The Path of Empathy

“When did the left foot stop walking with the right?
—Fu Schroeder
Green Gulf Ranch, California

Head swollen, eyes still blackened and green
from injuries sustained in a skirmish
I turn to meditation

My body this old dog
finds a spot to rest—
it is my mind that rattles
like a snake in a bamboo tube

Is it not the same with war and peace?
Within without
my country your country
I’m right you’re wrong
Hsssssssss
Many go to war two by two—
left foot right foot
left foot right foot
forgetting they are One.
Others—yogis
may cross the entire universe
without ever having left

Every day
I put one breath after the other
just as Someone Else
puts the other breath before.
Breathing out breathing in–
the world becomes larger
the world becomes smaller–
continuously living
continually dying

On stage online on website blogs:
message in a bottle—
see me hear me feel me touch me
screams a disappearing world in high definition
while I in my easy chair feed these pages
with bite-size impressions

3,000 Burmese monks walk barefoot
in protest of their government
3,000 Burmese monks walk barefoot
with Jesus in the desert
walk barefoot
with Buddha in the forest
walk barefoot
with Moses on the mountain
The earth is moving (New stanza)
and still I sit
The mountains are moving-
they are running beside the rivers
But I do not budge–
I hear but I do not listen
I am liquid says the snake your river flows within
I am skin says the snake you can peel me like a glove
I am mindful says the snake
you must change to BE changed.

When did the left foot stop walking with the right?
When did you stop becoming me?

There are many languages
but there is only one tongue
When I opened up my mouth and heard myself scream
I could feel the dry explosion in the squeeze of my throat.
I could taste its bitter root on the tip of my tongue
When I opened up my mouth and heard myself scream
a thousand consonants like stars flew in different directions
Consonants gagged on spittle and yesterday’s dust
consonants gagged on consonants
and in no particular order

When I opened up my mouth and heard myself scream
I knew then that they would want to blindfold this poem
and question it until it cracked!
Soon they are sticking bamboo shoots
under the nails of every sentence to extract their full meaning.
But I do not budge
I won’t give up the vowels
I WON”T GIVE UP THE VOWELS!!!

I a large toad growing larger on my cushion
transforming in mid-air… nightmare into dream
Eyes that stutter with all the old stories–
the history of my life
written across my bruised body in Braille

Where is Kindness?
with her thousand fingertips
to trace the shadow of our suffering
and soothe its man?
What have they done with Quon Yin?
with her thousand arms and cameras flashing–
eyes rolling in the palms of her Hand
eyes to record and to remember. ..
what we leave out!

3,000 Burmese monks walk barefoot
in protest of their government
while I a large toad a leap of faith
go hopping on one foot across the Universe
across the only One path I know—
the path of empathy

My mother (breathing out, breathing in)
rolled bandages in basements
with women who wore numbers on their arms.
My father (left foot right foot)
could never step into anyone else’s shoes
When he died…they had to cut off both his feet

When did the left foot stop walking with the right.
When did I stop…becoming you?

First published in Big Bridge

© 2020, Antonia Alexandra Klimenko

ANTONIA ALEXANDRA KLIMENKO was first introduced on the BBC and to the literary world by the legendary James Meary Tambimuttu of Poetry London. A former San Francisco Poetry Slam Champion, she is widely published. Her work has appeared in (among others) XXI Century World Literature (in which she represents France) and Maintenant : Journal of Contemporary Dada Writing and Art archived at the Smithsonian Institution in Washington, D.C. and New York’s Museum of Modern Art. She is the recipient of two grants:  one from Poets in Need, of which Michael (100 Thousand Poets for Change) Rothenberg is a co-founder; the second—the 2018 Generosity Award bestowed on her by Kathleen Spivack and Josheph Murray for her outstanding service to international writers through SpokenWord Paris where she is Writer/ Poet in Residence.


 

To Write a Peace Poem


“Poetry. It’s better than war!”  Michael Rothenberg, cofounder of 100,000 Poets (and friends) for Change


Introduction for grownups

In 2013, I originally developed this exercise for some poetry workshops geared to upper-elementary school children in English language classes at The Jerusalem School of Beit Hanina, in East Jerusalem. The school’s motto is “Peace begins with me,” also the name of a poetry anthology for children. My workshops coincided with Peace Days at the school. This version is modified here a wider audience.

I posted it on my blogZine, Meta/ Phor(e) /Play in 2018. It has been a very popular post, one of the most popular on that Zine.

Please feel free to use this exercise with children, teens, adults you know or work with, and to modify it to your needs. I ask only that you give me credit for it and include the credits for the poems, if you use them.


Introduction for everybody

There are some words a poet might call “big.” They are not long words, with lots of letters. However, they are “big” because when you say them or when you read them, they hold a lot of things in them or a large, important meaning.

Now, if a word is very big, a poet may not want to use it in the poem at all. The whole poem may be about this very big word. If I put the word in my poem, though, it could break the poem. A person reading it would not know exactly what I meant by it. Or a person may mean one of the other things the word could mean.

Peace can be a very big word like that. We can all say we want peace. Every person might make a wish like this: “May Peace prevail on Earth.” (When something “prevails,” it wins, it is everywhere and leads everything.) Yet, the poet asks, “What do I mean by peace? What exactly is this peace I want?”

Poets can write about a big word like peace though, if they ask questions about it. They write about the answers they find. They do not always use the word “peace” when they do.

Let’s try to write a poem now, about peace. But don’t use the word peace!

Instead, ask some questions about peace, and write your answers down.


What kind of questions do poets ask?

Some of the questions poets ask have to do with the senses. Others have to do with places, or people, or things.

