Terri Muuss | and the word was

 

and the word was


Terri Muus


1            light shimmering

           between curtains, mother’s
           salt, my
           two-year-old
                    tongue.

2            a single
           note and the symphony—
           swell of treble
                    into bronze,
           wings,

           the lost sun-streaked
           hour, staccato-punched
                    sky by five.

3            smoke and no
                    name, smeared
           pencil on graphed
           paper, mouth strung
           with gray pearls, bulging pockets—

           secrets, dry
           taste of letter-less envelope
                    on “sweet sixteen.”

4            unzipped carbon
           nanotubes, the union
                    of atoms,
           the space after
                    exhale, light

           particles and waves
                    in ordered
           chaos of the universe
           by thirty-one.

5            Now—

           GOD,
                    you are
           ocean-side waves beating
           tilde of sand,

           gold tenderness.

The Marks Remain

From the outset,
my wrists were bound;
wrongfully arrested,
I’d plea bargain without cause,
seemingly without choice.

Craving sweet bitterness,
rocking you like a cocktail,
I would remove your top,
release my passion, and
devour you in instalments.

You, my daily medication,
the essential dose of rapture;
vital, addictive, immediate,
sped venom through my veins
that led to the heart of my despair.

Each hit delivering a mark;
I’d await side effects,
like your incredulity on waking,
interrogation from burning eyes
that scorched my cheek,
parched my tongue,
stung my eyes.

On a trip, through the ruins of your mind
where you’d once held mass,
I heard misquoted passages
echoing around the inclined victims
of those that preceded me.

The marks remain,
however concealed
as day by day
the soundless damage remains
leaving me deaf to reason,
yearning still.

© 2017, David Ratcliffe

Three Poems by Paul Brookes

Path Of Seeds

O, Lady of the breath,
selfish and in control

you decide the path of seeds
you carry and drop in my grove.

Landscape architect place
an acorn here, a daisy here,
chestnut over there. No negotiation.

Blow my intricate clocks into half spheres,
my Sycamore immigrants spin
through your gusts.

Shoot moss into these worn mortared walls.
Broadcast grass between thess carefully
laid pavements.

With you I have no choice
you deliver into me
whatever you hold.

I welcome your unexpected gifts.

A Dawn Chorus

O, Lady of the Breath.
how to arc in your air?

A dozen or more tiny caves
sing you into the world

from the trillbudded barkskin
volume and delivery

a root that connects with
its origin tree,

broadcasts to my ears,
territory songs,

and chat up lines, a Saturday
night on the town played out

on a morning before the wormshop,
home repair, teach bairns how to fly.

My Shape

of saying took time
for us to practice.

for me to know how much
of you is needed for each word,

or phrase, how I must shape
Your entry and exit for you

To carry my meaning out
clearly and audibly and your

vibrations welcomed in the ears
of others. At a start without confidence,

I manhandled your curves, mumbled
and fumbled our airy pattern,

apprentice to your greater experience
that gently taught me not to be so rough,

to be considerate of my delivery, conduct
a gentle assault on my hearers.

© 2017, Paul Brookes

Three Poems by Phillip Larrea

Buskers and Blue Laws

North Carolina galoot sittin’ in a flophouse
sippin’ blue law Seagrams from a brown paper bag
with a side of 7-up. He had a face like a pine cone
for every smoke he ever toked in some forty odd years
earnin’ a little scratch doin’ this and that – mostly outdoors.
He told me then with conviction – a kind of piety really –
that he could smoke and drink as much as any man –
but bein’ a Baptist he don’t believe in it.
So he won’t vote for it neither.

