Christmas Fare

The caviar of death between bread,
that’s what we ate this Christmas –
black salt:
that’s what you spit,
what you pass,
what you eat raw,
what you become,
when we lay between bread and eat
it is our fare, our diet
how we must be between slices of life,
between ramming breadcrumbs in birds,
heating the oven for Christmas Dinner.

‘Not by bread alone’ –
black salt in your look
when I wake you with fatuous words,
‘It’s Christmas, Mother’.

Your concentration
your tar
between sheets,
hidden

Linen folds its think wink
over the slow black underground stream
that flows through,
marks your breath purple where it touches,
like salt thawing ice.

We say that you upstairs
are with us downstairs in spirit
as we eat meat and gravy,
duchess potatoes, broccoli,
baby sprouts, carrots,
Christmas Pudding,
mince pie,
double cream.

– Dilys Wood

©2016, poem, Dilys Wood, All rights reserved; excerpt from “Parents, an anthology of perms by women writers (Entharmon/Second Light), published here with the permission of writer and publisher

Soup and Slavery

Yes, I can hear you, father,
at the other end of the line you invented
for us to phone on after you died.
I can hear your prolonged throat-clearing
like fork tines dragged over grit,
know you’re preparing to speak.
I can even see the anger boiling up in your face
as I pull specked leaves from sprouts tighter
than fists, chop shining leeks into rings
for a soup I’m making to succour
the aged pair next door. Now you scald me:
Why are you making soup
for strangers when you wouldn’t cook,
wouldn’t take care of me?

I’m making soup
because it’s not a duty that traps me
rabbit-helpless between metal teeth,
because it comforts me in winter
to smell the sizzle of softened onions,
because it doesn’t occur to my old neighbour
to give in to shaky legs, shrinking body,
because he planed at his bench for years, grew
potatoes, gooseberries, sweet peas in his garden,
because he waits on his wife who’s enjoyed
almost a century of delicate health,
because I’ve seen four pans steaming on his stove,
because love fuels his willing slavery,
because he’ll call this soup a godsend.

All right, I knew you’d bark me down –
it wouldn’t be you if you weren’t top dog.
I can see you issuing instructions
up there as if you were still
in the Home, demanding special rights,
losing your temper with the cackhanded,
hounding the timid, passing judgement,
making up jokes for your favourites, offering
advice on finances, giving the thoughtful one
a cheque to buy panchromatic glasses –
oh I know your deep seam of kindness.

But I can’t forget the jug.
Jug? you boom. Yes, the white-lipped jug
painted with roses, not even half full,
the jug you complained was a burden
to carry upstairs so that your dying wife
could totter to the kettle in her room, pour
your afternoon tea – she whose picture
you idolized after her death.
That jug is lodged inside me.

Jug! you bellow but I cut you off.
When I choose I can reconnect
to you at ninety-three, alert, probing
theories of the universe, explaining
the more we know the less we know;
or I can listen again to the story
of that sleepless night in 1943
when you struggled to solve in your head
the mystery of the gas the Germans
had packed into powerful missiles,
the eureka moment flooding
like the moon on a frosty lawn,
feel proud you helped shorten The War…

Yes, I can hear you father,
am sad I didn’t cook you meals,
glad I’d slipped enough chains
to stay with myself. No need
to shout. Go back to bossing
the angels while I add a pinch of sage
and thyme to the barley-pearled soup.

©2016, Myra Schneider, All rights reserved; excerpted from
Parents, an anthology of peoms by women writers” (Entharmon/Second Light, 2000), published here with the permission of writer and publisher

Grace

The trick
is to like heartache
but not too much.

It is good
to feel the wince
of April dogwoods
pink and rousing
before June
or to bask in your son”s
unmitigated smile
knowing
mitigations will come.

But it is not good
to seek what simply
will break you,
like a compelling lover
who cannot give you
what you need
or a baseball team
that will never win.

