Mind / Body Epistemology — Dennis Formento

no idea what all I know

I have no idea
what all I know

buried inside that I’ve forgotten
what I’ve just said is true
because I feel it’s certain

difficulty in distinguishing personal perception
from objective reality, a reality 
always subject to power 

but do you bump into things
because you can’t tell where they are

so if truth begins with self-knowledge
evaluation of one’s own state of mind
manner of knowing
and ability to understand
bleeding into ethics

intend to do no harm

with one’s knowledge 
& seeking

knowing that much 
is to know myself
is the beginning

4-22-2019
7/29/2020

yuj         to yoke

	to yoke
to mind the source, the body

“I know my body, the body is the object”
	I the observer know the object
so I am not my body

I know my thoughts
I am not those thoughts
that rush through the halls of mindlessness
making riot in the Capitol

the guilt, the anger, repressed desire

I know my face, I am not this face
I am not this poem writing itself 
on the back of my hand
I am not my face and hands
I am not the observer, not the witness 
nor is there one 		mind
sealed in a small envelope

My god is constant self-interrogation
neuroses, my powerlessness and belief in this

time-consuming, life-consuming business
of filling our hands with stuff, keeping our faces busy
stuffing our mouths 
life consuming life
	being and becoming	



©2019–2021 Dennis Formento
All rights reserved


Return to ToC

Gospel — Peter Mladinic

Schaeffer writes to Tasia:

“Rhythm & blues, nothing like it!
The languid lovely haunting sound
I heard back then, and now
when I see music I see a long
narrow shop, walls lined with
’45 vinyl discs sometimes red
or yellow, mostly black, inlaid
with labels: blue, green, pink,
black and names: Chance, Duke,
Peacock, Checker, a montage
of color and design.  Up front
across a counter sat Dennis:
dark eyes, rosy cheeks, sensuous lips
and a few thin cowlicks spilled
partly down his forehead.  Dennis
knew R&B very well, not
R&B as we hear today, but stuff
from the late 40’s, early 50’s.
he was fortunate to be at the heart
of all those languid melodies,
not jump tunes, but the ballads.”

Schaeffer saw him in later years
only once before Dennis passed.
A different record shop, where both
were visitors.  Dennis’s opened black
leather revealed a waist that had
thickened, and instead of rosy cheeks
there was a puffiness to his face.
Somehow gospel came up in their
talk, Schaeffer said the Swan Silvertones
to which Dennis replied, Oh,
they’re the best, a wry smile
in his eyes.  Schaeffer felt he’d
been right all along, these past
few years, since he began listening
to gospel, that the Swan Silvertones
with their tenor lead Claude Jeter
were the best.  Dennis corroborated
Schaeffer’s feeling.  He thinks—
when he sees Dennis up front in
a corner of the long narrow shop—
music is feeling, you feel the music.

Schaeffer’s Notion of Beauty

Bombs turn a building to rubble,
rescuers find 
an arm, a leg.

In a mall a maniac fires a rifle,
leaving in his wake
dead children.

Hate manifestos 
all over the Internet,
in the world there is danger:

a racist shoots Satyajit Chandra
at a bus stop
and nothing is done.

Still, even now, beauty 
is with us.

©2021 Peter Mladinic
All rights reserved


Return to ToC

The Blue Bird — Tenebrae Choir

This piece of music is quite magical.  I have sung this song in recent times in concert with the chamber choir, Fox Valley Voices. It is the best known of Charles Villiers Stanford’s two sets of eight partsongs.  Musically it is ethereal and a joy to sing.  The lyrics were written by novelist and poet, Mary Elizabeth Coleridge. She was the great-grandniece of the well known 18th century poet, Samuel Taylor Coleridge (“The Rime of The Ancient Mariner”) and daughter of Arthur Duke Coleridge with singer, Jenny Lind.  Her father was credited with the formation of the London Bach Choir.

