Volume 9 Social Justice Issue 3
listening, learning, reaching out
Project Type: Volume 9 | Issue 3 | Social Justice
Contents V9N3
The BeZine
Volume 9 Fall 2022 Issue 3

Waging Peace
listening, learning, reaching out
Cover art: George Floyd Memorial, August 17 2020 | Photo via flickr | CC BY 2.0 Fibonacci Blue
Introduction
Social Justice
listening, learning, reaching out
social
(in)
justice
in
society
in
social
contract
social
just
us

©2022 Miroslava Panayotova
just
is
just
ice
justice
socially
just
us
just
is
just
right
but who’s right?
whose rights?
Read the words
in this issue of
The BeZine
see the art
just us
just is just
justice

©2022 Miroslava Panayotova
we
not I
we together
to gather
justness
social
in
justice
not injustice
but done in
justice
justice done in
justice done
—Michael Dickel
Editor, The BeZine
Table of Contents
BeAttitudes
Poetry
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Prose
The BeZine
Be Inspired…Be Creative…Be Peace…Be
- The BeZine 100TPC, Group – Featuring Best Practices
- The BeZine Arts and Humanities, Group – not just for poetry
- The Bardo Group Beguines, Page
Submissions
Art: Yin Yang Earth, Isaac Wilfond (age 11) ©2022
BeAttitudes
Dreamtime | Mehreen Ahmed
In the folds of thick fog, down by the curved Bay of Moon, a stillness descended on the ocean after a swift storm had passed. As the fog slowly lifted, a boat was unveiled; it was adrift. It swerved off course. I was right under, singing a primordial tune—a blue song. A man slid off the deck and fell into the ocean. It was a leaking boat.
I watched him plop. Into the ocean, he plunged that very moment like a dollop of cream into a coffee cup—floundering. I surfaced and wagged my fin in front of him. He caught it. It slipped first, then he held it firmly in a grip. I sailed in the current’s slipstream some nautical lengths until sunset in search of land. Was there any land nearby? Any show of land at all, in all the world, besides these vast stretches of the seawaters? Hope piqued, a sandy shore emerged along the Emerald Bay. I rushed towards it and reached its sandy shores within minutes. I rolled him over onto the beach in the midst of knotted weeds, oyster shells, and ponded waters cupped in footprints.
The tired man looked at me. I expelled a fountain of delight and saw how he curled up in a fetal position. In the meantime, his vessel nose-dived into the ocean as the ocean swallowed its parts in bits until all was galvanised under. His mates on the vessel were scattered on the waves like little debris as though they didn’t matter.
Fate had it that I rescued this dunking man from a sunken vessel. He looked at me, and he wondered how such a miracle ride was even possible? What are you—God? Who are you? He mumbled. I smiled, somersaulted in the air, and submarined, like a vanishing blink from the stars. I resumed singing; he heard it far from the ocean’s depth. Exotic to him, the tune haunted him for days on end—the blue song, he called it. Mysterious it sure was.
But the mysteries of the universe were locked in the layers of the lyrics which were decipherable through the Aboriginal dreamtime—inter-relation of all people and things—workings of nature and humanity—land and spirit. The deep connections which elude the eye—spirits more powerful which connected every life on earth such as the creatures of this blue soul.
The man waited for the saviour dolphin to return. But it never did. But it continued to convey the existential connections through its lyrics. Connections of abstraction communicated through the senses alone—through dreamtime—far beyond any human language.
©2022 Mehreen Ahmed
All rights reserved
Mehreen Ahmed…
…is an Australian novelist born in Bangladesh. Her historical fiction,The Pacifist, is a Drunken Druid’s Editor’s Choice and an Amazon Audible bestseller. Gatherings,is nominated for the James Tait Black Prize for fiction. Her short fiction has won in The Waterloo Festival Competition, Academy of the Heart and Mind contest, A Cabinet-Of-Heed Stream-Of-Consciousness Challenge, shortlisted, finalist, nominated for the 3xbotN, Pushcart, Publication of the Month, and Honourable Mention. Also, critically acclaimed by Midwest Book Review, DD Magazine, The Wild Atlantic Book Club to name a few. She is a juror to the KM Anthru Award, Litterateur RW Magazine, and featured writer on Flash Fiction North and Connotation Press. She has published books, articles, essays, and short fiction in international magazines, online, and in anthologies. Her works have been translated into German, Greek and Bangla.
Clogged | Rebekah Manley
On my bedroom shelf, three bottles of perfume are ready for a new home. One lost its top, the second is clogged, and the third—if you ask me—is just being stubborn! Yet, I look at them sitting there and it’s as if they are saying, “Yeah we are here. Whatcha gonna do about it?”
Okay, that’s only the sassy one. The other two can’t figure out why I haven’t used them in over a year.
Inaccurate! I’ve attempted to use them. Every once in a while—in my rush to leave the house—I forget the difficulty this trio poses, pick them up, and attempt to spray. Annoyed, I think to myself…okay what am I doing wrong? These “should” be able to work. There must be another way!
For the clogged bottle I try to loosen the top, hoping that I’ll just dab the fragrance on my wrist. Surely, that’ll work! NOPE… In a moment of weakness, I try my teeth (don’t judge). Not. Even. Budging. You get the idea.
After much trial and error, today’s the day. I’m ready to relinquish them to my apartment’s “free” community table. I know they have a lot to offer… (but, as I write this, I realize that might be a lie). All I can hope for is that someone comes along ready to help and give them new life. But, if they stay the way they are—in their dysfunctional state—they will continue to fall short of the lives they were meant to live. And, offer continued frustration.
Oh boy. And suddenly, we’re not just talking about body spray anymore. *Gulp*
Suffering from heart amnesia, I have at least one “clogged” loved one I keep returning to. I reach for them– longing for a spray of that sweetness I know they have on the inside. Instead, over and over and over, I’m met with inaccessibility. Each time, I ask myself- Why did you think it would be different, dear Bekah? I cling to their words claiming to care and rationalize– if they could just…
But isn’t this on me? I never want to give up on anyone; especially a family member! But how do I train myself to not reach for them with any expectations?
Do you have someone in your life who’s consistently unable to meet you where you need them? Perhaps they offered goodness in the past and you were able to reciprocate, but now the unhealthy dynamic won’t budge?
I encourage you (and myself) to offer them up in a way that doesn’t leave you in inevitable disappointment and frustration. And if you figure out that best way, will you please let me know?
I find that the serenity prayer often helps me find clarity, maybe it’ll grant you the same solace:
God grant me the serenity
To accept the things I cannot change;
Courage to change the things I can;
And wisdom to know the difference.
©2022 Rebekah Manley
All rights reserved