It is good, though
to embrace 18-year-olds
setting out for their Ithakas
knowing you, their teacher
will be left back again,
or to let your lips linger
on the mouth of a woman
with whom conversation carves
an atlas of roads
across your face
before you leave her
again.

But it is certainly not good
to forget God, and by that I mean
all the wisdom you have learned:
the ocean wind that blows cold
yet holds you
the changed butterfly beating
into thick canopies of light
the sacrament of song and dance
that gives voice
to grief.

The trick
is to like heartache
just enough
to convert it to wonder
and let it move you
the way all the embers
of galaxies
spin away
from that single source
in silent
parallel
flight.

– Matt Pasca

© 2016, Matt Pasca, All rights reserved

Walking Around Monaco

Flight 1935, turbulence
near Tampa, my son, six, asks
Are we almost there?, his little
brother floating between
sleep and nausea. 56 minutes,
I say, battening down
catastrophic thoughts.
His impatience ebbs, eyes
blinking blue and gold,
the search engine of his
mind a whirring casino slot—
jackpot—connection:
56 minutes, he says,
is how long it takes to walk around
the whole country of Monaco, did
you know that? Now—
I have somewhere to go
as this jet rocks side
to side, my astral feet
pacing the imagined
square of a real country,
guided by facts of finitude
and the sweat of
children’s hands.

– Matt Pasca

© 2016, poem, Matt Pasca, All rights reserved

Nursery Rhymed – a poem

Running away—a spoon
dishes carbon clouds,
the moon turns red
with embarrassment,
mad cows’ disease
spinning the earth.

Heat waves a non-political hand
parading toward melting ice
while crowds ignore climate
changing its clothes on the float.

Ring around the rosy—
burnt skin of us all,
atmosphere spun-
cotton strings
evaporating into
space, the final
funerary fear.

—Michael Dickel

 A full-disk multiwavelength extreme ultraviolet image of the sun taken by SDO on March 30, 2010. False colors trace different gas temperatures. From NASA A full-disk multiwavelength extreme ultraviolet image of the sun taken by SDO on March 30, 2010. False colors trace different gas temperatures. Source: NASA

© 2016, poem, Michael Dickel, All rights reserved; illustration as indicated

Compassion – a poem

Compassion

I’ve never been to the fjords, the tall cliffs looming.
Nor have I seen the glacial cliffs spawning icebergs
into the sea. Except in film. Yet I know these places.

How do we get from the water to the forests?
We all know the deep meaning of icebergs and
the difficulty of scaling cliffs without proper equipment.

A life dodging icebergs and crashing into cliffs is not
how we want to dream our children into being.
A person who grew up between the gavel and the sound block

seeks to soften the blows of life for her child. But it is just as possible
to drown in heart’s blood as to smother under the crushing blow,
to chase a daughter into steep rock as to siren-sing a son to hidden ice.

When we try to counter judgment, too much love may swallow us.
Love and judgment birth compassion from their wild affair.
Compassion pours joy into the world at the source of creation.

How do we cut our children out of our own skin and survive?
My daughter asked me to walk across campus with her
to her voice lessons. Such a gift of time together, how do I

let go and watch her walk away? When do I say goodbye?
How do you birth a child from your most sacred body
and set that being free? You wrote to me asking if I wanted

you and your son to join me because “we speak Hebrew.”
Such a gift of language, you and he grammatically joined.
Let our children scale cliffs and dodge icebergs.

Let us teach them to navigate between pounding of hammer
and heart. Let them find the forests of compassion in the night,
joy in the day. Let us learn to set our sons and daughters free.

—Michael Dickel

Compassion @2015 Michael Dickel Digital art from photograph
Compassion
@2015 Michael Dickel
Digital art from photograph

Hearts and Glowers

“What the heck is this?”
I heard her shout behind me, shattering
the silent glow of my nascent creative self.
She caught me just as I closed
the right-ventricle point of the heart
I drew with a purple crayon
on the wall in the family room.

“But, Mommy,” four-year old me said,
“don’t you think it’s pretty?”
She didn’t see the need to make the beige wall
not such a bore
anymore.
I guess because her life had become
beige, too.

