WRITING YOUR SELF
We feel this book review puts a fine close on our series, Perspectives in Cancer. Writing as a healing art, whether as a purely personal exercise or for publication, is powerful. One of the authors of Writing Your Self, Myra Schneider, learned that with her much appreciated work,Writing My Way Though Cancer. That effort informs much of Writing Your Self.
This review was originally published at Musing by Moonlight.
Four of Myra’s poems were published earlier in this series.
We wrote the book because we believe that personal writing is very potent both for the writer and the reader, because some of the greatest literature is rooted in personal material. Myra Schneider in an interview HERE.
The subtitle of this book about writing is “transforming personal material.” I think it is implicitly also about personal transformation. It always seems to me that writing and reading about life is a healing activity, a way to live hugely, and a way to empower ourselves and others. If we can do it well enough to engage others, whether our purpose is to leave a record behind for family, to set the record straight, or simply to share and entertain, the experience is rewarding. Writing is a powerful healing path.
Writing Your Self is the most comprehensive book of its type that I’ve yet to read, and I’ve read many. It is organized in two parts:
- Part I: Here the focus is on life experiences, the exploration of those human experiences that are universal. These include childhood, self-conceptions, relationships, displacement, physical and mental illness and disability, and abuse.
- Part II: Here the focus is on writing techniques, recognizing material that is unfinished, working on refinements, and developing work projects.
Writing Your Self is rich with examples from known and unknown writers including the authors. By example as well as explanation the authors reinforce what we all intuitively understand to be true: that telling stories preserves identity and clarifies the human condition. It helps us understand what it means to be human. The experience of working through the book was something like a rite of passage.
I very much can see the use of this book by individuals training themselves and by teachers of adult learners who wish to write memoir, poetry, fiction, or creative non-fiction. It would be useful in hospital therapeutic writing programs or in writing programs for active seniors.
Memories, both recent and distant, tell us who we are and so play a crucial role in our experience of life…
You may have memories which you want to plunge into or you may have material like a diary or letters which summon them up. There are other ways though of triggering memories. We offer a series of suggestions. Chapter 13, Accessing memories, secret letters, monologues and dialogues, visualizations.
I think Chapter 13 alone is worth the price of admission. I work a lot off of childhood memories and even the event that happened two minutes ago comes back to me with dreamlike qualities when I sit to write. I have not thought of the things I do naturally as triggers, but indeed they are. It was quite interesting to see these natural aids laid-out and organized on the page to read: objects and place as starting points, physical sensation as triggers, people in memory, and predominant feelings. The section on secret letters – that is, letters that you write someone and never send – was particularly interesting. I’ve only done this twice in my life, but I know some folks who do it all the time. I’m sure it is a common practice and would make a fine jumping-off point for some and a satisfactory exercise – complete in itself – for others. The authors go on to monologues and dialogues, which certainly everyone spins in their heads. They discuss visualization. Hey, if you can see it, you can write it.
I’m an experienced writer and I enjoyed the book and the exercises and learned a few new things, got a few new ideas. If you are inexperienced or stuck midway in a transition from one form of writing to another, you’ll benefit from the exercises, ideas, and instruction in Writing Your Self: Transforming Personal Experience. This one’s a definite thumbs-up.
Myra Schneider is a British poet, a poetry and writing tutor, and author of the acclaimed book: Writing My Way Through Cancer. Your can visit her HERE.
John Killick was a teacher for 30 years, in further, adult and prison education, but has written all his life. His work includes both prose works and poetry. You can visit him HERE.
© essay, Jamie Dedes, 2011 all rights reserved
Copyrighted cover art, fair use.
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Jamie Dedes ~ Jamie is a former freelance feature writer and columnist whose topic specialties were employment, vocational training, and business. She finds the blessing of medical retirement to be more time to indulge in her poetry, creative nonfiction, and fiction. She has two novels in progress, one in final edits, and is pulling together a poetry collection. Her primary playground is Musing by Moonlight. She is the founder and editor/administrator of Into the Bardo. Jamie’s mother was diagnosed with cancer the first time at thirty-six. She went three rounds with breast cancer, one with thyroid cancer, and died at seventy-six of breast and colon cancer.