Thirty years on and odd, I’m wanderin’ Santa Fe way
with that old codger’s logic still stuck in my craw.
I come across a busker trio outside a Smith’s Food and Drugs.
Feller with his gittar got a full-figured well-worn
case wide open for any to stop by, mebbe drop a dime.
Pretty little fiddle strokin’ the bow keeps her straps closed.
Got a banjo man too – but he don’t pay no never mind
to city folk just passin’ through .
Now me, I got no taste for Kintucky bluegrass.
Ain’t gonna catch me steppin’ no Tennessee waltz.
But I laid a dollar down just where the lady likes it.
A vote I suppose – ‘cuz I reckon I believe in it.

Live at the Troubadour
(After “Blackbird” and Fixing a Hole”
Paul McCartney)

Dumb blackbird ricochets ceiling to wall
after well-meaning plebes
plaster spackled the hole
where the song gets in

A few troubadours survived the seventies.
Their lucid albeit grimly sunken eyes
tell us the songbirds all up and died.
One late night TV cadaver claimed he
had been killed by clean living. Coroner
listed proximate cause- death by insulation.

Wandermind winging in the dead of night…
can’t find the hole where the rain gets in
shatters wing against shuttered pane instead.

Love Poem

A poem about writing a love poem.
It will be as painful as It can be.
A tablespoon of tears, a cup
Full of moon, naturally, which-

(Somewhere on a jukebox a singer sings a song about the lonely life of a singer on the road singing songs to a packed concert hall about the lonely life of a singer singing songs on the road somewhere…)

Elicits polite titters from the critics.
Later, one lover will say to the other,
“I HATED that!”
That is something like love, isn’t?

© Phillip Larrea, from Part Time Job (Sybaritic Press (September 29, 2016)

Three Poems from Albanian | Faruk Buzhala


Faruk Buzhala

My house

My house is a hundred years old.

My House
Digital art
©2017 Michael Dickel

The wounds of time appear on the walls
Even though I have tried to repair you.
You are as beautiful as a monument of the past.
I have lived and grown inside of you.

My hundred-year old house—
When it rains why are you crying?
The roof and ceiling leak
And I…
Run with bowls in my hands
To pick up the tears.


Here is the original, in Albanian

Shtëpia ime

Shtëpia ime qindvjetëshe
Plagët e kohës t’figurojnë në mure
Edhe pse shumë here t’i  kuroja
Je e bukur si monument i t’kaluarës
Për  muaqë në ty jetoj.

Shtëpia ime qindvjetëshe
Kur bie shi përse qanë
Pullazi tavani pikojnë
E unë
Vrapoj me tasa në duar
Të t’i mbledh lotët.



The ending

“Two thousand years ago ended the voyage of the prophets.”

We annihilated darkness
Digital art
©2017 Michael Dickel

People are left
at the crossroads of life
without knowing the direction to go:
Past, Present, Future, or …?!

Old wisdoms
We took for the worst
and put them into a bag.
Then we upload into time
the burden of our sins.

We annihilated darkness
But we were left in the dark,
with tired eyes barren of myopia
seeking the grace of god’s fire
wasted somewhere in the universe.


Here is the original, in Albanian

M b a r i m i

“Qe dymijë vite u ndal rrugëtimi i profetëve”

Njerëzit kanë mbetur
në udhëkryqin e jetës
pa ditur kah të shkojnë:
Kah e kaluara,e tashmja, e ardhmja, apo…?!.

Mësimet e vjetra i morëm për ters
dhe i futëm në thes.
Pastaj ia ngarkuam kohës
barrën e mëkateve tona.

E asgjësuam terrin
por mbetëm në terr,
me sy të lodhur shterpe nga miopia
kërkojmë hirin e zjarrit të hyjnive
të tretur diku në univers.



The above poems are from Faruk Buzhala’s second book, House without Road. Translated by Faruk Buzhala with Michael Rothenberg. Faruk wrote the poem below in English.



”Love… lost somewhere in the deepest cut of my heart, waiting for someone to awake feelings.”

With a candle
Digital art
©2017 Michael Dickel

to be alone when your heart wants to have friends near,
to wish one wish when your body burns for some youthfulness,
to think of the past when your nostalgia brings back all of the pictures of life!