After Mom marched me to my room,
I wiped my nose and
was glad I never completed
this artistic tribute.
She’ll be sorry, I thought.
I never got the chance
to write inside my heart,
in red this time,
“MoMMy.”

– Joseph Hesch

© 2016, poem, Joseph Hesch, All rights reserved

Jigsaw Puzzle

jigsaw puzzle

i was
quite certain
there were more
than
a thousand pieces
scattered
before me
none
of the pieces
had clear markings
to indicate
where
and
when
to assemble
let along
whether or not
all
the pieces
where there
yet
i began
my task
and
parenthood
began

– Charles W. Martin

© Charles W. Martin, poem and photograph, All rights reserved

Heros Seldom Wear Capes

  • a pantoum

Heroes seldom wear capes
Flying through the air with ease
Knocking out evil doers
Champions of our fantasy

Flying through the air with ease
Holding the trapeze bar
Champions of our fantasy
Launched through the air

Holding the trapeze bar
Heroes seldom wear capes
Launched through the air
Heroes seldom wear capes

They wear white shirts
Stained at the collar
Uniforms of frayed edges
Almost escaping poverty

Stained at the collar
Eyes searching endlessly
Almost escaping poverty
Filled with determination

Eyes searching endlessly
They wear white shirts
Filled with determination
Uniforms of frayed edges

He overcomes prison
She becomes a nurse
Tattered heroes
Knocking out evil doers

She becomes a nurse
After being trafficked
Knocking out evil doers
Courageous hard work

After being trafficked
He overcomes prison
Courageous hard work
Tattered heroes

– Terri Stewart

© 2015, poem, Terri Stewart, All rights reserved

~ Epic Everyday ~

Image borrowed from graffitizen.com
Image borrowed from graffitizen.com

Of all the heroes and heroines,

The ones unsung,

Are the ones I like best.

Of all the super-heroes’ skins,

Quiet humility cloaks the best-dressed.


They give the rest of the world a smile,

Those “little people” all over the planet,

Selflessly making our lives worthwhile,

Whose sacrifices we take for granted.


If you can read this,

Thank a teacher.

Free to speak your thoughts?

Thank a soldier.

The “value” of the jobs of each were,

In the mind of each beholder.


My superheroes are the common men,

And women who “practice random acts

Of kindness and senseless beauty”, and,

Whose inner radiance attracts.


This goes out to all of you, who,

Give of yourselves each and every day,

Practice compassion, speak kindly to

Those who need YOU to guide their way.


All of you, who sing and dance with light,

All of you, who speak for the voiceless masses.

All of you, who make the world’s wrongs right,

All you Clark Kents with your taped-up glasses…


You may not wear capes,

Or an “S” on your chest,

But YOU’RE the superheroes that I like best!

You have my thanks,

And admiration, too.

The world is so much better

Because of people like YOU!

~ C.L.R. ~ © 2011

local heroes

local heroes

each thursday
they roll
an array
of musical gear
past
the nurses’ station
down hallways
full
of the scent
of aging
and
death
postponed
ending
their journey
in
the senior
activities center
it’s a gig
they look forward to
when they can
bring some joy
into the routine days
of so many
there’s mary
a mother of three
grandmother of more
than she can count now
she
raised not only
her own children
but
her children’s children
she always sits near frank
whose broad smile appears
when they play tunes
from the 60s
tunes
he first heard
in vietnam
where
he lost his legs
oh
and there’s
jordan
saved his wife
from a fire
they say
he
never speaks
but
always hums
the old standards
when played
so many smiles
to take in
and
relish
however
all too soon
it’s the last song
and then
the heroes
applaud

© 2015, poem and illustration, Charles W. Martin, All rights reserved

~ Lifted ~

When I had wandered far in life,
and felt I had filled this skin from within,
When I had learned to breathe in every moment,
and brought myself back
to remembering again,
When I had wakened from a dreaming existence
and the sense which had found me
Manifested around me,
I discovered that all that time I had walked,
all the time spent wishing
for feather-light wings, had only been preparing me
For all of these things which this fledgling being
at the edge of the nest,
Trying to find courage to take the rest of the test
and plunge
Into the unknown sky of the future,
Had to fall for awhile
before the wind made me sure.

