Means Tester

I mimed in front of mirror, as you do,
what I’d say to her, setting my hair
straight,
sorting my self out, as you do.

I were wearing that dress
with like a wreath
of flowers rahnd collar.

Turns up in her chuffing chariot
I hears it first, then twitch our
net curtains back, to see it arrive.

Then she’s at our door, fidgetting
with her skirt, clipboard in hand.
On the starting blocks.

I says a prayer as a opened door to her.
I were having snap outside
as it were Summer. Kept her in.
Don’t want neighbours gossip.

I tell you she’s for the high jump
if she doesnt give us what we’re due.

I’d run a chuffing mile
as soon as tell her owt.

Didn’t ask about my health. She were all
“What do you do on a Monday, Tuesday, Wednesday, Thursday, Friday?”

Throw a wobbly if she must.

I’m not tussling to and fro
about my obvious aches and pains.

Expects a bleedin cup of tea
for prying into my affairs.
She can take a running jump.

“Are you dyslexic?” she prys.
” There’s a door there. Get through it. That’s how dyslexic I am.” I tell her.

Who does she think she is ,
god of health or summat?

© 2017, Paul Brookes

A Hunger

消灭麻雀运动;

Xiāomiè Máquè Yùndòng),

I smooth my hungry bairns brow
recall how little birds
stole grain from its mouth
so I went into the fields,
banged pots, pans, beat drums
so they fell from the sky dead.

I tore down their nests,
broke their eggs, killed their chicks
shot them out of the sky,
poisoned the pests,

and now without these little hunters,
locusts swarm the crops,
take food from mouths
and my starved little bairn
I shall bury tomorrow

And still they wish to cull
badgers, raccoon dogs,
rats, and cockroaches.
I will not beat their drum.

Our hungry mouths led to yours

© 2017, Paul Brookes

The Good Employer’s Manifesto

Your heart must earn a living wage.
Your bones must contribute
to the well being of the few.

We cannot afford illness.
It is unprofitable.
Your breath must be privatised
for the good of all.

If your health fails
it can easily be replaced
by cheaper foreign imports.

Appreciate your standard of living.
It is higher than your ancestors.
We have your wellbeing in mind.

Your health is a lottery.
Achieve a certain number of workdays
we will enter you
into a competition
to win an iPad.

Support your wellbeing.
Breathe easily with us.

© 2017, Paul Brookes

Bitter limp fruit

Imagine fishermen labouring in a heavy swell
pulling in the trawl to find silver bitter limp fruit
entwined in the mesh of drip green nets,
the dead eyed souls of their own young children.
And we stay silent for our history is never told
silenced from the hour, the days, and the years
for we are edited out of the hour of our times.

Imagine coal miners hollowing out the seams,
men stripping coal a mile and more underground
and the hooters above ground call them away,
brought up into blink white light to see the black tip
the harvest of their toils washed into the village,
spewed over the school where small children,
sang hymns and songs and were supposed to be safe.
And we stay silent for our history is never told
silenced from the hour, the days, and the years
for we are edited out of the hour of our times.

Imagine the trail of letters written foretelling concerns,
the dead nerved fears that a disaster would occur
and the NCB replies not days, not months but years later.
And on a grey fog filled October day after weeks of rain,
a small children’s school and a day of devastation,
exactly in the manner and the way foretold.
And imagine if no one was held to account,
and those families told make the slag heap safe
from the proceeds raised for the disaster fund.
And we stay silent for our history is never told
silenced from the hour, the days, and the years
for we are edited out of the hour of our times.

Imagine the miner, the father, the brother, the son,
looking out at the sprawl of waste they’d dug.
Imagine the mother, the sister, the daughter,
looking out at the grey listlessness of another day.
Of the silent keening, the numbed grieving,
of the impossibility of using words to describe.
And we stay silent for our history is never told,
silenced from the hour, the days, and the years
for we are edited out of the hour of our times.

Imagine the mothers bringing up children,
the happiness and hopes for the future.
Imagine the sisters who stayed off school.
Imagine the brothers too slow and were late.
Imagine the vacuum where a life had been once.
Imagine a young life where a vacuum is now.
And we have been silenced, our history just words
and our future is silent and will never be told.
Silenced from the hour, silenced from all those days.
Silenced from the years, silenced from all that might have been.

