The Poet by Day Web/Zine Founder and Content Editor: Poet, “Poetry Champion,” Writer, and Managing Editor of The BeZine, a publication of The Bardo Group Beguines.
Formerly: a feature writer specializing in business, employment and vocational education and for two years, associate editor to the "California Job Journal" and for six years a columnist, "On the Job Front."
Current focus is poetry, creative nonfiction, fiction and iPhoneOgraphy with a special interests in art as a change agents and culinary arts.
Organized The BeZine 100,000 Poets (and friends) for Change as an annual virtual event and founded The Bardo Group – now The Bardo Group Beguines – to create a community of like-minded poets, writers, musicians and artists to help foster the peace, however modest the effort.
A new site is in process: Coffee, Tea and Poetry.
In the four-year history of TheBeZine, this is the most significant edition.All of our concerns – peace, environmental sustainability, human rights, freedom of expression – depend on a more equal distribution of wealth, on making sure no one goes hungry and on breaking-down barriers to employment, healthcare, education and racial and gender equity.
This pyramid (courtesy of Wikipedia) reveals that:
half of the world’s wealth belongs to the top 1%,
top 10% of adults hold 85%, while the bottom 90% hold the remaining 15% of the world’s total wealth,
top 30% of adults hold 97% of the total wealth.
We’re all cognizant of that profile, but if you feel you’re sitting pretty and you’re not at risk, you’re employed, educated and middle class after all, you’d be well-advised to reconsider. The middle class is now – and has been for some time – dramatically challenged to find work, to acquire jobs that are fairly paid, offer stability and reasonable hours, and in the U.S., enable them to send their children to college.
The implications of a concentration of wealth in the hands of the few, the oligarchs and mega-corporations, are horrendous. Not the least is the undermining of democracy. Those who vote for and support the oligarchs because they think that’s where their security lies are victims of propaganda and bound for disappointment. The shadow of catastrophe (not too strong a word) that hangs over us is not due to the poor or the “other” who doesn’t look like us, worship the same God, or speak the same language, but to the 1%. Huxley was disconcertingly prescient.
This month our core team and guest contributors create a picture that beckons and behoves us to abandon stereotypes and propaganda about the poor, to recognize slave labor in its most absolute terms (human trafficking and prison labor) and more subtly in the conditions faced by workers at almost all levels of the corporate pyramid. We are called to ethically source the products we buy, to study our history, to bravely speak out against injustice and stupidity and, by implication, to shine a light on best-practices, those programs, services and unofficial efforts in your city/town, region or country that are helping and that can easily be implemented anywhere in the world. (You can share these with everyone via our Facebook discussion group.)
Beginning with Juli’s impassioned editorial, The Exponential Demise of Our Well-being, and moving to our BeAttitudes: John Anstie’s powerful Dictators and Desperadoes … Delegation and Democracy; Corina Ravenscraft’s and Trace Lara Hentz’ thoughtful invitations to awareness; Phillip T. Stephens on prison injustice; Sue Dreamwalker’s encouragement to see the homeless as fully human (and she connects us with homeless poets and artists in England); and Joe Hesch’s honest exploration of self, we are called to responsibly participate in history.
We present a memoir from Renee Espriu and a short story from Joe Hesch this month. These are followed by yet another stellar poetry collection from poets around the world, including work by core-team members: Charles W. Martin and John Anstie.
New to our pages, a warm welcome to: Juli [Juxtaposed], Sue Dreamwalker, Michael Odiah, Evelyn Augusto, Michele Riedele, Irene Emmanuel and bogpan. We welcome work from among our previous and regular contributors: Paul Brookes, Trace Lara Hentz, Renee Espriu, Sonja Benskin Mescher, Denise Fletcher, Phillip T. Stephens, R.S. Chappell, Rob Cullen and Mark Heathcote.
