This Peaceful Morning in Wartime

IMG_0183There is you, confident and strong
Your loving words telling me
“I love your short hair”
Promising that you will stay
One more day the next time

And the me
Fragile like this peaceful morning in wartime
Savagely clinging to these moments
Of burgeoning happiness
And your kiss on my trembling lips

Because we never know
When our world might shatter

There is a dancing light
On the sheets of yesterday’s love
And a new dove’s nest
In the hole of the wall

There is a single white cloud
Pinned to a disturbingly azure sky
And a shredded curtain waltzing
In the light breeze

A distant tolling of bells
A street vendor selling oranges

© Imen Benyoub

You can read Imen’s bio HERE. Photo credit: Jamie Dedes.

my name is huda

my name is huda

i am the child you waited for

i am the hope of your tomorrow

the dream of your today

i am the sparkle in your eye

your love come to stay

my name is huda

the daughter you would die for

i will bring you grandchildren

whose sweet faces you never will kiss

i will sing you sweet songs

that can’t be heard above the hiss

of silver vultures shredding skies

raining down grief upon those

left behind and those who are to die

my name is huda

i am your sister

i will dance barefoot in the sands of time

as time is shattered by death’s firing lines

and darkness swallows this life of mine

while the world looks the other way

evil here has come to stay

how might it all be held at bay

my name is huda

i am your cousin

i will take care of you when you are old

give you shelter from the cold

i am neither brave nor bold

it is simply that you are my loved one

whom i cherish most under the sun

and i will be with you when this is all done

my name is huda

i am your wife

my father is gone

my brothers my sisters my cousins too

i have no one now save for you

i am yours

i am you

we are all

one

our name

is

huda

© Jenean Gilstrap

You can read Jenean’s bio HERE.

after the injera, the wat, the niter kibby

763px-c3a4thiopien_kirchentrommel_linden-museum_21084his hands flutter over and onto the kebero
a world constructed in the moments of sound
a world razed in the moments of silence
a rhythm of birth and rebirth
of heartbeat and life-blood

he’d gone to Africa, this young man
to chase down his roots
to buy exotic drums
to make rhythms with his brothers
to sing with his sisters
to learn, to grow, to come home and teach

he was full of grace, brimming with jazz
just rocking his universe, rolling with spirit
alight with green and gold,
the breath of wild savannas and
wilder cheetahs, monkey pranks
and elephantine tuskedness

what, i had to ask, was the take-away
after the safaris and the drumming
after the injera, the wat, the niter kibby
and berbere spices, the many fine meals
downed with ambo wuhteh

ah, he said, i met a sister
i was driving a forlorn road
she was walking alongside,
carrying a bundle of wood
i stopped and offered her a lift
no, she said, NO
if I ride today, i’ll want to ride tomorrow
it’s a recipe for unhappiness

she’s right, you know, he said
from wanting comes despair …
and so i drum, just drum, he said
his hands fluttering over and onto the kebero
a world constructed in the moments of sound
a world razed in the moments of silence
a rhythm of birth and rebirth and peace of heart

– Jamie Dedes

© 2016, poem, Jamie Dedes, All rights reserved; photo (Kebero, a conical hand drum, for the traditional music of Ethiopia and Eritrea, by Karl Heinrich and released into the public domain; you can read Jamie’s bio HERE.

Life in Suspension

Let me introduce myself.
I’m the Memory Collector, your companion and spirit guide.
Let’s unwind the clock, peel the past.
The reflections you give me, conjure, surrender from within,
I throw into the fire, the cauldron of resolutions.
They burn into embers and flickers that evolve into butterflies.
They flutter away, free and heal of all strongholds
so they can revisit and reinvent who you are.
Let the dance begin.

I’m in my mother’s womb in Paris.
She’s scared. I want to get out.
I’m three years old in Terracina, Italy, sharing a room with four girls.
My grandfather visits from Greece.
He holds my brother on his lap
and says, a boy at last, I’m not impressed with girls.