With a candle in the dark spirit, walk easily through the passing years.



Faruk Buzhala
©2015 Michael Dickel

Faruk Buzhala is an Albanian from Kosovo. He currently lives in Ferizaj. He describes himself elsewhere as “an alien falling from the sky to earth…”

This post originally appeared on
Fragmentarily/ Metaphor(e) /Play.



To Our Broken Sandals

To Our Broken Sandals

from the hottest part of this land
we rode our horses
with the mouth broken
and the tongue dried like the sand
to the point that also a kiss would be painful

so we stopped in a caravanserai
for water to wet our foreheads and
horses to let sleep
and a bit of cool shadow
to drink with our eyes

so we slept
till the night was high
and the cold desert was
all in sound with the wind
and the sand danced
with twisting dreaming snakes

the morning rose
with the voices of merchants
and the prostitutes ones
and the adventurers ones
and the bakers ones
and all the other people
burned by the sun
frozen by the moon

so we started again
our long voyage in this desert
avoiding snakes
and searching for oasis

all here can erode our bodies
all here can drive us mad
all here can rive our ride
but not our broken sandals
filled with the same steps
filled with the same sand

© 2017, Mendes Biondo

To the Frog at the Door

Crane_frog4

To the Frog at the Door

if you kiss a frog, so I’ve been told,
there’s a chance he’ll turn into a prince,
a frog prince, which means you have
you absolutely have to love him
and i’ve loved a few frogs, at least
i think i have, they never became princes
nor did their love morph me into a princess,
i’m still a cranky old crow, we are what we are
loving frogs and crows isn’t transformative
….why should it be?
one woman’s frog is another woman’s prince

…….as for this old crow

………….she loves flying solo

…….not that you asked

© 2013, poem, Jamie Dedes (The Poet by Day), All right reserved; The Frog Prince by Walter Crane (1845-1915), U.S. Public Domain

Two Poems by Denise Fletcher

Poetry Books

Poetry books
Sitting on library shelves
Never being read
So many obscure poets
Lost
To the literary canon

What is Poetry?

Fragments
Memories
Scraps of the past
Thoughts that pass
Thru your memory
Bank on the way
To oblivion

By Denise Fletcher
Copyright © 2016

“What is Poetry?” has been previously published in Open Minds Quarterly and Kaleidoscope magazine.

Valérie Déus | 3 Poems

 

Misdirection


Valérie Déus

this place is strange and I am strange in it
this air catches at my nape
I notice, it’s darker than I remember
September to be
the way freeze commits its self
to my frame earlier and earlier
helps me forget I ever had a face
a version of me bobbing away above my shoulders
a bold lower lip works out a gesture

tomorrow, everyone will go home
to their strangest dreams
we’ll take the lead and remake ourselves
into more than neon lakes

the night slicks our hair and I think this is like sex
our tender/ rolls redirection near this soft dark landscape
the last place to be when wanting this much


Told


Valérie Déus

Valérie Déus

I tell something
told
I remember blue
I let time pass
And I am now both
simple and much
It’s called blame
but blue is
so that it gets
hair and under the skin
and I suppose
I bring blame
back from my faithful beloved
I traveled
in all blush-of-the-world
not dangerous
but an unknown red
I tell and see sorry
from a position of hope
and not of blame
but to plead and to let one
be visible and twists
I become bared and contuse
stuck in children’s fables
about a prince who has no doctrine here
the time is long but
whatever happens
the call will be soon
right after
I find home


Body


Valérie Déus

are you my lonely poem?
dance near the line breaks
in a fit of rage
arrange the pictures
according to sly and sex
in low light they almost slip away
an unfamiliar memory
hidden below your 24 hour edge
but you name the work a body
a curious life emerges
from blade of moon
a net of risk and promise
this empty space is not empty when one isn’t afraid
it is a placeholder filled with premonitions
and it’s all tied up in the definition of being.