Rebekah Manley…
runs the Texas Center for the Book. She has an MFA in Children’s Literature from Hollins University and her first book, Alexandra and the Awful, Awkward, No Fun, Truly Bad Dates: A Picture Book Parody for Adults debuted in 2020. This fall marks the 7th birthday for her blog, Brave Tutu! This September, she’s launching her company, Love, Bekah LLC. Its mission is to create witty and heartful products for women navigating heartbreak.
Sitting on a Miracle | Rebekah Manley
One, two, buckle my shoe
Three, four, shut the door
Five, six, pick up sticks
Seven, eight, lay them straight
Nine, ten, big fat hen!
Circa my age three, my Great Grandmother Lucille taught me this rhyme and how to pump my legs to use our backyard swingset. This Thanksgiving offered a full-circle moment to that earliest memory, as thoughts of her, my Papa and Great Aunt Rosalie surrounded me in their Iowa hometown.
Macedonia boasts one restaurant, a bird museum and a pottery shop (both open by appointment only). In the company of dear cousins, corn and cows, I had a lot of space to simply rest and reflect. Naturally, I spent hours at the historic park just down the street from the yellow farmhouse our family built in 1911.
Channeling Grandma Lucille, I pumped my legs and rose up and down– gaining perspective and peace. With gratitude, I contemplated the last year– and how I wanted to step forward into another. I released pieces no longer serving me; letting them fall as the trees surrendered their leaves to the wind.
Before my last day, I noticed the word “miracle” imprinted in the faded blue rubber of the swing’s seat. I know this brand was not a coincidence. Precious family time mixed with quiet moments of thought and palpable memories of early learning gave me strength. Just the strength I needed to surrender what I can’t control and feel loved and assured on this journey.
I love the steady elevation gain that comes from leaning back and whooshing my legs through the air:
Up.
Down.
And up again.
The breeze brushes my hair.
And perspective grants liberation.
Repeatedly, I’ve gained simple freedom by putting Grandma Lucille’s skills to use throughout my life. Undoubtedly, my Smith family’s stubborn strength pushes me to the higher places I want to live.
My mini-Macedonia miracle offered catharsis. Therefore, I keep these swing-set stories close as we enter the highs and lows of this next season. My inclusive faith drives who I am, my writing and how I see the world. I often enjoy considering the fuzzy farm animals present for Christ’s birth and the unconditional love he represents in my life. Unknowingly, a baby lamb might have sat in the same hay that kept him warm. I relish the simplicity and take that in as– much of life simply doesn’t make sense. And perspective won’t be rushed. I’m grateful for moments like the Macedonia park that help me remember, through the rise and fall of it all, odds are, we are sitting on some kind of miraculous.
What about you? What ways are you sitting on a miracle of sorts during this season? I encourage you to pump your legs and “three, four, shut the door” in order to fly free and greet fresh ups and, even, downs. Know you are not alone and I wish we could sit side by side on swings and discuss how you are feeling pushed onward into this next season.
©2022 Rebekah Manley
All rights reserved