I’m four years old, in Monte Carlo.
My mother takes me to school.
A pigeon poops on my scarf.
She reassures, it brings good luck.
I’m five years old, in Karben, Germany
It’s Saint Nicholas day, my birthday.
Marieluise feeds me Lebkuchen, Stollen and Pfeffernüssen.
They taste like heaven.

I’m six years old in ballet class in Geneva, breaking my point shoes.
The Russian master ingrains in me the correlation
between pleasure and pain.
I now know the two centers sit next to each other in the brain.
I’m seven years old, in the Swiss Alps, making
snowmen, skiing, hunting for Easter eggs.
My mother laughs then says, your father can’t be left alone.
I’m eight years old, in the Jura mountain, in love
with my dog, playing chess with my dad.
I’m ecstatic.

I’m nine years old.
My grandmother takes me to the market in Tarragona
to buy the bitter and pungent quince she craves.
I’m ten years old.
My cousin drowns me in the beautiful blue waters
of the Spanish Mediterranean because I threw sand at him.
My head hits the hard bottom, all the air’s gone from my lungs.
My last thought is, no one knows I’m here.

I’m eleven years old.
My mother makes jam with apricots, strawberries, peaches and plums.
She’s filled the house with the intoxicating scent of gardenias.
My brother throws another temper tantrum.
I’m twelve years old in math class, mad with laughter.

I’m thirteen years old.
The Music Conservatory in Geneva is sheer magic,
an enchanted world I inhabit alone, the key to my soul.
My piano teacher has such faith in me.
I’m fourteen years old, between worlds.
My aunt married a fascist. He grabs my dad by the throat.
It’s the middle of the night. It’s loud. I can’t sleep.

I’m fifteen years old, in Northern Wales,
riding a fabulous horse along stunning steep cliffs,
racing him to full gallop in bewitching Celtic wind,
relinquishing cravings in the dust.
I’m sixteen years old, off to San Diego.
My mother cries at the Paris airport.
She breaks my heart but the pull is stronger.

I’m learning to let go, trust the ripeness of the moment.
That everything happens at the right time.
To appreciate what I have.
I’m connected to my bones,
filled with the richness and texture of space, uplifted,
vibrating, reverberating. I become the sound
of Tibetan bells, echoing and hovering in the cosmos.
I perceive the whole world below, life in suspension.

© Hélène Cardona

From Life in Suspension (Salmon Poetry, 2016); Hélène Cardona’s bio is HERE.

Ouranoupolis Pantoum

“A love song cast upon the vastness of the deep … ” Carl Sagan

She came to me once in a dream
luminescent, clad in white, elated
so much younger than I ever knew her
thankful for my return to Chalkidiki.

Luminescent, clad in white, elated
for the first time since her abrupt departure
thankful for my return to Chalkidiki
where holy mountains stretch into sea.

For the first time since her abrupt departure
monasteries sculpted high on rocks lance skies and suns
where holy mountains stretch into sea
trident beckoning the Aegean.

Monasteries sculpted high on rocks lance skies and suns
direct line to God
trident beckoning the Aegean.
She embraced me with such love,

direct line to God
we were one.
She embraced me with such love,
pain or suffering never existed

we were one.
No resources wasted like bread in empty houses
where pain or suffering no longer exist.
Only bliss and she the flower Mage

no resources wasted like bread in empty houses
she makes me gardener of memories.
Only bliss and she the flower Mage
roses climbing back into my life

she makes me gardener of memories.
I wake with sheer joy
roses climbing back into my life
I too sea, sand, wind, and pine honey.

I wake with sheer joy
beams of love and innocence
I too sea, sand, wind, and pine honey
altered like a glimpse into now.

Beams of love and innocence
so much younger than I ever knew her
altered like a glimpse into now
she came to me once in a dream.

©Hélène Cardona

From Life in Suspension (Salmon Poetry, 2016); Hélène Cardona’s bio is HERE.

Eucalyptus Trees

The wind blows a reminder
of Eucalyptus trees growing tall
in Berkeley on drought
scorched hills

Thirsty for sageness I walked
the grounds of dorms
a chapel on the hill
silent guardian

Observation of seekers only
spending time within
solid stucco walls
soul scrutinized

Revealing only a conundrum
harnessed to me a mother
accused as a daughter
fettered sister

Yearning for only peace
children serendipitous
a mother without pain
brother a panacea

© 2016 Renee Espriu

You can read Renee’s bio HERE.