Below are some questions a poet might ask. They are here to help you write a poem about peace. You can ask your own questions, too.

Write down some answers to these questions (or your own, or both). You can make a list of words or phrases, write a sentence, a paragraph, a story, or a piece of a poem…

But you don’t have to write the whole poem. You will do that after answering the questions.

Some questions to help you start

1. What does peace look like? Is there a place that you go to or have gone to where you can see peace? Where the view looks like peace?

2. What would peace feel like, if you could touch it? Is there something you touch that feels like peace to you?

3. What does peace sound like? Is there a sound you hear every day or just sometimes that sounds like peace for you?

4 What about a taste? What would peace taste like ? Do you eat anything that tastes like peace?

5. What would peace smell like? Do you ever smell peace? What other things might smell like peace?

Some more questions

Your answers from the questions you just answered can help you answer some of these questions. Or, write new answers.

Imagine someone who doesn’t know what peace is. Try to describe peace to this person as though it is an object in the world.

What does it look like?

What does it sound like?

What does it smell like?

What does it taste like?

And, what does it feel like?

Imagine someone else who doesn’t know what peace is. Try to describe peace as something people do.

Who does it?

What do they do?

Where do they do it?

When do they do it?

Why do they do it?

How do they do it?

What do they look like doing it?

What do they sound like?

Write your own poem

Look over all of your answers. Can you think of other things to write to say more about your answers? Do you have other questions that you want to ask about peace?

Do some of your answers help you think of a poem to write?

Are some of your answers fun? Funny?

Do some excite you?

Do some seem very true to you?

Do the answers to one question seem connected to the answers to another one?

Now write down a poem. You can change it as you go. You can change it after it is all written down the first time, too. Your poem can rhyme, but it doesn’t have to. The lines of a poem are usually short, but you can also write them longer. Usually, they are not really, really long. Sometimes, they look like prose (and are called “prose poems”).

Try it now!


Now that you have written a poem

Go to page 2 to read two of my poems that I share with classes.


Bizarre

We bring
Truth through lies
Reconstruction through destruction
Peace through violence
Liberation through occupation
Democracy through repression
Life through death.Their propaganda
Our news
Embedded.
Our intelligence; their spies
Their guerrilla war,
Our just cause
Our soldiers; their terrorists
Their irregulars; our resistance
Our freedom fighters; their guerrillas.

Their weapons of mass destruction
Our deterrents.
Our collateral damage
Their atrocities.
Their war criminals
Our special forces
Guilty losers
Never winners

How bizarre.

© 2020, Mike Gallagher


MIKE GALLAGHER was born on Achill Island in 1941. Like practically all islanders and the majority of young people born on the west coast of Ireland at that time, he was forced to emigrate, arriving in London in 1960. For the next forty years, he worked on building sites there. On returning to Ireland he worked in construction for a further ten years. He did not find the building industry conducive to writing and, consequently, did not write his first poem until he was sixty-three years old. Since then, he has been published and translated throughout the world.

He won the Michael Hartnett Viva Voce competition in 2010 and 2016, was shortlisted for the Hennessy Award in 2011 and won the Desmond O’Grady International Poetry Contest in 2012. In 2018, he was placed at Listowel Writers Week.

His poetry collection Stick on Stone was published by Revival Press in 2013.

Another protest song | a poem

 

Again. War machines seek blood.
Fucking military industrialists
penetrating, Trump’s premature
timing, vampire-sucking lives dry.

Hezbollah meeting
with Hamas faction leaders.
A pre-dawn rocket fired
from southern Gaza
to north of Tel Aviv.

The pounding of Gaza
a deep bass drum.

Let’s try canceling
the Israel elections.
If Bibi-Bob does it here,
Trumpty-dump can do it

anywhere.
Tick-tock

unwind the lock
rewind the hammer,
the bell, the song.

Peace.

Peace.

Peace.

Ring your bells
across the valleys
and echo across the hills
until the war machines
break down under
pressures of harmony.

–2019 from Israel

©2019 Michael Dickel

History of Peace / History of War
Digital Landscape from Photographs
©2020 Michael Dickel

 


Michael Dickel
Lucky Goat Café,
Tallahassee Florida
©2018 Cindy Dickel

Michael Dickel (a contributing editor for The BeZine) has had writing and art in print and online since 1987.  His latest collection of poetry, Nothing Remembers, came out in 2019 from Finishing Line Press, and received 3rd place for poetry in the Feathered Quill Book Awards–2020. His also won the international Reuben Rose Poetry Award (2009 and 2008), and has been translated into several languages. A poetry chap book, Breakfast at the End of Capitalism, came out in 2017; The Palm Reading after The Toad’s Garden, a flash fiction collection, came out in 2016. Previous books: War Surrounds Us (2014), Midwest / Mid-East (2012), and The World Behind It, Chaos… (2009). He co-edited Voices Israel Volume 36, was managing editor for arc-23 and -24, and is a past-chair of the Israel Association of Writers in English. With producer / director David Fisher, he received a U.S.A. National Endowment of Humanities documentary-film development grant. He currently is a lecturer at David Yellin Academic College of Education, Jerusalem, Israel.



For Victims of Natural Catastrophes

We cross the river to the other side where a mother
and child wait for the sun before going forward. The

new day a promise fulfilled to them. And us. So we
celebrate life every day because a catastrophe can

happen without a moment’s notice. Uprooting. To
transport the will where it does not want to go.

A stubbornness unfamiliar only in its familiarity,
like a counterpart that is part of the whole.

Life happens with intrusions. It is true that every-
thing breaks and needs fixing. An answer that precedes

the question that births it. There is a fate
that becomes you and that you need to make

a home of, with walls of hope that let love in.

