The Universe’s Call to Disconnect
One of the greatest necessities…is to discover creative solitude.Carl Sandberg
Sometimes one needs the silence, the solitude – if for nothing else than to meditate on where one has been, where one is now … and ponder where the road may lead to wander in the future.
Sometimes that silence, that solitude is chosen. A few weeks in a beach hut in Zorritos is always a wonderful tonic for me. To spend long hours soaking in the hot springs up in the desert hills. Hours wandering the beach. Hours swimming in the Pacific Ocean, feeling my muscles stretch with each stroke. Hours sitting on the bamboo porch, writing poetry – or swaying in the hammock reading.
Or anyplace along the Caribbean. That warm sea serenades my spirit. A home for meditating, creating poetry, exploring nature.
Sometimes, though, we are called from without to be in silence and solitude … called to re-learn the old ways, before internet and cell phones (which I don’t have anyways).
And such is my place in this present. A thousand kilometers at sea, surrounded by the Pacific Ocean. At night I hear its thunderous voice with the incoming tide. The wind rises, banging my door ajar wide open or closing it with a bang – a ghostly message to open my self to what is happening at that moment. Or a ghostly message to release my self of it.
Although the village is just a few kilometers away and its multi-colored lights serpentine across the night bay, here it is another world.
My few neighbors are scientists or students working to preserve these islands’ unique environment, and their flora and fauna. (Me – I’m here to preserve their work for future generations of investigators.)
Like the tourists, though, that flock here to gawk at nature’s bounty, we are here only for a while. We see specimens of that species Homo sapiens turiensis every day. Many colleagues walk or bike those several kilometers to interact with that world, only to return late at night on a dark road.
I prefer to be here at night. I prefer to sit out on the porch, watching the violently colored sunset over in that direction where the town lay. Venus is bright against that pallet. Then I watch the full moon rise above the long-extinct volcano’s slopes, now covered with wild vegetation. To wonder at the multitudes of stars dusted by the Milky Way, Mars bright red near Scorpio’s curling tail.
I listen to the sea, to the call of some night bird, the rustle of something unseen in the heavy growth of saltbush and espino.
Until the clouds begin to drift in off the bay. It is now time to repose, to drift away on that spirit serenade ….
Only to awaken with the dawning of a new day misted by the seasonal garúa and mockingbird melodies.
After a day of measurements and studies, of translations and writing reports, I often head to the beach near my temporary home.
At the gate, village youth park their bikes and head off, surfboards under arms. In these garúa months, the wind comes from the south, causing the bay’s waters to swell into curving waves.
I sit on the time-worn lava rock, watching those young folk bobbing in the platinum-blue waters. When a wave begins to rise, one paddles and catches it, riding the curl until it breaks into white froth.
Overhead fly blue-footed boobies. A yellow warbler hops amidst the purslane, pecking at the coarse soil. Behind me, an iguana sprawls, resting after his algae feast.
Or perhaps when I arrive, it is low tide (like it was today). Now it is a solitary beach, with only a few errant Homo sapiens turiensis taking photos of a pelican atop a mound of rocks, hunched against the chill breeze.
There is a silence broken by the shriek of an ashen-colored gull. A ruddy turnstone steps across these black fields, as does a whimbrel and over yonder, a dusky heron. Overhead, a boobie passes. A frigatebird circles over the shallows.
Carefully I step across the tumbled, fractured lava and peer into the tidal pools, at the life that is within. How many will find safe haven until the waters once more rise? A yellow warbler bathes in a small pool captured between algae-greened stones.
I take off my shoes. Feeling the rough sands of broken coral, shells and sea urchin spines beneath my bare feet, I begin to meld with the energy of this enchanted place. I merge my energy with its during qi chi chuan.
Doing Standing Five Elements, I feel the isles’ volcanic fire and the cool waters that wash this shore. Earth that slowly breaks down into soil, to accept the mangrove woods that take root. And finally the metal of minerals belched from the planet’s soul. Bringing all these energies into me, to balance me.
Then I Yang-dance more than a hundred postures across this coarse strand, shutting doors, grasping a grass sparrow’s tail, my hands waving like the clouds passing through this heaven, waving to Buddha …
Meditatively I close the session. The western sky over the village is awash with golden fuchsia. I gather my shoes in hand and walk barefoot to my temporary home to eat dinner under starlight, to the tidal music.
Silence and solitude is what this place gifts to me every moment.
Yet sometimes the silence deepens … the electricity may go out, plunging all in lava-black darkness. Not even those multi-color tourist hotel lights paint the bay.
Sometimes the internet fades away, cutting all ties with the outside world that lies beyond those clouds that bear garúa.
This is when I am reminded to return, to re-learn the old ways. To sit at the table on my porch, listening to the mockingbird song and the high tide, writing these words to share with you, to let you know that indeed I am still here.
Hope, I do, to be able to send this meditation to you from this island a thousand miles out at sea.
The earth has its music for those who will listen …George Santayana
This originally appeared on Latin American Wanderer. Republished by permission.
©2016 Lorraine Caputo
All rights reserved
…is a documentary poet, translator and travel writer. Her works appear in over 300 journals on six continents; and 20 collections of poetry – including On Galápagos Shores (dancing girl press, 2019), Caribbean Interludes (Origami Poems Project, 2022) and Fire and Rain (Red Mare #18, 2019), a collection of eco-feminist poetry. She also authors travel narratives, articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011) and nominated for the Best of the Net. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America, listening to the voices of the pueblos and Earth.
Follow her travels at: Latin American Wanderer