pull apart
the fibers
of the soul
weave the strains
into strings
pull them
tight
against
a curved body
of wood
stroke them
with passion
now
that’s
jazz
or
you might
prefer
to create
a single sheet
of soul
the drum heads
that pound
like hearts
inside the breast
of mankind
now
that’s
jazz
but
maybe
you’d like to
compress them
into a reed
then
wet the reed
with life
making
the soul’s song
with fluttering fingers
now
that’s
jazz
oh
but some
of you
will want
to forge them
into metal
so you
can hear
gabriel’s horn
at your door
now
that’s
jazz
jazz
announcing
the presence
of god
playing bass
holding
the whole thing
together
Editorial Note: With this poem, The Bardo Group honores its own International Jazz Day. Jazz music began its evolution in the late nineteenth century the Southern United States with a combination of European harmony and African musical elements: improvisation, blue notes, syncopation, swing notes and polyrhythms. It has since developed in diverse directions and has been joyfully adopted by cultures the world over.
CHARLES W. MARTIN (Reading Between the Minds) — earned his Ph.D. in Speech and Language Pathology with an emphasis in statistics. Throughout Charlie’s career, he maintained a devotion to the arts (literature/poetry, the theater, music and photography). Since his retirement in 2010, he has turned his full attention to poetry and photography. He publishes a poem and a photographic art piece each day at Read Between the Minds, Poetry, Photograph and Random Thoughts of Life. He is noted as a poet of social conscience. Charlie has been blogging since January 31, 2010. He has self-published a book of poetry entitled The Hawk Chronicles and will soon publish another book called A Bea in Your Bonnet: First Sting, featuring the renown Aunt Bea. In The Hawk Chronicles, Charlie provides a personification of his resident hawk with poems and photos taken over a two-year period. Charlie’s lastest book, When Spirits Touch, Dual Poetry, a collaboration with River Urke, is available through Amazon now.
Oh Charles, you captured Jazz so accurately and beautifully. This is a great piece of work.
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beautiful!
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Fine work, Charlie, as always. 🙂
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The form, the topic–all worked together so well, Charles.
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The voice, an instrument of individual rhythm, tone, and soul, leading, weaving, punctuating, expressing in cool, lively cadence, improvisation in intimation: the sound of your voice reading your poem….now THAT’S jazz!!
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I love the string bass so much. It is the heartbeat of all that jazz!
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