Rebekah Manley…
runs the Texas Center for the Book. She has an MFA in Children’s Literature from Hollins University and her first book, Alexandra and the Awful, Awkward, No Fun, Truly Bad Dates: A Picture Book Parody for Adults debuted in 2020. This fall marks the 7th birthday for her blog, Brave Tutu! This September, she’s launching her company, Love, Bekah LLC. Its mission is to create witty and heartful products for women navigating heartbreak.
untitled | Nika Mavrody
This writer can’t bake but they do Eat with brains Don’t thoughts

©2022 Edward Lee
How many days Can we hope in Comes back to Well no where is You more than Hos Each ray makes Us They teachin
Okay well, another peace Comes from the box of O

©2022 Edward Lee
No weak Came She’s blood out Where do they Call us for the Muscles RAM Signing you as Anything but tag There’s no.
Bio
Is this a story or is it a letter It truth because How do you know that Nika has that short day as goddess She’s been preforming Ever since she succeeded Which link searchable,

©2022 Miroslava Panayotova
Poems ©2022 Nika Mavrody
All rights reserved

Nika Mavrody…
…writes for the news, and has been published in TheFashionSpot, The Faster Times, TheAtlantic.com, Racked.com, Sugarhigh Berlin, Blinkist, CESTA blog, Cultural Analytics, The Decadent Review, and is forthcoming in The AutoEthnographer.
Hiroshima Bees Left Me | Kushal Poddar
Hiroshima Tree
Behind us, one tree flares up a second-hand memory of Hiroshima. Behind us, one solitary tree is Hiroshima, the blast-moment city. We break our breads, sweet, too dolce, with a promise of the cherries on top in the middle, but not quite the real ones. We suck those sugar-glazed red globes. We have inherited the faux world, and we feed the bird because life feels like a taut skin at any moment it can be singed, peeled away. We should kiss—we think together. The air in between us plays a refrain. The notes scattered all over the park to the applause of the pigeons. One moment they are here; in the next not.
Bees
Without the bees the world as we know it will be stung to nullity. I tell my daughter. Her hand guards her eyes as the buzz flares in its sun-like buzz spiking the ovulating breeze.
Music Left Me
The butter knife I strike against the dish and the plate with a soggy biscuit spills some music. The newspaper states that there should be no note left in my head. The flash is—the music has been last seen standing holding the mast of a bridge the authority forgot to build.
©2022 Kushal Poddar
All rights reserved
Kushal Poddar…
…an author, journalist, father, and editor of ‘Words Surfacing’, authored eight books, the latest being Postmarked Quarantine. His works have been translated into eleven languages.
Photograph: Waterbird, Michael Dickel ©2017
Poetry
Workers’ Hands | Shira Chai
We the Workers
“We, the heedful between the swirling twirling and furling. We, in the nasty filthy toxicity. We, in the summers smother. We, in the winters shutter. We retreat into the plunging night. We greet the glaring daylight. Beating here within: Heart and soul, Heart and soul, Bittersweet payroll Bittersweet payroll.

Shira Chai ©2012
acrylic paint on wood board. 100cm x70cm
We are the unseen a bolt in the machine. A plea unparalleled just trying to keep pace.

Shira Chai ©2014
oil paint and plaster on canvas, 80cm x 50cm
We are just running in place running in place.

Shira Chai ©2014
oil paint and plaster on canvas, 80cm x 50cm
Observe our hands. They shake. The scars the calluses the sparse paralysis.

Shira Chai ©2014
oil paint and plaster on canvas, 55cm x 70cm
We, who inhale the talc and the MEK. We, who toil in the dog days. We, who chill to the bone. We, the workers down below in the pitch-black night. We, the workers dead on our feet an under asbestos sky.