With each heart-beat and down-stroke of strength,
these wings grow stronger
And fuller in length,
with banded fingers splayed ‘gainst a rising sun,
I’ve lived a full life, but it’s only begun.

With the actualization of realization
Comes freedom to glide on the thermals of dreams,
When mind and heart are in tune
with that inner blue moon,
And eclipses exist to sharpen the lines,
If you look for the light, you’ll find your own gift for flight,
And the lift will be right,
And you’ll know what it means.

Fly toward the future with a focused intent,
Let fall from your talons all wasted years spent,
Drop the ballast that you claimed for so long would sustain you,
Remember paths walked,
Long before you ever flew.
And when you finally reach the zenith…

You’ll soar above the world you knew.

~C.L.R. ~ © 2008

Real Heroes, Part 2

Continuing the story from “Real Heroes – Part 1″ and so, the action started …

“Hello Blue 2, break away and engage”.  I shouted and pulled away sharply to avoid a second attack.  A crippled aircraft was always a tempting target.  Almost immediately the radio was busy: I was not concerned with receiving orders but simply keeping in the air for long enough to reach land.  But at least we were no longer alone.

The engine was now throwing back a thick pall of smoke, and I knew that it would be a matter of minutes or less before it seized, leaving me without power and an easy target for another attack.  I looked back quickly in time to see a 190 curving in for an attack and I instantly pulled up in a sharp turn to frustrate him.  He missed and carried on past me.  Almost immediately there was a shout on the radio.  No time for formality, simply I got him fair and square.  He’s going down in flames”.

The Kent Coast had come partially into view through the smoke and after two or three minutes at full speed I knew that the Rolls had done all that could be expected and must soon die.  Friends were covering me but by now I was too low to go over the side and drop to the sea with my parachute.  The brief prospect of struggling in the icy water, scrambling into a small rubber dingy and sitting in a wet flying suit for an hour or more and perhaps never being found, did not appeal.

The engine laboured slightly as we reached the coast as though to warn me that it could do no more.  A few seconds went by, then it stopped.

There was no alternative now, and in a peculiar way the tension eased with the sudden silence: a touch on the rudder to give her a slight sidelong movement to take the smoke away from the windscreen and I quickly saw that there was only one green field within reach; elsewhere was heavily wooded country.  Although movement in the aircraft would be limited, I knew that I had to tighten the safety harness until it was like a straight jacket” almost certainly there would be a heavy crash and there were large wooden posts which had been fixed into the ground and scattered about the field.  It was important that they were there to destroy any invading aircraft but now they could destroy me.

I knew that the approach had been judged well enough to land without hitting the bank at this end or decimating myself in the trees ahead.  Smoke was still pouring from the engine and the field was even smaller than I had thought.  Th fighter would drop to the ground at about 90mph ; we were flying at just above that speed.  Landing on a soft field would almost certainly end in a high speed somersault; a belly landing without wheels gave one the best hope.

A quick glance to one side showed a hedge slopping quickly by; no more than twenty feet up now; a farmhand gazed up, so close that one could almost read his mind.  “Bless the lad. Hope to God he makes it”.  The smoke was still blinding.  “For Christ’s sake keep her straight man, it’s not over yet.  Count five and brace yourself”.

It was longer than five as it happened.  Nearer ten, then a shattering jar and the tearing and ripping of metal.  The wing caught on a post and there was a violent cartwheeling to the left.

Then an almost deafening silence.

Though only slightly dazed, the thought of fire cleared my mind sufficiently to make me release the harness: almost at once I heard “Don’t worry lad, we’ll have you out in a trice”.  A pair of strong arms lifted me away and we staggered across the field, for all the world like a couple of drunks.  He sat me down by the hedge and I looked back at the carcass of my Spitfire through one eye; a trickle of warm blood had already filled the other.  The massive engine and both wings were scattered about the field.