Sacred Moments

The House that Dad Built (circa1979) c Luke Prater
The House that Dad Built (circa 1979) c Luke Prater

When every home had a roof Dad hoisted –
tarpaulin on hazel limbs, canvas on Scots pine,
timber thatch, slate tile laid on stone gable-ends.

When coming home at fourteen, then nineteen,
from opposite ends of the Earth, made me hunger
for experiences only this England could offer.

When the sense of spiritual déjà vu took root:
Judea, the Plains, South Pacific, Horn of Africa.

When, thinking I’d live and die a musician –
writing prose fiction and journalese on the side –
poetry broke my windows, abducted the band,
and demanded a bloody ransom.

When a girl wooed me out of my unsteady head,
gifting me intimacy after six years
without touching another human being.

When I slid into that euphoric, garish
circus, chemical blood and electronica
pulsing through the core of me. The hypnotic,
jigging whirlygig didn’t stop till sun-up.

When my lady lay her legs on mine,
thigh-to-thigh, hip-to-hip, every
inch of skin an ineffable body embrace,
her tears on my face like soft, warm rain.

When the days were so desolate, and
nights thicker than damp black sand,
I discovered the drugs do work.

When humming and chanting cast light
into shadows folding in from the corners,
prayer-beads protective of the
elevated places I began to reach.

When I was awestruck by the size –
and warmth – of my father’s hands.

When those hands lay still and cold,
collected in a shroud of rough silk, and I folded
my simple elegy, giving it to the ground.

When I knew mine was the life needed saving,
however seemingly insurmountable: this
is not an easy fade-to-black halfway home.

© Luke Prater 2015

You can read Luke’s bio is HERE.

Hybrid: Warm Hunger

Author’s note: I recently read this poem at a poetry event billed as an Interfaith Eco Poetry Slam at Tmol Shilshom, a well-known literary cafe in Jerusalem. This is a hybrid between non-fiction, found poetry, and performance poetry. The unfortunately unseen connections between hunger, stress, climate change, and war lead to a desire for the equally unfortunately unseen hope for peace and harmony. Read it rhythmically, fast. Hear the sounds at play as well as the words at play.

Landscape 10 Digital Art ©2015 Michael Dickel
Landscape 10
Digital Art
©2015 Michael Dickel

Warm Hunger

Food Fatigue Craving
Climate Change Hunger
War Peace Harmony

symptoms of (earth) malnutrition
medication (poison) reaction or
(industrial) side-effect low blood
sugar (hypoglycemia) too much
(junk food) eating disorder
mononucleosis anemia (chaos)
(drought) dehydration (children)

general (election) anxiety disorder
panic attack depression (adult)
heart (love) rhythm /dis/harmony
/dis/order acute stress reaction
bipolar (melting) /dis/order hepatitis
a b & c pulmonary hypertension (floods)

food hunger and climate change
(Carbon Brief 10 June 2011)

a feeling of (migrant) discomfort or
(human) weakness caused by lack
of food coupled with (commodified) desire
to (not) eat of or at a fairly or comfortably
high (low) temperature

Climate change
threatens to put the fight against
hunger back by decades
(Guardian 2 September 2014)

balmy heated hot lukewarm cold-blooded
mild pleasant sunny sweltering beached
(whale) temperate tepid broiling close
flushed glowing melting perspiring
roasting scorching sizzling sweating
clement snug summery sweaty
thermal toasty warmish having

a color in the red-orange-yellow
part of the visible electromagnetic
(organic) spectrum feel or suffer hunger
through lack of food (distribution) craving
desire famine greed longing /dis/satisfaction
lust starvation yearning ache war
appetence appetency emptiness famine

esurience famishment greed gluttony
mania ravenousness vacancy void
voracity want yen a stomach
for appetition big eyes
bottomless pit eyes for munchies
sweet tooth close often used
in the context of a game

in which “warm” and “cold”
indicate nearness to the goal
you can’t take it with you
but if you try sometime