In the spirit of peace, love (respect) and community
and on behalf of The Bardo Group Beguines, Jamie Dedes, Founding and Managing Editor, The BeZine
HUNGER, POVERTY and THE WORKING CLASS AS SLAVE LABOR
How to read this issue of THE BeZINE:
Click HERE to read the entire magazine by scrolling, or
You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.
Among Native American tribes, especially the Plains Indians, the bison is considered a sacred animal and regarded with reverence. Native Americans consider that all given to them by Nature was to be treated with great respect and the bison was used down to every last part to ensure survival of the tribes. How devastating the disappearance of the bison by the hand of the white man. That act itself alone could have destroyed the tribal nations on the plains because they depended upon the bison for their well being. How insulting to their beliefs. How could the senseless killing of almost all of these sacred animals be understood by the Native Americans…….or by we who look back at the senseless devastation.
LUKE PRATER‘s poetry is ever fascinating to me. He will tackle – as he has here – the same subject in more than one poetic form. Dedication, keen intellect and a singular irreverance are the hallmarks of this thirty-five year old English poet who took a degree in English lit with creative writing and performance and subsequently went to SOAS, London to study ethnomusicology at the master’s level. At twenty-seven he took up poetry, which he says saved his life – a thing it has done for many of us. More recently Luke added “iPhoneography” to his formidable list of accomplishments, shooting pictures and “editing the hell out of them.” Jamie Dedes
“They say a picture paints a thousand words; I’d argue the opposite.” Luke Prater
Fat Neverland (I’m Loathin’ It) – villanelle
Factory-farm ‘em on rainforest land,
jab ‘em with jittery antibiotics, in
serving a hoodwinked world’s worst burger-stand.
Nutrient nadir damn should have you banned,
even when just drunken teens in your night-kitchen
sucking down scared meat from rainforest land.
Wretched obese bloat and roll at your hand;
farmers on statutory antidepressants been
plying, supplying world’s worst burger-stand.
Consciences slip through ringed fingers like sand.
Wallets are plump; I’m still wondering why? (you grin)
greenlighting greenfelling greenforest land.
Golden the arches, but ain’t worth a grand;
Ronald’s grave future sees past catching up with him –
homeless – McCuster’s last fastburger-stand.
Clown let the kids party Fat Neverland,
Tinkerbell grounded by chow she’s demolishing.
Cattle confused grazing rainforest land,
passed off as food at world’s worst burger-stand.
Fat Neverland (I’m Loathin’ It) – Pushkin Sonnet
The cattle farmed where once was leafage,
force-fed with drugs unfit for us,
supplying world’s worst burger beefage
by farmers in disguised disgust.
Nutrition nadir should be outlawed,
to spare the trees the rasping chainsaw;
to spare the cattle cheap mince fate;
to close the flooding fast-food gate.
In wilful ignorance we swallow,
in sucking down scared meat with Coke.
Obese, they bloat in oily soak,
in lack of self-esteem they wallow.
Let kids carouse Fat Neverland,
at Ronald’s clowning, cloying hand.
Fat Neverland (I’m Loathin’ It) – free verse
Factory-farmed on rainforest land;
force-fed with antibiotics to serve a
hoodwinked world’s worst burger-stand.
A nutrient nadir that should have
them banned, even when just drunken
teens in their night-kitchen, sucking
down scared meat with cardboard and Coke.
Wretched obese bloat oily soak, in
triple chins of self-loathing they wallow;
farmers swallow disgust and
supplying mass substandard beef.
Consciences slip through
ringed fingers like sand.