© 2019, Elvis Alves

Elvis Alves is the author of Bitter Melon (2013), Ota Benga (2017), and I Am No Battlefield But A Forest Of Trees Growing (2018), winner of the Jacopone da Todi poetry book prize. Elvis lives in New York City with his family.

Life Is Divine

Some stories encourage and build stamina.  Some stories touch and heal. Yet, some stories break hearts and forever refuse to be forgotten.  This is one such story.

It is the story of a love so intense, so our and blessed, that in the city of Chogoria where it took place, it is current news for any and all with a heart that feels.

Her name is Minne. A girl wellbroupt up but orphaned at fourteen. Both parents perishing in a fatal car crash that left Minne in a wheelchair for a solid year.  She recovered.  Using crutches at first but through sheer determination, she went on to walk and later to run.

It is her physiotherapist who owed gratitude for seeing her walk through encouragement long before the pain of the injuries had dulled.  She fell in love with the angel helper.

Five years later she wed him. Bliss. Heaven. Paradise.

Not nine months later when baby Roy was born.

The seemingly healthy child had jelly bones and could not support his head even at six months.  His droopy eyes said more to the father with the medical background than the young mother in love with her cherubic angel.

By eight months, even the mother sensed paradise was losing something.  Roy could not sit unsupported. He drooled nonstop.

The doctor’s report was devastating. However, it was not as devastating as the suggestion by the father that they give the boy up for adoption.

“What!”  The shocked mother howled at the husband’s suggestion.

“Baby,” he called cooly as many a doctor would react even in the face of bad news to a patient.  “We cannot afford to keep him. You aren’t even work. How do you expect we shall take care of an autistic child.?”

Minne’s heart shattered into a thousand shards.

She looked Roy senior in the eye and didn’t recognize him.

She looked him further and saw a stranger.

She wept. O how she wept, as she hugged her sweet innocent cild who for no fault of his own would have to depend on parents longer than other children.

That was not the worst.  A week to the day, Roy senior did not come home from work. Neither the following day nor the one after.

Minnie called him. She called the police. She called his only sibling, a sister. None had an answer for her.

At the end of the month she received a letter.  She was to vacate the doctors’ quarters since her husband had deserted his duties at the hospital. Shock and disbelief and finally belief as she moved out of the house a fortnight later.

To where? To whom? With what means?

She wept silently at first and then she wailed.  When Roy junior joined her in this unfamiliar who, she had to gather strength and calm for his sake.

She sold cheaply what she could, gathered what she could carry and went back to the old deserted home where she was born.There she sang sad lullabies to her son. She great chickens and tomatoes in the yard.

Roy walked at four years of age. Roy went to school at seven. At thirteen he could ride a bike. At seventeen he could read and write. At twenty-on he fell in love for the first time and did a painting of his girl. He was a great artist.

At twenty-four he married Wendy in the local church.

Roy missed all this. He missed the twin boys born of this beautiful couple.

Love conquers all.

Originally published in Autism: An Advocate Initiative

© 2019, Nancy Ndeke

NANCY NDEKE is the Associate Editor of Liberated Voices,  a Poet of international acclaim, and a reputable literary arts consultant. Her writings and her poetry are featured in several collections, anthologies and publications around the globe including the American magazine Wild Fire, Save Africa Anthology. World Federation of Poets in Mexico. Ndeke is a Resident Contributor of the Brave Voices Poetry Journal since mid-2018. African Contributor to the DIFFERENT TRUTHS, a publication that sensitizes the world on the plight of Autism edited by Aridham Roy. SAVE AFRCA ANTHOLOGY, edited by Prof. Dave Gretch of Canada and reviewed by Joseph Spence Jr., has featured her poetry and a paper on issues afflicting Africa and Africans.

Health Is Health, But Love Is Love

Those who have heard the story of baby Leon have had constant tears running down their cheeks.  It is the story of loss, grief, and love beyond what many think they can handle.

Leon’s birth was difficult.  The mother was a young university graduate waiting to report to her first job after three months.  Leon’s dad was abroad at the time his beautiful wife went into labour.

The waters broke at midnight.  Mary was expecting the baby in ten days, so it was a surprise.  She was rushed to the hospital by a kind neighbour.

That was the end of good news. Mary labored for the next ten hours and by the time the resident doctor took her in for a cesarean section, Mary had lost consciousness and there was no baby movement at all. Mary only woke up long enough to name the baby.  She passed on without ever seeing her son or ever holding him.

Baby Leon was a silent baby.  He made no sound after a thirty minute struggle to have his breath.  His father found the body of his wife and the baby with tubes along his nose and IV drip in the nursery.  Joseph was inconsolable.  But like all things life and death, he had to attend to the final rites of his beloved wife and bury her.  Then he came for his baby.

The doctor could not look him in the eye as he explained what he could expect from his son.  That it was quite possible that Leon’s brain was damaged by the difficult birth process.

How much could a man take, Joseph thought as he fought a fresh bout of tears?

“I see,” Joseph mumbled.  As a matter of fact, he did not see anything but a long stretch of misery and darkness.

He did take his son home. He had taken leave to take care of the matters surrounding him.  He installed little Leon in his bedroom and took to caring for his son henceforth.

It was hard and he had to engage a nurse.  The boy grew but slowly. Unlike most kids his age, he could not support his frame at eight months and only managed to sit at one-and-a-half-years of age.

Joseph had by then changed careers and was now a stay at home daddy working online to support himself and his son.

His family was supportive but in a very intrusive manner. His mother was of the opinion that he should marry another woman to help him take care of the boy.  Joseph knew not to argue though that consideration was a dead thought.

