Our Better Angels

What if our guardian angels,
our guides to the light,
aren’t as perfect as we hope?
What if they’re merely “good”,
maybe barely adequate,
as winged messengers go?
Perhaps they can get as socked in
by a Blue Norther of Spiritual Woe
as we can. Problem is,
they’re the only angels
we’ve got. It’s not like they can
go to the gym, or get retrained,
or even call out for a temp.

Maybe the angels and I can
pray together for a mighty wind
to blow away these clouds
that beset us.
Miracles do happen.
I’ve been blessed by a few.
And, besides, my angelic friends
went to school with the maître d’
at the Chateau Ciel’s
pearlescent entrance station.
Table for one, please.
Amen…

© 2017, poem, Joseph Hesch; © 2012, photo, Diana Matisz

‘especially in times of dark’

Always
but especially in times of dark,
encroaching space,
my hope alights and leans
on an enduring faith
in the human spirit
and the myriad illumined pockets
of kindness and enlightened thought.
They are as the stars in a night sky:
escape the density of beamed artifice
and they are constant; visible.
For the heart sees what it looks for
as much as does the mind’s lensed eye.

© 2017, Juli [Juxtaposed] (Subject to Change)

Earth Music

I will lead you by the hand to the hushed hum
of the gentle oak, an evening breeze sounding

shivers into leaves, quiet turbulence in the air
and the gravity of sound settling on mossed stone.

I hear its tongue-lick in ivy the way a bat hears
the silhouette of trees, or a whale the shape of its home,

touching the skin like sound braille, tiny neck hairs
startled to its presence; earth music in the trees

and in the stony wind, atoms of light trembling in tiny
dust particles where body-bones separate, flesh disappears.

Between heart-pulse and light’s shadow-touch,
I will lead you to the quiet abundance of silence,

the wide emptying of voiceless things; earth’s pulse,
seamless and somewhere beyond absence.

© 2017, Eithne Lannon

originally published in barehands23 

full circle

one loses
the ability
to
sleep
with
awareness
every
event
and
sound
is magnified
in
the late hours
of
one’s existence
it is then
when
the
pulsing of blood
through
veins
can
be
counted
like
grains of sand
in
an emptying
hour-glass
where
each falling grain
echos
memories
that
replay
the events
of
our life
a life
where
options
were possible
and
paths
were taken
to
where we are
now
aware
seeing
more clearly
the lies
broken promises
and
preprogrammed dreams
of
what life
should be
but
could
never be
so
we lie
in our beds
in
a fetal position
just
before
we
die

© 2017, poem and illustration, Charles W. Martin

. saint anthony .

oh those little lost things.

you could always find them. now gone,

we wait for them to reappear.

remember,

some things

don’t.

He was known as an eloquent speaker. Saint Anthony of Padua is the Patron Saint of Padua, of Portugal, and of San Antonio, Texas. Prayer cards manufactured in Italy identify him as the saint of “miracles,” but to most Catholics, he is the Patron Saint associated with the return of lost articles and missing persons.

# look after your people, you may never find them again

© 2017, poem and illustration, Sonja Benskin Mesher

Waiting for My Nails to Dry

Reclining in an empty chair
like a bent-over palm
the young Asian woman leans.
Awaiting the next client,
leg kicking softly
head odd angled, staring
at nothing
and sleeping.
September creeps through
as the customer doorbell rings.
Ladies don’t come. Their nails
flake off the remains of summer’s
hard baked sands
from lake-front properties.

She shifts,
dreaming of a faraway place
where family lives
imagining rice fields tucked far away
where her tiny feet once ran
through a needle-thin pathway.
She becomes disillusioned,
while melancholy mood music
gently rocks her
till her lashes flicker
and close once more.

© 2017, Michele Riedel

The Scent of a Soul

If souls have a scent
what will mine be?

Will it smell of lavender
like clean laundry

or will it smell fetid
like a corpse flower?

how badly have my sins
spoiled the brand new smell
of my newborn soul?

I am curious.

One can hide behind good works
or the semblance of the good life
as defined by the world

but the scent –
the scent betrays
what rots in hidden places.

© 2017, poem and photograph, Imelda Santore

Contradictions

(Raanana, July 17, 2015)

To be and not to be,
That is the commandment:
To live and dream,
To dream one’s life,
The innocence of original sin
And the sin of innocence,
To love logic for its loveliness,
Its loneliness,
And its lovelessness,
To live forever and to live a day,
To run to and to run away,
To doubt and believe,
To be loyal and betray,
To live while dying,
To accept the question as an answer,
To love but hate that you love
But still to love,
To affirm your contradictions
And yes but perhaps no,
To be and not to be.

