Posted in Environment/Deep Ecology/Climate Change

Venemous Revenge

zoo

Authority Means Responsibility

Strange happenings were noticed in the main zoo of the city. The caged animals appeared to be disturbed  and so were the birds inside their specially built sanctuary. Visitors began to leave early that day, apprehensive of some untoward incident.

The birds had thought of the brilliant idea of communicating for they too had felt the brunt, the pain and pangs of hunger. The parching thirst and severe cold. They formed a group and appointed a leader, none other than the  rare, African, Grey Parrot, the talented mimic, focused, keen listener and verbally so vociferous. Just the right one  for  the job. He was sent to convey the important message to the King Lion, the Tiger, the Fox and the Cobra.

This was the Core Committee for Defense.

The protection of all the animals was at stake.

It all began when the African Grey Parrot shouted out loud, as he flew all around the Zoo.  Over the area, near the cages and the stony rockeries, screaming,  “No need to feed, no need to feed,  the money is all ours, we shall do with it whatever we please, my authority my wish, our authority our wish.”

The animals had a secret plan. Today was the great inspection day. Officials from the Ministry of Environment had already arrived.

“The zoo is too clean, today”, thought the Minister.

Soon the checking began. As they neared the Lion’s cage the always passive animal lunged forward and  grabbed the coat of an accompanying Officer. He pulled at it and tore it away and then let out a loud roar. Next the tiger too showed the same reaction. The fox kept trotting inside the cage, as if in severe pain, letting out whining sounds.

The worst  happened near the snake sanctuary.

As the official’s group moved near, a dark black snake slithered outside, hissing loudly he thrust his head at the Zoo officer and stuck his fangs in his right ankle. The guards leapt to save the officer.

Inquiry revealed that the birds had pecked out an opening for the snake in the thin wired wall.  All the animals had not been served food and water for the past two days.

Authority means responsibility, negligence of duty results in dangerous consequences.

© 2020, story and art, Anjum Wasim Dar

Posted in Environment/Deep Ecology/Climate Change, environmental injustice, General Interest

Climate Affairs ~ Cloud’s Care and Concern

Courtesy of Juan Alcantara, Unsplash

Clouds gather in the sky
some are dark some light up high
here they come rumbling
wonder why they are grumbling?
raising a storm, hue and cry!

                                                    Clouds gather in the sky;

are they showing us a fire?
frowning on a sinful desire?
warning of The Heaven’s Ire?
or to cool the bonfire?
Clouds gather in the sky

I wonder if their thunder
is a song of  celestial choir?
praising Divine Moist Sapphire,
Dust we see and dust we are
yet the particles conspire
Clouds gather in the sky

to relieve us from our misery
cooling comfort we do require,
I know they come to admire
and blessing us , will soon retire
away to their ocean home entire,

                                                            Clouds gather in the sky!

they leave a message , a purifier!
be at peace and mercy
be not a crier or a liar
be like us without any fuss
a bold graceful high flyer-
Clouds gather in the sky!

in rain we sing ‘n’ shout ‘n’ play
but break the law, then face the bolt.
If stormy weather be  Gods’ Wrath?
Stormy weather was foretold—then
pray for mercy, and a cleansing bath

                                                     OH Clouds Gather in the sky!
And I don’t wonder why…

ANJUM WASIM DAR (Poetic Oceans) is one of the newest members of “The BeZine” core team.
Anjum was born in Srinagar (Indian occupied Kashmir) in 1949. Her family opted for and migrated to Pakistan after the Partition of India and she was educated in St Anne’s Presentation Convent Rawalpindi where she passed the Matriculation Examination in 1964. Anjum ji was a Graduate with Distinction in English in 1968 from the Punjab University, which ended the four years of College with many academic prizes and the All Round Best Student Cup, but she found she had to make extra efforts for the Masters Degree in English Literature/American Studies from the Punjab University of Pakistan since she was at the time also a back-to-college mom with three school-age children.
.
Her work required further studies, hence a Post Graduate Diploma in Teaching English as a Foreign Language (TEFL) from Allama Iqbal Open University Islamabad and a CPE, a proficiency certificate, from Cambridge University UK (LSE – Local Syndicate Examination – British Council) were added to  her professional qualifications.
 .
Anjum ji says she has always enjoyed writing poems, articles, and anecdotes and her written work found space in local magazines and newspapers. A real breakthrough came with the Internet when a poem submitted online was selected for the Bronze Medal Award and I was nominated as Poet of Merit 2000 USA. She accepted the Challenge of NANOWRIMO 2014 and Freedom is Not a Gift, A Dialogue of Memoirs, a novel form was the result. She was a winner, completing her 50,000 word draft in one month.
.
Although a Teacher and a Teacher Trainer by Profession, she is a colored-pencil artist and also enjoys knitting and is currently trying to learn Tunisian Crochet.
Posted in Environment/Deep Ecology/Climate Change

About Cars ~ A Page from 1993 ~

It was in the year 1993 when newspapers and I mean news in paper, or to be more precise printed on paper, the Editor opened a debate “Should cars be banned from cities?. It was quite appealing and set me wondering.