LUKE PRATER is a seriously talented English poet and musician. Many of you may be familiar with his work. (And I believe his dad was a fairly well know and highly regarded musician in England.) Luke founded Facial Expression Poetry and Critique and WordSalad blog, both of which are gone now. He shared the piece above with readers several years ago. I present it as an example of his work for those of you who haven’t read him. He’s a very worthy man. If you are able to help a bit I hope you’ll consider doing so. / Jamie Dedes
I’ve been seriously unwell for a very, very long time. Fourteen years, in fact. Some of you know this, others don’t. For Facebook friends, and old friends I haven’t seen since school or my early/mid twenties, the truth is I have often made it seem like nothing is wrong. Which is possible on the internet, and with the crutch of a lot of medication. It almost feels like I’ve been living a lie for years, (when not completely absent), because I just wanted to snatch a few minutes of normal. To pretend everything’s okay. The point I’ve reached is this: I cannot continue — the years slipping away, existing rather than living, the continual pain, dis-ease and discomfort. Therefore my family (including sisters Susie Ro Prater and Joy Prater) are fundraising so I can go for treatment at a private clinic in Germany that specialises in chronic and degenerative diseases using stem-cell therapy and other protocols. We’re two thirds of the way there! Here is the link to the fundraising campaign –
Worthy projects that deserve attention … Featured: Evelyn Augusto’s “Guns Don’t Save Live, Poets Do,Dueling with Words to Stop Gun Violence;” Jazz singer Candice Hawley’s “Let’s Talk About it,” a free and open discussion of Anxiety and Depression; and, Rev. Terri Stewart’s Peacemaking Circles for Seattle’s incarcerated youth. Terri is the founder of The BeZine’s sister site, Beguine Again, and a member of the zine’s core team.
When I started The Bardo Group, now The Bardo Group Beguines (publishers of The BeZine), back in February 2011, I had in mind the human union in sacred space (common ground) as it is expressed through the arts and the sharing of work that is representative of universal human values however differently they might bloom in our varied religions and cultures. I feel that our art and our Internet-facilitated social connection offer a means to see one another in our simple humanity, as brothers and sisters, and not as “other.” They also offer a means to get some other good things done.
I have written about:
English poet and musician, John Anstie and the Grass Roots Poetry Group, that was founded through Twitter friendships and that published a collection to raise funds for UNICEF;
Dorothy Yamamoto, a poet and editor who brought a group of A-list English poets together…
” After silence, that which comes nearest to expressing the inexpressible is music ”
~ Aldous Huxley
Reading Michael Dickel’s introduction to last month’s edition of The BeZine, sowing the seeds of the mindset at the roots of the ethos of this publication – promoting peace, sustainability and social justice – but in particular, overcoming anger and harnessing it for good, he quotes a good deal of Audre Lorde’s laudable speech and essay The Uses of Anger: Women Responding to Racism, perhaps a reflection on what divides the world, what creates so much anxiety, political division, protective greed and selfishness.
So, we have music.
I don’t know about you, but there are few times in my life when music has done anything other than have a life enhancing and positive effect on me – with the possible exception of a Moody Blues concert I went to in 1969, in my university days, when I was left with a ringing in my ears for several days. This was, along with competitive shooting of Lee-Enfield .303 bore rifles at school, without ear defenders, probably the root of my tinnitus! Subsequently, I carry ear plugs and try to avoid over amplified performances by groups of musicians, who employ sound engineers, who may be – shall we say – aurally challenged!
Music, particularly live and acoustic music has played and still does play an increasingly major part in most of my life; it provides a therapy against the rigours and stresses of everyday living. But it does more than this.
My personal perspective on the value of poetry has some relevance here. It is a belief that poetry should always be one step removed from the obvious, the logical and rational, in order for it to awaken the right brain, the creative side of our amazing abilities as humans; to stimulate the visceral (as opposed to the purely intellectual, rational, ‘logical’) response. In turn, this has the potential to stimulate a fresh approach to solving our challenges, be they personal or global. This hits on the core mission of The BeZine in a big way.
