Arms, legs implode.
Head retracts.
Breasts explode.
Dense flesh,
flesh dense,
densest flesh,
let Spirit enter.
© 2018, P.C. Moorehead
Arms, legs implode.
Head retracts.
Breasts explode.
Dense flesh,
flesh dense,
densest flesh,
let Spirit enter.
© 2018, P.C. Moorehead

All of these thoughts
Flood my mind
I see a flock of wild birds…
“We are coming for you.”
Wake up songbird
We want to hear your melody
Start singing
You’re not in your cage anymore
Bound by your shame
Swept up in the sky
In flight, soaring higher
Gliding over trees
Darting here and there
Free
Leaving behind the shame
Sailing away from fear
Singing my sweet song of joy
Above it all knowing peace
This songbird awake
© 2018, poem and photograph, Jason A. Muckley

Princess of the sea
Looking out at her realm
Its vast breadth
Its immense power
Her handmade crown
Her gentle touch
Her rule
Humble reverence
© 2018, poem and photograph, Jason A. Muckley

Snow falls in secret
Moonlight reflects off white flakes
The glow fills the dark
Streaks across the sky
Bright light obscured by the haze
Portal to beyond
***
Silhouetted palms
Underneath the crisp dusk sky
Clouds filter heaven
***
Sun blazes on heights
Light reveals hidden secrets
Time alone unknown
© 2018, poems and photograph, Jason A. Muckley
St. Ambrose University, Davenport, IA
Similar to the crazy quilt, the log cabin is also an old pattern. . . . the difference is the structure of the patches; the pieces are cut into straight patches or “logs” and organized around a center square. Some speculate the pattern developed as the woman’s counterpart to the man’s building of log cabin homes years ago.
Or the shape of a Quaker meetinghouse,
benches ranged around a hollow square.
Or the hollow square deeper within,
where I learned to watch what stirred,
and called it God, or breathe with it
now and call it something else —
only what is. I remember my own
past, or the past long ago, easier
to imagine gracious, as if its suffering
were a progress though a stately lane of oaks.
Breathing through the summer morning
while the world falls apart, and a friend
says she can barely hang on with it,
destruction invisible but so close,
obscene. The wish then not only to
resist but build, hands aching in the lap,
to make something fit to last, to live
by. Sunlight moves on the eyelids,
as on the floor of a meetinghouse,
sifted through oaks past a window I imagine;
logs of light then, angling on the ground,
each one a line, a line, a line.
© 2018, Anne Myles
I can feel the rhythm of your heart
beating in tune with mine,
and the sound of the song
erupting beneath my chest
creates a symphony of perfect peace
that I can smile to
throughout every hour of the day.
I can taste the heat of the sun
on the tip of my tongue,
and I know that every ray of light
pouring down from the sky
was birthed by your precious eyes.
I can see for miles into the distance,
and these bright visions of the future
involve you cradled in my arms,
your lips locked with mine,
your fragrance filing every room,
your love washing over my soul,
and your voice leading me toward bliss.
I want to swim with you, sweet swan,
through the vast ocean of life,
synchronized in every step
as the dance we both have dreamed of
is made manifest upon the earth.
I want to worship you forever, divine goddess,
with respect and adoration,
with the warmth of my admiration,
with a promise to comfort you always,
and with a vow that will never be broken.
© 2018, Scott Thomas Outlar
How does it feel
to truly be free?
To know that your wounds
have all been kissed?
To live without fear
because you know you’re prepared?
To give all of your heart
without reservations?
To sit in still silence
and hear the wind speak?
How does it feel
to forgive all mistakes?
To accept every circumstance
exactly as they turned out?
To breathe with clean lungs
from a state of good health?
To smile in the rain
knowing the sun will soon shine?
To dance through the days
and rest peacefully each night?
How does it feel
to finally be free?
© 2018, Scott Thomas Outlar
Crystalline shards/shattered
across the spine
of a skeletal system/infused
with hues
of explosive blue/adrenaline
pumping
in waves of paint/pouring
forth from ecstatic neurons
to cover the canvass
in electric yellow/yelling
Holy Hallelujah at the crescendo
where glass meets God meets window/
stained with higher visions
of primal focus
manifesting into form/fallout frenzy/
flapping wings
of butterfly dreams
float through wild winds/abstracted
chaos melts/merges/coalescing
into strains of structured order/
amalgamated/nesting at the zero-point/
the perfect pitch
of color/of sound/of fury/
where truth meets taste meets tangible
realizations of randomness/righteous rumblings
reacting at the center/the core/
the truth/the tidal surge
of waters that wish only to dance
© 2018, Scott Thomas Outlar
There was an interval
When we ascended
Stairs in a dream
Referring the rose pink light of dawn
To cleave apart that golden drapery
Silently waiting for
the pictureque azure
in the sky
