And these words, which I command thee with this day, shall be upon thy heartโฆ
And thou shalt bind them for a sign upon thy hand, and they shall be for frontlets before thine eyes.
โDeut. VI:6, 8
I.
My beloved whispers in my ear; she reveals herself to meโ
her Words, jewels upon my breast, upon my hand, upon my forehead.
When my beloved walks in the field, the heron flies up with cackling praise;
she inspires the crane to laugh as it rises into the sky; the swallows dance for her.
I have come and gone with uncertainty and doubt; but my beloved inspires constancy:
Though in times of drought the hill dries out, the hollows hide some mud, remembering.
My beloved brings rain into the high, parched fields that have forgotten her;
she walks among the swaths and sheds her tears for each cut stalk.
The hollows swell with water to quench the beasts and grow the iris;
my beloved reflects their grace as they mirror the sky among the grasses.
II.
The storm was terrible: the thunder rumbled long in the night; the lightning terrified;
a wind blew through the window of the house and tapped upon the walls.
Yet, my beloved whispered in my ear and I wore her words like jewels.
In her arms I rested as the fields drank deeply, the dry holes filled with sweet water.
In the dark I am drawn to my beloved; she is even more glorious in the light:
She is a stand of gentian unexpectedly found near the edge of the willow.
An eagle flies above the goldenrod and pines; I know my beloved thinks of me.
The thought of my beloved eases my burden as I toil on the road to her house:
Her kisses, sweeter than blueberries freshly picked, inspire acorns to rise toward the sky;
her caresses provide strength to the birch, the aspen, the maple, the oak, but also to grasses.
III.
I hold my love; she holds me. I have studied her in the willow, the iris, the thistle:
finches, warblers, and wrens feed and live in her shelter, so my love feeds and shelters me.
The oats have been cut, the hay rolled and stored for the winter.
My love comes to me and whispers in my ear; she reveals herself to me.
The geese gather and call, flying over the trees, landing in the pond:
my love sighs and the grasses bend; the aspens sigh and my love bends to me.
Her kisses build the temple; her love holds me and I heal:
My beloved is mine, I am hers. She points to the flowers off the path:
small white bells, tiny blue trumpets, vetches, paintbrush; I donโt know all the names.
My beloved knows the Names of the Flowers; she whispers them to me: I embrace her.
โMichael Dickel
ยฉ1999
Hebrew
ืขืืจืืช
ย :III ืฉืืื ื
ืืืืืชื ืืืืฉืช ืื ืืืืื
โจืืืื ืืืืจืื ืืืื, ืืฉืจ ืื ืืื ืืฆืืื ืืืื– ืขื ืืืื… ืืงืฉืจืช ืืืืช, ืขื ืืืื; ืืืื ืืืืคืคืืช ืืื ืขืื ืื
-ืกืคืจ ืืืจืื, ืคืจืง;, ืคืกืืงืื ื’-ื;
โจโจI.
ืืืืืชื ืืืืฉืช ืื ืืืืื; ืืื ื ืืืช ืืื-
ืืืืืชืื, ืชืืฉืืืื ืขื ืืื, ืขื ืืื ืืขื ืืฆืื.
ืืฉืืืืืชื ืคืืกืขืช ืืฉืื, ืืขื ืคื ืืฆื ืืงืจืงืจืช ืชืฉืืืืืช:
ืืขืืืจ ืืื ื ืืชื ืช ืืฉืจืื ืืฆืืืง ืืืขืืคื ืื ืืฉืืืื; ืืกื ืื ืืืช ืจืืงืืืช ืขืืืจื.
ืืืชื ืืืืืชื ืขื ืกืคืง ืืืืกืจ ืืืืืช: ืืืื ืืืืืชื ืืฉืจื ืืฉืจืื ืืื ืืคืกืงื:
ืื ืื ืืฉืขืช ืืฆืืจืช ืืืืขื ืืชืืืืฉืช; ืื ืงืืงืื ืืืืืืื ืงืฆืช ืืืฅ, ืืืืจืื.
ืืืืืชื ืืืืื ืืฉืืื ืื ืืืืืื, ืื ืฉืืืช ืงืืืื ืืฉืจ ืืืชื ืฉืืืืื;
ืืื ืืืืืช ืืื ืืืืืืืช ืืืืืื ืืืขืืช ืขื ืื ืืืขืื ืฉื ืืืข.
ืื ืงืืงืื ืืชืจืืืื ืืืื ืฉืืจืืืื ืืช ืืืืืช ืืืช ืืฉืงืื ืืืฆืืืืื ืืช ืืืืจืืก;
ืืืืืชื ืืืืื ืืึตืื ื ืืืืชื ืืืื ืฉืื ืืฉืงืคืื ืืช ืืฉืืืื ืืื ืืืฉืืื.