Shira Chai ©2014
oil paint and plaster on wood board, 76cm x 83cm
Beating here within: Heart and soul, Heart and soul, Bittersweet payroll Bittersweet payroll.”
Artist's Note: Here is a series of five paintings with poems about folks (like me) who toil on a factory line. Every operator on the production floor is simply a pair of hands. His welfare is secondary as long as the quotas are met. Thus I focused on the hands of each employee. It makes no difference their ethnicity, Arab, Russian or Jewish. Their hands are all remarkably similar. All are hard working under harsh conditions for minimum wage. Let us also keep in mind that each seeks a decent home, health, a good education and better life for their children.
Poem ©2012 Shira Chai
Paintings ©2014 Shira Chai
This presentation ©2022 Shira Chai
All rights reserved

Shira Chai…
…is a painter, teacher and artist who writes poetry. From an early age she began journaling. The words soon became poetry and part of her paintings. She embosses the words into the paint. Ms. Chai has exhibited in Detroit, New York, Tel Aviv and various Kibbutzim, in group and solo exhibitions. Shira has been a member of Kibbutz Ein Dor since 1983. She has recently published poetry in ARC 25 and 26, journals of IAWE (Israeli Association of Writers in English).
How… 5 poems | Linda Chown

via Pexels
Bigots have not spigots
Bigots have no spigots of charity They burn bias with threaded needles As a way of catching and trapping us God save all our souls from this evil contamination Of such wickedness and sadness. Let us stand on the streets together Tall and proud And read poetry with each other Hug and love with all our muster To share a shining nuance of the wonderful While this untenable world circumnavigates around in crippling blindness
Life Could Be A Weapon for Change
Life could be a weapon for us to change, to live even, To spread peach plenty about the shade, To drink frozen oleanders, To soften the pain of drone death and safe words. Say your speech to wake us from wanton laziness When in the near distance People implode in pain and panic, Sting entrenched pale in pus and puke. If half the world is jerking like that, We must not tell ourselves Christmas stories. Drink drunken words that crash shields Let your comfortable life quiver and unsettle. We may all then might maybe come together in a vast epic colloquy, as in Odysseus with Telemachus two great forces affirming the inchoate shape of that uncertainly love.
How we face the world
Quote here—add return / line break only if more than half-way across page. Make regular block when adding this. —Attribution (source)
Whenever tides spun avid Wherever it was inevitably dark Annie sang soft whisper memories, of what was said quiet in her parents bed. At first glance she was a small circumference in others views— one gentle cell dreaming. Her mind waters welled like the tides blood and Annie without knowing why searched in her gentle blue for Caleb a man all strenuous! he of the mind’s rough face His voice a rocket to Annie’s stillness Sometimes she even thought quiet like a night star, sometimes calm dreaming her intransitive wonders running. Caleb he burned too hot for her cool she felt in this soft black cave the souls, spirits of the balmy present, turning and turning Annie could not reach the off switch to silence restless Caleb burning. She tried turning off that switch To unwriggle his wrestling ongoing transitive chaos. And Annie bless her she said I want to slide not to possess to roam not to own Red periwinkles and blue hyenas The best.
Palm Sunday Passover
This great tide of solar beginnings Growth indivisible—beyond words Such reawakenings When we green ourselves Sun spices everything stronger A triumphant glare shows you and her and the world wallows with us all in now when life wells to a head. Plant blooms bloom more In a plethora of themselves A grand annual rejoicing When our faith strengthens In silent joy that all is what it is That we can be blooming now together.
How I Miss Him on Labor Day
My indomitable father was a man of unseen dreams In all his grey garb he looked so gentle Like a philosopher assembling life drifts. Life and injustice forced him to get rock taut Like those Herbeden’s nodes Marking his knuckles so beady. As a girl, to grow I had to challenge That certainty he held so tight Fear quiet there in his feeling And between us we gained Mutual lifelong soul respect. He would come to Grand Rapids and walk with his beret and cane in the Labor Day parade in honor of workers, of you and we, dignity and of his daughter, perennially late sleeping me.
©2022 Linda Chown
All rights reserved

Linda Chown…
…is a poet professor musician who now lives in Michigan although her past is coastal and international: Spain and California. Author of four books of poems and finishing her next book, Sunfishing, Linda is a life-long activist, sun-lover and dreamer. She was raised in an activist family from the start. A hopeless romantic, sometimes inequities everywhere drive her to despair and to writing action.
Recovering Homophobe | Morgan Driscoll