But if poetry has this potential power to stimulate a new way of thinking outside the framework imposed by a culture of consumerism, greed and material comfort, as opposed to our social well being, then music does so with a vengeance. It is truly visceral without the constraints of language. Of course, when the poetry of lyrics is introduced to create song, then there is the opportunity to create something that is greater than the sum of its parts; synergy. It can provide something that dwells in the conscious and even subconscious for a lifetime – whoever forgets the words and melody of a song that they heard at a very poignant moment in their lives, which continues to inhabit a special place in memory, resonate and invoke the most emotional response every time it is heard. There are a few who would argue this is ‘just an over-emotional response’, but it may well be the last resort to aid the development of a greater understanding and a clearer insight into the human need for compassion as well as passion in their lives.
“If music be the food of love, play on;” said Duke Orsino “give me excess of it”. The opening lines of Shakespeare’s “Twelfth Night” speaks much for music, even though he goes on, cynically “that, surfeiting, the appetite may sicken, and so die”. Can you get too much of a good thing, I ask?
Music is so often a catalyst for romance. We could not even begin to count the number of songs that have ever been written over the ages on the subject of romantic or divine and spiritual love … and its consequences. However, I wonder how often we may contemplate how many instrumental or orchestral compositions there are, which, without words, in a different way, on a very different level, are capable of promoting a feeling of love and, equally, a sense of calm, peace, remorse, sadness, melancholy, a whole gamut of emotional responses that can and very often do bring about a state of mind that is elevated above the daily grind of our lives, the trauma, the tragedies, the disasters and injustices we witness every day in the news, and above all, the ability it has to help us cry. In this way, music can act as a protest against injustice and, in a sense, be ‘angry’, but still it can act as a relief for that anger, just as poets can find simply by writing a ‘political’ poem, which can relieve the frustration and anxiety brought about by political injustice. It is this value that I attach to music that I hold highest in my personal esteem for this art of arts.
It is, in fact, an art that can, like no other, combine the poetry of good lyrics, the rhythms of our roots, the vast array of instrumental sounds and voices, and the spine tingling harmonies they can create, into one; that can team itself with other art forms, particularly in photography, film and dance, but also notably in storytelling. What broadcast programme, be it documentary, drama, comedy, film (movie) is made without serious thought for the addition of music, a song, an orchestral piece, which so often includes a main theme along with incidental ‘tracks’ throughout its production, which then, of course, naturally leads to the merchandising of a soundtrack album.
Even the latest generation of advertisers have realised the visceral value of music, sometimes combined with poetry (look at Apple’s poetic narration by the inimitable and dearly missed Robin Williams, who significantly quoted from Walt Whitman’s poem O Me, O Life to evoke the kind of emotional responses that are known to drive most human decisions … in this case, to buy!
As a test of how important a part music plays in teasing our wallets from our pockets, next time such an advert hits your screen, try turning off the sound. What are you left with … not a lot that is meaningful. Now here, I hope the photographers and cinematographers amongst us (Naomi Baltuck) will not take exception to this notion that still and moving pictures cannot move us, which of course they can and a similar thesis to this could be written for the visceral value of great pictures, but I know you will trust that my meaning, in this context, is well intended!
This month, as lead editor for the anniversary edition of The BeZine, the first of its fifth year, we feel quite frankly blessed with the quantity and quality of contributions we have received from our regular core contributors, and I take my hat off to our new guest contributors, including some very talented young writers and musicians. The sizeable response of quality submissions makes this, I believe, our largest issue yet; like a big fat magazine, but without any adverts, in itself, says something about the importance we attach to music.
We have poems galore, almost all of which touch the music theme or contain subtle references to it. Two fellow Brits are amongst the new contributors to The BeZine. From musician and composer, Joseph Alen Shaw, a piece that addresses the core of the Bardo Group Bequines mission, Music Beyond Belief, on the subject of faith and musical composition in the 20th Century. Joseph has also contributed another account of one of his recent compositions, the Wentworth Cantata. British newcomer, historian and musician, Emily Needle, has written an account of her research on her travels through Eastern USA in 2015, into the achievements of a remarkable and little known Charleston man, who had a surprisingly big influence on Jazz music in the early 20th Century.