Later, settled into the ambulance and with time to think back, I was able to appreciate the value of a good training.  The safety harness had been one of the many important items.  Even when pulled tight it was fitted with a small catch which allowed one to lean forward to reach some dial or switch.  Btu this catch was never allowed to remain released for more than a few seconds.  During the last half minute before the crash I had in fact briefly released it then locked it back.  Had I neglected the advice, I would certainly have been scalped.  But now I am sitting comfortably in an easy chair some forty years later.”

Unquote

His number two, with whom he’d shared a beer the night before, was shot down and killed. Apart from the trauma of facing his own death, it must also have been very difficult for my father to come to terms with the loss of a colleague in this way, knowing what had been going through his mind whilst he had to listen to his singing. Only when you find yourself in a field of anti-invasion barriers, sitting in a shattered aircraft, facing a shattered life, can you ever truly know the meaning of fear. The act of remembering fear, in my view, is evidence that you have, somehow, overcome it. This is true courage. Those that don’t remember the fear may too easily brag about their exploits or maybe have been permanently traumatised by their experience. My father didn’t want to talk about it overly much, let alone brag. So, whatever else he did in his life before or after this time, I would forgive my father almost anything.

It is very difficult to make a judgement about bravery, courage and heroism. In the ultimate analysis, I suppose, it all depends on what conscious thoughts prevail in the mind of the would be hero at the time of their heroism. Military records undoubtedly chronicle the thorough assessment of individuals’ entitlement to recognition of courage by the award of various grades of medal, but, for me, the one thing that truly counts is knowing what a hero really is. I wrote the following brief poetic tribute, remembering not only my father but also his brother, my uncle, who, as a qualified medical doctor, also served in the RAF, but lost his life earlier in the war, as a result of his injuries after the plane he was travelling in was shot down, but spent the last hours of his life attempting to save the life of the pilot. It summarises my views on courage and real heroes.

 

Think

(for Real Heroes)

Think nothing of your movie heroes

 

Plastic coated with perfect noses,

chiselled jaws and smelling of roses.

Now, think for a moment of reality;

 

a reality that is raw,

that’s in your face and now, and more;

its deprivation, pain and blood

 

and fear, real fear, a taste of mud,

of fire, of brine, and feel the sweat

that chills the skin like death, and yet

 

just when faced with their mortality,

real courage let them go again

and go again, and go again!

 

Think only of Real Heroes, then.

 

© 2010, story and poem, John Anstie, All rights reserved

The Major

(for Arthur Rowley Heyland*)

There is no glory in death.
This is no feature film.
Dying is death … is dying
in muddied boots and pain.

Where is the justice then,
to help us reckon with those
who would put out the light
that always shines bright.

It is here …

And the years shall not dim
a vision of him in gold and red,
on the battlefields of Europe,
the pride of the Fighting Fortieth,
the honour of his men,
the depth of his loyalty,
the colour of his blood …
unswerving from the truth,
the kind of truth revealed
in poverty and poetry … and death,
whose messenger, a musket ball,
cut short his breath, but not his words;
words that give context to his life:

On the night before the battle,
a letter to his wife still wets the eyes
and we shed tears two hundred years on.

Brightest of all, his words set fair
to illuminate his love and care

for ‘my Mary’ and ‘my children’,
whose future changed forever, when

the bugler’s victory fanfare blew,
and tyranny met its Waterloo.