In Wild Winter Warm North Pole
Storm Chills U.S. Forecast
as Flooding Threatens Levees
(NYT Weather 30 December 2015)

a lack of food that can cause war
illness or death especially war
among large numbers of people war
have a strong desire or craving for peace
for having showing or expressive peace
of enthusiasm affection or kindness peace

Climate Change Will Worsen
Hunger Study Says
(Worldwatch Institute 31 December 2015)

archaic being well off as to property (war)
or in good circumstances rich (peace)
make or become warm (harmony)

© Michael Dickel

Poem: En Gedi

 

En Gedi — Wadi David Photograph ©2015
En Gedi — Wadi David
Photograph ©2015
En Gedi

Even lizards hide from this scorched heat.
Tristram’s grackles pant in the shade of skeletal acacia.
Fan-tail ravens float on rising currents like vultures.

David hid from Saul in the strongholds of En Gedi;
along the wadi now named for him, waterfalls
drop warm water onto maidenhair ferns into tepid pools.

Any stippled shade provides shelter from the scathing sun
when hiding from midday heat or close pursuit:
Tristram and Iseult, David, seek shade, ferns, sparkling droplets.

We escape, fugitives from kings
into what little shade we find, wade
into green puddles of desert water,

for brief respite, solace,
a bright glimmer sliding down
an eroding rock face.


Michael Dickel read En Gedi at the Interfaith Eco Poetry Slam in Jerusalem on 30 June, 2016, sponsored by the Interfaith Center for Sustainable Development. Here is a video of him reading it.


En Gedi Digital Art / Poem ©2014-2016 Michael Dickel
En Gedi
Digital Art / Poem
©2012-2016 Michael Dickel

This poem originally appeared in Michael Dickel’s book, Midwest / Mid-East and is published here with the poet’s permission.


 

Regarding Faith

Kahlil Gibran Faith

 

 

 

 

 

 

 

 

 

I have seen both angels and demons

in people.

I have blessed and cursed the gilt cross,

(and borne the guilt of that loss),

of that symbol at the top

of the steeple.

 

I have witnessed the whispers of a faith so broken

that I could have sworn

the candle had gone out…

blasphemies unspoken, extinguished, forlorn,

doused by doubt.

Then flickering, then flaring to life

once more.

Hesitant to blindly leap

through Hope’s open door,

(it is a tale of patient observation).

 

To define the schism of a soul;

that of wanting to believe,

but in fear

of giving up

control.

Faith begins

pure white,

the color of the hottest flame

within.

Cast aside your fear

and embrace

the life you’re in!

(And your unique place in it).

 

Black, white, the infinite shades of grey,

all linger and swirl in the inner world,

with faith as an empty, clean, blank slate,

despite differences in how we pray,

or meditate,

there is only One

and we are all connected.

As for Faith…

it can continually die and be

resurrected.

 

What I know

is that

The Universe will continue,

whether we believe in it or not.

~ © 2016 Corina Ravenscraft

Fallen But Willing

maxresdefault

The storm slaps down the trees’ hands
that reach in prayerful supplication,
or maybe to protect themselves as I would.
Many inevitably fall, which I have
many times in this stormy existence,
to the steady beating and beat-down
brought upon us from above.

Some splash-land upon the soggy grass,
some divert the rainbow runoff
from the oil-slicked blacktop driveway,
others recline their spindly backs
upon the gravelly roof shingles.
They look up at the path upon which
the watery host forced-marched them here.

If I was to fall, I’d lie like those
on the angled roofline, eyes tracing
the individual drops’ paths,
feeling assured we’d one day rise and
find our vaporous way back to the clouds.
Your faith assures me that could be,
even if I’m never anointed like that driveway,
even if I fall to buffeting by my will and not
some unseen baptismal force in the clouds.

I can’t really expect to be resurrected
like you raindrops after becoming one
with the earth beneath its green shroud.
But I’m willing, willing to faithfully face
these storms again and again if it means
I have a chance to see the good in you all
when my tearful tempests end
and the Sun comes back once more.

