Posted in interNational Poetry Month, Poems/Poetry, poetry

just a thought & 2 more poems | Lonnie Monka

just a thought

a gazelle
            leading its herd
can only turn
            as sharply as it
can gallop fast
            enough not
to become trampled
                        —thoughtlessly

along sections of the coast

regardless of who paid to put them there
there are "Danger of Landslide" signs
embedded into the Mediterranean sand


signs that bystanders only take as seriously
as they wonder about the future...
the future—which only ever seems to be


projections of the past—& regardless
of all their writing these signs present
an illustration of a skull facing the horizon

surely someone needs to say the cliché:
a skull has no face—no skin—no nationality
a skull just depicts the peak of naked human history


& I would never have recognized that skull as mine
until happening upon one sign that had been uprooted
and covered by—surprise surprise—a landslide

violence & the pupil

pounding their hooves gazelle search for food
in the Negev's largest nature reserve
until in the sky erupts a distant rumble

the gazelle jerk their gaze upwards
as eyes fidget across a blue & white expanse
expressing a bellow in motion

then as a target on the central hilltop explodes
the violence of the world penetrates the pupil
& an inert luster of the orb reflects

an Israeli Air Force jet zooming ahead of its own voice
restricting firing practice damage to that one hilltop
where earth is freshly blackened with each new blow

each explosion shakes the gazelle's fear-bound bones
but never ignites that ever-expansive desire
urge upon urge to preserve & to be preserved

oh!—how I wish I were a child again
ruled by cravings to touch all objects in my gaze
unaware of the damaging effects of expressing interest

before internalizing Rabbis’ tales of my people
gathering before Mt. Sinai as newly freed slaves
unwilling to face a thundering voice of the divine

"go to the top of the mountain without us"
we plead & instruct our leaders
"pound those awful sounds into marks on stone"

©2022 Lonnie Monka
All rights reserved


Lonnie Monka…

…a Jerusalem-based poet, founded Jerusalism, a non-profit organization to promote Israeli literature in English. He is a PhD student at Hebrew University, researching the intersection of modernist art and orality through a study of David Antin’s talk-poems, and he is currently an OWL Lab Fellow.

Jerusalism


Quote from The Wasteland, T.S. Eliot

April in The BeZine Blog


Posted in interNational Poetry Month, Poems/Poetry, poetry

Poems from Purpose | Gary Beck

Poems from Purpose, an unpublished poetry collection that calls attention to the horrors and beauties in this complex life…


Urban Entropy

The extremes of nature
shock city folk
unaccustomed to deluging rain,
suddenly vulnerable
weakend by mass comforts,
survival capabilities
in dire disasters
highly questionable.

Betrayed

The homeless sit
on crumbling sidewalks,
cardboard signs proclaiming need
disintegrated
from rain, snow,
being ignored
by almost everyone
almost as needy,
abandoned by the 1%
no longer concerned with
the suffering of the people,
the state of the nation.

Track Flower
Photograph ©2022 M.S. Evans

Usurpation

Since man first organized
into family units
one had to be above average
to advance in the clan, tribe,
early cities, city-states, nations,
all well established hierarchys
classified by rank, trade, wealth.

Thousands of years later
shortly after World War II,
returning U.S. soldiers
went to college on the G.I. Bill,
a free education
for seven million men
who jumped to middle class,
a social revolution
unprecedented
in human history.

Soldiers were usually discarded
when no longer needed,
for few had the skills
to make them desirable.
Then millions of graduates
went into the world
with valued professions
that produced wealth and comfort
only dreamed of in the past.

The legions of ex-warriors
unresentful of their treatment,
unlike many soldiers past,
took their places happily
as prosperous citizens
with little need to question
the practices of their rulers,
who successfully bought off
the makers of rebellions
blinded to the oppression
of oligarch exploiters
by the abundance
of goods and services.

©2022 Gary Beck
All rights reserved


Gary Beck…

…has spent most of his adult life as a theater director and worked as an art dealer when he couldn’t earn a living in the theater. He has also been a tennis pro, a ditch digger and a salvage diver. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 34 poetry collections, 14 novels, 3 short story collections, 1 collection of essays and 5 books of plays.


