Courtesy of the Fellowship Bible Church of Little Rock, AR via friends Laurel D. and Brian B. Thank you!
Today is Ash Wednesday, the first day of the forty-day Lenten season which honors Christ’s contemplative forty-days in the desert. Whether or not you are Christian or even religious, this is a good time of year to step back, take a breath and prepare for your personal spring and renewal.
Archetypal Gothic Lady of Sorrows from a triptych by the Master of the Stauffenberg Altarpiece, Alsace c. 1455
I had written a poem for Mothering Sunday, or Mother’s Day as it is commercially known, which was a few months ago, now. However, I somehow felt it an appropriate story to raise here on Into The Bardo. This is because of the meaning I understand the word ‘Bardo’ has; that is to say a ‘transitional state’ that the Stabat Mater must have entered whilst having to process the extreme emotions provoked by such a harrowing experience, perhaps not the transitional state intended by Buddhist groups, who conceived of this condition, but a transitional state that will, more likely, have provided a protective blanket to help her through the pain.
The poem A Ballad for Stabat Mater struck me on several levels. I had already previously written a poem for my son’s thirtieth birthday (The Fourth Age of Man), basing it on William Shakespeare’s Seven Ages of Man (a monologue, which he wrote to open his play, “As You Like It”). Incidentally, I found it particularly poignant to note that my son had almost reached the same age as Jesus Christ was alleged to be, when his own mortal life ended. So, the latter never had the chance to taste the next three ages; or, perhaps, he lived all seven in that short span of life?
This poem, written in the form of a ballad, was, once again, influenced by Shakespeare’s “Seven Ages of Man”, but this time includes all seven ages. Also, it was, perhaps not surprisingly, heavily influenced by the Stabat Mater, that unforgettable and extraordinarily moving image of this religious icon, Mary, the mother of all mothers, as she stood and watched her own son die, painfully. Stabat mater dolorosa, meaning the sorrowful mother stood, is a masterful understatement. How many mothers could submit themselves to such unbelievable pain! And yet all mothers do, albeit mostly to a lesser extreme, for as long as they live.
I salute all mothers, however good or bad a mother you may think you are, you have still had to suffer for your children.
JOHN ANSTIE (My Poetry Library and 42) ~ is a British poet and writer, a contributing editor here at Bardo, and multi-talented gentleman self-described as a “Family man, Grandfather, Oc casional Musician, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer. John participates in d’Verse Poet’s Pub and is a player in New World Creative Union. He’s been blogging since the beginning of 2011. John is also an active member of The Poetry Society (UK).
John has been involved in the recent publication of two anthologies that are the result of online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group, for which he produced and edited their anthology, “Petrichor* Rising“. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.
* Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.