Not so religious or blasphemous a piece as you might think. Just the freely dropped rainy Saturday thoughts of a fallen altar boy whose faith has been shaken by the floods and gales of doubt that have battered my spirit over years of seeing and knowing too much evil. Shaken, but not shattered, though. As I said, “I’m willing’.”

– Joseph Hesch

Hang in There

cliff

“I’m stuck in a precipitous place,”
you said, “and falling is a possibility
I no longer care to worry me.”
The fall doesn’t kill you, I replied,
ignoring the pain I’ve felt, too,
it’s that sudden stop at the end of it.
He grinned (Or was it grimaced?)
akin to a wolf who had a death grip
on his own ears, contemplating
letting go or holding on for dear life.
His life, yours, mine, it didn’t matter.
Fear and anger will do that for you.

“I don’t care as much anymore about
this place in the present,” you said.
“The past looks like scorched earth and
the future’s a desert of hopelessness.”

Then stay where you are, I replied.
Yesterday’s nothing but ink-stained
fabrications at the bottom of a birdcage.
Tomorrow’s just a hazy today in waiting.
Hold onto your spot here and now like
a bird, softly enough not to crush it,
but firmly enough that it can’t get loose.
Your grip on life can escape you
on swift’s wings, and sometimes those
guardian angels pounding their gloves
waiting to catch you if you drop in
the existential outfield have been known
to lose some in the sun.

Do I know what inspired this? Does it matter? Let’s just say if fell into my glove as I squinted into the sun.

© Joseph Hesch

Photo is not filtered by Google for license and the author is unknown.  If it’s yours let us know and we will credit you or take it down according to your preference.

The Pine Cone Project

In the midst of turmoil,
Mother Earth besieged
by bloody conflict.
In a world beleaguered
by well healed negligence,
humanity is laced
with latent evil …
that is its one great flaw.

Children are dying
by neglect,
by assumption
that, somehow,
they were born
to inherit their fate;
it is their birthright,
born to starve,
without refinement
required by those
whose comforts rule,
whose want of fuel
drives their mule,
justifies this cruel
and mindless exploitation.

Children are dying
by weapons
of mass destruction
forged by human minds
without conscience,
self interested sociopaths,
thieving thugs,
overwhelming auguries
of desire for dominance,
for procreative power and
political partisanship.

We are dying with you.
I am crying for you.
Perhaps the reason is
that it is always
someone else’s fault!
We are messing up
your future in the world
we are too blind to see.

Yet, whilst this goes on,
you walk the woods,
harvesting your pine cones,
your unconscious prayer
for a better world,
your wishing well,
for life, for love,
that sows the seeds
of perfect purity
in heart and mind,
that must not fade with time;
the magnificent magic
of your spirit, untouched
by this tainted world.

Then, in one gesture,
one single act of generosity,
of utterly moving faith,
you beckoned me
to come close to you;
you looked me in the eyes;
you hypnotised me.
Then, you gave it to me,
one single piece of magic,
a piece of nature’s bounty,
and bade me keep its secret
as secret as anything could be.

Each time I hold your gift,
when we are far apart,
I’ll think of you;
I’ll remember this moment,
by which you have restored
my faith in all our futures.

You could melt the heart,
like chocolate
on a Summer’s day.
You could soften the steel
in all but the hardest of minds.

You and your magic
are our future.

© 2013 John Anstie

Lost Behind Clouds in Skies of Blue

IMG_0395

When I think back upon those days,
I remember only one textbook
the nuns parceled out to us, their
semi-sentient little lumps of clay.
The catechism’s soft covers of sky blue
and white reminded me of a sky full
of wispy clouds half-hiding my view of heaven.
Mom already dug the foundation of her child’s
certainty that the Hereafter nestled
behind that star-strewn real estate
above that some called The Firmament.

But black-habited virgins swinging rulers,
sticky gold stars and glow-in-the-dark
rosaries required to teach me
the necessary tenets for gaining admittance
into that divine eternal housing project
only brought blink-inducing pain and
phosphorescent bling. The same as if
I devoured all the Sugar Smacks to get to
the prize at the bottom of the box.