© 2015, Mike Stone

A Word’s Worth

(Raanana, April 23, 2015)

If words were what they pointed at
Instead of just pointing at things
And sometimes instead of things,
Then I’d build a castle word by word
And weave a dress for you word by word,
I’d make a mirror and put your reflection in it
Word by word by word.
And the castle would stand on an island
Hidden by palm trees and words
Within words and mountains
Surrounded by a sea of words,
And only my ship of words,
Its sails filled with words like wind,
Could find my island of words.
If stars were stepping stones
From birth until death
And back again,
I’d step across the heartless night
Until I reached the morning.
If clouds were countries
That no army could conquer
Because horses and cannon would fall through,
I’d move there.
If God were a word,
In the beginning was the word He would say,
And if He were real
I’d believe in Him
Because He created my senses
Of things to believe in,
But He’s just a word others say
Instead of the thing He’s supposed to be.

© 2015, Mike Stone

A True Believer

(Raanana, February 10, 2017)

Although there is truth
I will never know it
Or be absolutely sure.
Although the world
And universe above and below
Do in fact exist
I will never perceive or conceive it.
Although all this is true
There is not enough evidence
To make of me a true believer
A skeptic or a cynic
An optimist or pessimist.
According to forensic science
Every criminal leaves a trail
Except for God and His magicians.
All this and less
As we move forward in our time.

© 2017, Mike Stone

By the River Jordan

(Raanana, August 5, 2015)

Once upon a time forgotten,
Or so they say,
God walked alongside Abraham
On goat paths crisscrossing mountains
When they were still new and green,
When Moriah was not yet named.
But sometime later God took his angels
And his box of miracles to his bosom
Leaving us to our own devices,
Existentialism and science.
Perhaps because our faith was not enough,
Because we understood the letter
And not the spirit,
Because His creation could not create
But only destroy itself,
He left us to ourselves.
We fought our enemies oh so bravely
But, when the enemy was ourselves, capitulated.
Now we live in a moral flatland,
Two-dimensional creatures on a yellowing page
Without height or depth.
We kill because we can,
We hate and hatred makes a home of death.
By the River Jordan,
By the caves of Qumran,
By the hills of Jerusalem,
We lay down and wept for thee, Zion.

© 2015, Mike Stone

Sufi Ghazal

The seeker’s chest is heavy: A ribcage of fathomless doubt.

His heart always opens onto a cosmos of fathomless doubt.

 

People think his whirling feet are silent; they speak.—

An evocation of experimentation reaching an apex of fathomless doubt.

 

His whirling feet never tear up dead leaves because they are not

a devastating force. They just recreate beats of fathomless doubt.

 

Birds can’t measure the extent of his feet’s refusal because

their whirls are reminiscent of a philosophy of fathomless doubt.

 

His chest is heavy.—Although a burden to his body and soul, nothing

can empower him only sinking into seas of fathomless doubt.

© 2017, Ali Znaidi

 Originally published on 12/07/2016 in Harbinger Asylum, an independent Houston-based poetry journal published by Transcendent Zero Press. 

Doubt

Doubt

As he pondered,

& as he ruminated,

doubt came.

He saw Rumi

gazing at the pond.

Oh, what a mysticism

demystified by a cloud

of bats!

& bits of doubt

totally permeated

his mind:

Reality is only a

construct;

{a tract}

I must pierce my tongue

and see the difference, he

said to Rumi,

while he still

ruminated.

© 2017, Ali Znaidi

Originally published in International Poetry Review: VOL. XLII SPRING/FALL 2016 (double issue).[Print]

 

Mysticism on the Move

perhaps mysticism is the transitory phase towards

our metamorphosis into swirling butterflies {that

have weight.} But this transitory phase does not obey

any metamorphic rule. Au contraire, it has its own rules:

{body – carbon dioxide → spirituality + truth + water.}

Spirituality, & how to keep spiritual is of concern here.

—A controlling growth into a Bildungsroman aided

by the flowing water. The butterflies coil up into the sky,

still swirling. ‘Swirling’ is the key to renew decayed bodies

thru evading the terrestrial ground. The butterflies’ scents

move thru the ether and {once again} crash on the cracked walls.

Now, I can say this [meta]morphosis has to begin from scratch.

© 2017, Ali Znaidi

Originally published on NationalPoetryMonth.ca 2016.  

As if . . .