© 2017, Valérie Déus 

Look Upon My Works, Ye Mighty

Teachers, parents, siblings, mentors of every kind leave their mark upon us.  I was in the fifth grade at Isaac Newton Elementary school in Detroit when my teacher, Mrs. Chapman, had us memorize Ozymandias, a poem composed in 1818 by Percy Bysshe Shelley.  Then we had to recite it to our classmates.

I walked to the front of the room and paused, a dramatic device storytellers employ to command the attention of their audience.  Actually, I was just trying not to throw up: it was my first public solo performance.  I was terrified, but it was also electrifying to be able to convey such a compelling story, such unforgettable imagery.   Not only did I not throw up, but I got an A.  And I never forgot that poem.

My mother used to recite poetry to us, like “Daffodils” by Wordsworth and “The Highwayman” by Alfred Noyes.  Over the years I’ve shared Ozymandias and other gems (okay, sometimes I sing jingles from the TV commercials I watched as a kid), to a certain captive audience–my children.  Occasionally I recognize my own words reflected back to me from the mouths of my babes.  Sometimes to my chagrin, but most often to my surprise and delight.

My son Eli is home between teaching assignments…

…and tonight Bea returns from Stanford on spring break.  It will be so good for us all to be back together again.  My ritual, when the kids depart for school, is to tidy their rooms, change the sheets, and drop a tear or two as I make their rooms ready for them to come home to the next time…and they are always grateful.

The last time Eli left I was tempted to hire a bulldozer…

…but it’s like spending a little quiet time with that absent child.

Last night, in a burst of inspired procrastination (he was tired of reorganizing his own room), Eli decided to surprise Bea by cleaning her room, and not just the sort of tidying I do, but a thorough reorganization, including the mountain of books stacked haphazardly in the corner, that pile of her things parked just inside the door, not to mention the surprise found in a teacup discovered under a pile of stuff on her desk.  It’s either a science experiment or a strange new life form.  It took Eli over five hours.  He found so many new ways and places to shelve books that they almost fit on her shelves now!

But nothing comes without a price tag.  In fact, after Eli was finished, everything had a tag on it.  Oh, yes.  He had made his mark.

I love this one…

But my absolute favorite touch was the greeting on the door.

I howled with laughter. “Oh, good,” said Eli. “I didn’t know if you’d get the reference.”  “Do I get the reference?” I asked, launching into a recitation of Ozymandias.  “How did you think of it?”  He said he remembered it from all the times I’d recited it.  Of course I  ran to find my book of Shelley…

When I opened it up in search of the poem, I saw that someone else had made her mark.  Upon the book…


…and maybe even upon me.

The poetry and the stories we pass from generation to generation enrich and prepare us for the struggles we will face, within ourselves and in the outside world.  I believe they will outlast the Mighty and their monuments to themselves, and, I hope, their wars.

Thanks, Mom.  Thanks, Mrs. Chapman.  Thank you, son.  And welcome home, Bea!

All images and words (except for Mr. Shelley’s, of course) copyright Naomi Baltuck

Whispers on an April Morning Breeze

battle-of-lexington-1775-granger
Battle of Lexington, 1775

The standoff had not gone on for long, just after the sun began coming up over the meeting house, the far steeples of Boston and the ocean between us and who we wanted to be.

But the Regulars didn’t care if it was day or night. They could kill us with their eyes closed, if their commander, or we, let them.

A few hours before, most all of us were in the Buckman Publick House, drinking ale and rum, some smoking pipes. The rest of us, mostly lads like me, got our first real tastes of adult courage off the drink, the smoke and the rhetoric of our elders that night.

“Gentlemen, let there be no great fear of the regulars should they enter our town,” said Captain Parker, his own red coat hanging from the back of a chair. “We shall stand our ground and show them our resolve to hold onto what is rightly ours as lawful citizens of His Majesty,” he whispered and then coughed.