Whereupon we sight
the silver lining
Whilst the gate of empyrean bewray
For us
To reminisce our first sacrament
© 2018, poem, Deborah Setiyawait
© 2018, photograph, Carl Scharwath
Survival of the fittest
Political temperatures dictate
Fight, flight, freeze
Been frozen for a few years
Chronologically too old for fight
Adrenal glands choose flight
Travel with jars of natural
Peanut butter and jelly
Crackers withstanding staleness
Jugs of water
Rolls of toilet paper for trips
Behind hedges
Baby wipes hygiene
Oh, why did I
Get rid of the travel trailer
Can I live on 4 wheels with 3 dogs
And a driver?
Icy dawn heading north
Wind whipping long hair
Through minute window cracks
Canine scent-sense tells me
When we pass salty or loamy aromas
The truck a speeding bullet
Of movement
Until yawning stars give way
To a cloudy dawn
Where have I gone?
Flying away to safety
Bicameral brain
Merely a strain
Logic says no safety in denial
Creativity says
Draw, write, sing SAFETY
Until it is real
The sky is falling
How do I make it right…?
© 2018, Clarissa Simmens (ViataMaja)
for those who don’t know the chocolate
the children of poverty
and the sleepers in the corners of the ancient streets
for those who survived from the famine but still hungry
for those boys who never dream
cause they never sleep
for those who don’t know the chocolate
and heard more news about its sweet
the people with half soul
and lack food and the imaginary house
for those who crawled on the sharp platforms in the mid-night of every day
seeking for the warmth living
for those babies who never taste the milk
with wide eyes looking for any help
for the hands of charity
and the sensitive hearts which cry and bleed
for those who gathered in the torn tents around the world
waiting from a long time
for those who don’t know the chocolate
and haven’t the ability to imagine it
the innocent faces washed under the rain
the seekers for the smell of humanity in each alley, place, and content
for those who kiss the sun through their contemplate glances
for those who write with heavy heart and smashed dreams
the climbers of the existence shoulder
looking for the justice face
for the dancers with bare feet on the top of Everest
who do their best to bring the joy and the peace
for the sun of tolerance which touching our bones
for the bloom of the flowers
and the skies gloom
for those who never taste the chocolate
but they still hearing about its magic
the crawlers on the earth with a great desire
to make the difference between the past and the future
for those who draw on the sand
with belief in the friendship with the waves of the sea
for the killed persons in every battle
for the injured soldiers in every war
for those women who haven’t the right to vote
for the fishermen in their ships
for the highest star in our sky
and for the rainbow
for those people with disabilities
and for those players with the wool ball
for the little boys who sell the water
for the little girls who feed the roosters
for the nations which suffer from dry
for the victims of racism
for the dead from the terrorism
i write these poems for those
who don’t know the chocolate
© 2018, Amirah Al Wassif
the poetry is the deep philosophy of the cry and laugh
it is the unseen language which touches our soul bitterly and joyful
the poetry is the skin of the sensibility and the incredible race among the clouds
it is the pouring of the sky blue in our opening hearts
the poetry is the art of the mess
that far world which told you what behind the galaxy
it is our previous feelings and the forthcoming ones
when we believe in spirit and science and madness
the poetry is finding the details in eyes of someone
it is means this amazing ability to read the maps of souls
it is the smell of honey and the necessary of wings
and the tragedy of nights
it is the long walking in the land of the imagination republic
the poetry is more than contemplating the moon through a poetic night
it is more than rhythm and free verse
more than the extraordinary words and the visual scenes
the poetry is more than the silence of beauty
and the gossiping of people
it is what beyond breath
it is what beyond the sea
it is what beyond the legends
the poetry is discovering the hidden smile of the orphans!
© 2018, Amirah Al Wassif
I remember when we woke together in the ancient streets of Spain
I remember I felt a strong shiver which could heal any pain
when the fantastic windows whispered in my ears ” hello ”
I couldn’t dare to reply
I thought that voice came from my fellow
so I began to spy
here, I discovered the magnificent magic
her shape take more than my like
when I jumped like a child in the street
because I fall in love with the windows of Madrid
this a romantic story escaped from the old age
and rapidly came to me and wrote its secret on my page
the beauty windows of Madrid
inspired me to write in Casa Maria plaza mayor
it makes my soul singing for the coming light and also for
the ancient art of Spain
which could heal you entire of suffering and pain
© 2018, Amirah Al Wassif

