It is early evening
But I, reading about the midnight watch
My nostrils of a sudden caressed
By the subtle scent of rose petals
Begin to dream of my Lola*
Who faithfully prayed the Rosary
Every night, in the dark of night
In her corner of the bedroom
Every night, without fail
‘Til she no longer remembered how.
She has been gone many years, now
But her memory once again graces my mind
With the freshness of the winter flowers
I laid by the Blessed Virgin statue
i’ve begun
to wonder
if hate
does not
permanently
dye
the soul
the color
of
dried blood
our
words
of forgiveness
to those
who’ve
wronged
us
are
but
pilate washing
his hands
all the while
a thin veil
of flesh
conceals
what lies
within
a darkness
that
spews
from our lips
gaseous words
of venom
when
passing
troubadours
wishing
only
to write
songs
of enlightenment
press
too tightly
upon
the fragile flesh
of
our
beliefs
and
fears
thus revealing
that
inert
element
hidden
in our souls
aunt bea
hasn’t been
feeling well
this week
her sister
suggested
that a visit
to a local faith healer
might not be
such a bad idea
aunt bea
said
some folks
don’t need
to go to church
to find god’s healing hands
all you got to do
she said
is open your eyes
look around
at
the wonders
of
nature
the art
created
without
one
human hand
a doorway
to
the heavens
above your head
filled
with a thousand
angel’s eyes at night
and
a thousand hymns
of joy
from birds
with light’s
first peek
into the new day
it’s laying
of
god’s hands
upon
the troubled waters
for
souls
seeking
something more
than
institutionalized
amens
and
hallelujahs
Where did you reside before
you made your entrance here?
Was it in the darkness beyond the sun?
Did you dance within the Milky Way
and skip among the countless stars
that crowd the cosmos far and wide?
Did you slide down moonbeams
and have the glowing dust of
nebulae sparkle through your hair?
Did you sit at the feet of the Masters
who meditate in the ethers
to raise the vibration of all existence?
An astral body was your vehicle then, created
of light and prana that you transported
effortlessly between the myriad
planes of existence. Nothing hindered
your explorations and curiosity of
All That Is. You dwelt there in a state of
Connection to Every Thing with joy and delight.
O, Tiny Giant, now you have taken a human form
and chosen those who will guide, teach and protect
you as you journey on to continue your adventures.
What path will you seek to take?
Follow your light.
Follow your breath.
Ride the waves of nature and learn from the wind,
the water, trees and animals. They teach freedom.
You need nothing else but belief in yourself.
O, Divine Kali Devi, I hold you in
light and love as you expand
in consciousness
during your stay in this
Earthly realm.
May you be surrounded in love.
May you always feel safe.
May you live in peace.
May grace and acceptance be yours.
May you forever live in freedom.
The Wheel of Becoming
continues its spin
throughout your
comings and goings.
Its energy
propels you
ever forward
toward your
Knowingness and Ease.
for some
just
stones
neatly stacked
along
the riverside
but
for a few
an alter
from which
inner peace
flows
into
souls
abandoned
alongside the road
a stone parable
left
no doubt
by
a travelling
good samaritan
Mitkko Gogov
Translation from Macedonian by Aleksandar Mitovski
And so we role-play clockmaker and time
Both with hammers aimed at mutiny’s head
And a clock is a bigger bastard than both man and everlasting sun
As we forget burnt words and human dust
Ugly tongues and nasty minds
They drag the lent of the soul
The inner voice doesn’t (ever) go out,
Like angels’ dander or hell’s gasoline it just booms
Skip the small lightning bolts
Twist the lowest mountains
The force of forever would, like a mother to her son,
Bind
And barely ever
Alienate
In the rood of our heads
Like snails
We hide our true home
Not realizing that the slime of our soul
Leaves traces of disquiet in our sleep
We keep the stars in our hands,
Why is it when we throw them
They strike like heavenly boulders?
Stones have learned to resound
Yet our dulled hearing needs to wake up!
Both fire and abyss alike
Are eternal
Just like our pensive, darling souls
Just like a shard in marbles, when our bell breaks
We are of piercing glass, yet
Troubled as the soul remembers
But knows not to reciprocate
We’re birds that have decided to build their own cage,
We sing of the freedom we’ve created
But the space in which we act is
Barely as large as our wingspan is
Be the river that desires to break through the cold
And the ice of the mountain whose home is winter
We all want to see the whole
We all want to be a part of someone’s whole
We want to add to the whole, bid for it,
Increase it, make it rich
Or
Cripple it without realizing
As we don’t grasp we’re nothing but cutouts
A square on a Rubik’s cubepersevering, searching for its match
On the other side of the cube
We’re seemingly moving in a circle
Rolling all over the globe like a stolen bobbin of yarn
From grandma’s old chest.