©2022 Miroslava Panayotova
The fear just really never went away of someone different but the same, whose passions are equivalent but aimed at something opposite to preferences my own body will allow. I work at understanding every day: my family, friends, and strangers, my father, passed away these three years now. I think I understood him decently but still, I hide my eyes from photos of his naked boyfriends.
Dad’s computer was a minefield and I wish he’d had a better way to label files but I wish he hadn’t died in discreet steps as well. I wish I understood the human heart, libido, soul, all the bits which can get us into so much trouble. At twelve a man’s hand cupped my face as I, an unaccompanied minor flew to visit somewhere I’d been sent. He told me he was helping with my cabin pressure headache but I knew what inappropriate meant. At sixteen I was in my bed asleep, a man was visiting from overseas- some candidate for PHD, someone that my father once had met. My room contained the only bed for guests. I told my Dad and Mom and later on, that man had left. Standing in the concourse of Grand Central once when I was seventeen a gentleman approached, so interested in me naive and parent free, his curiosity was evident in how he followed when I tried to leave. At twenty-one I kissed a pretty girl who had no interest in my kiss, and turned away as I continued to insist and hold her close to me and told her she, mis-understood her own desires. When I started my own business I brushed the arms of female hires as I spoke to them. I told myself it had to do with my communication skills and not some psychosexual power thrill. But maybe I know better now. I hate the men who used me in and for my youth. Their addled bodies changing them into alarming brutes, reinforcing bias towards a group attacked with bigotry, and I learning to find pleasure in dislike of something unlike me; ignorant of my own truths. I wonder if my sins have caused damage lasting over years, irrational and complex fears or hatred aimed at innocence, past anytime it might have made any kind of sense. And here’s a man who’s speaking of his husband, and it makes me feel uneasy placing words in places that they didn’t used to be, instead of maybe wondering if someone else can try to have a try to crack the code of trying to be happy.
©2022 Morgan Driscoll
All rights reserved

Morgan Driscoll…
…lives in Connecticut and writes poetry to supplement his income as a commercial artist. He has been published in 30+ journals and anthologies and has made over $100.
You can find his work in Humanist Magazine, The Penwood Review, The Orchards Poetry Journal, Constellate Magazine, Caesura, Northwest Indiana Literary Journal, The Avenue, Meetinghouse, Newtown Literary, and many other
Lonely Goodbye | Germain Droogenbroodt
for those who, wherever, have to die lonely

©2022 Edward Lee
Chilly the room the white walls audible only the echo of loneliness. Not a tender word anymore no warm embrace just the time, a leaking tap, ticking. None knocking at the door nobody you expect, no one, except death.
©2022 Germain Droogenbroodt
All rights reserved
Germain Droogenbroodt…
…is an internationally known poet, translator, publisher and promoter of modern international poetry. He writes short stories and literary reviews, but mainly poetry, so far 14 poetry books, published in 19 countries. As founder of the Belgian publishing house POINT Editions he published more than eighty collections of mainly modern, international poetry, he organised and co-organised several international poetry festivals in Spain. He is vice president of the Academy Mihai Eminescu, in Romania, and organizer of the Mihai Eminescu Internaional Poetry Festival. He also set up the internationally greatly appreciated project Poetry without Borders, publishing every week a poem from all over the world in 33 languages.
Togetherness | Irene Emanuel
Togetherness
They’re there; hollowed into make-shift sponge-foam beds, tight-curled into malodorous rag-blankets and plastic of dubious origin. They’re there; the shadow-ghost people of no fixed abode, gathered loosely together in cohesive misery. They’re there; existing on society’s fringe, sustained by the government’s pandering promises; sharing glue-highs and garbage rot. They’re there; old children, dying people, together in perpetual poverty. They’re there; trampled contours on grass verges, silhouettes on street corners, robotic vendors with nothing to sell but themselves. They’re there; the street-people of forgotten causes, unified in the rainbow nation of lost hopes.

©2022 Gerry Shepherd
©2022 Irene Emanuel
All rights reserved
Irene Emanuel…
…was born in Johannesburg, lived in Durban, and now lives in Port Elizabeth. She won of the “Hilde Slinger” cup for poetry in 2009 and again in 2013, and the “Fay Goldie” cup for General Success in the World of Publishing in 2011, both from the South African Writers” Circle. Nine of her poems were published in “Signatures” an anthology of Women’s poetry (2008), and shre represented “Live Poets’ Society” in “Poetry Africa” that same year. In 2006, “A Scorpion Sings,” her first anthology, appeared. Other anthologies published between 2006 and 2015 are: “Count Catula of Shadoland & Friends,” “A Peace of Me.” and “A Scorpion Sings Again.”
Custodians Tradition as Usual | Jonathan Fletcher