II.
ืืกืขืจื ืืืชื ื ืืจืืืช: ืืจืขื ืืจืขืื ืืืืจื ืืืืื; ืืืจืงืื ืืืืืื;
ืืจืื ื ืฉื ืืืขื ืืืืื ืื ืงืฉ ืขื ืืงืืจืืช.
ืืื ืขืืืื, ืืืืืชื ืืืฉื ืื ืืืืื ืืื ื ืืืฉืชื ืืช ืืืืืื ืฉืื ืืื ืชืืฉืืืื.
ื ื ืืืจืืขืืชืื ืืขืื ืืฉืืืช ืืฉืงืืงื ืฉืืชืื, ืื ืงืืงืื ืืืืฉืื ืืืื ืืชืืงืื ืืชืืืืื.
ืืืกืืช ืืืืฉื ืื ื ื ืืฉื ืื ืืืืืชื ืืืืืจ ืืื ืืคืืื ืขืื ืืืชืจ ืืืคืืื:
ืืื ืืืขืื ืื ืฆืืื ืกืืื ืื ืืฆื ืืืคืชืืข ืืคืืชื ืืขืจืื.
ื ืฉืจ ืื ืืขื ืืืืจื ืื ืืฉืืื ืฉืจืืื ืืืื ืืฆืืืืื; ืื ื ืืืืข ืฉืืืืืชื ืขืื ืืืฉืืช.
ืืืืฉืื ืขื ืืืืืชื ืืงืื ืขื ืืืฉื ืฉืื ืืขืื ืื ื ืขืืื ืืขืฉืืช ืื ืืืชื ืืช ืืจืื:
ื ืฉืืงืืชืื, ืืชืืงืืช ืืืืืื ืืืช ืืจืืืช, ืืขืืจืจืืช ืืฉืจืื ืืืืฆืืจืืืืื ืืืชืขืืืช ืืขืื ืื ืจืงืืข;
ืืืืืคืื ืืื ื ืื ืชืื ืืืืื ื, ืืฆืคืฆืคื, ืืืืืคื, ืืืืื ืืื ืื ืืขืฉื.
III.
ืื ื ืืืืืง ืืช ืืืืืชื; ืืื ืืืืืงื ืืืชื. ืืืืชื ืืืชื ืืขืจืื, ืืืืจืืก, ืืืื:
ืคืจืืฉืื, ืืืจืื ืื ืืกืืืื ื ืืืื ืื ืืืืงืืื ืืืื, ืืื ืืืืืชื ืืืืืื ืืขืื ืืื ื.
ืฉืืืืืช ืืฉืืขื ื ืืจืฉื, ืขืืืื ืืืืืกื ื ืืืืืช ืืืืจืฃ.
ืืืืืชื ืืื ื ืืืฉื ืืื ืืืืื ืืืืฉืช; ืืื ืืืื ืขืฆืื ืืขืืืจื.
ืืืืืืื ืืชืืกืคืื ืืงืืจืืื, ืขืคืื ืืขื ืืขืฆืื, ืืืื ื ืืืชืื:
ืืืืืชื ื ืื ืืช ืืืืืืืื ืจืืื ืื; ืืฆืคืฆืคื ื ืื ืืช ืืืืืืชื ืจืืื ืช ืืขืืจื.
ื ืฉืืงืืชืื ืืื ืืช ืืช ืืืงืืฉ; ืืืืชื ืืืืืช ืื ืืื ื ืืืืื:
ืืืืืชื ืฉืืืืช ืื ืืื ื ืื. ืืื ืืฆืืืขื ืืขืืจ ืืคืจืืื ืืฆื ืืืจื:
ืคืขืืื ืื ืงืื ืื ืืื ืื, ืืฆืืฆืจืืช ืืขืืจืืช ืืืืืืช; ืืืจืฉืืช, ืืืคืกืื; ืื ื ืื ืืืืจ ืืช ืื ืืฉืืืช.
ืืืืืชื ืืืืขืช ืืช ืฉืืืช ืืคืจืืื; ืืื ืืืืฉืช ืื ืืืชื; ืื ื ืืืชื ืืืืง.
โืืืืื ืืงื
ืชืจืืื ืืขืืจืืช: ืืืื ืืืืืืืืฅ’
2018ยฉ
Hebrew translation by Gili Haimovich
ยฉ2018
The English original was published in Midwest / Mid-East
and inย Diogen pro kultura magazin / pro culture magazine.