The Aberfan Tribunal found that repeated warnings about the dangerous condition of the tip had been ignored, and that colliery engineers at all levels had concentrated only on conditions underground. In one passage, the Report noted:
“We found that many witnesses … had been oblivious of what lay before their eyes. It did not enter their consciousness. They were like moles being asked about the habits of birds.”
In the House of Commons debate on the Inquiry Report it was asserted by the Government, on the advice of the NCB and supported by comments in the Tribunal report, that the remaining tips above Aberfan were not dangerous and did not warrant removal, estimated by the Tribunal to cost £3m, but merely required landscaping – a much cheaper option.
The government made a grant of £200,000 to the NCB towards the cost of removing the tips, and under “intolerable pressure” from the government, the Trustees of the Disaster Fund agreed to contribute £150,000.
No NCB staff were ever demoted, sacked or prosecuted as a consequence of the Aberfan disaster or of evidence given to the Inquiry.

© 2017, Rob Cullen

Life in complicated times

It was this place, in those days, those years,
rivers ran blackened as night in the valley,
and open coke oven doors lit the sky red,
and green fields drowned in spit black spoil.
It was this place where slow hunger and poverty
stamped down, slammed its feet on the ground.
Children starved and mouths slept empty,
soup kitchens fed families, hunger thinned,
this place, this place where malnutrition and disease
looked through every door, every window
except the rich few in their great houses.
And men marched to far away cities to plead
assistance for so many in a time of great need.
Men marched the length, the breadth of the country
to meet the slit closed eyes of cold indifference.
She told the stories of those days, those years,
and when it was her time to pack, to leave,
she was small, just fourteen years of age.
She was a small child travelling as a stranger
in those greyed days of the great depression.
Think of a child travelling from a valley
to work in a grand Bankers Chelsea mansion.
She spoke of survival, the cruel vicious lips,
the vindictive unsmiling eyed housekeeper,
just because she couldn’t speak words of Welsh.
She worked as a maid for a florin, a few pennies,
to send back home to her family in the valley,
to support her parents, her brothers, her sisters,
and in that she was like so many valley children.
In that time, in that place in those years.
And in those times, in that place in those years.
when the cruelty became too much to bare,
she left to work in a Rabbi’s home,
as a young nanny to their children.
She recalled the words of kindness,
the different foods and the music,
Sophie Tucker’s My Yiddishe Mama.
We would laugh when she danced,
a mischievous smile, those dark brown eyes,
the slow easy dance movements
memories of happy days lingering.
But she would recount listening
to the stories of families from Germany,
who’d escaped and told their stories,
of the treachery, the butchery of Crystal Nacht
of the barbarity and disappearances,
and the wearing of yellow star badges.
While our country pretended it knew nothing,
when people were fleeing for their lives.
And so the war came as it was bound to,
and my mother packed her belongings
and furniture into an old Pickford’s van,
to make her way back to the valley,
to bring up her child while her man,
was recalled to serve, to do his soldiers duty
over five long years fighting in others lands.
She stood with a red-cross box on the square,
and at night worked in the arsenal soldering,
the fuses on bombs while the blitz flames
lit the skies over Bristol, Cardiff and Swansea.
In that time, in that place in those years.

And in that time, on that day in that year
her mother ran to tell her the lost man was returning,
the village decked out with ribbons and bunting.
But he was not the man he was before the war,
his temper a short fuse and his hands heavy,
and then he saved himself again in the silence,
of growing vegetables in a high stone walled garden,
and he always said after it saved his sanity.

He never spoke of the war, never wore his medals.
They were locked in the black box under his bed,
with those memories of men who didn’t return,
lost on an Italian beachhead called Anzio.
So they brought up a family of three children,
grew food in the garden in a time of austerity,
bottled it, jammed it and stored the food too,
ready for the harshness of black iced winters ,
plates were ladled with scrag end of lamb stews,
and when neighbour’s children tapped at the door,
frightened from sitting alone in a cold dark house,
more plates were laid, the food divided and shared.
But the boy who stared wasn’t allowed in again,
and was taken away for the murder of a friend.
The summers were hot, autumns wet, grey-cold
winters were hard winters and that’s when it snowed.
That’s how it happened year after year until 1966,
the year when life and what mattered changed forever,
the year when the boys lungs tried to drown him,
and in the dimmed light of his room the priest spoke quietly,
it was touch and go, six months in bed, a year off school.
In that place, in that time, in those days in that year
And in this place, in those times, in those years
the couple who came through the war grew old
and there should be a happy end to the story
But the man died on a dirty ward infected with MRSA,
his unfair death prolonged and pain filled,
and the doctors and nurses betrayed him,
and we closed his eyes with our great loss.
She bore the separation with grace and dignity
told their story with some laughter, of the chance
meeting with the tall man at Speakers Corner
that bought their lives and their story together
and she asked the question “Was this how it had to end?”
On that day, on that year, in this valley, in this place.