via Pexels
Custodians of Our Democracy
Who cleaned The Capitol of the mess the mob left behind: bagged spent spray cans and empty water bottles, body armor and cigarette butts, hauled them to the dumpsters? Who swept the littered floors of the Rotunda and Statuary, Crypt and Speaker’s Office, collected into dustpans the splinters of broken benches, shards of smashed windows? Who scrubbed down the marble surfaces, wiped the scuff marks of shoes from the patterned tile floors, removed the smears of blood and feces from the sandstone walls? Who draped plastic film over Madison and Adams, traces of chemicals present on their portraits, a bust of Zachary Taylor, too, his nose and lips still streaked with blood? Who rechecked the chambers and offices, locked up, then cleared out for the night, the secular sanctuary back safe in their care, yet indelibly stained by a disorderly horde?
An American Tradition
On July 9th, 1776, upon hearing The Declaration of Independence read aloud for the first time, General Washington and his troops charged the Bowling Green. Those patriots, moved by Jefferson’s words to remove every gilded symbol of their oppression, hoisted ropes around the 4,0000-pound effigy of George III, mounted on horseback, robed like the Romans, as they chanted:
Tear him down! Tear him down!
They then tore from its base that garish likeness of lead which had long stood above them, smashed that cruel Crown to pieces, and, in a most fitting reuse of that malleable material into matériel, melted His Majesty into 42,088 musket balls. Then, through volleys of musket fire, they returned the lead from that loathed likeness and won their independence.
Kentucky as Usual
At the Derby, the thoroughbreds, chestnut and palomino, brown and gray, roan and black, each bridled in bit and headstall, take off at the shot of a starter pistol in a race that lasts around 2 minutes. Authentic gets off to a slow start, yet in the stretch catches up with Tiz the Law, goes head-to-head with the bay stallion, yet overtakes him in the end, wins by a length and a quarter, with a time of 2:00.61 The first-place racehorse pays out to his bettors: 1.8 million in all, and though he’s awarded none of the purse, all of which totals 3 million, the public will remember his name, more so than the owner’s or jockey’s.
On the hallway floor, Breonna Taylor lives well past 2 minutes, possibly 5 or 6, coughs as she struggles to breathe, after 7 officers draw their pistols, then fire into her apartment, 32 times in all, trample down the front door. For more than 20 minutes, in a pool of blood on the hallway floor, Breonna lies unresponsive, and with no medical attention, the emergency room technician dies at the age of 26, the time of death approximate, listed on the certificate: 12:48 am. To Breonna’s family, Louisville awards 12 million, none of which will bring her back, but like the bay colt who won the Derby, mostly unknown until Kentucky, she, too, leaves a legacy, rightfully remembered and honored, more than the winner of any race.
©2022 Jonathan Fletcher
All rights reserved
These poems originally appeared in Boundless 2021: The Anthology of the Rio Grande Valley International Poetry Festival (FlowerSong Press)

Jonathan Fletcher…
…,originally from San Antonio, Texas, currently resides in New York City, where he is pursuing a Master of Fine Arts in Creative Writing in Poetry at Columbia University’s School of the Arts. He has been published in Arts Alive San Antonio, Clips and Pages, Door is a Jar, DoubleSpeak, FlowerSong Press, Lone Stars, OneBlackBoyLikeThat Review, riverSedge, Synkroniciti, The Thing Itself, TEJASCOVIDO, Unlikely Stories Mark V, Voices de la Luna, Waco WordFest. His work has also been featured at the Briscoe Western Art Museum.
Enough Subway America | Lorraine Jeffery
Enough
Can we compensate?
Settle accounts
with the Black man
living in the ghetto?
Recoup
the self-worth of the Muslim
woman who was spit at?
Atone
for the slights in the communities
who banished the Irish?
Indemnify
the Navaho for his beaten
and murdered grandfather?
Make amends
to women who were denied
opportunities to be heard?
Probably not,
but we can support justice.
Fairness
in our hiring practices.
Due Process
in our renting policies.
Equity
in our laws.
Impartiality
in our judgements.
Still, it’s not enough.
Eyes
have to see.
Hearts
have to care.
Arms
have to open.
On the Subway
Do you see me, sitting next to you? You push up your glasses, and look past me, seeking a mirror to talk to. Your voice is soft, kind perhaps, as you smile and nod discuss children and slow transportation. Being brown, I don’t reflect you, but she isn’t really a copy either. She’s taller, like me and she’s younger— unlike you and me. I speak English, was born in California, raised in Illinois, have two children, probably work in a building near yours. Is there nothing you can say to me? I reflect sameness— but not enough? Maybe, I should speak, but would you hear if you don’t see?

via Unsplash
America 1790
We hold these truths,
Do we?
To be self-evident
Not through much of history.
That all men
Define men.
No women though, right?
Are created equal,
Whoa! Not Blacks—
three-fifths of a person
no property ownership
no votes
no signed contracts?
Oh yeah!
Property—
not people.
©2022 Lorraine Jeffery
All rights reserved