We leave our people like
Forgotten church bells in our soul
Though we’d like their thoughts to echo
But you’d only hear the blood of your words
And angels pacing on the cobblestone road
Leaving without making a sound,
With a touch ingrained in us like a scar from child’s play
Like a mother’s hand holding a teaspoon of soup
Like a father’s lesson of how to chop kindling
Without losing a finger
We cut and we carve, but the truth can’t be carved,
Because, if we do, it will carve us back
And bury us six feet under
Even though we never brewed enough coffee
Even though we never leaped over enough bonfires
Even though we lied when we said that spirits came but we summoned witches
And the fairies choose our shadows as their mates
No, our shadows, like us, would rather hide in verses
And battle quietly for their hidden lives.
We’d rather be snow: white, clean, untarnished,
But you can’t keep snow in a jar, it won’t sit still,
Neither will love
Trapped, lonely, not shown, framed.
Love floats alone in a frame, like a cross-stitch
Of a woman spinning yarn as her wool is coming to an end.
Let’s make our minds ascent in a global fire
And resurrect the enchanted souls.
A forgotten retort between two gases
(therefore)
Please leave me
Leave my
Predicaments be
It’s not the time in which
The soil on its own and
By its own volition
Did turn over
And roll over
We all move,
Twist, roll over,
As we live we do not remember
Or notice,
While we’re dead
‘we do not eavesdrop
As others gossip about us’
And
Probably all spine issues are gone.
Leave the world be, darling,
It is not a part of you
Can’t you see in your naiveté, how,
Through your breath of lunacy they pass you by
They skip right over you
They won’t even cough anymore?
Leave the trams, darling,
In them fewer wishes are travelling these days
Towards you,
Inside you,
Next to you,
No more hands reaching out
No more raised voices
—we drown in our own outcry
We hope that hope as our last refuge
Will pay our debts
Will turn off the light
And in the end
Just like us all
Will leave
And go
To hell.
Michael Rothenberg has been living in the San Francisco Bay Area for the past 37 years but recently moved to Tallahassee. He is a poet, painter, songwriter, and editor of Big Bridge Press and Big Bridge, a webzine of poetry and everything else. In 2011 he and Terri Carrion co-founded the global poetry movement 100 Thousand Poets for Change.
His songs have appeared in Hollywood Pictures’ Shadowhunter and Black Day, Blue Night, and most recently, TriStar Pictures’ Outside Ozona. Other songs have been recorded on CDs including: Bob Malone‘s The Darkest Part of The Night (Caught Up in Christmas) and Bob Malone (Raydaddy’s Blues), Difficult Woman by Renee Geyer, Global Blues Deficit by Cody Palance, The Woodys by The Woodys, and Schell Game by Johnny Lee Schell.
His poetry books and broadsides are archived at the University of Francisco, and are held in the Special Collection libraries of Brown University, Claremont Colleges, University of Kansas, the New York Public Library, UC-Berkeley, UC-Davis, and UC-Santa Cruz.
Mitko Gogov lives in Macedonia, where he writes poetry, short stories, essays and journalism. He writes haiku, senriu, renga which he publishes occasionally in the micro blogosphere twitter, but once published in London by Yoko Ono as well. His work so far has been present and translated in several anthologies, collections and journals for literature and art in India, Pakistan, Philippines, USA, Russia, Spain, Mexico, Argentina, Check Republic, Germany, Serbia, Croatia, Albania, Bulgaria … He’s current with his first collection “Ice Water” published in 2011. in Serbia, and in 2014 issued in Macedonia, in the edition “Fires” for the publishing house “Antolog”, supported by the Ministry of culture.
As conceptual artist with several exhibitions, installations, performances, scenery, short movies and multimedia projects he participated in a few international group exhibitions and projects in Macedonia, Serbia, Bulgaria, France, Norway and Italy.
He is President of the Association for Cultural Development and Protection of Cultural Heritage “Kontext – Strumica” and organizer of the international movement and festival “100 Thousand poets for change” in Macedonia, Strumica. He is also the CEO & founder of the internet portal strumicaonline.net and one of the editors at the ezine for culture and literature in Macedonia, reper.net.mk. He organizes many other cultural and art events, collaborating with youth, art, film and theater festivals.
As youth trainer he provides different creativity workshops, such as: forum theater, multimedia, design, stick art, street art, graffiti, use of organic and recycled materials in contemporary art, handmade and social aspects as PEER & informal education, EVS, youth participation etc.
the helpless, hopeless, remorse-filled blues
when you’ve seen the doctor and she’s seen you
when Time runs out and Eternity beckons
blues
the darkest hues with shivering slivers of
pewter muting to gray, muting to black,
muting to light fractures in a surface
permeable and permissible, heavenly Light
or, so “they” tell me …
But lost in that Universe of Light
will “I’ still be?
will “you” still be?
answer me that
What is the character of this Light?
Matter or myth?
Ah then…
after all, pondering on
I find I really don’t care
I’ll poem my blues and poem my light
until all that’s left of me is
what I leave behind…
and you?
Will you leave your unwritten
blue poem hanging in the air to be
sensed by the few who can?
Or, will you, like slaves of old,
paint yourself blue and boiling tears
dance round the fire’s edge and rebirth
your broken blue soul into wholeness?