With such a heritage, it is perhaps not surprising that she could write such spare, yet evocative lyrics …

The lake lay blue below the hill
O'er it, as I looked, there flew
Across the waters, cold and still
A bird whose wings were palest blue

The sky above was blue at last
The sky beneath me blue in blue
A moment, ere the bird had passed
It caught his image as he flew
Chamber Choir Tenebrae Performance of “The Blue Bird”

Music Charles Villers Stanford (1852-1924)
Lyrics Mary E Coleridge (1861-1907)
Performance Tenebrae Choir
Directed by Nigel Short


Article @2021 by John Anstie
All Rights Reserved


Return to ToC

The Pine Cone Project — John Anstie

The Woods
Colored Pencil
Kim Patton ©2021
In the midst of turmoil,
our Mother Earth besieged 
by bloody conflict,
in a world beleaguered 
by well-healed negligence,
humanity is laced
with one great flaw.

Children are dying
We are dying with you.
I am crying for you.

Yet, whilst this goes on,
you walk the woods,
harvesting your pine cones
putting them in your wishing well.
Your unconscious prayer
for a better world,
for love, for life,
that sows the seeds 
of perfect purity
in heart and mind,
that will not fade with time.
This is the magnificence,
the magic of your spirit
that is untouched
by a tainted world.

Then, in one gesture,
one single act of generosity,
of utterly moving faith,
you beckoned me 
come close to you.
You looked me in the eyes;
and I was hypnotised.
Then, you gave it to me,
one single piece of magic,
a piece of nature's bounty,
and bade me keep its secret
as covert as a spy.

Each time I hold your gift,
when we are far apart,
I'll think of you and
remember this moment,
by which you have renewed
my faith in all our futures.

You could melt the heart,
like chocolate on a Summer's day.
You could soften steel
in hardened minds.
You and your magic 
are our future.

Eight years ago, my then 4-year old granddaughter gave me a pine cone. She had found it as the family walked together in the woods. She called me to her, very secretively, and put it in my hand, confiding in me that it was a magic secret and that I should tell no one. She bade me keep the secret, which I did do for five full years … until 29th September 2018. This particular date was the 100 Thousand Poets for Change annual celebration, which, in that year, was embellished by a campaign to Read-a-Poem-to-a-Child . It finally came to the day, five years after she gave me that pine cone, that I should share this magic moment with a wider audience for the sake of the mission of Michael Rothenberg and Terri Carrion, who established the 100TPC in 2011. Its mission is in complete harmony with the mission of the BeZine, to promote Peace, Sustainability and Social Justice. It was, most important of all, a reminder that we should appreciate, value and respect our children, grandchildren and all those who follow us, for the sake of a sustainable future for generations of young minds, whose task it will be to care for this precious planet …

… thank you Jessica.


Text ©2021 John Anstie; Art ©2021 Kat Patton
All rights reserved


Return to ToC

“Before the plague…” — Subhaga Crystal Bacon

Golden Thread

Before the plague, I was a string saver.
Whole drawers of different lengths 
and weights; twine, raffia nylon, 
cotton. Today, a magazine came
wrapped in brown paper and twisted 
thread of yellow and white. It was cross 
style, wrapped around the length 
and then, with an x, around the width, 
knotted on the front with a bow. 
The knot wouldn’t give. My fingers 
too blunt, and teeth, well, you know, 
be careful what you bite. I thought it might 
slip through itself, like that rabbit coming back
out of its hole, but it snapped, one small
piece, saved from the rest. Time 
will come when open things need to be closed, 
a bag, a box, this life.

Art: Untitled III, Jamie Dedes ©2020


Dark Time: Why Were Their Poets Silent?

after Brecht

We huddle around the table
like early Christians in caves.
The sacrament, the Word,
before which all was chaos.

When we leave, we carry light
no matter the time of day
to shatter the shadows cast
by monolithic ways upon us.

Alone, in our homes, rooms, 
chairs, we kindle new fire 
from old ideas. Our lines—
our muses—singe our fears.

Fierce Wind

for George Floyd

George, the air today is charged with light. 
I breathe and hear your words seeking breath. 
Because I can walk, can breathe, I push 
uphill the hard way, steep and close 
with rocks, tight as my throat, closed and angry 
with words I can’t find the voice to say. 

Instead I speak your name to silent stone
older than law or hate. I say your name 
to the fierce living wind, sing your name 
like birdsong in waving grass, give 
your name to the endless sky that holds 
this weeping world spinning in black, 
star filled space.