Quote from The Wasteland, T.S. Eliot

April in The BeZine Blog


Posted in interNational Poetry Month, Poems/Poetry

framed in solitude | gary lundy

it feels as if death the only reward whether

for friends or strangers we've lost the appeal of 
a promise of years to come unaffected by 
momentary surprises you tool around town 
defying calls toward turmoil while most lie 
immersed in shallow panicked breaths skin itch 
tingles unattended it seems not to matter what 
language greets at birth the side of any road 
splits open scattering impotent seeds the drought 
now so prevalent we must accustom ourself to 
the limited volume of cessation five shot dead 
including probable head of household and how 
attracted authority figures are to the fatality of 
knees on back of necks only race a permissible 
excuse we watch as a parent walks the 
neighborhood carrying their growing child and 
responsibility living in an environment where 
vehicles required in order to run even short trips 
you were impressed learning how little they had 
in savings still equaled your yearly salary while 
several state governments lay claim upon all land 
access still preoccupied with the genitals of 
children no wonder we all feel a recoil under thin 
layers of flesh you notice their nipples harden 
whenever you finally decide to leave
Framed in Solitude -1
Digital landscape
©Michael Dickel

that’s what can happen after spending months

framed in solitude when a crumb from sandwich 
startles as it hits floor every physical pleasure 
renounces presence how a page read 
disappears as quietly as it was brought to mind 
we team up with neighbors to solve a crisis of 
monetary valuation when the you vanishes 
along with any thought uttered to halt the 
displacement what to think when the crowd 
peopled by lost relatives friends peppered with 
occasional strangers pass as well in the natural 
putrefaction of oxygen deprived materiality two 
birds flattened in alley a few days ago now all 
but gone save for irregular damp spots 
evaporating in the warm daylight they remain 
confident to an extent not worrying about cloth 
labels poking out from under the seams fevers 
splayed separated by fluid shadows only 
sometimes does a letter repeat conjoined rested 
from anticipated coming fresh wounds or 
perhaps in candor words form an unknown 
source as if onward into a renewed terror
Framed in Solitude -2
Digital landscape
©Michael Dickel

a pause between two stanzas a musical silence

flairs brightly back to surface ease under 
diversionary noise we roam the four small rooms 
as might be counted ignore bathing toilet room or 
you might rather enjoy the open fields of a library 
tying two into one larger room local artists walls 
doctored for pleasure they answer the call of 
anger jealousy impotence so more shot dead 
another one wears mesh mask as if thus 
illustrating their neighborly care earlier a young 
child flinches when spoken to reflects our facial 
reaction every morning when climbing out of bed 
seeing mirrored shallow tics or might it be a 
return to bearable odors of bleach disinfectant 
who can possibly imagine what lies hidden that 
compels such stubborn rampant busy dashes 
and apostrophes we just realized they'd joined in 
giving birth a name three or four years ago prior 
to the now ever present opportunity to face rarely 
unexpected death sentence you remind life has 
always been a losing hand of cards check and 
recalibrate the timing of regional locations 
somewhere as a walking pathway inarticulate 
refusal dizzy within new gnawing hunger intuition 
misguiding directionality seek dictionary advice 
their attempt at forestalling the deceit of sensual 
fantasy again improbable pause then leap into 
new noise habitation served up on plastic 
swimwear coal carrying train cars
Framed in Solitude -3
Digital landscape
©Michael Dickel

monologic pendulum within invented diversity

over compensates the small group of seven or 
fewer in the warmth of shaded looks hidden 
under ignorant familiar colors when hair sparks 
envy or our dress surprises misremember 
height as being greater now gaze down upon 
fake dreams spread lotion on over washed hands 
form as kindness lacquer speckled cracking low 
humidity and softly sore nipple from earlier 
stimulation the addendum approaches from the 
north or east building for revitalization implosion 
fold within dry lawn and wilted flowers you 
pretend to hear the footsteps of a spider only to 
look up discover it dangling webbed to ceiling the 
end grows customary losing spread over the last 
fourteen months we interrupt to wash dishes 
silverware pour hot water over floorboards one 
still wallows in defeated romance commonality 
peppers the street with skid marks tomorrow 
inoculate from present foreboding separating 
allergic figures of speech awaiting the cliché of 
some other shoe dropping watch your age when 
nearby important adults transfix upon an over 
staying for sale signage as personal loss we 
wager outweighs others
Framed in Solitude -4
Digital landscape
©Michael Dickel

to slow down when you feel already atrophied

not only by the isolation but rising rent the loss 
of unemployment checks even food stamps of 
little good turned down regularly they recover 
from heart attack have migrated from wheeled 
walker to single metal cane at that age when 
even nostalgia fails to temper despair almost 
seems the most regularly used word on this 
cloudy windy rain whispering day a love fest with 
your cat sitting sharing internet chores they take 
an extra day off for recovery from anguish 
needles and ink endorphins we remain so 
overwhelmed much yet remains to be done 
details of a poorly written description empty even 
of driving popular narratives finish coffee return 
to the slumbering apartment watch old cop show 
pretend it's a televised day off instead of the 
continued replay of bad news channel incinerate 
repetitious tattered worn out dreams our beard 
still grows whether liked or not the child wounds 
three early morning school day what to make of 
this drive to destroy maybe simple species defect 
had you more quickly read the marking slivers 
doubt might not have curled around the sound of 
pen on paper a dark sound of interrupting texts 
sent by unknown others you could care less 
about busy close contact rendering likenesses
Framed in Solitude -5
Digital landscape
©Michael Dickel

