Posted in General Interest

Making Space for Conversation

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From Contributing Editor, Michael Watson

A lovely late winter morning, the light clear and vibrant on the snow and trees. The day is warm for late February; this entire week will likely be far above normal in temperature, a condition that increasingly seems normative in itself.

Early Saturday morning a crew arrived to install solar panels on our roof. In spite of our best efforts our steep driveway was dangerously icy which resulted in a confab as to whether the work could proceed. Fortunately, the temperature was rapidly rising and the application of more ice-melt soon remedied the situation. Sometime in the next few days the panels will be connected to the grid and our home will begin to generate relatively clean electricity.

Over the weekend my Facebook feed was filled with the idea of resistance. After a month of resistance I’ve decided that even more important than resistance, which remains crucial, is vision. We’ve had many years of resistance by one party or the other here in the US, resistance that has only managed to create ever more division and the very real possibility of massive physical violence. (I imagine people on all sides might agree they have experienced a prolonged period of emotional and spiritual violence.)

Also on the weekend, I got around to reading about a new project from Howlround and SpiderWebShow. Howlround wrote:

Across the much-discussed border, we are exchanging letters; Letters from Canadians and letters from Americans. CdnTimes will publish letters from Americans to hear what it’s like on the ground, now, for theatre artists working in the United States. Meanwhile, HowlRound will be publishing letters from Canadians about what’s affecting our work now. Artists from both countries share warnings, worries, strategies of resistance, generosity, and advocacy—messages of solidarity. What can we learn from each other? —Adrienne Wong and Laurel Green, co-editors at SpiderWebShow’s CdnTimes.

I’ve been wondering how I might bring diverse voices together in this difficult time, and as I read the first letters I became increasingly excited, wondering how the inspiration inherent in that project might be joined with and amplified. I’m still curious. What might those of us who are working for a more equitable, caring, responsive world share with one another that would be useful and mutually supportive? How might I provide an accessible forum for the thoughts and concerns of a diverse group of fellow travelers? What might happen were the conversation to be global!

I envision a gathering of folks in the arts, from around the world, where a conversation might be had about making art in this vexing time. I like the idea of letters as the are usually written, yet may contain photos and artwork. Letters can be thoughtful, personal, and engaging; they are by nature more than sound bites and talking points. Letters might also be created using video and integrating images, words, and sound. Hopefully the conversation would be inclusive, and those in education, the healing arts, and many other vocations would participate. If there is enough interest, I’ll put up a separate website to carry the conversation.

I invite you to share your preferred vision for the your life and the world, and how your work feeds that vision. You may leave your response here at The BeZine (I’ll read them) or on my site. My expectation is that write-ups here today would be thoughtful, personal, focused on your work, respectful of a wide range of views, and honoring the possibility of reconciliation and mutual care, far beyond North America. Please do let me know what you think of this idea, and whether you might be interested in participating in such a project. My hope is that should I go ahead with the project there would be letters from artists, and others, working in a wide range of disciplines and in many lands, and that conversations and collaborations might arise from the sharing.

© Michael Watson

Michael Watson
Michael Watson

MICHAEL WATSON, LCMHC (Dreaming the World) is a storyteller, artist, educator, Narrative therapist, polio survivor, Native/European, Ph.D., living in many worlds.

Posted in Beauty, Essay, First Peoples, General Interest, Michael Watson, Spiritual Practice

A Brief Meditation on Grace and Comfort

GardensAfter a cool, damp week the sun is out! June is in full bloom, our perennial gardens bursting with color. In the the kitchen garden rows of tender plants have appeared in the raised beds, and we are eating mesclun. Lovely!

Here in Vermont the trees are a dense, lush green. Plants need to take full advantage of our four to five months of warm weather, and go about the tasks of reproducing and storing energy with vigor. In just a few weeks, by late July, the foliage will begin to thin, already preparing for the autumn to come.

We have stopped filling the feeders as the birds have other food sources available to them. Now that the feeders are empty we will likely take them down and store them until October. Come the first chilly days of autumn the birds will remind us to bring out the food; we have a good working relationship!

I recently read a post on Australis Incognita, an interview with an Australian Aboriginal elder, Uncle Paul Chapman. The essence of the conversation is that we learn who we are in the world by paying attention to the landscape and Nature. There is an ancient Indigenous knowing that we can’t figure it out by turning totally inward, as that is out of balance. We learn from bridging the worlds of inner an outer, self and landscape.