Beside Joseph and Emily, other new contributors have all embraced the music theme in such creative ways, mostly poetry but also some lyrical prose, with very interesting results. Stephanie Williams’ Singing Man is a charming prose piece that evokes a child’s certain view of what they like. S.R. Chappell has written a couple of poems in praise of music. Kakali Das Ghosh, in her poem, presents us with some very mystical feelings. Andrew Scott gives us a story of a gritty performer with all the emotional baggage that can accompany that way of life, and JB Mulligan writes three deeply insightful and thought provoking poems.
All of our regular contributors have also given us a wealth of musical delight and I thank them all for their excellence that has made this a very special issue.
Thanks are due to Glen Armstrong (his deeply nostalgic plea for vinyl records that ‘once had purpose’), Naomi Baltuck (for your photo essay with a family musical conclusion), Sonja Benskin Mesher (her beautiful reflective on ageing, remembering, companionship ends with music), Paul Brookes (fine poems, particularly clever is his onomatopoeic on a Bodhrán), Miki Byrne (whose poems about performance are both clever and revealing), Bill Cushing (and his handful of poems with oh so subtle musical references), Jamie Dedes (whose Orchestra of Impossible Beauty relates the moving story of the British ‘ParaOrchestra’ comprised of people with a variety of disabled conditions), Renee Espriu (and who can resist the image of how a child can hear the recording in a seashell of the sound of the sea or how they can bring home from school a musical instrument that’s bigger than themselves!), Denise Fletcher (on a trip to a Country Music Festival or the intrusive quality of loud music), Priscilla Galasso (for her usual insightful qualities), Mike Gallagher (for his remarkable, lyrical prose piece), Mark Heathcote (and his Whispering Muse), Charles Martin (and his ekphrastic haiku / senryu triplet), Liliana Negoi (for super imaginative variety of expression), Phillip Stephens (with a further challenging ekphrastic poem), John Sullivan (whose poems include a conversation with his radio, deeply embedded with the blues and a call to the Tripitaka of Buddhism), Lynn White (for not allowing us to forget the importance in our lives of birdsong), and the artful collaboration of photograph Amy Bassin and poet Mark Blickley in Screaming Mime.
So much delight from each and every one of our writers, I can’t tell you what a pleasure this has been, to write about one of my favourite pastimes.
It seems somehow right that we dance into our fifth year on a musical note and John’s perceptive and passionate introduction to this month’s The BeZine. It is no exaggeration to say that the longevity of this 100% volunteer effort is the outgrowth of the stalwart support of readers and contributors and the work, creativity, vision and perspicacity of our core team: John Anstie, Naomi Baltuck, James R. Cowles, Michael Dickel, Priscilla Galasso, Chrysty Hendrick, Joseph Hesch, Ruth Jewel, Charlie Martin, Liliana Negoi, Lana Phillips, Corina Ravenscraft ,Terri Stewart (founder of Beguine Again, our sister site), and Michael Watson.
There are so many other ways readers, contributors and team could choose to spend valuable time, but you have all chosen to invest a portion in this small effort to build a community of others.
This site was founded in 2011 with three American Buddhist friends. Two have passed on. Since that time as both blog and zine we have published the works of like-minded representing all races, at least six religions, agnosticism and atheism and, I believe, nearly thirty countries. We have stood in solidarity for kindness and joy and raised our voices for peace, environmental sustainability and social justice.
HAPPY ANNIVERSARY to all of us. Thank you everyone and may peace and friendship prevail.
On behalf of the Bardo Group Beguines
and in the spirit of peace, love (respect) and community, Jamie Dedes
MUSIC TO THE EYES
How to read this issue of THE BeZINE:
Click HERE to read the entire magazine by scrolling, or
You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.
One hundred thousand
Poets for change,
so many voices and
carefully chosen words,
at times decay into a void
of the anechoic chamber.
Earthly Fathers praying
for the Establishment,
that sets our stage,
and casts our values
in concrete, steel,
plastic … and carbon.