© 2017, Rob Cullen

Empty Pocket

A forgotten hero reaches to the bottom of an empty pocket,
as he peeks outside the window of a cardboard box.

He woke from dreams to find his suffered reality.
The stare from his eyes read like an obituary.
His smile looks like tombstones that read, “Please feed me”.
His skin is leathered from the sun and his wrinkles hold dust like ancient artifacts.
He shuffles his aching body to the corner street, begging for change to survive.
Feelings of worthlessness have frayed his pride to match his clothes.

He sits with open hand relying on the kindness of strangers to stay alive.
People hurry by avoiding eye contact, afraid his smile will break their guard.
Occasionally the ringing of a coin hitting his cup would wake him from his moment of despair.
Youth like his family were long gone and hard times swallowed the kingdom he built.
Memories from forgotten times keep him warm, as the cold-hearted offer only icy stares.
His stomach echoed loudly like the ticking of time in his hopelessness.
For soon the sun would set on today’s opportunity to collect offerings from the kind.
He gazes in appreciation at the coins shining from his cup,
imagining a warm plate of food that had already been served in his mind.
With his broken gun like arms he lifts his weakened body from the grime of the sidewalk, his heart now lightened by his reward.
Every morsel would be savored as if it were his last.
Today kindness fulfilled a homeless mans needs,
and for a couple of coins is all that was asked.

© 2017, S.R.Chappell

War Over Hunger


If only countries could put as much effort into feeding the hungry as they do war.
Too focused on fighting to notice the starving mouths they ignore.
The rumbling stomachs of children echo loudly like bombs,
Covered ears ignoring cries with no qualms.
Out of sight, out of mind, so they say.
As skin and bones search with sunken eyes for food in dismay.
Disregarded like the trash they often have to forge upon.
Like an alarm, appetites scream loudly every day before dawn.
Forgotten are the emaciated as they become dust.
Prioritizing war over hunger leaves me in disgust.

© 2017, poem, S.R.Chappell

Editor’s Note: The illustration is courtesy of Nme ” a self taught urban artist, currently living in the SouthWest UK. Having been brought up in an urban area, Nme was exposed to street art from a very young age.His work is often confronting politics and social issues.”

“I just put pencil to paper, knife to card, and hand to can, and try to let the magic happen. It’s my labour of love & way of life. I live by… the paint & will probably die by the fumes, Its just what i do.” Nme 

Find more of Nme’s work at Street Rat.

proud at unjustified margins


holding proud at unjustified margins
on steps of blue and turgid hungers
lips moving in softly whispered oratory
heartbeat drums a frightened tattoo

© 2017, Jamie Dedes

an accounting


mom stressed
as she sat
with her 10-key
urgently
conscientiously
feeding it numbers
for a business
in Redhook
a commercial building
in old red brick
her calculations spun
Monday through Friday
dripping white paper
in ribbons
pooling on the floor
with all her adds
all her minuses
she accounted
in grey lead
on lined green paper
A/R and A/P
payroll
chart of accounts
bank reconciliations
consolidated financials
transactions
neatly ticked and tied
to ledgers and subledgers
hand formulated
amounting to
zilch
zip
squat
zero
nothing
gone
forgotten
except
for the echo of her sighs

© 2015, poem and photograph, Jamie Dedes, All rights reserved

A Thread of Hope

Orphans on the streets
Crying out for love
Scrounging for a meal
And a warm place to sleep
Feeling lost and so afraid

Scanning for a friendly face
Hoping for someone to care
Wondering if their pain will end
Haunted by the memories
Of things they’d rather forget

Wishing for a miracle
Living on a Thread of Hope

The children are hungry
The children are crying
The children are beaten down,
Empty and cold,
The children are searching
For a safe refuge
And for a family
To have and to hold

Desperately wandering
Bruised and broken
Forced to turn a trick
Just to stay alive
Curious what tomorrow will bring

Treated like an animal
Stranded, lost, forgotten
Living on the streets of fear
Waiting for anyone to reach out
To lend them a helping hand

Hoping for a miracle
Living on a Thread of Hope

The children are hungry
The children are crying
The children are beaten down,
Empty and cold,
The children are searching
For a safe refuge
And for a family
To have and to hold

Trying to remember a time
When life offered promise
Struggling for something more
Dreaming of a new day
In the land of hope

Praying for a miracle
Living on a Thread of Hope

© 2017, Denise Fletcher

Originally published in the collection A Thread of Hope by Denise Fletcher

Dustbowl

Those bars of attrition are very, real
Where a life might only be monetary
Where survival, is counted in days
Not in years, and your very next meal
Has little nutrition, and feeds the many
And isn’t shared equally; in this malaise
People, children die, and so few grow old.
Their sky is a bone-yard of black-sunlight
Its gods own country, but it’s like he has left
And the lands a dustbowl, Oh Lord, behold
This plight of hunger you have umpired
Will this evil suffering be addressed?
It’s no Garden of Eden, but we do our best

© 2017, Mark Heathcote

Humanitarian help worker

Where many have before you close the door
Instead, you want to answer their SOS, call
You – yourself go hungry and furthermore
You helped the weak the very, small stand, tall.

