spine and I feel a little better.

In defeat, my mettle is being tempered, and that only makes me stronger.

© 2013, essay, Karen Fayeth, All rights reserved. Photo by Claudia Akers.
Photo credit ~ Forge, ScienceGuide

KAREN FAYETH ~ is one of our regular contributing writers. She is our new tech manager, site co-administrator along with Jamie and Terri, and fiction and creative nonfiction editor. She blogs at Oh Fair New Mexico. Born with the writer’s eye and the heart of a story-teller, Karen Fayeth’s work is colored by the Mexican, Native American, and Western influences of her roots in rural New Mexico complemented by a growing urban aesthetic. Karen now lives in the San Francisco Bay area. When she’s not spinning a tale, she works as a senior executive for science and technology research organization.

Karen has won awards for her writing, photography, and art. Recent publication credits include a series of three features in New Mexico magazine and an essay with the online magazine Wild Violet.  Her latest short story will be published in the May edition of Foliate Oak. Karen’s photography is garnering considerable attention, but her proudest moment was having her “Bromance” (Aubry Huff and Pat Burrell) photo featured on Intentional Talk hosted by Chris Rose and Kevin Millar on MLB TV. She’s a Giant’s fan.