Leaders of the World,
whose balance sheets and
logical, numerate intellect
measure only a notion
of success. What is that?
Temper your ambition.
For aren’t we just that,
a wealth of rich and
maybe the only hope
for our universe
to understand itself?
Heavenly Mothers ask us
why digitise and monetise
and worship at the alter
of the great god, Thworg,
when we are in the face of
richness beyond measure.
Escape to the stars, if you will,
but answers will be found not
in the vanity of space-time travel,
but here, with this unaided vision
they lie in the green and blue,
right before your disbelieving eyes.
Permit your heart to rule
even if only one day a week, when
the visceral, and the common sense
will sit above logic and intellect, and
that subliminal noise in our head
will slowly rise to the conscious.
Maybe, one day we’ll be
Seven Thousand Million
Poets for Change!
Our time will come. Atonement beckons.
It’s in the wind, this beating heart,
a movement beyond the gaze of mortals …
Well, the Zine’s virtual “live” 100TPC Master of Ceremonies, Michael Dickel (Meta/ Phor(e) /Play), is doing the event from the Midwestern U.S. this year, not Israel, and I’m here in Northern California as back-up.
We have just a few hours to go before we begin The BeZine 100,000 Poets (and friends) for Change, 2017 (100TPC), our biggest event of The BeZine year. Do join us and bring your reading glasses and your work suggestive of peace, sustainability and social justice. Michael will get us started and I’ll be on hand to help put a wrap on things. We’ll run at least 24 hours to make it convenient for you to participate no matter where in the world you live.
You may have missed some of these posts that will clarify what we’re doing, how we’re doing it, and how you can participate. Here are two posts that you’ll find helpful:
” Musick has charms to soothe a savage breast “ ~ Playwright and Poet, William Congreve (1670-1729), in his 1697 play, ‘The Mourning Bride’.
A letter from John:
In asking for submissions of writing, poetry, art and even music itself for the Music themed October issue of The BeZine, I am conscious that the very subject of music leaves us with a huge scope. But if I am to offer any guidelines as to what you could think about in submitting work, it might be as follows.
My personal perspective on the value of poetry has some relevance here. It is a belief that poetry should always be one step removed from the obvious, the logical and rational, in order for it to awaken the right brain, the creative side of our amazing abilities as humans; to stimulate the visceral (as opposed to the purely intellectual, rational…
100,000 Poets for Change (100TPC) founders, Michael Rothenberg and Terri Carrion, have “built” a Resistance Poetry Wall in response to calls from all over the world for a place to post poetry and art in reaction to January’s election here in the U.S.
You do not have to limit your poetry to the situation in the States. You can share work that is relative to your country or your specific concerns. As Michael and Terri state:
“The poetry and art posted on the WALL are not limited to the USA elections. There are many issues that concern us all and we welcome your contribution to this page.”
These efforts do have their place and power. So far 190 people have shared work on The Poetry Resistance Wall. I hope to see you there too.
We invite you to share your most passionate works expressing kindness and human connection and the ways that together we might heal the degradation and devastation of wars and genocides; the heartbreak of refugees living in limbo; the desolation of hunger and famine and environmental catastrophes; the insanity of extrajudicial murders; and the disappointing growth in the West of racial and religious tensions and efforts by various administrations to chill dissent.
Please take this opportunity to join hands and hearts in peace and love: TEAM WITH US for The BeZine100TPC online “live” event this September 30th (our 6th year) to address peace, sustainability, and social justice through poetry, music (videos), art and anything artistic that can be posted online and accessed through a url link or by responding in the comments section of the event post. The BeZine 100TPC is one of hundreds of events that will be held around the world on September 30 under the rubric of Global 100TPC founded by poets Michael Rothenberg and Terri Carrion.
WE ACKNOWLEDGE that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.
100TPC is just one effort that illustrates the higher possibilities of the human heart.