You helped them out of squalor, the gutter
So they wouldn’t have to crawl with hunger.
Or have to plummet like leaves aflutter
In autumn fall sadly, always in that slumber.

In numbers, that’d made your mind go numb,
Heaving and crying in pain, praying for a crumb.
You helped feed them, so they didn’t succumb,
So they too could carry on living, years to come.

A humanitarian mission is what you were on
In your heart, there is nothing in this world
You or other like-minded, can’t improve on
And yet you do it all unheard and unperturbed.

© 2017, Mark Heathcote

Togetherness

They’re there;
hollowed into make-shift sponge-foam beds,
tight-curled into malodorous rag-blankets
and plastic of dubious origin.

They’re there;
the shadow-ghost people
of no fixed abode,
gathered loosely together
in cohesive misery.

They’re there;
existing on society’s fringe,
sustained by the government’s pandering promises;
sharing glue-highs and garbage rot

They’re there;
old children, dying people,
together in perpetual poverty.

They’re there;
trampled contours on grass verges,
silhouettes on street corners,
robotic vendors with nothing to sell
but themselves.

They’re there;
the street-people of forgotten causes,
unified in the rainbow nation
of lost hopes.

© 2017, Irene Emanuel

a slave’s mentality

it is
difficult
for us
to
accept
that
we
just
are
so
we’ve
evolved
elaborate constructs
religions
governments
to
pledge allegiance to
and
deify
selective servitudes
to
give meaning
to the meaningless
so
we may ordain
our deaths
and
separate ourselves
from
the beasts
all around us
all
the while
we exhibit
the same
kindnesses
and
brutalities
of
all creatures
killing
to
survive
protect territory
and as
a symptom
of
our insanities
we become
indentured servants
contracted to work
a lifetime
in exchange
for free passage
to
some purpose
for
being

© 2017, poem and photograph, Charles W Martin

#ice&mud

we sit quietly here, fretting

over nothing in particular.

some bemoan their lot,

others get on with it willingly.

stop and have a cup of tea.

while others walk in #ice and mud,

while others #drown,

while others #starve.

without a #cup of tea.

© 2017, Sonja Benskin Mesher

Nautilus

He rakes the sand
with thick wooden rake
wearing sweat stained clothes
and sandpapered jackets
that defy the sun.

His dark eyes disappear
unnoticed under the shadow of hat.
No smile but always “hola”
while tourists move in their
self-absorbed bubbles

Hours slide like the slow
heavy drops of sweat
that sting his eyes
as he carves, sculpts
sifts out debris,
swirls grains
recanvases.

The hollowed shell
of his body bent over
in a slow crawl
tongue touching
tequila and lime
crusted lips.

With circular sweeps
he enshrines the sand.
moving steadily outward
arching spirals
toward the sea.

Drawn towards
concentric mounds
I see shells centrally
placed offered
with sanctimony.
I witness this consecration.

He moves on
heat waves distort
his figure
arms and legs become unhinged
disconnected.
and dissolves into the sea.

© 2017, Michele Riedel

Life

Like A symbol yet unknown 

Looks like love sometimes hate 

Looks like faith cheating on hope 

Looks like fear breading on dreams

Looks like health depending on wealth 

Looks like strength hoping on age

Looks like status owing to power

Looks like trust standing on friendship 

Looks like hardwork depending on success 

Looks like greed in comfort 

Looks like laziness in contentment 

Looks like envy in wishes

What Manner of life is this

What sorcery is this 

Why lay claims to love life

When no one cares for but themselves 

A life where breastfeeding mothers feed no more 

A life where fathers flee from children 

A life where the world fails humans 

A life where nature cries for help

A life where death is celebrated more than life

A life where wealth is more valuable than life 

A life where the earth is a sinking hole

Oh! What manner of life is this?

© 2017, Michael Odiah

Cannonball Adderley Adrift

His music sounds lost,

as if he’s never seen a swan.

 

It sounds found again,

as if he has taken up a young

lady’s invitation

to bathe in her clawfoot tub.

 

His music sounds lost,

as if he has witnessed

a ritual drowning.

 

It sounds found again,

as if a bigger planet’s mass

is tugging at his tides.

© 2017, Glen Armstrong