“When Bat came to the animals’ party, Zebra said, ‘You’re not an animal. You have wings. Go to the birds’ party!’ Bat went, but there it was the same. Eagle told Bat, ‘You’re not a bird. You’ve got fur and ears and teeth.’ Bat slunk away. Perched on a branch, as he cried, he lost the strength to hold himself upright. He flipped over to hang upside down, his tears dripping down to the ground.”
When the story was over, everyone in the circle applauded Allison.“It’s sad,” said the first listener. “If it were a kid’s book, the bats would get together and have their own party. But Bat doesn’t get a happy ending.”
“That’s reality. He didn’t choose to be this way and he’s rejected for it anyway.”“
For me, this question of categorizing Bat is really important. It reminds me of going to the bathroom and choosing ‘Men’ or ‘Women.’ Or being bi and having everyone want to label you as either gay or straight. So begin our meetings at Under the Rainbow…
As the parent of gay children, Naomi Baltuck knew that few programs or public gathering places existed for LGBTQ in Edmonds, just north of Seattle. In a climate of increasing intolerance, she wanted to use storytelling to heal, inspire, and strengthen the community. But that connection had to be built on trust, and that trust had to be earned. Under the auspices of the Edmonds Neighborhood Action Coalition, she partnered with a local queer-friendly game pub to launch a monthly Family Gayme Time, which drew a good crowd. Once that was established, she asked the Edmonds Library to host a monthly storytelling series called Under the Rainbow, for LGBTQ and Allies. When they agreed, she contacted the high school’s Rainbow Warrior advisor, and the Edmonds Diversity Commission.
Allison Cox, social worker and author/editor of The Healing Heart books on storytelling for healthy families and communities, lent her expertise. We needed it. Under the Rainbow was built from scratch. Should there be rules? Age limits? Time limits? Language restrictions? Could we find LGBTQ storytellers willing to work gratis, since we had no budget? We put the word out, and along came Chris Spengler, a storyteller known for her humorous and uplifting personal tales. Chris jumped on board, and we had our team. Our vision wasn’t of polished performances, but to create a place for LGBTQ and Allies to share their own stories, to support each other and be supported. Rules proved unnecessary in a place where everyone is respected. Age limits too; we’ve had babies, elderly, and everything in between; everyone’s welcome. Our team comes prepared to tell, to get things started. Most of our lives aren’t centered around being a lesbian or bisexual or a supporter of those who are, so we also tell stories dealing with sexism or rejection for not fitting family expectations or having to suddenly pick up and start your life over…the human condition.

