Posted in Environment/Deep Ecology/Climate Change, General Interest

“Partnering With Nature” Exhibition To Be Presented at the World Economic Forum’s 2020 Annual Meeting

spiral artworkDepartment of Seaweed: Living Archive, 2018–ongoing; Julia Lohmann (German, b. 1977), Violaine Buet (French, b. 1977) and Jon Lister (New Zealander, b. 1977); Seaweed and rattan; Dimensions variable; Photo: Pierre-Yves Dinasquet, Department of Seaweed.


Cooper Hewitt, Smithsonian Design Museum has announced that a special exhibition, “Partnering with Nature,” will be on view at the World Economic Forum’s 50th Annual Meeting, Jan. 21 through Jan. 24 in Davos-Klosters, Switzerland. Drawing from the “Nature—Cooper Hewitt Design Triennial” exhibition originally organized by Cooper Hewitt and Cube design museum, this adaptation is a collaboration between the Smithsonian and the World Economic Forum (WEF). This is the fourth year that the Smithsonian and the WEF have collaborated on bringing an exhibition to the Annual Meeting in Davos. Installed in the Congress Centre, the exhibition will be offered alongside panels, workshops and other sessions organized by the WEF that address the ecological crisis and the Forum’s major focus on sustainability.

“A global platform for design, Cooper Hewitt is delighted to once again collaborate with the World Economic Forum and highlight the power of design to address the most significant environmental issues of our time,” said Caroline Baumann, director of the museum. “Through this powerful, interactive exhibition, Cooper Hewitt will invite leaders to rethink our relationship to nature and jumpstart the dialogue on sustainability practices on an international scale.”

Four installations will encourage participants to play with natural elements, learn about the symbiotic relationships in nature and be inspired to imagine a more cohesive approach to working with nature.

The works on view include:

  • Department of Seaweed Prototyping Workshop, 2019–20. Founded by Julia Lohmann in 2013, the Department of Seaweed brings together experts in design, science and craft to experiment with the fabrication processes and material properties of seaweed and explore possible applications of this plentiful and renewable resource. For the installation at Davos, Lohmann will create a seaweed structure, Hidaka-Ohmu, and have available living seaweed and a display of hanging, dried seaweed to show the materials used in the craft process. Participants will work with seaweed in a workshop with Lohmann’s team.
  • Tree of 40 Fruit, 2008–ongoing. Artist Sam Van Aken collapses an orchard of fruit trees into a single tree using centuries-old grafting techniques. Van Aken worked with Fructus, the Swiss Association for the Protection of Fruit Heritage, to identify, collect and graft 40 apple varieties onto a 6-year-old tree. The varieties originated, are historically grown, or are important commercial varieties in Switzerland. Van Aken maps the tree grafts with hand-drawn sketches that are color-coded to each blossom’s season. Participants will be invited to try bench grafting—a technique where scionwood is grafted to root systems to create new trees.
  • Totomoxtle, 2017–ongoing. Totomoxtle means “corn husk” in the Nahuatl language and refers to the brilliantly colored veneers made from native Mexican corn by designer Fernando Laposse. Since 2017, Laposse has collaborated with farmers, agronomists and scientists to reintroduce native varieties of corn that were decimated by industrial farming. The initiative has led to local job growth, a resurgence of craft and food traditions, and restoration of indigenous farming practices. Participants will join in the completion of a mosaic.
  • Algae Platform, 2019–20. Developed by Atelier Luma, a think-tank, workshop and space for research, production and learning, the Algae Platform investigates the potential of algae as an alternative material to plastic with many possible applications in the architecture and design field. Algae is a globally renewable resource that is found in natural, urban and industrial landscapes, and can be 3-D printed into vessels and extruded into filaments for textiles.

Related programming includes presentations by the designers in the Hub, followed by hands-on workshops. On Jan. 21, the designers from the Algae Platform and the Department of Seaweed will share the creative process of turning unwanted natural materials into art and everyday objects. On Jan. 23, the artists behind the Tree of 40 Fruit and Totomoxtle will discuss what ancient agricultural techniques can teach people about caring for the land. Additional programming during the series includes a Design by Nature session, Jan. 24, featuring Baumann in conversation with Netherlands-based artist and innovator Daan Roosegaarde who explores breakthrough ideas that bring nature and humans together in a sustainable way.

About Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt is America’s design museum. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum, education and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Steward of one of the world’s most diverse and comprehensive design collections—over 210,000 objects that range from an ancient Egyptian faience cup dating to about 1100 BC to contemporary 3-D-printed objects and digital code—Cooper Hewitt welcomes everyone to discover the importance of design and its power to change the world. Cooper Hewitt knits digital into experiences to enhance ideas, extend reach beyond museum walls and enable greater access, personalization, experimentation and connection. The museum is fully accessible.

For more information, visit www.cooperhewitt.org or follow @cooperhewitt on Instagram, Facebook, Twitter and YouTube.

About The World Economic Forum

The World Economic Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. The World Economic Forum’s Annual Meeting brings together over 3,000 participants from governments, international organizations, business, civil society, media and culture from all over the world. The theme of the 50th annual meeting in Davos is Stakeholders for a Cohesive and Sustainable World.

Posted in Culture/History, General Interest, Victoria C Slotto

Cultural Connections–International Museum Day

“Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples”. Internation Council of Museums 

Image: George Andrews
Image: George Andrews

Yesterday the world community celebrated International Museum Day. The International Council of Museums (ICOM) established this event to occur each year on or about May 18th. In 2013, 35,000 museums from 143 countries on five continents participated, welcoming guests to their venues, without charge.

The theme for this year’s celebration, as established by the ICOM is “Museum collections make connections.”

Until last year I had the great pleasure of serving as a docent at the Nevada Museum of Art (NMA), Nevada’s only accredited art museum. The role of the docent is, as the name implies, to lead the public in tours of the museum’s offerings, and to teach participants about various exhibits. This requires numerous hours of on-going training in the rotating exhibits and offers opportunities to meet (in the case of an art museum) artists, curators and collectors of art.

When I attended a National Docent Symposium a few years ago, I became more aware of how many types of museums were represented: those dealing with history, collections such as cars (the National Automobile Museum is here in Reno), zoos, botanical gardens, sports, entertainment, children discovery centers, occupations, science cultures…the list goes on and on.

Photo: Palm Springs Life
Photo: Palm Springs Life

I found the greatest joy in introducing children to the world of art—to watch them respond to the principles and elements of art such as color and texture, to learn to use art as a launching pad for story-telling and poetry, to learn to use their senses to jump into a painting and explore what it might taste like, smell like, feel like. I planned age-based activities and each tour was followed by an art experience.

In keeping with this year’s theme, museums offer a chance to experience other cultures and to understand the point of view of the forces behind the exhibits. They teach responsibility for the environment, diversity, and offer families the opportunity to share.

In honor of the spirit behind International Museum Day, please consider paying a visit to a museum of your choice. Perhaps the idea of becoming a docent will appeal to you if you are looking for a volunteer opportunity. Docents are educators, though it is not necessary to have a background in education, or even in your field of interest, thanks to the intense initial training program and on-going education.

It was hard for me to resign my position. It was a passion for me. But life circumstances change and sometimes the time commitment becomes unattainable. I find it dangerous to visit NMA now—I want to jump back into the role that is no longer realistic. But when I tour with friends or my husband, I find the docent in me taking over. I devise questions I would ask the school children, activities I would have them do.

To learn more about museums in your area just google “Museums (your town).” You will be surprised. And rewarded.

– Victoria Slotto

© 2014, essay, Victoria C. Slotto, All rights reserved; photo credits as indicated above

2940013445222_p0_v1_s260x42034ff816cd604d91d26b52d7daf7e8417VICTORIA C. SLOTTO (Victoria C. Slotto, Author: Fiction, Poetry and Writing Prompts) ~ is an accomplished writer and poet. Winter is Past, published by Lucky Bat Books in 2012, is Victoria’s first novel. A second novel is in process. On Amazon and hot-off-the-press nonfiction is Beating the Odds: Support for Persons with Early Stage Dementia. Victoria’s ebooks (poetry and nonfiction) are free to Amazon Prime Members. Link HERE for Victoria’s Amazon page.

Editorial note: Congratulations, Victoria, on that the long awaited publication of print copies of Jacaranda Rain, Collected Poems, 2012, Beautifully done.

Writers’ Fourth Wednesday is hosted by Victoria from January through October. Tomorrow Victoria’s Fourth Wednesday writers’ prompt will post at 12:01 a.m. PST. Please join us. Mister Linky will remain open for seventy-two hours so that you can link your response to this blog. Victoria and Jamie will read and comment and we hope you will read each other’s work as well, comment and encourage.