“Shortly before Colin Powell’s February 5th 2003 UN Security Council fraudulent power point presentation – where he made the case for invading Iraq – UN officials, at US request, placed a curtain over the tapestry of Picasso’s Guernica, located at the entrance to the Security Council’s chambers. As a TV backdrop, the anti-war mural would contradict the Secretary of State’s case for war in Iraq.” Saul Landau, from “Fallujah, the 21st Century Guernica”

in the formal glass & steel palace
of power, Guernica is infamously
draped so power and its plans will not be embarrassed
by all those inconvenient very famous screams
or by that equally famous walleyed pall of death, suspended
in the air like a steel claw
over Guernica

the wild-eyed horse’s famous scream is draped, his long
teeth are draped, the famous one-eyed man looking wide-
eyed up into his own tiny but also very famous
death is draped, and the big wheel of pain
is draped, and the shame we ought to carry like
a ball and chain is draped and the god of unintended
consequences who steady dogs the gods of war with bad
dreams of futures, unforeseen, is draped, is draped
is also draped

and who or what will carry that scream, always,
already further into our memory because
our memory is now draped and our memory alone
is the true habitation and the secret name
of that horse, his teeth, that one-eyed
man, that claw diving down on us from
a sky, torn and dark, and that long, and for-now,
very famous scream

(This poem was formerly published by the Sonoma County Peace Press (Feb/Mar 2014, Vol29 #1)

© 2018, John Sullivan

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