The first Under the Rainbow drew only four, we three storytellers and a straight friend. We reminded ourselves that storytelling can be healing, but to a person who has been disowned for coming out, it’s emotionally risky. Eventually Gayme Timers made the leap from playtime to storytime. We got school referrals, utilized social media, and the Seattle Storytellers Guild championed the program, lending non-profit status for grant-writing.We meet at the library every Second Monday, 6:30-8PM. Refreshments are always served, because exchanges over cupcakes can be as momentous as those happening within the Story Circle. After each tale, participants are invited to share their reactions. Listeners opened up gradually. The first time someone volunteered to tell a personal story, we were hopeful. The next month, when a young person prepared a story ahead of time, we were elated. Now nearly everyone shares. The gay son of a Mormon bishop, a straight elderly woman who dated a gay man in Lebanon fifty years ago. We heard about being gay in Mongolia. Being homeless. At last month’s meeting, one coming out story led to another and another.
Tackety Boots (The Healing Heart ~ Families, edited by Allison Cox and David Albert) is a traditional Scottish tale about Sandy, who is kicked out of a party for having no story to tell, then takes an unexpected canoe trip across the river, changing gender in the process. He lives as a woman with another man and they have a child. Sandy finds the canoe one day and is shocked when it carries him back across the river and he becomes male again. Distraught, he bursts into the party and wins a bag of gold for telling the best story of the night. But Sandy could only whisper sadly, “Oh my child! Oh my man!”Allison even told the children’s classic, “Going on a Bear Hunt,” by Michael Rosen, an acknowledgement of all the times in life you “can’t go over it, can’t go under it, can’t go around it…got to go through it!” Everyone clapped in time, grinning like a kid.
Naomi chose Tatterhood, the Norwegian story of a girl born different. No matter how hard the queen tries to mold her into a princess, she defies taming and remains true to herself, but saves the day in her own way. While traditional stories evoke conversation, Chris’s personal stories turn listeners into tellers.
The success of this program can’t be measured in numbers, but by the impact it makes on people’s lives. One participant rarely left the house, and never did so without their service dog. Now they work an outside job, and can leave their dog at home when necessary. Even more good things lie ahead. We’ve just received a grant from the Pride Foundation to bring in more LGBTQ storytellers for programs and special concerts. Writing Rainbow is a natural offshoot of Under the Rainbow. We meet monthly at a queer-friendly Edmonds café to write, brainstorm, and meet other LGBTQ+A writers. A Gayme Time spinoff is LGBTQ+A Dungeons and Dragons, where gaymers roleplay a crew of gay pirates, creating their own continuing adventure story.
Here, under the rainbow, we celebrate who we are. It looks like the bats are having a party of their own after all!
All words and images ©2018 Naomi Baltuck, Chris Spengler, and Allison Cox.

When I first started college, I was ambitious. I was going to major in Computer Science, double major in Biology, and do it in three years. I never actually got to take that first Bio class but I was still going to double major, this time in Accounting. It turns out that accounting is really boring. Okay. So I’ll stick with Computer Science and do it in three years. Which means I needed to take 20-21 credits a semester – which is a lot, and I was going crazy with all the work. I suddenly understood why people looked for easy A’s.
Then I heard about Phys Ed courses. Only one credit, but they were easy. In the Fall I could take skiing. During Christmas break we would go to Canada for a week and ski, and I’d earn a credit. It was fun! For another credit, I could take more skiing in January during Intersession, the period between Fall and Spring. In the summer I took Tennis. In the Spring I took Fencing. Even one credit at a time adds up.
Then a three-credit course caught my eye – Wilderness Survival! Now, I’ve always been interested in my own survival. I had never been in the wilderness, but I thought I should take this class, you know, to increase my odds. Unlike the other courses, it met as a class, but was still fun. Over Thanksgiving break, we had to go to my teacher’s acreage in upstate New York to demonstrate what we’d learned. We were allowed to bring a sleeping bag and some clothes. No tent, no foam pad, nothing else.
I borrowed a sleeping bag and went. That first night we’re paired up, me with a guy who is quiet, but nice, and then we’re given boundaries within which we can make camp. We gather firewood and make this big fire. We get in our sleeping bags and it’s toasty. No problem – we got this!