His sister had tried a hundred times to hitch him to a girlfriend of hers as a potential candidate for a wife.  Joseph, having installed a CCTV camera in all the rooms in the house was shocked at the prospective girlfriend’s reaction to Leon.  Horror was evident even as she sweetly smiled at him.

As years rolled on, Leon learnt some basics.  He smiled more to his dad. He could identify some animals on the chart that Joseph used to teach him. He could call the family dog, which was his best friend, as well as the sly cat that kept escaping his grasp every time Leon tried to catch it.  Those were moments that brought joy and tears to Joseph’s eyes.

Then, one day when Leon was seven, as the family watched cartoon in their living room, Leon turned and said, “Aba one you.”

Joseph almost fell over. In tears, he kept saying over and over again, “O my God! O my God! I love you too. I love you too, Son.”

He even called his doctor to share the good news seeing that he did’t have many friends.

He hugged his son on and on and kept tempting him to repeat the magical words.  Lean didn’t.

Most afternoons, Joseph took Leon swimming.  That was a recommendation from the doctor. So, after the wonderful affirmation that his son might eventually speak normally, it was time for their swimming class.

As Joseph bent over Leon to prepare him for swimming, something seemed strange.  Leon seemed to be smiling, but this time there was no drool on the sides of his mouth.  Leon’s brown eyes were fixed on his face.

Joseph sat up straight.

“Leon,” he cried.  Panic washed over him in waves.

“Leoooon!”

The empty stare and the fixed smile.

Joseph let out such a scream, the neighbors came running.

At little Leon’s funeral, Joseph allowed no one to speak of his son but himself.  Even then, he chose to recite a poem:

To Leon, My Broken Sparrow

You came whole baby sparrow,
En route, brokenness grazed your hand,
You landed on loves lap taking the tit away,
Leon, my broken sparrow,
You said you loved me and I believed,
You held my hand when insanity threatened to take me away,
You taught me about humanity beyond what psychologists could ever know,
Leon, my broken sparrow, how I loved you so,
And knowing about love and how it never ends,
Your body like your mama’s here I let you live,
But in my heart of hearts where soul lives eternal,
I treasure what we had and what we didn’t have, all in the safety of memories,
So goodbye my little sparrow for now you are made whole

Those who have heard the story of baby Leon have had constant tears running down their cheeks.  It is the story of loss, grief, and love beyond what many things they can handle.  Many thought Joseph had gone made. A few knew that Joseph had accepted his fate with his creator. Tears express both sorrow and joy.

Originally published in Autism: An Advocate Initiative

© 2019, Nancy Ndeke

NANCY NDEKE is the Associate Editor of Liberated Voices,  a Poet of international acclaim, and a reputable literary arts consultant. Her writings and her poetry are featured in several collections, anthologies and publications around the globe including the American magazine Wild Fire, Save Africa Anthology. World Federation of Poets in Mexico. Ndeke is a Resident Contributor of the Brave Voices Poetry Journal since mid-2018. African Contributor to the DIFFERENT TRUTHS, a publication that sensitizes the world on the plight of Autism edited by Aridham Roy. SAVE AFRCA ANTHOLOGY, edited by Prof. Dave Gretch of Canada and reviewed by Joseph Spence Jr., has featured her poetry and a paper on issues afflicting Africa and Africans.

A Christmas Connection

This quarter The BeZine focuses on “A Life of the Spirit”. Read here and be inspired by others who show us that the word “Spirit” comes in many forms, shapes, sizes and meanings. I chose to write a poem about part of the “Christmas Spirit”, which is spending time with loved ones at Christmas dinner, the connections we have with others we cherish. But what about those who don’t have anyone to enjoy that event with?

The holidays can be extra challenging for the elderly. Often alone, with no one to spend these special days with, they can get depressed and lonely. Please make an effort this season to check in and spend a little time with any seniors you might know who could use a smile or two, whether they’re family, friends, neighbors or even strangers in nursing homes. Give the gift of your time and attention to someone older. It’s one of the greatest presents they can receive. 🙂

~ A Christmas Connection ~

He shuffled softly down the well-lit aisles,
Searching for a Christmas meal just for one.
His wife, God rest her, was gone a long while,
And he knew the kids weren’t able to come.
Of course they were busy, lived far away,
But he missed their smiles, and the grand kids, too.
“We’ll see you next year!” They would no doubt say,
Though their short visits were still far too few.

She came looking for a Christmas repast,
Stopped in front of the frozen t.v. meals.
Her faint breath frosted the door of thick glass,
Of the case which housed the advertised deals.
Her mind caught in times of holidays past,
She recalled the faces and names held dear.
Of all those remembered, she was the last.
Old and lonely, she now found herself here.

The man paused in the frozen dinners aisle,
Drawn to the woman’s soft, sad demeanor.
He wondered if he could coax a small smile,
Ambled closer, picking out a dinner.
As she reached for one, it slipped from the shelf,
Fell to the floor near the elderly man.
“Turkey Pot Pie? Almost got this, myself,”
The man smiled gently, the box in his hand.

Cheeks pink from embarrassment, she smiled too.
“Thank you,” she said. “I don’t cook anymore.
It’s just me now, so no real reason to.”
He nodded agreement, closed the case door.
“Forgive me if this sounds forward,” he said.
“But would you care to have dinner with me?”
Afraid of rejection, he rushed ahead,
“I’m by myself, too, and it’s rough, you see?”