The Woods
Painting
Tom Higgins ©2020

©2021 Subhaga Crystal Bacon
All rights reserved


Return to ToC

Sustainability — Benedicta Boamah

Impossible Spring
Miroslava Panayatova ©2021
  
Diminished mutters of an uncommon past; withheld resource
The expressions of squally times,
An evolving ponder of thought
Left in thresholds of a contemplated climate change
Peeping signs of unbearable moments; pandemic
Intermixed with marshes of a stiffened gaze
An un-hooped highlight in distant frameworks
Sustainability the solemn definitions of characteristic indignation & condescended adherence
Tentative an adjunct to propel a sustainable reaction
Mazes & fundamentals, the baseline tapers of prospective yields.

Poem ©2021 Benedicta Boamah
All rights reserved


Return to ToC

Beginning Mask Home — Faruk Buzhala

Only with expiation and forgiveness of mutual sins,
Can we change ourselves, and maybe others, too.

The beginning

Flock of roaming sheep,
lost, wasted in hunger of wolves
are left without a shepherd,
who laying under the shade of centenary wood, 
dreams of the beginning.
 
The sheep lost,
the shepherd wakes up
looking around toward the horizon! 

Notices that
He is left alone
after his doze 
on a summer day.

Mask Time

We wear masks to shut-up our mouths!
Our lips remain invisible under them,
Our teeth are not visible, too, 
Even the smile remains not a hidden secret,
The bad smell, too,
And the words we speak are not well articulated, with no regret.

We do wear the masks to prevent the virus from entering in us, 
And vice versa, not letting go out from ourselves.

We do wear a mask over our face-mask, 
The lipstick in women’s lips remains unseen,
Same with botox in their swelled lips,
Can’t feel even the breath.

We wear original mask to cover the fakeness in this pandemic time,
we follow the advice from the responsible institutions
How to care about ourselves and the other, 
Although, most of us do not follow it.

We do wear masks while we walk in the streets and
When we see a familiar face,
We take off the mask to greet them, as sign of respect!


Home

My home is
where I meet my silence,
My breath,
My soul, 
My fragility.
 
At home
I have my memories,
My thoughts, 
My life.
 
At home
I have my happiness,
I have myself, 
I have the hope,
I have the future. 
 
At home
I have my moments,
The time,
The space. 
 
At home
I have my warmth,
I have the fire,
I have the ash,
I have the light.

At home
I have my destiny,
My wishes,
My risks.
 
At home
I have my sky,
I have my sun,
I have my moon,
I have my stars.
 
At home, my home
I have the access,
I have the love,
I have the harmony,
I have eternity.
 
At home, my home.

©2021 Faruk Buzhala
All rights reserved


Return to ToC

Climate Crisis – Anjum Wasim Dar

Think. Do not cut the funding
Rapidly warming Earth cries,
droughts, conflicts, floodings rise.
Pastoralists compete, struggle, worry,
as grazing lands gradually shrink.

Think, do not cut the funding.
Depending on subsistence farming
humans fight for life in camps.
Searching for food each day, as
plants trees crops slowly ... die
Think, do not cut the funding.

Pandemic lockdown proving seismic,
adaptation, adaptation, is the call,
O, please do not cut the funding.
Help All!  Do not cut the funding.

©2021 Anjum Wasim Dar
All rights reserved


Return to ToC

“no visible mark” — Judy DeCroce

Teeny’s Barn

a smell of cows
stone walls in ruin

scattered wood
a contrary face—

that sliding roof
scrubbed by winter;

unneeded, unheeded,
difficult and drafty,

as reality closes in
refreshing the land,

Teeny’s barn
all but fallen, yet,

holding to stubbornness
in its determination

                   for Wilson (Teeny) Luce

The First Pilgrim

Shadows that leave no visible mark
wait as I ripple the air.

I’m becoming the art finding its way.

Hidden beneath March’s dead leaves;
a phantasm of possibilities.

My new feathery green
nudges a promising landscape,

there, on its way to something else.

©2021 Judy DeCroce
All rights reserved


Return to ToC

Extinction Event — Michael Dickel

Winter Nights
Painting
Miroslava Panayatova ©2020
I’m going to sink into oblivion,
obviously linking this planet 
we’re living on to contagion
so many see raging in our lives.