…Until the fire goes out. Then I wake up and I’m cold. I am shivering. My teeth are chattering and I know I should rekindle the fire. But that means exposing the top half of my body to even more cold, and no way I’m willing to do that.
Lucky for me, my buddy has awakened and is also freezing, and is willing or desperate enough to try to start the fire. But he is shaking so much that he can’t light the match. It isn’t happening. He finally gives up and we put on every piece of clothing we have. Even with a sleeping bag between us and the earth…the earth is very big… it feels like there is nothing between it and our bodies. It feels like the earth is trying to suck every ounce of warmth out of us, and it’s succeeding. We want to get together to hold our body heat in. But now it’s windy and we need to shelter behind the tree. This means settling into the troughs between the big roots, but they’re too narrow, so we have to separate. We do and, amazingly, we sleep.
I wake up. I don’t open my eyes, but I can tell there’s light. There’s something on my face. I try to brush it away, but it’s still there. I open my eyes and it’s snowing. There’s this blanket of snow over everything. I’m just a lump in the landscape. In that moment, there is incredible joy–because I’m still alive. I’ve survived the night and this is awesome.
It gave me perspective. Hey, as long as I have shelter, clean water and food, everything else is gravy. I am swimming in gravy and didn’t even realize it! Who cares whether I finish college in three years or four?
But what I loved most about that night, why I still go out into the wilderness…although it was harsh, it was also incredibly fair. It didn’t care if I was male or female, poor, rich, black, white, gay, straight – it treated us all the same. And in this world, that is a rarity.

©2018 by Chris Spengler

© 2018, Gary Bowers
packing
my blue bag
pocketing
my lipstick
turning my back
to Brentwood
I’m on my way home.
Brooklyn beckons
as it always did
as it always does
Hudson River
city parks
a cacophony of languages
a melting pot
She’s on her way too.
by air
not track
her trunk
packed
by strangers
shipped
light
with flip-flops
a blouse
a skirt
poor
practical
that would be her
Occasionally I’d seen her laugh.
I’m
on my way
train grumbling
wheels screeching
town
upon town
Flatbush- a hub
and my stop
and there was my aunt
and there was my mother
and there was the news
Teresa Margaret
is on her way home
shipped
from Florida
on a DC10
stored
along with her trunk
a girl in a wooden box
in a cargo hold
a poor cold girl
Colder bullet in her head.
© 2017, poem, Jamie Dedes; photo courtesy of Linda Allardice, Public Domain Pictures.net.

Tonight the clocks rolled back.
Time changes, but we
cannot sleep an hour
more. Who can sleep tonight?
Man shot the Tree of Life,
riddled its trunk with lead,
that soft and poisonous
metal turned to gold
through twisted alchemy—
profit-politics a strained
Philosopher’s Stone.
Stone-cold fucked-up NRA,
stone-cold fear-monger swamp-
creature calling out loud
to lock up the Jew they
blame, honing fear’s dull blade
until it cuts the trunk,
and bloodies us all.
—Michael Dickel
Jerusalem
19 Heshvan 5779
(28 October 2018 C.E.)
©2018
Joyce Fienberg, 75
Richard Gottfried, 65
Rose Mallinger, 97
Jerry Rabinowitz, 66
Cecil Rosenthal, 59
David Rosenthal, 54
Bernice Simon, 84
Sylvan Simon, 86
Daniel Stein, 71
Melvin Wax, 88
Irving Younger, 69
Read about them in The New York Times.

“Just minutes after President Donald Trump called for unity in the wake of attempted bombings targeting a number of Democratic officials, he took a swing at ‘globalists’ and used the phrase ‘lock him up’ while chuckling. Trump was responding to a crowd yelling to lock up George Soros, a victim of the bombing attempt.”
—Nicole Goodkind, “Donald Trump Repeats ‘Lock Him Up’ Chant About George Soros Minutes After Calling for Unity Around Bomb Threats.” Newsweek 26 October, 2018

Etz Chaim עץ חיים — Hebrew for Tree of Life [return to poem]
In Israel, the roll back to Daylight Savings Time was the evening of the shooting, motsei Shabbat, the evening after the Sabbath, which is the beginning of the week. In the Jewish Calendar, days go from sundown until sundown. So, Shabbat (the Sabbath) begins on Friday evening at sundown and ends Saturday evening, after sunset (defined as when three stars can be seen in the sky, in the past, more typically about one-hour after Shabbat began on Friday, in modern times). [return to poem]