© 2015 John Anstie

~~~~~~~~~~~~~~~~~~~~~~~
*At the time of his death, Major Heyland was Commander of the 40th Regiment of Foot at The Battle of Waterloo, on the 18th June 1815. The author is the Major’s Great-Great-Great-Grandson.

Courage

When some old combat soldiers
tell me over beers how they got to be
what people called heroes,
they seem embarrassed,
saying they only did what their buddies
would do-–even the dead ones.
Then they put on sad faces,
like pinning on their medals.

One whispered his sorrow that
the real heroes died and he didn’t.
Moving closer, he rasped that courage
might really be what the guys had who,
when the shit went down,
turned in the wrong or right direction
(it didn’t matter, he said)
and were lucky enough to make it out.

For whatever reason, I thought of
the old soldier the other day–his claim
that what people who weren’t there
think is courage might just be so much wind.
Right there in front of me,
a swirling, breeze-blown potato chip bag
chased two squirrels
up a tree.

– Joseph Hesch

© 2015, poem, Joseph Hesch, All rights reserved

Hero Worship, a poem

This poem may be read as resisting the hero or heroic, but should only be read as resisting a certain vision-version—specifically, the socially constructed masculine myth, the phallocentric conquering hero. The Quest is a different version, where She and He meet to become They / We. This poem relates directly to my essay, “(Not a) Poetics of the Hero’s Journey.”

Hero worship

I am hero. I win all battles. I am beer can, whiskey bottle, fishhook imbedded into side of heart’s mouth, penis failed and plunging. I am hero. Hero, bottle, whiskey, beer, phallus, fishhook heart, dear. Dream cream to butter; churn; I win! I win, I earn. I am deleted; dense discussion dismays to reveal.

Leaves, grass, river, flow, erode, change; do not win. Run! Flow! River, grove, leaves, grass, beer, whiskey, decompose dust. I, not alone, am built of bric-à-brac on trick of lack, disease, destroyer, cancer grower, sifted city dust; gifted growth. Foolish flight without breaking out, shout to shaking hordes below: I am, you need not grow city-scape, desert. Blow dust aside. Leaves, river, grass touch.

Break out through, below, above, side to side, into; river ride, dance slide, shove, flow glow. Do you flout doubt? Ride tide, hide guide, un-teach unleashed: fled bed, tread tomorrow without sorrow; glide, glide, glide. Can I unwrap trap crap, unhook lure manure, free bee sting sling? This is the real feel; feel the reel?

Slay it, it does us apart; join joint joist jostled gently, ride to side. Break it, suture it, moochers aside; pull it and tease it, re-seize it, thread it, don’t bed it; red it up. Shock the flock, mock the smock, muck the river bottom through. Rid it, kid it, deride it, re-construct it, fluctuate without it; much too much without  touch. Touch it.

Break make; unmake; take. Know flow, no flow; un-scheme dream, ream upon ream; and ream the dream-scheme, seam upon seem. Flee me light and dark, flight stark raving; shaving quite lightly, flew it. Fluid opposition proposition: no go. Lay it aside and take up its other, don’t smother your brother, druther live, give. Sieve leaks, seeks solid landing: impossible.

I am hero. I am idea unsung, wrung, sung; I am empty sound round which thatch grows, course gorse flowers, continuous semantic somethings un-reveal; concealed, congealed darkly, harbor-sharkly devouring dense discussion; dis-made to re-seal: I am hero. I am in language. I am death. End me.

Michael Dickel

Hero Worship Poetics Digital art from photographs ©2015 Michael Dickel
Hero Worship Poetics
Digital art from photographs
©2015, poem, and illustration, Michael Dickel, All rights reserved

 

Untitled

Society at risk
committing crimes of indifference and apathy

clutching purses on subways
while sitting next to a cycle of poverty

sipping on $5 lattes at hipster coffee shops
shopping at upscale grocery stores with decadent chocolates and wine
living in the comfort of a high rise and a secured parking garage
turning away from the suffering that lives four blocks down the street

Society at risk, risking our youth
to dilapidated schools
broken systems
and violence

Locking kids up for
addictions
truancy
rebellion
and emotional distress

At risk societies, putting profit before people
dealing Gucci watches and Louis Vuittons
prostituting consumerism as worth
little girl locked up
seven months
she knew it was wrong
thought a purse could validate her worth
And while the judge and jury deliberated over her crime
nobody asked what was stolen from her

Society
I sentence you.

© Natasha Burrows