So my faith stood built upon those
flurried clouds, apparitions of such
small substance that persistent breezes
whispering gossip about Fathers X and Y
and one of my fellow acolytes blew
enough doubt to topple it. They tore
from me my willing but rickety belief
in the unbelievable as easily as an
abused and angry boy could rip those soft
cerulean covers from their holy rule book.

When I was asked to write a poem on the subject of Faith, I don’t think this is what they had in mind. I’d like to believe in something bigger than I, in earning the fabulous prizes available for one who lives a good life, a life of treating others as he would want to be treated. But so many of the men who served as the arbiters of the rules of the road to that Better Place, men I knew personally, carried souls within as black as the outfits they wore without. I still lead that good life as best I can, because it’s the right thing and…well, just in case. But that’s Hope, the surviving little brother of a Faith I fear shaken to its foundations, apparently built upon sand.

– Joseph Hesch

© 2016, words and photograph, Joseph Hesch, All rights reserved

Tanyou (In Search of Quietude)

Above taxi queues, red velvet
loops and black CB’s—The Metropolitan:
second floor, Manhattan, bamboo and pooled
trickling, tiered eaves of a Ming
pagoda, home to winged moonlight
and Suzhou scholars lifted by heaven’s
blue arms, as when breeze and constellation
rock us to summer sleep—calling us
to dream of gardens and streams,
pain and peace though we are

Western men: Compete!
Achieve! Consume! Turn away
from Shiva’s fiery dance,
His serpent hair, His palm
that says: Do not be afraid.
Turn away from Buddha folded
in our sun-warmed core,
whispering: Detach.

Facades of camphor
and gingko welcome
us from centuries spent
answering a shrill, misguided bell.
Listen: to the drip of melting ice,
the bullfrog at water’s edge,
crickets in the hot night,
the lowing of mottled cows,
the swish of maple leaves,
the silence of the stones.
Listen to your own ancient
drum, thumping its way
towards infinity.

© Matt Pasca

excerpt from A Thousand Doors (J.B. Stillwater) and published here with the permission of the poet

Silence

When hearts swell or crack
there are no words—
words are not
life, but keep us alive
when we are not living.

Why is it
we speak so much?

I have never looked at a cricket
without knowing it was a cricket,
yet the experience is not cricket.

Without words we see
lichen, jetties, the cold glare
in city windows; we mend
rips and tears; we hear
the concert of sparrows; we
finger the rim of beauty.

You and I might meet and sway
like two branches in
a breeze, our skins
completing each other’s
landscape, only jagged
breath to puncture rhythm.

My eyes and fingers you may read,
and if you slow down and listen
you will hear yourself inside
of me, blowing like a hundred
leaves on a forest trail.

And if I move while you are not
looking do not ask why:
there are peat mounds and brambles
that will know where I have gone.

©Matt Pasca

excerpt from A Thousand Doors (J.B. Stillwater, 2011) and published here with the author’s permission

Toll

Smog accumulates loved ones
in our lungs, blackening air laced
with carcinogens yet—
when the sun from Montauk crests
the Whitestone Bridge—cirrus
catching plumes of sherbet gilt
lavender more dramatic
than museum paintings—
we see pain has made us
spectacular.

© Matt Pasca

excerpt from A Thousand Doors (J.B. Stillwater, 2011) and published here with the poet’s permission

When Joy Breaks

When joy breaks
like the purling rills of spring,
laughter spiraling through tiny windows,
a dolphin slapping its cold blue back
against the sea;

When joy breaks
and spins free the spigots of my mind,
I want to stay awake for the rest
of my life—

Seeking glad conspiracies
of atoms,
the wax seal
of God’s greatest love note:
each breath
a yearning,
each day
a crown of elms,
each story
a breeze soothing our lonesome crags,
each sorrow
a luminous jolt of flight.

And when it’s all over
I hope to say:

This life made of me a lantern,
a whitish beacon of matter
staining the sky
long after my cells
had scattered.

© Matt Pasca

excerpt from A Thousand Doors (J.B. Stillwater, 2011) and published here with the author’s permission