Inspiration for entries into the Blog Hop Contest

[Photo: Mark Tipple February 2009]

~~~~~~~~~~~~~~~~~~~~~~~~~~

He was muttering as if
he was trying to describe
a vision he couldn’t share
with her; with anyone.
It was of something he’d never
seen before this moment;
a moment when she saw a look
on his face that carried away
all her fears; all her tears.
She felt no longer worried,
no longer afraid of the future;
only afraid that she could not
see what he could see;
this apparition, the vision
that transformed his face
to serenity, to happiness,
that even they in all their life
together, had never seen.
Something beautiful that
he could clearly see,

but not she.

Then, she, involuntarily
felt angry, full of rage
a sudden torrent of emotion
filled and puffed her tear-strewn face
As if he’d been unfaithful;
as if he would desert her;
after all these years.
How could he do that!

As if…

…something changed,
not in him, but her;
she felt what he was seeing,
that illuminated his face as if…
…and now she was incredulous.
She could not now believe
what he was thinking, seeing…
could not, would not entertain
the thoughts that entered her;
thoughts she could not fight;
that flowed so unexpectedly
like snow drifts in a storm
a snow filled wind
of blinding light;
of cool refreshing crystals
looking like white flowers;
a sea, an ocean of stocks.
And out of this there grew
the tallest trees of evergreen
protecting all beneath
their heavenly canopy.

As if.

Then he fell very still,
every muscle and sinew let go,
relieved of their exertions.
He’d tried to tell her
all that he could see,
but it was very quiet.

Both had dreamt,
for all their days,
of some idea of heaven
a screen to draw down
over their lifelong view …

… of Bantar Gebang.

With her tears she washed
his calm closed eyes.

© 2012, John Anstie

~~~~~~~~~~~~~~~~~~~~~~~

This poem, first published in February 2012 in ‘My Poetry Library‘ was prompted firstly by the inspiring photograph above it and secondly by a documentary I watched six years ago, on BBC2 television, called “The Toughest Place to Be“. It was a programme well worth watching, if for no other reason than to remind us of how fortunate we are in the affluent west. If you think, on the one hand, you have some complaint about the effect on your finances of the economic downturn, or, on the other, you’ve got some boxes to tick before you leave this mortal coil – maybe these involve travelling to see a few wonders of the world – as you make your plans, think about these ‘workers’ who are as good as destitute and trapped in poverty, in the kind of stomach churning stench that this environment presents; trapped not only for their own lifetime, but also the future for their children…

Workers scraping a living from the massive landfill site an hour east of Jakarta
Bantar Gebang – Courtesy Mark Tipple

I’ve read about organisations that are working to change things. No doubt the major ones, like UNICEF, who are concerned particularly about the plight of children in these conditions, and like the International Labour Organisation trying to set up schools for the children, who have to live and start working in these places at all too young an age. If there’s anything we can do, at the very least, it is to raise the consciousness of anyone and everyone, who should care about the inhuman effects of economic ‘progress’ and exploitation, particularly in the so-called Third World, which in this case is Indonesia.

Carolina Oriole

(for the homeless women)

Who named you Carolina Oriole?
And where are your clothes?
Why have your legs abandoned you?
Who diapered you in that grey sweatshirt?
And whose semen dissolved the orange
poppies of your blouse?

Where has the gold in your teeth gone?

And where have you misplaced your children?
And the tears caught in your lashes–
you’ve cried for whom?
Who named you Carolina Oriole
and how often have you wanted to fly?

© 2017, Evelyn Augusto

Encomium

At that hour
the breeze turns around.
The fishermen are coming back
with hands splintery,
without lips,
with eyes of stone.
The bottom is empty
like a bottle at midnight.
The shore is there
where somebody’s waiting.
They’ve sleept for a long time. Dreaming.
With hands locked together.
He, the wind, the last one
an orphan, leads
them…

© 2017, bogpan

 

Crow Scare

Out your old, raw eyes
between thin crows’ feet
their walking hunger
sees black fallow fields.

All meat and feathers:
crow parliaments,
mouthy parent birds
guillotine stray seeds,

divorce husk from flesh.
Strewn men and women
hold back hardship
broadcast dry fresh seeds.

Black birds snatch and eat
food for sparse winters.
Starved you enter a village
are greeted, feasted.

Given best shelter, clothes
food, women, men, friends.
A short year revolves.
To scare birds who prey

village men and women
hone edges on blades,
cut short your visit,
place you in a field
tied to seasoned wood.

© 2017, Paul Brookes