“No one should be lonely on Christmas Eve.”
Her eyes got bright and she nodded assent.
She said, “Nor hungry either, I believe.”
He laughed, “I agree, one hundred percent!”
“I’m Josef,” he smiled, and gave a small bow.
“It’s nice to meet you. May I call you Joe?
I’m Marie,” she answered, less lonesome now.
From there, their friendship continued to grow…

© 2019, Corina Ravenscraft

CORINA RAVENSCRAFT ~ dragonkatet (Dragon’s Dreams) ~   posts about things important to her and the world in which we live. She  champions extra important political, societal and environmental issues, etc. Sometimes she waxes philosophical, because her blog is a place where she feels she always learns about herself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ – by which she doesn’t mean “net-working” – with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

The Damnedest Places

The hour-long litany of love and pain-stated-as-fact, went on and on. A mother dealing with the US health care system as it serves, and does not serve, an adult child with psychosis. Her child was in another state, both geographically, and mentally.

We sat in the back corner of the mall’s food court where my friend likes to meet monthly (“among life,” as she says) for spiritual direction. The food court’s back wall is all windows looking out over a sparsely-treed and, even more sparsely used, parking lot. Malls are no longer the place to shop. From those windows we have marked the change of seasons in the year we have met. Gazing from them, we have seen the young ash trees, planted strategically at the end of each row of largely empty parking spaces, as they struggled to grow in asphalt-topped soil. Life wants to live, though, and so those straggly saplings have gone from bare, to budded, to green, then brilliant yellow, and now faded and mostly naked again, without seeming to grow an inch.

We meet before the retailers are open, and well before the carousel and bumper-cars have been turned on in an attempt to amuse children who have forgotten how to amuse themselves. It is quiet in the mall before ten in the morning. The only people we see are the retired men who meet for coffee and complaints, and the sneakered “mall-walkers” who take their climate-controlled exercise on the cement floors of the upper level between shops filled with things no one needs, and many people want. It is all like a scene from the movie Wall-E.

On this particular day, my friend and I were both running a few minutes late due to traffic and life. As we greeted one another with apologies and hugs at our regular table with its three chairs, (one for her, one for me, and the third for the Holy Spirit,) we noticed a small, confused, bird darting from one corner to another, seeking some way out of the unnatural, nightless, treeless, world it found itself in.
We began, as we always do, with prayer. We included the little bird.

My friend began speaking, “I guess I want to start with my daughter. She has had a psychotic break. She had been doing so well.” My friend told me the story of her last two weeks, describing her daughter’s struggles with psychoses, addiction, and the challenges of gender transition. Her voice never quavered as we spoke about the conditions at Bellevue, where her daughter was receiving treatment, and the very different conditions at New York University’s Tisch Hospital just down the road.

She shared her daughter’s fear when placed on the male ward, where her body still qualified, but her mind and soul never had. She told me about unplanned bus trips into the City, and the friend who had opened his home to her; how she had made it a daily habit to walk from Bellevue to Tisch just to sit in a calm and clean lobby to gather her thoughts.

I listened, as I always do, noting the most tender bits of her story, noticing that she did not speak of her own heart, only what was happening with her daughter.

She didn’t tear up until the hour had ended and I asked about her feelings and her faith. The woman is grounded and centered, like the fabled tree planted beside a stream. She is also big-hearted, and her heart hurt for her child, and all the others she encountered. She told me how good most of the nurses, physicians, and social workers at Bellevue were. She could see God in these people, as clearly as we always saw the Holy Spirit in our monthly conversations.

We reflected that Christ is always present in the damnedest places; the places filled with pain, hurt, suffering and fear: in locked-wards, “factory farms,” battlefields and detention camps. Wherever the suffering are, the Compassionate One is there, also, waiting for us to recognize our eternal divine souls, even as our frail, human, skins tremble and quake, seeking a way out of the unnatural world we have created.

© 2019, Melina Rudman

MELINA RUDMAN is a writer, spiritual director, retreat leader and contemplative activist.  Melina’s first book, Sacred Ground, will be published by Anam Chara Books in Spring, 2020.  The book is an exploration and memoir of spirit and life in the natural world.
Melina holds a BA in Psychology and an MFA in Creative Nonfiction from Bay Path University in Longmeadow, MA.  She received her training as a spiritual director at Sacred Heart University in Fairfield, CT, and has completed programs at Hartford Seminary (Women’s Leadership Institute) and Harvard Divinity (Executive Education Program).
*
Melina is an avid gardener and environmentalist who sees the all things in God, and God in all things.  She grows fruit, flowers, herbs and vegetables in her backyard gardens, dubbed by a friend as “Generosity Farm.”
.
Melina lives with her husband and puppy in central Connecticut, near her children and grandchildren.

Progress

Last year, a wheelchair and sessions of hydrotherapy –
the water supporting your crumbling back
as you strode, slo-mo,
across the pool.

These days, no wheelchair. Exercise and calcium pills
have strengthened your muscles and bones,
but the pain still nags you
for Cocodamol.

A wheeled walker eases the stress on your back,
so you’ve stretched your walks ‘just round the block’
to half a mile
and the local shops.

Now you’re taking lengthier walks from the holiday let
down to the beach and to the restaurants in town.
No faster than you were,
but what great strides!

© 2019, Mantz Yorke

MANTZ YORKE is a former science teacher and researcher living in Manchester, England. His poems have appeared in a number of print magazines, anthologies and e-magazines in the UK, Ireland, Israel, Canada, the US, Australia and Hong Kong. His collection ‘Voyager’ will be published in February 2020.

