At the start of yet another war
We sat on the brown carpet when they bombed Baghdad. Someone made popcorn, probably Mom, or maybe we were eating dinner–pork chops, probably, with apple sauce–as we watched lights streaking through the sky a world away entertainment for middle class American families who were footing the bill although they never polled us and said: this, or free college. This, or the future. This, or joy. And some years later at another advent the boss sent me with a notebook in my hand to Our Lady of Peace. Taper candles bloomed, people murmuring on their knees for peace because they knew nothing about Afghanistan— anything at all about the place, except people lived there, and they had children, and they would die from bullets and bombs lofted by other children, maybe even their own, who might also die. Their prayers didn’t work, not even after seventeen years. No one polled us then, either. No one polled the women of Afghanistan, the chess-players in Iraq, the kids who loved soccer or the flower vendor. And now, under the onion domes, people are praying, lighting those candles with that peaceful smell that comes somehow from burning wax in front of those shining gold icons and in the streets wrapped in sheets of azure and gold a representation of wheat fields under sky. And others are watching the evening news with popcorn and pork chops, watching the lights and smoke much as we did a long time ago. I’m not sure when prayers will ever start working. I’m thinking that something more is required than icons and wishes and incense, or chants in the street. Someone needs to poll the people of Russia, the people of Ukraine, all of us, really, and say: this, or the face of your nephew, this, or those gold wheat fields under the sky this, or the stadium where you cheered on your side and hugged in the pub afterward this or your children, this or the future, this or love. Because the prayers never work so maybe we should start taking some polls.

©2023 Irina Tall
drawing
The blackbird
I should offer prayers, I know, the heart’s alms for the dying and the lost. So much pain permeates, a choking smoke. And yet today the first groundhog awoke, stumbled out on the ice-smoothed ground without regret. A blackbird sang on a distant tree. So much we can snuff on a whim, candles of lives burning their merry brightness to light the gloom. Everywhere is a church, each step a pilgrimage to the holy, and yet I still can’t pray or bow my head. I can’t fall onto my knees and beg for who is there to listen to these entreaties who isn’t already listening to the blackbird and the bomb? My heart yearns for a rifle, for a shield and some bandages, my heart yearns for body armor, bullets and a tank and that’s quite the problem, isn’t it: so many temples we burn to the ground in the name of a grand idea. But I’m no sniper; I flinch to kill bees, even the groundhog that eats my garden is spared with a grudging mercy. Empty-handed, all I can offer is love. Not a bullet nor a hex, but only foolish love—for a bird, for a rodent, for people I don’t know crouching with rifles. As the boots approach they hear a bird sing her prayer for the spring.

©2023 Tina Rimbaldo
watercolor
Armageddon
The old man should do more—pound his frail fist on the table, make the end happen, for the prophets predicted this: you sifted through the words, assigned each syllable numbers and added them up. The word of god never fails, you say, and the streak through the sky the fire of those angels— the ending of it all is just a sign that your side has won. You’re so eager for this ending, when the boss comes back with those holes in his feet and a checklist. His pure hand will wipe the burning world clean and if you’re good, he’ll bring you back with him, if you never doubted your gender or kissed someone you shouldn’t have kissed, if you had the right thoughts and believed the right things back you go to your assigned desk, so good, so very good you are, everyone smiles. But I can’t help but wonder if someone who devoted seven days to a project— one this intense, with so many parts— and finally kicked back, saying,“It’s good, it really is” and chuckled in awesome delight would be keen on some kids trashing it over some schoolyard taunt, those fist-to-the-head arguments kids get because their brains are still developing and rage controls them like marionettes. Did They spend so much time perfecting the passionflower and the peacock, even the tardigrades, just to let some argument wipe it all out? A nuclear warhead is a misappropriation of light, turning enlightenment into something obscene. Somehow it’s only important your side wins and you get the corner desk. People like me will burn anyway, you say, or end up in that place with tardigrades and starlings when heaven goes corporate. But I wouldn’t be so eager for that performance review if I were you. You didn’t read the employee manual.
©2023 Jenne Micale
All rights reserved

Jenne Micale…
…lives in the woods in Upstate New York with her husband and cat. When she’s not scribbling, she is making music as the ethereal/wyrd folk project Kwannon, learning Gaeilge and practicing aikido badly. Her work has appeared in Mandragora, Enheduenna, Oprelle, Last Leaves and Sandpiper, among other places.
Website / Blog