The planet eyes a sad reprise
in an extinction surprise designed
to rid it of us—such a fuss to save
the ducks, dolphins, and newts.

Bring luck to what our environs once
meant, turning now to the battle cry:
Arise quills, venoms, and ills! Erase
the worldwide virus that is us!

©2021 Michael Dickel
All rights reserved


Return to ToC

A Gathering of Stones — Michael Dickel

A Gathering of Stones

I gather stones from ocean, sea, lake, river, stream, and the dry desert wadi; to protect my straw life from the storm winds of time they line the walls, shelves, walks, and a small corner rock garden. Snow buries them in winter, the outer ones, and the inner turn invisible beneath plaster and book dust as these stories and poems renovate the narrative, revise my living space into something that might hold up to erasures of climate, and my life into—something. Long after my DNA strands become a statistical probability chancing in some descendants’ groins; long after the house falls to dust, the garden to weeds, the shores of the oceans and seas recede, advance, the lakes come and go, the rivers dry and flood, the wadi erodes to flatlands; long after all of this; a few stones out of place here in a row, there in a pile, might attract some little notice, a bit of curiosity. This flint tool from Baaka.  This agate from Superior. Amethyst from Ontario. Lava from Hawaii. Mica from Pennsylvania. Polished smooth granite. In some way we will remember. Where did such stones come from? When?  How did they end up here? Why? What story do they tell? Who gathered them in? And who after all will stop to notice; in what climate will these stones be uncovered? Perhaps by a robotic rover returned from Mars…

A segment from Perseverance’s Mastcam-Z First High-Resolution Panorama
March 02, 2021 — Cropped and adjusted in Adobe® Photoshop® by Michael Dickel
Credit: NASA/JPL-Caltech/ASU/MSSS

Poem ©2012–2021 Michael Dickel
All rights reserved


An earlier version of this poem appeared in Synchronized Chaos, November 2012.


Return to Beginning

Three Hours — Januário Esteves

7th Hour

When the spirit rises more
More of the human defects are seen
And everywhere there is darkness,
Languid malice that provides

In so-called cinematic language
From the real the assembly transforms
The scenery in a fantastic atmosphere
In fact what passes the norm

Silenced songs of yesteryear
Blazing epiphanies dazzled
They are in dementia right now
The voracious song of the hurt souls

Afternoon shakes or gesture unable
In the clear waters that cry
Become a quick guy
The calendas that always were.



11th Hour

The unspeakable is about to be written
Out on the street that is destined for us
Whenever something wants to die
An Intestine Fever Falls In Us

They are psychosomatic lenses
That on the whole line make career
In extragalactic travels
Everything is good in the voice of a mourner

And we lunatically prefigure
The judgment of that which
For only what we have achieved
Makes us live in axiom

From the hypothetical declared
The logos is pronounced
Act like harassed fire
By the voice of resignation.


21st Hour

Shine the mind in diaspora
The constant quibbling
That opens Pandora's box
And makes her belligerent

In heavenly domains
Travel by creating planispheres
Between stars and portals
Leave the seed of mysteries

Myriad kaleidoscopes
Throb in the substrate
By the Pleiades
Seeking the Desiderate

In paranormal hallucinations
Of body and soul
Supernormal Experiences
Horizons without a soul?

©2012-2020 Januário Esteves
All rights reserved


Return to ToC

Crawfish / Haiku 2020 — Dennis Formento

The Crawfish

the little crawfish that nipped my finger 
has the coolest job on earth

rolling clods of wet humus
into moist balls 

to build a chimney & bring 
rich dark earth to the surface 

its chimney had closed somehow, so
I turned the tower over with my foot
thinking I did him a favor
opening an air duct

a cardinal mistake—

this tiny crawfish emerged 
from the thick gray mud
claws raised toward me
flexing & threatening

so I slipped a finger beneath it 
to lift it back into its hole
the mudbug pinched me hard
a little fold of skin

bunched up between the pincers, the mudbug
not half my thumb’s length 
squeezed it tight
today that hole was plugged again 
from the inside

when the weather’s warm & dry 
the crawfish rolls another ball
capstone to close the chimney 
and hold moisture in

until late winter rain 
or a much too early spring

Haiku 2020

“may we all have better vision in 2020”

          picked off my hand
the ant that just bit me
          —I might have killed it—
                                3-8-2020

          two bumblebees buzzing
	             belly to buttonhole
	             zizz over my head
                                  3-22-2020


                     turning over 
                     the garden shovel and-- 
                     out drops half a worm
                                  3-23-2020


second night of quarantine
          —the smell
of someone else’s barbecue
                                  3-24-2020



carpenter bees on 
corner of the garage next door  
eating the building            
                                  3-25-2020