Lorraine Jeffery…
…has won prizes in state and national contests and published over a hundred poems in journals including Clockhouse, Kindred, Halcyone, Canary, Ibbetson Street, Rockhurst Review, Naugatuck River Review, Orchard Street Press, Healing Muse and Bacopa Press. Her first book is titled When the Universe Brings Us Back, 2022.
Website / Blog Linked
After the Arrow | Dorothy Johnson-Laird
After the Verdict
Dedicated to the memory of Amadou Diallo
I see your kind eyes shining out of those pictures with your brothers and sister journeying from Africa to America you came here because you wanted your mother to relax into old age you wanted so much for your family your hope, not forgotten after all these years my breath is captured for a moment I stare at the tv screen flickering out at me I look at the holes where the gun shots poured in just looking at those spaces, I want them filled back in wanting the gun shots to disappear wanting something, anything to take them away I was imagining the policemen outside your door the fear on your face, in your gentle hands as they reached for their guns before reaching for thought they were on automatic, aiming at a target they didn’t ask your name or address they didn’t ask anything of you what happened to their feeling? did it get lost as the gun fire let loose did it get lost as your body splayed out in front of them what happened to your humanity, your wisdom your spirit that caught fire? how could a wallet be mistaken for a weapon? how could your beautiful face be mistaken for a killer’s? as you stood and then fell down blues fell with blood in that hallway that blood stain could be seen for days years afterwards even though they tried their best to cover it up how treacherous is the journey to silence? how treacherous is the journey to silence? I wanted to tell you Amadou the police were set free but we will not let them forget we will not let them forget the murder because after killing, the blood can never be washed off their hands and now, I imagine your mother shaking in the night she was told her oldest son died her whole body shakes in the blue night her whole body shakes in blues she carries that grief on her shoulders In her chest, it stays inside her eyes such sadness what it must feel to lose a child? to lose her oldest son to never be able to look in his eyes again to never be able to hold him never be able to hold - Amadou she holds her head - Amadou she says his name over and over again she is sinking she is sinking Amadou she is lost in her memory of birthing you of bringing you into this life yet somehow she stays standing she doesn’t surrender and I too am remembering I wish you the peace that comes with still, cool water the peace that comes with the African sun rising over your tender hands rising and wrapping cloth around your bullet wounds with love and singing you home to your resting place and singing you home just singing you home with love

via Pexels
Arrow Man
Dedicated to John Trudell (February 15, 1946 – December 8, 2015) Santee Dakota Activist, Actor, Musician, Writer and Poet
The great lie is that it is civilization, it is not civilized. —John Trudell
When Black Elk, Heȟáka Sápa, the Lakota spirit man dreamed He said that Indians moved in a circle They did not move in straight lines And you too danced in your own way Never direct Honoring the footsteps of your ancestors You were a modern seeker Standing firm on Alcatraz island as part of the Red Power Movement It was a two year occupation, you demanded recognition for broken treaties that were strewn across open highways Broken papers, broken ink that was swept over or swept away By place names called Custer after the great American hero who was highlighted in official history books By lies of a murderer who bulleted Indian bodies into the cold frozen snow Oneday a line of fire flickered out across your family roof Trapped inside the house were your pregnant wife, your mother-in-law and three of your children They were killed in the fire Even though the official word was that the fire's origins were unknown You knew it was set, deliberate, the pattern on the roof was too direct 'I died then, I had to die, in order to get through it' you wrote Your writing came to you as a gift at that time Your poetry became your “hanging on lines” Your writing came with such force that you could not refuse it It overtook your spirit, it was your way to survive Once you said that Indian people did not need to wait for a nuclear war It was already happening on the land from the mining of Uranium You loved the grasses, the high sacred Black Hills, the sunrise moving within you You would not let their lies quieten you You would not put down your weapons Arrows flowing over your fingers You opened your hands up Seeking wisdom from the North Your words fearless as they spun out in circles across the night sky
©2022 Dorothy Johnson-Laird
All rights reserved
Dorothy Johnson-Laird…
…is a poet, social worker, and activist who lives in New York City. She received a B.A. in creative writing from New School University and an M.F.A in creative writing from Sarah Lawrence College. Dorothy also works as a music journalist with a passion in African music. She has published journalism AfroPop with and Music Central, among others.
Recent poetry has been published with The BeZine and Fresh Words Magazine. More of Dorothy’s poetry can be found on her FaceBook page.
On Whiteness… | Todd Matson
50 Shades of White
Behold this diverse assembly of white, ghost white, baby powder, smoke, snow, ivory, floral white, seashell, cream and beige. They have gathered here today to navel gaze and commandeer the concept of diversity, to ascribe to their wide array of whiteness a vast variety of virtues which serve to separate white sheep from the goats of many colors oblivious to the fact that they can only be distinguished by the kind of melanin they have in their skin. They are a most heterogeneous throng of parchment, antique white, bone, eggshell, vanilla, alabaster, chiffon, merino wool, rose white, and half and half. Listen as whitesplainers whitesplain their whitecentric theology of a white God created in their white image who miraculously sires a white antisemitic Jesus from a Jewish peasant woman to call white people to spread a white gospel of white makes right to a white world washed white as snow. Take a sober look at this mutual admiration society of coconut, frost, linen, rice, powder, pearl, titan white, white dove, white diamond and dazzling winter white. Listen to the white whispers of a white-skewed world view of white supremacy reining supreme, white politics and white socioeconomic policies as the way to make America great again, “replacement theory” as the replacement theory for critical race theory, and nothing at all about black history long ago whitewashed from the American history textbooks they read as school children. What we have here is a rainbow coalition of simply white, oyster white, milk, natural white, vivid white, cascading white, cotton ball, whitewash, bright white, and brilliant white. There must be 50 shades of white – swan white, polar bear, paper white, delicate white, cake batter, white sand, stone white, retro white, white chocolate and white on white. They vow to own the libs, this diverse assembly of white alt-right, white radical right, white far-right, white ultra-right, and white extreme right, now mainstreamed alongside the silent and complicit white conservative right. Watch as their blizzard of whiteness ushers them into a whiteout and they go snow-blind, unaware that a new ice age has begun in their frozen hearts now entombed by the glaciers within. Listen as they sing “Jesus Loves the Little Children” with not a red, yellow, black or brown child to be found among them. Span the rainbow. Behold the children. All of their colors are white.
Change the Subject to Race
Change the subject to race in a room of white faces in a deep red state and watch blank faces with glassy eyes take over a tension-filled room. Listen as the quiet speaks and grows louder and louder until the silence itself is deafening. False equivalencies begin to drop like rain. No dog whistle interpreter necessary. The surreal is the new real for anyone wearing blinders. “The white cop may have been trigger happy, but look at the checkered past of the unarmed black man.” “Maybe if the unarmed black man wouldn’t have been struggling to breathe, the white cop wouldn’t have believed he was resisting arrest or kept his knee on his neck for 9 minutes and 29 seconds.” “We wouldn’t need more restrictive voting laws which we call election integrity, and others call voter suppression, if black voters weren’t committing so damn much voter fraud.” So it goes. Blue Lives Matter eclipses Black Lives Matter as if a job is equivalent to a human life. As if a job equals a human life. White Lives Matter steals the stage as if white folks have ever doubted that white lives matter. Not to be outdone, All Lives Matter grabs the mic, glosses over black lives with all lives even though black lives have never really mattered to so many who have never lived black lives. Read the room. The tension can be cut with a knife. Discomfort reaches critical mass. Artful redirection is on deck. Comic relief is waiting in the wings. So it goes. And so it goes. I don’t want to say this. I naively believed we were becoming a post-racial society. I was wrong. We are becoming an Orwellian post-truth society. Where is the courage to love those who don’t look like us? Let the vulnerability hangover come. I am white. Take my heart. Break it. Paint it black.