The Enchained Spirit

Tied to the armchair with a broad brown leather belt, his fists clenched, muttering, gasping unintelligibly under his breath, angry at something or somebody, an unhappy frown shadowing his brow, hair cropped short, feet bare and sharply white. She recalled his first image, Everyone called him Tari. He was always around the house, on the bed, trying to walk along the wall, holding on to it for support, or sitting tied to the chair, but she never saw him run…..or maybe he could not. He never went to school either. she realized this, days, months, and years later. Then she heard someone say ‘mentally retarded by birth’ and needs to be treated by small doses of the drug Phenobarbital.

It was a disturbing evening when he just fell flat on his face and hit the side of the bed. Sharp cut in the forehead let out a gush of dark red blood. She was terrified, she started crying, crying at seeing him bleed, crying at his pain, which she felt. Why did she feel so?

Why did she like him so much? Who was he for her? He would smile at her when she went near him, he would suddenly grip her arm so hard that sometimes she would shout – Let go! Please. He would laugh, laugh and laugh. The laughter would turn into fits they made him roll on the floor. No one could stop him until the laughter turned into tears and moans of pain that no one could stop. Then she knew he could not stop himself. He would never be able to stop this laughter by himself.

She saw her father’s concerned face as he paced in the room; then heard him say “He cannot control this, it will require treatment.” She saw her father fill up a small syringe. He was a doctor. He inserted the needle into the shaking arm, the laughter mixed with cries continued. Trembling she went closer ,bent over him as he lay there, his eyes were closed , his face was wet; she felt afraid and then knew..Oh! He, he was her brother. He was only six years old. He would be fine when the laughter subsided and I thought all was well. She played with her sister when he would just sit in his chair tied to it. He liked music and songs. Father would put on the black records on the player. Tari would scream for more and it was difficult to stop.

Memories of painful cries strike sharply as she turns the pages of childhood. Mother was always working, cooking washing looking after guests and holding Tari . He was not a normal child. She never heard her mother complain about him but could often see her swollen eyes and sad countenance. They never went out in the evenings.

Who will look after Tari? That was always the question.

Tari did not know who he was . He could not change his clothes or eat by himself but they knew when he was hungry. He would scream and cry. He wanted to be part of life itself, hold onto something, wish for peace. One day she could not find one of her books. After a long search finally she saw it in Tari’s hands. He had twisted and crushed it.  It could not be read. Ahe cried, “Mama see what Tari has done to my book.” Mama was helpless. Tari could not be punished.

It was hot that summer afternoon. As she stepped off the tonga coming home from school, she sensed an unusual silence. The family stood in the porch, heads bent, faces concerned.

Her heart missed a beat and then beat faster, the heavy schoolbag bag felt heavier on the shoulder. Tari! She ran to his room; the chair was empty, the brown leather belt hung loose. “We can’t find him. Its been three hours now,” she heard a voice behind her. She sat down on the steps outside and stared emptily in the air. Evening turned into night, night into the next day. Three days went by. The lost Tari. Why was he in this world which he never knew nor understood?

For me he was a bond of love, of unconscious relationship, of mystic entity, a truth, a state, a form, an image yet a shadow; she wanted to help him but never knew how.

Mother was a pillar of patience having him as a child. She could not speak of his pain and fears, wants and needs, hurts and happiness. They could tie him to a chair but could not untie his being, his self, his mind;

Tari came into their lives with laughter with hope with a divine presence; he must be in heaven. His soul was alive but his Spirit, enchained.

© 2019, Anjum Wasim Dar

ANJUM WASIM DAR was born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani and educated at St Anne’s Presentation Convent Rawalpindi. She holds an MA in English. Anjum has be writing poems, articles, and stories since 1980. She is a published poet and was Awarded Poet of Merit Bronze Medal  2000 USA .She’s worked as Creative Writer Teacher Trainer and is an Educational Consultant by Profession.

The Valley of Death

“Whosoever believes in Allah and in the Last Day,
and does good deeds – all such people will have their reward with their Lord,
and there will be no reason for them to fear, nor shall they grieve.”
Surah Baqara The Cow 2.62



After Jamie Dedes’ poem

Every night I am taken to a place unknown
in a state, motionless, quiet, still like
a huge stone, unfelt, unheard, in oblivion
not knowing light or darkness or any color,

I cannot see the sky or stars or birds that
fly, or clouds that float in the vast blue
nor the sand or soil beneath my feet do
I feel, nor dainty flowers in my view, nor

fragrances in my senses do come, no one
is near me to hold or hug or comfort-
the last I remember, just a sharp pain rising
from the back, between the shoulder blades,

I was light as a feather, I was flying in a void
A blurred vision of
The softness of a pillow, a white sheet a warm
blanket cover and the faint odor of menthol

vaporub, fingers gripping the glowing beads
of ‘tasbeeh’, no consciousness of time –but
awareness of boundless dimly lit space
a dark shadowed ethereal plain, silent,

neither warm nor cold, no door floor or
fold yet there was someone beside, out
of sight, a shake a light touch and I was
awake,where had I been ? How did I survive ?

How am I alive? my struggle begins but
I believe I am blessed with another day
to work and pray, come the night,
slow is the breath-as sleep drowns, in the

Shadow of The Valley of Death

© 2019, Anjum Wasim Dar

ANJUM WASIM DAR was born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani and educated at St Anne’s Presentation Convent Rawalpindi. She holds an MA in English. Anjum has be writing poems, articles, and stories since 1980. She is a published poet and was Awarded Poet of Merit Bronze Medal  2000 USA .She’s worked as Creative Writer Teacher Trainer and is an Educational Consultant by Profession.