The Captain has the consumption, I’m told by Mother, his cousin, so all the smoke in the room from the hearth and the men’s pipes harmed his breathing quite sorely. That and his harsh coughs practically choked the great man, making him difficult to hear. So I edged up close to him. That seemed to make me feel braver. He’d fought for the Crown in the late war against the French and knew well the tactics and propensities of the Redcoat soldier. If he didn’t sound like he would die by next harvest, I would have had a run at Gage’s whole bloody army by myself.

At sunrise, Thaddeus Bowman, the last scout the Captain had sent out, come bursting into the tavern.

“They’re here, they’re here,” he said in a voice nearly as choked as Captain Parker’s, though not from the consumption. “They’re right behind me, Sir, and this time they are coming in force. Maybe three, four hundred of ‘em,” I heard him tell the Captain. I grabbed my Papa’s old fowler and headed for the door.

About half of us unknotted ourselves from the doorway and ran out into the front yard of the tavern. Everything had an eerie glow to it, ourselves included, from the combined moon’s and sun’s lights shining upon us. I took this as an omen of what lay ahead for us this day and said to my cousin Amos, “The Lord is with us, cuz. He most surely is. We have right on our side and will not be bullied from our own field by redcoated tavern scum.”

The fact that our whole company had spent the night in a tavern, many tasting its wares, and were blinking in the new day’s smoldering light, suddenly arose upon me and I’m sure my face took on a wholly different glow, the hue of a boiled lobster.

All eighty of us men and boys who had been in the tavern began to form ranks on the village common. It was a damned ragged line compared to the ones of the approaching Regulars. They looked like they had been formed buy some great carpenter’s square. We, while most resolute, took on the form of a snake-rail fence.

Over by the road, I could see my grandfather and sister out of the corner of my eye. I turned to look and wave a greeting, but our sergeant, William Munro, gave me a strike from his musket barrel and whispered hot blasphemy and spit in my red ear. But now Grandfather and Deliverance could see where I stood.

Captain Parker walked down our column and looked like Grandfather when he had to dispatch poor old Benedict, his sorrel, when the gelding’s time had come. This did knock all those mugs of my previous courage from my head past my heart and from there to my feet.

“Men, we shall stand our ground, but not provoke the Regulars. Most of our militias’ powder and supplies at Concord have already been safely hidden away,” Captain Parker said. “We’ve all seen the Regulars on such fishing expeditions before. Once they find nothing, they will march back to Boston and we can get back to our lives until the next time.”

Sergeant Munro stalked up and down our lines out there on the Common, truing us up into a more respectable looking force.

“We’re not here to block their advance to Concord, lads,” he said. “We’re just going to show them we shall not be cowed by their brutish arrogance. And to insure we do that to our best abilities, I want you, boy, to move to the rear of our lines. Or better yet, across the road to your family. You are at heart a coward. You have no character and don’t deserve to stand with these honorable men.”

Mister Munro never did have much truck with me. Not since he caught me talking to his daughter, Abigail, behind the Meeting House without an adult family member within arm’s length. He pushed me backwards with the butt of his musket, but I just lined up behind Prince, the Estabrooks’ towering Negro, where he stood in the back row.

Now that Sergeant Munro had squared us up, I could peer through the gaps between men and see the Redcoats approach, their leader riding a fine black.

The sun had climbed high enough for us to see the Regulars advancing on the road to Concord now. They marched as one, dully, with little life to their strides and less to those faces we could make out. They looked for all the world like they were marching in their sleep, their shoes and gaiters caked with drying mud. The only liveliness to this red mass on the road to Concord were their drumbeats, the clinking metal of their equipment and the glint of dawn light on their buttons and weapons.