Reading Uncle Paul’s words reminded me we are of the landscapes we inhabit; we even have our own internal seasons. I often suggest to students that after we watch for a while we may begin to notice that sometimes the inside and outside worlds are in sync, other times not. Lately I have found myself diving deeply into the interior, even as I engage the Natural world as it bursts into furious activity.

Lately, I seem able to stand with a foot in each world, shifting between them as need be, and am rewarded by moments of grace. Grace reminds me to be grateful for my life, family and friends, and the Beauty surrounding me, even as I feel disappointed and angry with much that is unfurling in the world. Grace encourages me to be concerned for my grandchildren, and curious as to how we humans will manage the road ahead.

In dark, difficult, times it is easy to forget that summer invariably follows winter, and life sprouts anew when given any opportunity. This will be so as long as there is life on our precious blue-green planet. May we take refuge and comfort in that.

Evening-Sky The sun has broken through and the sky is a brilliant blue. Over the lake a layer of clouds, white and bubbly, hangs. Trees and gardens are  abloom, and the scent of lily-of-the-valley and lilac saturates the air. The day is beautiful. May we walk through this day in Beauty, together.

– Michael Watson

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Posted in Contributing Writer, Poems/Poetry

Hot Chocolate With Mary

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the work of Victoria C. Slotto

The leaves of an elm splash
dappled sunlight on the forest
floor. A chill lingers in the
air so we share hot chocolate
from a thermos, pour the creamy
liquid into insulated mugs.

Age does not prevent her
from sprawling on the earth
she loves so passionately.
She leans against the tree’s
stout trunk, says, “I’m yours.”

My mouth is dry like when
the dentist stuffs it full of
cotton rolls. Disbelief numbs
me till she laughs—a sound
as real as songs of her beloved
birds that sing their prayers
in unison from the surrounding
branches and marshy meadows.

“I’m yours,” she says again,
reminding me I’m here to do
the interview I’ve wished for,
nurtured in my imagination
since I discovered her.

“Your life,” I coax, knowing
that but a single word suffices.

As for myself
I swung the door open and there was
The wordless singing world. And I ran for my life.

“You ran to it?”

“Yes, immersed myself in beauty.”
While on and on the sparrow sings.

“And aging? If you don’t mind, that is.”

In the deep fall, don’t you imagine the leaves think
how comfortable it will be to touch
the earth…?”

…and what shall I wish for myself but,
being so struck by the lightning of years
to live with what is left, loving.

“Any regrets?”

There wasn’t
time enough for all the wonderful things
I could think of to do

In a single day…

“If you could choreograph your death?”

…Maybe on a midsummer night’s eve,
And without fanfare.

“About death?”

So it is
if the heart has devoted itself to love, there is
not a single inch of emptiness. Gladness gleams
all the way to the grave.

“And after?”

If there’s a temple, I haven’t found it yet,
I simply go on drifting, in the heaven of grass
and the weeds.

She takes her leave.
I watch her walk across the fields,
stopping to listen
or to follow the flight of a heron.
She’s alone now
with Percy her dog
and memories of having lived well.

I would do just about anything to spend an hour with Mary Oliver, a poet who has touched my life and my writing so deeply. This is an imagined interview. The responses in italics are all snippets of her poetry chosen from  New and Selected Poems, Volume Two.

– Victoria C. Slotto

Victoria and Dave Slotto
Victoria and Dave Slotto
Victoria at the Palm Springs Writer's Expo March 2012
Victoria at the Palm Springs Writer’s Expo March 2012

VICTORIA C. SLOTTO (Victoria C. Slotto, Author: Fiction, Poetry and Writing Prompts) ~  a Contributing Writer to Into the Bardo ,attributes her writing influences to her spirituality, her dealings with grief and loss, and nature. Having spent twenty-eight years as a nun, Victoria left the convent but continued to work as a nurse in the fields of death and dying, Victoria has seen and experienced much. A result of Victoria’s life experience is the ability to connect with readers on an intimate level. She resides in Reno, Nevada, with her husband and two dogs and spends several months of the year in Palm Desert, California.

Winter is Past is her first novel. It was published in 2012 by Lucky Bat Books. She has a second novel in process and also a poetry chapbook. Victoria is also an accomplished blogger and poet who has assumed a leadership role in d’Verse Poet’s Pub. You can read more ofher fine poetry HERE.