My Valley of the Shadow of Death

“When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.” Tecumseh



Night makes way for morning
The clouds tumbling in like
Cotton bolls blown across a
Field of promise, sun ablaze
Tinged with crimson and saffron
Grooving to the rattle and the click
And caw of our city corvids, and
Hear too the blue jay’s whispered
Song, the mourning dove’s coo

In my kitchen, five stories up, is a
Breakfast reminiscent of my father
Broiled trout, roasted potatoes, and I
Pull cartilage from the fish, evocative
Of a trachea, and salt the potatoes
To the humming of O2 concentrators
I drag on a nasal cannula, life support
In this, my Valley of the Shadow of Death

© 2019, Jamie Dedes

JAMIE DEDES is a former columnist, publicist and the associate editor to a regional employment publication. Currently she is a homebound freelance writer, poet, content editor, and blogger. Jamie manages The BeZine and its associated activities and The Poet by Day jamiededes.com, an info hub for writers meant to encourage good but lesser-known poets, women and minority poets, outsider artists, and artists just finding their voices in maturity. The Poet by Day is dedicated to supporting freedom of artistic expression and human rights and encourages activist poetry. Jamie’s work is featured widely in print and digital publications. Her primary professional affiliation is Second Light Network of Women Poets.

Paradise

Leave it to an old lady like my mother to try to cheat death. You wouldn’t have expected it from a staunch Wisconsin Synod Lutheran who once assured me she’d followed her confirmation vows to the “T”. Her faith should have invited a calm and easy acceptance of the inevitable. But for some reason, about the time she turned ninety-five, she began having dying episodes—none of which reached fruition. Her speech would disappear; she’d stop eating; her breathing would become as irregular as Minnesota weather and her face would age a decade in a day. We’d all gather. Well, that is, we’d all visit more frequently. Grandkids would interrupt their game-boys long enough to stop by. My sister would drive up from Tennessee. We’d comb her hair, put our hands on her brow, read the Bible with special emphasis on Psalm 23 and assure her it was alright to let go, and to go. But then, a few days later, maybe due to all the attention, she’d be back to her old self asking about the grandkids, filling our ears with family history, and fussing about the Democrats.

Actually her mother behaved somewhat similarly. Grandma Ida sewed her own funeral gown ten years before she needed it and in the interim, periodically, would call my mom on any given morning announcing this was her last day, but by the time mom got there she’d be hanging out the wash. Genetic? Who knows?

If mom was afraid to die, there didn’t appear to be a good reason for it. She was nothing if not the embodiment of the Christian faith. Besides attending church regularly, she was a person who truly lived out the ways of Jesus in her daily routine. She gave to the needy, visited the sick, and I never heard a word of gossip, a racist inference, or a swear word. Well, one swear word.
One time in the early sixties, my dad butchered the chickens by wringing their necks instead of the usual chopping off of the heads. Alas, the birds did not bleed out. Mom had to squeeze the blood out of the chicken’s flesh by hand as she dressed them. It was time consuming and difficult. As she struggled with it over the kitchen sink, I heard her utter a most awful cussword: “Damn” spewed forth from her pursed mouth. It scared me. As a fourteen-year-old boy, I’d rarely even heard my mother raise her voice. I’m sure God forgave her instantly and I’m sure she trusted it to be so.

So why might she be worried about death? Well, the truth of the matter is, nobody knows what’s on the other side. Christianity, as well as other religions, besides providing moral guidelines, health edicts, ritual, and song, have some answer regarding the end of life. People without faith assure themselves that when it’s over, it’s over, and the journey ends at a blank wall, and they may be right. But the Spanish philosopher Miguel de Unamuno, sanguinely postulated that even while we can rationally believe that when we’re dead, we’re dead, we can’t, on the other hand, totally accept on an emotional level that we, as persons, as unique individuals, will someday completely cease to exist.

Mom’s religion trusts that if you are a confirmed believer upon your last day you will be transported to live with the Father above through the sponsorship of His devoted Son, Jesus the Christ. But how’s that going to work? Do we vaporize like in the movie Ghosts? Does the soul slip out of the body like ammonia evaporating from a Windex bottle? Will there really be a welcoming committee, or is there a series of stages (Lokas, in the Tibetan religion) that a soul traverses before it reaches its final destination?

I have a few pet theories about it. One came from a Lutheran minister’s daughter, who was very close to her father. As he lay dying, he was able to communicate telepathically to her the first few days of his afterlife experience. Here’s what he related: he was first welcomed by persons within his own Synod, but gradually joined the entire Lutheran community and eventually merged into the greater interdenominational Christian congregation. Presumably he went on to live as a spirit person in the world community of all those who have gone on before.

But what about those who are not so bound into a religious belief? My dad for instance, grew up a minister’s son in the Church of Christ, steeped in Christian Gospel—song and verse, but was forced to re-think religion when he studied science at the University of Iowa in the 1930’s. While there, he was shown a jar containing a preserved human fetus. The fetus appeared to have gill slits—possible proof of evolution. If Darwin was right could the book of Genesis also be right? Many who believed in evolution in those days were damned to Hell, yet Pop died more at ease with himself than his own wonderfully Christian mother who seemed to be afraid to die.
Several months after dad passed, he came to me in the form of an apparition while I was meditating. He was confused and was in a place I intuitively perceived to be Tibetan Lokas. Somehow or other I knew what to do. I pointed him in a certain direction, towards a tunnel, and said, “Pop, go on through there.” He relaxed, turned, and was gone like a dragonfly. I haven’t seen him since, and assume he found some sort of peace in the great beyond. Perhaps the tunnel I pointed him towards was a birth canal into a new life-form.