I felt a chill beyond the normal cold of an April morning and shivered as I stood with Papa’s fowler in my hands. I’d loaded it yesterday with birdshot and a ball, reckoning, if need be, my aim was poor with the rifle ball, I’d at least get a piece of one of the Regulars like he was a pheasant. Instinctively, I pulled the hammer to half-cock. My knees shook and I knew not if it was a shiver from that chill or from something I didn’t wish to admit. Perhaps Munro was right after all. Maybe I was a coward.

But I held my ground. I would not let Munro or the Redcoats run me off. No more.

Just as the wind shifted into our faces, Captain Parker raised his short sword and his rasp wafted over us, saying something like, ”Stand your ground, men. Don’t fire unless fired upon, but if they mean to have a war, let it begin here.” Or so Amos told me later.

I heard another click.

A murmur went through the men ahead of me. Out on the road, the column’s advance guard, rather than taking the left fork to Concord, turned to right and then toward us. I could hear the shouted orders run down their column. I saw the big black horse of their commander turn from the road, leading even more Regulars to the left, close enough for me to throw a rock and hit one. They now formed a solid wall of red before our motley line of farmers and tradesmen.

The officer on the black then rode forward, waving his sword, and called out for us disperse. On the breeze I heard him shout, “Lay down your arms, you damned rebels!”

More orders were yelled down the lines of Regulars. Men within our company began to look at one another, talking all at once. The line looked like it was a row of rye waving in that breeze in our faces.

I could see our Captain Parker say something. I could barely hear his voice, it was now so faint. He lowered his sword and pointed it to the ground. Many in the front line began to back away from the regulars, others stood in alert position as if waiting for someone to say something like an order, show them what to do beside stand as statues.

At the shout of “Poise firelocks,” the Redcoats brought their muskets, bayonets shining in threat at their muzzles, to a position upright in front of them. Most of our men stood stock still.

Next across from us we heard, “Cock firelocks,” and saw the mounted officer shouting at his men and waving his sword, as angry at them as at us. Our line held as Captain Parker shouted in his consumptive whisper.

The breeze died and suddenly the whole world went quiet as the grave. Neither side appeared like it was going to move and no one wanted to stay. Sergeant Munro had left his position at the left end of our first rank. He walked back from the killing ground between the lines and came trotting toward the road with a fearful look as he stared right past me. I, the coward who couldn’t stand like a man to request permission to speak with his daughter. I, the boy who he wished was standing on the other side of the Boston Road.

I took a deep breath and let it out. This impasse between us all would end today.

I touched off my fowler over his head and watched Munro drop to the ground as if he was a baby cowering from a thunderstorm. Or he thought himself dead. Almost instantly there came a roar of a different kind. Red coated men advanced like lions, growling and howling like wild beasts, some firing their muskets. All of them thrusting forward their bayonets.

Some of our men fell like empty grain sacks where they stood, huge holes in their heads and bodies. Others spun like tops, choking on blood and prayers.

We ran for the trees, over rock walls and newly blossoming shrubs. More fell around me. Behind me all I could see was a cloud of sulfurous smoke with glimpses of shadow men, some in what appeared to be pink coats, and flashes of shiny metal within. But I could hear the screams of men so unluckily slow as to taste the steel of Sheffield, and not on their tongues.

Ahead lie the road to Concord, along which I last hunted turkey. That day, April 19, 1775, I hunted my fellow man. That night, I wept, my head upon Mother’s lap, and then gathered my things and marched toward Boston.

No one ever again thought me a coward, even though I don’t believe I took another full breath for the next six years. Not at Breed’s, Quebec, Valcour, Saratoga nor any other of the horrible places I never spoke of to Abigail Munro, who became my wife and the mother of our eight children.

They never met their grandfather, but know he was there with me the day the War for Independence began. That was the day his war ended and I began ours.

A short story based upon what’s considered the first bit of face-to-face armed resistance that ultimately lead to the independence of the thirteen colonies from the rule of the British Empire. In this case, it was a young man’s resistance to the strict and judgmental father of his sweetheart that led to The Shot Heard ‘Round the World.

© 2017, Joseph Hesch