Let us ply our art, meditations, and prayer toward that tipping point when compromise – an admittedly imperfect peace – will overcome war and respect for life will topple resentments and greed. That may not happen in our time, but it has to start somewhere and sometime. Together let this be our modest contribution toward an end for which diverse people the world over are working and praying.
HOW THE BeZINE “VIRTUAL” 100TPC WORKS … It’s easy and will be intuitively obvious, though we will provide instruction. A blog post will go up at The BeZine blog on September 30 with some introductory material and directions. As with any other blog post, you can respond by putting your poem or other work in the comments section. There will also be “Mister Linky” … a way to put in a link to relevant work on your site. It’s easy to use but if you don’t like it, you can just put your link in the comments section. That works!
American-Israeli poet,Michael Dickel (Meta/ Phore(e)/ Play), is an extraordinary – and at this point very experienced – Master of Ceremonies. He’ll maintain a rolling commentary in the comments section. I’ll be online to fill in for Michael when he takes a break and also to extend the length of the event.We’re in different time zones, though this year not half-a-day apart since he will be in the States. The idea is convenience and inclusively.
All types of artists and friends can participate no matter where they live in the world even if there is no event going on in their neighborhood and even if like me they are pretty much or completely home bound (which was the inspiration for the virtual event). You can participate in our virtual event even if you are at an off-line event. You can do both. We hope that you will not only share your artistry but also enjoy the artistry of others, which is what makes it like a live event. See you then … 🙂 We also hope that you’ll visit The BeZine to read our September edition, a prequel to the 100TPC event.
On behalf of The Bardo Group Beguines (publishers of The BeZine) and in the spirit of love (respect) and community, Jamie Dedes
Founding and Managing Editor The BeZine
Raccoon is a lot of different things to a lot of people. Probably one thing that all would agree is that they ‘get into things.’ They are so curious and resourceful. Years ago I lived in a huge old house in the middle of downtown Mountain View California built in 1906. It was on a big piece of property with a full size barn in back of the house. Located on the large back porch was an enclosed single toilet and a laundry room. There were the resident raccoons and opossums who knew no boundaries and in the middle of the city. My family of raccoons used to periodically raid the bag of dog kibble stored in the laundry room. Then, as it is their habit to clean their food, they would wash the kibble off in the toilet. So resourceful. We coexisted….like I always do with the wild things. My…
HOW A “VIRTUAL” 100TPC WORKS … It’s easy and will be intuitively obvious, though we will provide instruction. A blog post will go up on September 30 with some introductory material and directions. As with any other blog post, you can respond by putting your poem or other work in the comments section. There will also be “Mister Linky” … a way to put in a link to relevant work on your site. It’s easy to use, but if you don’t like it, you can still just put your link in the comments section. It works! Michael Dickel (Meta/ Phore(e)/ Play) is an extradinary – and at this point very experienced – Master of Ceremonies. He’ll maintain a rolling commentary in the comments section. I’ll be online to fill in for Michael when he takes a break and also to extend the length of the event.We’re in different time zones, though this year not half-a-day apart since he will be in the States. The idea is convenience and inclusivity. People can participate no matter where they live in the world even if there is no event going on in their neighborhood and even if like me they are pretty much or competely home bound (which was the inspiration for the virtual event). You can participate in our virtual event even if you are at an off-line event. You can do both. We hope that you will not only share a poem or two or three but also read the work of others, which is what makes it like a live poetry reading. See you then … 🙂 We also hope that on the 15th you’ll visit thebezine.com to read our September edition, which is a prequel to the 100TPC event.
If you have something to submit for the 100TPC Prequel edition of The BeZine, the deadline is tonight at midnight P.S.T. Forward work for consideration to firstname.lastname@example.org Themes: Peace, Sustainability, Social Justice. Don’t forget to mark your calendar to join us on September 30 for 100,000 Poets (and other artists and friends) for Change.