So we don’t know what’s beyond the earthen grave. And we all know we don’t know. But I had a jolting thought after one of my mother’s “death bouts.” It came to me that she wasn’t just having some sort of short term physical debilitation (a mild stroke was mentioned), but that she was taking short excursions to the other side in order to “test the waters.” She was putting her toes in to see if it would be warm enough (important to Minnesotans), or safe enough. When she returned from one trip, which lasted about a week, she regained consciousness as I sat next to her bed in the nursing home, and exclaimed wryly, if not a bit exuberantly, “I’m back!” Then with a soft grin—her face too stiff for a full smile—she whispered, “I’m going to live!”
And that’s how my mom cheated death. Maybe the old adage “we go when it’s our time to go” just ain’t so. At least for my mom, it looked as if she was going to go when she was damned well ready to go.

Marie Ella Gertrude Nase Hurd Florine died in 2011 at the age of ninety-six. She went placidly into the night.

© 2019, John Hurd

JOHN HARRISON HURD started to pound out more words and pound in fewer nails. Now he writes all the time and has been selected as runner-up in a few publications. Two have published things. John is presently working on two books. One is a Peace Corps Memoir from time in Botswana. The other spans a five year period when he lived on an old farm place with a shaman. The shaman helped him raise his kids. John was born in the Hidden City, Oak Ridge TN, where his dad worked with heavy water for the atom bomb. Later we moved to a farm in Minnesota. He’s been active in environmental and social justice activities for many years.

A Shower of Roses

“I will let fall from Heaven a shower of roses.” St. Therese of Lisieux 1873-1897

I didn’t ask for roses
when I whispered Pray for me, Therese,
but it’s the way you often answer.
A blush of winter buds.
A single bloom at my feet.

Now, in this humid,
dog-eared June,
I see roses white as breast milk
on the bush I pruned last year,
abandoned to frost.

Regrown, it tempts me outside.
I forget aches and pains
and weariness of soul.
I sweep dust from the path
and peg clothes on the washing line.

Some theologians say roses
doesn’t mean roses, just blessings.
But you loved the flower, Therese;
watched roses sway in the courtyard
as you lay dying.

Handed one, you crumbled it
over the crucifix
on your bedsheet and smiled
as petals fragranced
His wounds and holy face.

© 2019, Sheila Jacob

SHEILA JACOB was born and raised in Birmingham, England and lives with her husband in Wrexham, on the Welsh border. Her poetry has been published in several U.K. magazines and webzines. She recently self-published her short collection of poems that form a memoir to her father who died in 1965. Sheila finds her 1950s childhood and family background a source of inspiration for many of her poems. You can connect with Sheila by email: she1jac@yahoo.com

 

stillborn

you are always with me
even when you are not

Life’s full empty room
Breath’s bittersweet sigh

color of Nothingness
transparent as angels
color of darkness
perforated with light
color of tears
fallen
from the dotted blue blanket of Sky

you are always with me
even when you are not
suspended like the crescent moon
the alphabet of stars
the space untraveled
between us

as if
inextinguishable
presence and absence
relinquish their names
surrender themselves to the Invisible

as if
only
without holding
may we trembling feel
the infinite nearness
of our immense
aching
fragility

i marvel
at the innocence
of your tiny unopened fists
how

butterflies still
fly from your lips
how mine drown
in the drool of gurgled silence

how
even as the umbilical cord
untangles around my neck
my voice so far away
is trying to reach you–
buried so inexorably
in your muffled lullaby

i am always with you
even when i’m not

© 2019, Antonia Alexandra Kilmenko

ANTONIA ALEXANDRA KILMENKO  is a former San Francisco Poetry Slam Champion and she is widely published. Her work has appeared in (among others) XXI Century World Literature (in which she represents France) and Maintenant : Journal of Contemporary Dada Writing and Art archived at the Smithsonian Institution in Washington, D.C. and New York’s Museum of Modern Art. She is the recipient of two grants:  one from Poets in Need, of which Michael (100 Thousand Poets for Change) Rothenberg is a co-founder; the second—the 2018 Generosity Award bestowed on her by Kathleen Spivack and Josheph Murray for her outstanding service to international writers through SpokenWord Paris where she is Writer/ Poet in Residence.

What We Gather

Taking nothing with you 

leaving nothing behind 

I find only your scent 

 

Floating   unbounded 

without your breath of spirit 

to hold its bouquet — 

 

it passes through me now 

while still it lingers 

Holding on     while letting go 

 

is never easy 

Holding on      while letting go 

is breathing out while breathing in 

 

is water slipping through fingers 

is loving with your eyes wide shut 

and your heart slit open 

 

Flowers 

cut down in their prime 

lose the earth 

 

only to return to it once more 

while women with parched lips 

still chant the names of rivers 

 

and other beds gone dry. 

Every day 

I gather at the river– 

 

                        river of tears 

                        river of refuse

                        river of dreams 

Every day 

I kneel in the banks of my memory 

making large withdrawals 

from smaller deposits 

of dwindling return 

 

Today                                                                      

the darkness flows within me 

and without me 

Tomorrow 

I will gather   and be gathered

 

Each experience

but yet another flower

 

for the vase

 

© 2019, Antonia Alexandra Kilmenko

 

ANTONIA ALEXANDRA KILMENKO is a former San Francisco Poetry Slam Champion and widely widely published. Her work has appeared in (among others) XXI Century World Literature (in which she represents France) and Maintenant : Journal of Contemporary Dada Writing and Art archived at the Smithsonian Institution in Washington, D.C. and New York’s Museum of Modern Art. She is the recipient of two grants:  one from Poets in Need, of which Michael (100 Thousand Poets for Change) Rothenberg is a co-founder; the second—the 2018 Generosity Award bestowed on her by Kathleen Spivack and Josheph Murray for her outstanding service to international writers through SpokenWord Paris where she is Writer/ Poet in Residence.