The clouds are about 
to drop from the sky
Aw! They crushed the moon!
	                                  3-29-2020


a curtain over
          the window keeps lightning
                    from coming in
                                  4-19-2020


epigram

“it's either in this world
              or never”


waiting for the wind
          to raise a ruckus
                    tornado warnings again
                                  4-19-2020

it was just a handful of rain
          flung out of a cloud onto
                    the sidewalk
                                  5-16-2020

©2021 Dennis Formento
All rights reserved


Dennis Formento promises never to write a bio longer than the average poem. He lives in Slidell, Louisiana, Mississippi Bioregion, USA. St. Tammany Parish co-ordinator of 100,000 Poets for Change. Author of Spirit Vessels, Cineplex, Looking for An Out Place. Poem “Amarcord,” appeared in English and Italian, in Americans and Others: International Poetry Anthology, Camion Press, 2nd ed., 2020. Poem, “the floe of ice,” performed with Simone Bottasso on organetto, is on Youtube  at https://www.youtube.com/watch?v=FlXNe9lKkxg 


Return to ToC

a pale reflection of the moon — Dennis Formento

if I have to sleep, I’ll sleep, but the moon isn’t there anymore  
what you see is a pale reflection, the moon
is self-generated light
what I mean when I say self-generated light 
I mean a solar sail like a giant curtain
dragged behind the moon & keeping it 
in perfect orbit above the earth’s surface

the real moon is gone, taken apart
by scientists from NASA, EU and the KGB
“the moon”
is just a thin metal disk powered by that solar sail
some people think 
the moon itself is the sail but
I think the sail is deployed behind the moon
trapping light from the sun, powering the engine
that keeps it in orbit 
you can see it if you telescope real close

astronauts know this—high-flying pilots know this—
just a few lousy miles across, the thin metal plate reflects the sun’s light
and the earth’s shadow just the way the moon did
well some people think it’s thin, durable mirror
but I think it’s metal—highly polished metal that resists
the pings and arrows and chips you’d normally get
from junk up there at the front door of space—
some people say it’s the frontier, but I say it’s the front door of space

The real moon is gone Scientists took it away
and left a lot of junk behind
Imagine all the lovers without a moon—
the bad poets—Jungian psychologists—I call ‘em
“spychologists”— basing their poems and prognoses on nothing 
but a thin metal plate hovering above the earth
Oh, the tides have nothing to do with the moon
they never did, the tides are created by the sun
Everybody born with their moon in Aries through Pisces
has to find another planet for their sign
Your lives are meaningless NASA and the Russians
have stripped the moon of meaning
and replaced it with a thin solar sheet

The moon people 
have nothing to believe in
The President knows this in his Oval Office
The Oval Office is a symbol of the moon!
He’s fighting to bring the moon back
but he can’t tell you, no one would believe him
and he’s got to keep his credibility intact
He knows why women are going crazy
their ovaries so accustomed to the moon’s 
spiritual pull— they have evolved for millennia to respond to it—

Remember Jesus has a house on Mars—but NASA
doesn’t want you to know—
there are pictures Jesus would have to be eighteen feet tall
to be seen in this resolution some people say eighteen I think that’s impossible
but he’s the son of God so you never know
The scientists don’t know
The Moon the wolves howl at, the one we see
dipping into the Western sky—our Western sky
that belongs to us—remember the flag that was planted there?
It’s in a museum in Russia with Lenin’s tomb—
the Russians must hand over the moon—
a thin sheet of glass—some people say
—but I say it’s metal 
sometimes visible during the day 
reflecting the sun’s light
and the earth’s shadow in a perfect imitation of the real
psychological moon. The one in our dreams has been stolen
and the scientists have stolen our dreams.
Only the President and his queue
of anonymous advisors know this.