©2022 gary lundy
All rights reserved


Quote from The Wasteland, T.S. Eliot

April in The BeZine Blog


Posted in interNational Poetry Month, Poems/Poetry

Finding My Way | Patrick Connors

Finding Myself

Strive to change the world
in such a way that there's
no further need to be a dissident.
Lawrence Ferlinghetti, Poetry as Insurgent Art

Rising up from deep within
the very core of my being
the essence of who I am

underneath my public image
is the need to find myself  
someone to admire.

Lawrence Ferlinghetti spoke the words
the world needed to hear
at that exact moment.

Best of the Beats
because he promoted the rest
above himself.

Paragon of enlightenment
inspirer of a new way of being
artistic role model.

Ferlinghetti would have loathed
such titles based on what
little I know about him.

He would have frowned 
if not downright sneered
at such fanboy foppery.

In the same way 
many reading or hearing this could be offended
by words like humanist, socialist,

countercultural, malcontent, protestor,
activist, freethinker, nonconformist.

In the Coney Island of My Mind
—or, more accurately, Exhibition Place— 
I get to play with words

turn image into meaning and back again
with enough musicality to form a poetry
of concise language and complex thought

imagine these words 
making this world a better place
at least for a moment

and believe if I say them with clarity
and integrity for long enough
you may just listen to me.

Prisoner

I have lost my voice.
The only word I have ever felt beating
in my heart, echoing through my mind
has been taken from me.

The other prisoners 
hiss and whisper the words
the broken-hearted cannot say out loud
and leave me in solitary silence.

But I know why.
They don't understand
the burden I am bound to carry
and must keep hidden deep inside.

This burden keeps me alive.
It gives me passion and purpose
and is the only thing I have
which is real.

If this word trapped in my throat
found daylight at the tip of my tongue
I would sing and shout, laugh and cry 
and my sentence would be complete. 

If I could see her again
make love to her slowly and gently
if I could say her name once more
then I would be free.

Middle-Aged White Men Are Ruining the World

The Saturday bus ride to Morningside is so much better
than my weekday drudgery along Sheppard
up whichever connecting route presents itself
to get me east on Finch to my workplace.

Everybody is in a better mood, more courteous
more concerned about others around them.
They are on their way to fun excursions, or shopping
to meet their needs, as well as those of whom they love.

The Morningside bus ride south is even better. The bus takes
longer to arrive, but the driver wants to chat and be part
of the community, part of your day. Everyone makes room
for baby carriages and people with canes and each other.

But not LAST Saturday.

A guy about my age got on the Morningside bus with his two sons.
Two stops later, a kind enough looking guy, clearly down 
on his luck, maybe hadn’t eaten in a while, entreats 
the driver to let him on the bus without paying.

The guy about my age turns to his sons, shakes his head,
saying, “The driver let him on the bus for free.”
The two sons were at that age where their view
of the entire universe was filtered through their father.

What an entitled, arrogant, self-righteous, ignorant…
What kind of legacy are we leaving behind?
What kind of world are we leaving for the children?
What else can we teach them other than right or wrong?

I wondered how he would feel in the unlikely event
either he or one of his sons were in that predicament.

Try

the world tries
to tell me
I am something
I am not
and I fight back
and I lose
so I try 
to be what they say
they want me to be
and I succeed on their terms
for a moment
and then the moment passes
so I try 
to be myself again
and I fail
and then I try 
something different
and I fail
but the failure
seems to be 
the shit I must get through
so I can
finally grow up
so I laugh
not a maniacal laugh
merely a buffer 
against the underlying darkness
which tries
to overwhelm me
but 
I rise
try to clean myself up
and realize 
this is the day
I become
a little more
human

Patrick Connors’…

…first chapbook, Scarborough Songs, was released by Lyricalmyrical Press in 2013, and charted on the Toronto Poetry Map. Other publication credits include: Blue Collar Review; The Toronto Quarterly; Spadina Literary Review; Sharing Spaces; Tamaracks; and Tending the Fire. His first full collection, The Other Life, is newly released by Mosaic Press.


©2022 Patrick Connors
All rights reserved


Quote from The Wasteland, T.S. Eliot

April in The BeZine Blog