BEST PRACTICE/STAND UP FOR FREEDOM OF EXPRESSION by expressing yourself and your positions: All writers and poets, artists, musicians, playwrights and film-makers, clergy members and friends are invited to join us on September 30 for our sixth virtual 100,000 Poets (and other artists and friends) for Change (100TPC) beginning at 12:01 a.m. P.S.T. and extending at least 24 hours. We are doing this in concert with global 100TPC. American-Israeli poet, Michael Dickel (Meta/ Phor(3)/ Play), is Master of Ceremonies. We’ll provide direction on how to join in with us in the blog post that day. Find us at The BeZine.
In the spirit of peace, love (respect) and community and on behalf of the Bardo Group Beguines, publishers of The BeZine, Jamie Dedes
Founding and Managing Editor of The BeZine
Founder of The Bardo Group, now [with Terri Stewart (Beguine Again) our sister site], The Bardo Group Beguines
A unique collection of contemporary songs by artists who have been censored, persecuted, taken to court, imprisoned and even tortured for a very simple reason – their music.
SEPTEMBER 30 IS 100,000 POETS FOR CHANGE (100TPC), a big month for poets and other artists and friends.In honor of this annual global event, we are dedicating our September efforts to the interconnections/intersections of social justice, sustainability and peace and how each of these affects the others.
All topics related to the 100TPC themes of social justice, sustainability and peace are welcome. However, we are particularly interested in a positive focus on the need for human connectedness, healthy human interrelations, and caring for our fellow human beings.
“From police killings of unarmed citizens to governments rejecting immigrants and refugees; from racism to anti-Islam and anti-Semitism; from state-sponsored violence to terrorism – the political landscape increasingly devalues some among humanity over others. Given the rise of anti-humanity activism in the struggle for ‘power over’ – militarization of police, white Supremacism, NAZism, KKK,and corporate greed, for examples – as part of the mainstream’ U.S. political landscape that culminated in the most recent election cycle with the election of Donald Trump and in Virginia (among other white supremacist terrorist acts), the focus of this year’s 100TPC at The BeZine is why caring for our fellow human beings is the prime desirable human value and how social justice, sustainability and peace arise from that caring and contribute to all of humanity.” Michael Dickel (Meta/Phor(e)/Play), The BeZine 100TPC Master of Ceremonies
THE BeZINE SEPTEMBER SCHEDULE:
September 10: deadline for submissions to the September issue. Email them to me at email@example.com by midnight PST.
September 30: The BeZine 100,000 Poets (and other artists and friends) 6th Annual Virtual Event with Master of Ceremonies, Isrseli-American poet, Michael Dickel (Meta/Phor(e)/Play)
Peace, sustainability and social justice are the themes set for global 100TPC by cofounders Michael Rothenburg and Terri Carrion when the event was first started in 2011. I think the number of events scheduled at various places around the world is around 600 for 2017. To find or organize an event in your area link to 100TPC global HERE. I’ve also been posting announcements from around the world on The Poet by Day Facebook Pageas they come in but you will find the most comprehensive and up-to-date info at 100TPC.
Russian Stage and Film Director, Theater Designer, and Artistic Director of the Gogol Center, Kirill Serebrennikov (b. 1969)
The detention yesterday of Russian Stage and Film Director, Kirill SemyonovichSerebrennikov, on dubious charges is part of a concerted campaign to silence dissenting voices in the arts in Russia.
Serebrennikov’s father was Jewish and a surgeon. His mother was from the Ukraine and taught Russian. Serebrennikov was graduated from Rostov State University in 1992. He was a physics major and had no formal theatre education prior to his 1994 debut as a stage director.
According to PEN America, Serebrennikov was detained on and will face trial on embezzlement. He is accused of embezzling 68 million rubles ($1.1 million) of state funding for a project called Platform, the purpose of which was to promote modern dance, theatre, and music to wider audiences. Investigators claimed that part of the project, a production…