Poem ©2021 Dennis Formento
All rights reserved


Return to ToC

Dennis Formento promises never to write a bio longer than the average poem. He lives in Slidell, Louisiana, Mississippi Bioregion, USA. St. Tammany Parish co-ordinator of 100,000 Poets for Change. Author of Spirit VesselsCineplex, Looking for An Out Place. Poem “Amarcord,” appeared in English and Italian, in Americans and Others: International Poetry Anthology, Camion Press, 2nd ed., 2020. Poem, “the floe of ice,” performed with Simone Bottasso on organetto, is on Youtube  at https://www.youtube.com/watch?v=FlXNe9lKkxg 

Garden be Wild – Matt Gilbert

I’m letting the garden be wild, 
I think, 
stop mowing the lawn 
to benefit bee,
butterfly, spider— 
never air-puddling
gnats, they agitate my sky.

I’m letting the wild be, think garden
hedges hanging loose, 
holly thickening, 
sparrow gossip halls, 
goldfinch clown acts,
and no fly zones 
for all the shitty grey pigeons.

I wild, I think I’ll garden, 
bindweed no,
pluck it out!
slash bramble,
all interlopers can wait 
to be rotten beneath the
ash I allow to remain.

I’m garden:
Wild!
send hard boots down, 
suppress tangle and weed,
crush compost,
except you—pretty mallow, 
you may stay.

I’m thinking YES, wild garden, 
until a furred fury of
vigorous sinew 
erupts in my eyes, 
like a scream, 
upending all assumptions 
with a pink flick of rat-sceptic’s tail.


[With a tip of the hat to Wendy Cope]

Poem ©2021 Matt Gilbert
All rights reserved


Return to ToC

Volumetric Concave Evil — Gábor Gyukics

volumetric analysis

the perfect pronunciation may seem unnatural 
in this ostensibly reprimanded formless morning cavalcade
turning into a shapeless day of an awkward evening 
lost in a mute doorframe
leading to a private cloud of a colorful sky
full with goshawks calling each other 
pointing out the plummeting temperature 
in the surrounding cities where people
live off the grid due to introvert
blindsided authorities ostentatiously lurking around
protected by their frozen shells
without explicable reason that would make them
taintless before the spirits 
and their invented gods 
with thin-lipped smiles




concave manhole

shriek as a nail pulled from dry wood
is the sound of death’s hoofs 
covering a landscape measure
to reach 
a wanna be constable 
he who is hamming
behind a promisingly protective curtain of smoke
like an aardvark in the mud

we easily leave death alive 
to get rid of creatures 
unwished for

name your weapons
they cry
and those who rebel
will reach their demise

the sound of dying
reminds us of a place
we have never wished to discover

how to get rid of evil

light dirtied his pedantically flinching face
the frozen shell of rehearsed authority
cannot grasp the significance of resistance
despite our laid-out world in a stretcher
his confidence is crumbling in the gestures of this particular centrality

he is astonished in glancing at and discovering a two-way traffic in his unadorned brain
that made him lose his equilibrium 
his benignity equals with fleecing 
one can carry it anywhere
to conventional storefronts 
to inconvenient staircases
to a convenient store upstairs
and leave it there as a 
compensation of an incredulous notion of 
trap buttoned
confidence

©2021 Gábor Gyukics
All rights reserved


Return to ToC

Alien — Joseph Hesch

I speak their language fairly well 
and most of the time dress the role.
I’ve never felt like most of them,
but then, that never was my goal.

I wished to explore what we hid
‘neath our shining public surface.
The more I searched, the more I found
scenes like backstage at the circus.

Despite the noise and colored lights,
like the blinding blue pinspot’s glow,
inside we keep our mysteries,
as we struggle today to tomorrow.

I don’t want to find your secrets,
even if you’d still like to hear mine.
Told you some over the decades,
though I, too, coulda been lyin’.

Poetry’s my second language,
though this accent sets me apart.
Real poets won’t ever get me,
when even you never got my heart.

That’s why I keep trying each day
to reach out, your soul gently shaking.
I’m not looking for what you think,
souls are for giving, not taking.

©2021 Joseph Hesch
All rights reserved


Return to ToC