via Unsplash
Ghost Me Again
A poker face will not hide you forever, and you can’t just co-opt a moment of silence as an alibi for donning an invisibility cloak every time you feel uncomfortable. We are no longer toddlers playing hide-and-seek, believing we can hide in plain sight by placing our hands over eyes, as if you can’t see me if I can’t see you. There you are. I see you. The truth about how we come to know and be known is self-evident and eternal. We cannot NOT communicate. We are all responsible for our own communication. Everything we say, everything we don’t say, everything we do, everything we don’t do communicates something. When our neighbor is profiled, stereotyped, slandered because of how he looks, or who she loves, and you say nothing, your reticence outs you, gives you away. Your silence is deafening. When decency calls for something to be done, nobody gets to say, “Why are you looking at me? I didn’t do anything!” As if not doing anything when something needs to be done serves as a not guilty plea. Inactions, like actions, speak louder than words. Do you honestly believe that your sins of omission will not find you out? Didn’t you get the memo? It’s not just the bad things we do. It’s the good things we don’t. Complicity masquerading as innocence is cowardice placing personal privilege above the needs of those who are marginalized, disenfranchised, oppressed, dehumanized, ostracized as “other,” brutalized, erased. You may say with sincerity, “I went into fight-flight-freeze,” and I froze. There is no shame in fear. We just can’t establish permanent residence there. It comes down to this: Define or be defined. The power of self-definition is our first and last power. Our very lives can be taken from us. The power to define ourselves must be given away to be lost. Who will define you? Who will define your legacy? Ghost me again, the next time I am counting hearts, and I might get the impression that you don’t have one.
©2022 Todd Matson
All rights reserved

Todd Matson…
…is a Licensed Marriage and Family Therapist in North Carolina. He has written poetry for The Journal of Pastoral Care & Counseling, Soul-Lit: A Journal of Spiritual Poetry, and his short stories have been published in Ariel Chart International Literary Journal and Faith, Hope and Fiction. He has also written lyrics for songs recorded by a number of contemporary Christian music artists, including Brent Lamb, Connie Scott and The Gaither Vocal Band.






