Posted in Corina L. Ravenscraft, Essay, Nature, Photography/Photographer, Poems/Poetry

Elder Box Elder

DunbarCaveTree

Editor’s Note: Terri Stewart’s regular Sunday posts are always a surprise. She doesn’t pop them into the blog until near midnight on Saturday, so we don’t get to see them until Sunday a.m….no editorial sneak-preview. In an interesting coincidence (synchronicity?), Corina L. Ravenscraft popped this one to Bardo before Terri’s post for this Sunday went up. It rather serves to reinforce Terri’s message, which we think makes it synchronicity and not coincidence. Like Terri’s post, it’s richly evocative. Enjoy…

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Gnarled persistence, drove its thick roots down,

Conquered the rocks and divided the dirt.

Spread out its branches, claimed this piece of ground,

When people etched into its bark, it hurt.

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It survived such scars from their careless blades,

Grew taller, stronger, bore fruit for the birds.

None picnicked beneath to enjoy its shades,

Hard roots ran rampant, to escape the words

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Carved for all time on its beautiful skin.

There, by the cave, it was brave; weathered storms,

Bent branches without and strong spirit within,

The world demands change and the soul transforms.

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Soft  spirit deep inside this elder tree,

Expanded, extended life through its roots.

The Native Americans set it free,

And chose its sacred heart wood for their flutes.

– Corina L. Ravenscraft

~ C.L.R. ~ © 2012, photo, poem, essay, All rights reserved

This is a photograph I took some time ago, of a really neat Box Elder tree in the Dunbar Cave Natural Area near my home. This tree has always fascinated me and it makes me sad to see how many people have carved their initials or names into its bark. My friends and I used to call it the “Ringwraith Tree” because it reminded us of the tree where Frodo hid from the Ringwraith, but Box Elders also have a very special place in Native American culture.

The Anasazi flutes were carved from these trees, and the originals were only carved from these trees. It was believed that the tree’s unique, sacred spirit was imparted into each flute carved.

The Anasazi flute is the flute played by Kokopelli, a Native American Indian fertility god. It is also said that the hunch on his back depicted the sacks of seeds and songs he carried. Legend also has it that the flute playing symbolized the transition of winter to spring. Kokopelli’s flute is said to be heard in the spring’s breeze, while bringing warmth. It is also said that he was the source of human conception. Legend has it, everyone in the village would sing and dance throughout the night when they heard Kokopelli play his flute. The next morning, every maiden in the village would be with child.“ For anyone who has never heard the beautiful, haunting sound of this flute, I invite you to watch and listen to the video below.  Enjoy!

Corina-1CORINA L. RAVENSCRAFT (Dragon’s Dreams) ~ is a regular contributor to Into the Bardo. She is a poet and writer, artist and librarian who has been charming us through her blog since 2000, longer than any blogger in our little blogging community.

Posted in Essay, Spiritual Practice, Terri Stewart

Sacred Space in Particles

I am fascinated with astrophysics. And I am probably just skilled enough to be dangerously inept! One thing that just makes my heart flutter is the idea that all matter is already created! We can neither destroy or create matter. (Except that we can, according to the Higgs Boson discovery – but that will be for another discussion!)

In general terms, matter is neither destroyed or created so that essentially the particles we immerse ourselves in are the same particles that have been around forever and ever. The Oxygen molecule I breathe in was perhaps breathed in by some semi-ancient ancestor. Who would I choose to share breath with? Maybe I would connect to some fabulously wonderful pioneering women such as Christine de Pizan or Joan of Arc. Or maybe with some substantial spiritual leaders like Jesus of Nazareth, Gautama Siddartha, or Mary of Magdala. I could be breathing their particles!

I am also breathing the particles that were created at the moment of birth of the cosmos. That rapid expansion of the universe when it really did somehow go from nothing to something. Pushed outward in a violent burst of matter, light, and waves. Culminating in this moment. This time. At least for us. This moment is the culmination. Until the next moment, that is!

So, I was thinking cosmologically in this way and I stumbled across a book called, The Tree. It is a children’s book written by a Pacific Northwest author. I imagined the particularity of matter as residing in the tree. And then I read the story of how this book came about. The author received this story while sitting underneath a Douglas Fir in the Pacific Northwest. He received it as a song, not as a story. He sang it often for various events. Half-heartedly claiming that the tree wrote it.

Later, he was invited to a celebration to celebrate the return of the Madrona Point burial ground to the Lummi people. The tribal chief wanted to hear his song. He sang it. And then offered the story of the song’s origins with the additional wondering, “Did it really come from that ancient Douglas Fir?”

The tribal chief said, “It did. I recognize the tune.” He went on. “It is known in our tradition that each tree has its own song. Our music comes from them. We show our respect for the great trees by singing their songs and playing them on the flute. We must all work to save the ancient groves in our territory.”

Hmm. That is really quite beautiful.

And so, for this offering in the quest towards finding sacred space, I invite you to connect with the particles of the cosmos, the particles of the tree, and to sit back and enter into the story of The Tree.

Shalom and Amen,

Terri

© 2013, post and video, Terri Stewart, All rights reserved

terriREV. TERRI STEWART is Into the Bardo’s  Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction. She is a contributing author to the Abingdon Worship Annual. (The 2014 issue just released!)

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com, www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to terri@cloakedmonk.com

Posted in Nature, Poems/Poetry, Renee Espriu

Catching Particles

81226116.9b8fXl5I.dragonflybrightinsunedit4655splintered wood from
a lightning struck tree
catching particles
of afternoon sun

like reflections
of another self
transformed in
Alice’s looking-glass

catching particles
of colored prisms
the waterfall dances
over time’s precipice

& the dragonfly is seen
catching particles
of each ray of sun
season of summer done

– Renee Espriu

© 2013, poem, Renee, Espriu, All rights reserved
Photo credit ~  the original work of rshmd via PBase

c796b9e96120fdf0ce6f8637fa73483cRENEE ESPRIU ~ is a creative prose writer and poet. She began delighting us with her work at Turtle Flight, My Muse & Angels in March 2011. The work she shares with us there includes short stories. Renee is a daughter, mother, grandmother, and seeker of spiritual peace and soul-filled freedom. She’s studied at the graduate level and has attended seminary. She describes her belief system as eclectic, encompassing many faiths. She believes “Nature is the basis of everything that is and everything that is also a part of Nature.”