This poem is written out of memory. Nothing untoward is pending … except, of course, for the fact of a world gone mad and who knows what’s next with that …
the red coat
was hiding
under layers,
but i saw it.
red it is, worn, shabby.
a friend you say.
lining cream silk crumple.
the label
harris tweed,
heather washed,
as old.
the back a thin satin sash
to tie.
oh lovely coat
i love you.
away for coffee
italian,
a biscuit.
back to the red coat,
tried it, and looked daft in it,
and imagined how it would be.
hungry i would wear it,
run on the moor, windy,
a cotton dress beneath,
grubby knees,
old boots, and wrap it round me.
night garden, pyjamas,
and the red coat looking
at the moon.
slight smell of camphor,
and lavender,
un threading,
pockets with notes,
and hankies
and all well, all well.
men will sing with three voices,
and dance in their suits,
and i will be headlost, and dizzy.
leaving the coat
to bathe in pools
of light, under green,
dripping back into
the coat , red coat.
they say i said too much about the coat last night,
and did I look daft, and i will never buy it
£500,
but it is already mine,
headed forever, calling it to at will
After 10,500 x 14 hours of computer simulations we deduced the only solution to forestall our desiccation is called water. Water could have been collected from Sol 3 MW-4911, except we mined its arctic for minerals no longer of value and discarded it after centuries of disuse.
At three in the morning
I hand wash my socks,
my bladder emptied,
the toilet flushed.
These pressure socks
help stop the pain
and swelling from
my varicose veins.
I realize the water
will never run clear,
black dye running
away from the
responsibility,
I assume. And
I think, this poem
is not very sexy.
For that, I should
lay next to my wife,
who sleeps in
the next room as
I wring the socks.
We should share
a cigarette. You
know, how the
movies used
to show sex.
Except we don’t
smoke. And we’ve
spent the day
caring for her
mother with cancer
and a broken arm.
I caught up on a bit
of work tonight,
wrote to a couple
of friends, edited
something, sent
a poem or two
to editors who
know or don’t
know me.
Well,
my socks will be
clean. And, I think,
that’s not so bad.
Swimming through Sundays’
meanders
the corners of my eyes are spinning with
the storms of butterflies
Refresh, Oh, Lady Spring
my will of life!
My core, my spirit,
let them be touched by
the holy wind of light and warmth
The law of colour green with broad brushes
splash it on my trees
Make no mistake when chirping birds
will call your blessing
Abandon us in your blue skies
Oh, Lady Spring
Cuddle my spades of grass with your smile and
Let me kneel at your broad altar
“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche.” Hermann Hesse, Bäume. Betrachtungen und Gedichte
No hard benches for me, or pulpits, altars or holy books,
give me skies of blue with cirrus wisps that scribble truths.
Gatherings of trees are my sangha, age old wisdom expounded
from the roughened bark and steadfast trunks that abide in calmness.
Their messages aren’t harsh and do not tell of hell and brimstone death
but instead teach trust in their brethren and nature as teachers.
Leaves and boughs happily greet as the breeze gently lifts in a
tender, quiet song of connected joy that is shared with those below.
Peace and harmony reign here in this sacred space of believers.
“For me, trees have always been the most penetrating preachers.”
Their serenity is multiplied when gathered in great throngs.
There is no jostling for favoritism or pushing aside of others
so that they may be held in higher esteem; trees teach humility.
It is hallowed ground that supports trees. I whisper in their midst.
You, I venerate as I sit at your feet and feel your gifts permeate my soul.
Quiet, meditating in one place…be still, find earth’s hidden treasure troves.
Strong, yet yielding in the face of seasons’ harshness; I bow O Masters.
My heart is restored and a reverence is imparted to me that uplifts.
Mystical beings dance and play among your holy, secret alcoves.
“I revere them when they live in tribes and families, in forests and groves.”
Isolated or living apart from one another, trees lift their limbs in resilience.
Though alone, rooted to the ground, they are visited and inhabited by
birds, animals, myriad bugs and even air plants that join them.
Stoic and steadfast is the solitary sentinel.
When separate and alone they stand like quiet beacons in the fog.
Having no others to entangle their branches, they sometimes feel unknown.
They stretch and reach out and up, vainly feeling for a neighbor.
But do their hearts languish or brood when kept to themselves?
O lone willow whose drooping branches caress a pond, here you are sown.
“And even more I revere them when they stand alone.”
Patience and endurance rule in the heart of the ancient oak.
Wisdom reflects from her heart where the Great Horned Owl resides.
Distinguished, with ancient ties to Vikings and Tigers, she rests.
These Masters of Stillness have taught contemplation since millennia.
Like the Crane poised to strike a fish, they wait in silence.
They draw strength from the community of all species.
Their brilliance is oftentimes overshadowed by their infinite modesty and grace.
The hum of om strums through their leaves gaining strength on the wind that then plays out into the universe.
These stately, wizened beings spend their lives in harmony, no need for treaties.
“They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche.”
*Standing Post is a martial arts form based in Chi Kung. This Glosa was inspired by a dear friend who has mastered this form.
“For me, trees have always been the most penetrating preachers.
The BeZine 