The title and the invitation to write both brought nostalgic memories. My own Rawalpindi was a peaceful sunlit city, moderately warm during summers and lovably cold during Winters,many years ago. Looking down the memory lane I remembered the hand-in-hand pairs walking from our school, the Presentation Convent, to the Plaza Cinema to see some of the great classic Motion Pictures; the tonga ride to school and back was a wonderful experience, the shining leather bridle and reins, colorful ribbons by the horses ears,clean and freshly painted carriage and the loud clanging of the bell inspired a lot.  The clippety cloppety speed of the horse was so balanced, one could view the whole world at a glance and also gather details of the wayside panorama  as one went along. The air felt fresh and clear and one enjoyed learning. School was wonderful too, bags were light but minds and spirits were full. Roads were walkable and they were roads!

Over the years one finds a tremendous change of scene,there are more cars than roads,roads to learning have vanished as learning centers have increased, things seem to be moving in the opposite direction.

I found myself reversing my small car in front of my daughter’s school daily, to make space for my daughter as well as for other cars, of course; my daughter had to dash across the road or squeeze herself between two bumpers, the front bumper of our car and the back of someone else’s.

Well, it’s dangerous! No wonder Michael Jackson had realized the dangers a child faces in the world of today. I watched closely, peering over the tops of other cars disregarding the beeps and horns of other vehicles, refusing to budge an inch, till I see my little one safely enter the school gate. I had strictly advised her to keep as close to the wall as possible if she values her…school… her …life. The ‘corn walla, roasted corn seller  Pathan was least disturbed and I must say that he was a brave Pathan.

Cars and cars all around, red, blue,  black  green, er… dark green.These were mostly coasters and jeeps, and now yellow, the fever was rising…Invasion !

Would banishment be the answer.? It was decided to ask the cars themselves.
‘Here’s a red car, sad looking Alto’. ‘Well, excuse me dear, how do you find the yellow brick road these days?.”

‘Oh the yellow is all right. I have a new friend but our feet wear out so soon and lately I have developed an asthmatic problem, no oil has any effect and I am trying to get a new vacuum cleaner from my cousin abroad. But you see the tele, I mean the phone is important too.It’s so lonely without it but it does give a back ache. I guess cars should stay, it’s only that they should stay clean ! And I mean clean, CLEAN’ No monkey business, that’s it’.

© 2020, Anjum Wasim Dar

ANJUM WASIM DAR (Poetic Oceans) is one of the newest members of “The BeZine” core team.
Anjum was born in Srinagar (Indian occupied Kashmir) in 1949. Her family opted for and migrated to Pakistan after the Partition of India and she was educated in St Anne’s Presentation Convent Rawalpindi where she passed the Matriculation Examination in 1964. Anjum ji was a Graduate with Distinction in English in 1968 from the Punjab University, which ended the four years of College with many academic prizes and the All Round Best Student Cup, but she found she had to make extra efforts for the Masters Degree in English Literature/American Studies from the Punjab University of Pakistan since she was at the time also a back-to-college mom with three school-age children.
.
Her work required further studies, hence a Post Graduate Diploma in Teaching English as a Foreign Language (TEFL) from Allama Iqbal Open University Islamabad and a CPE, a proficiency certificate, from Cambridge University UK (LSE – Local Syndicate Examination – British Council) were added to  her professional qualifications.
 .
Anjum ji says she has always enjoyed writing poems, articles, and anecdotes and her written work found space in local magazines and newspapers. A real breakthrough came with the Internet when a poem submitted online was selected for the Bronze Medal Award and I was nominated as Poet of Merit 2000 USA. She accepted the Challenge of NANOWRIMO 2014 and Freedom is Not a Gift, A Dialogue of Memoirs, a novel form was the result. She was a winner, completing her 50,000 word draft in one month.
.
Although a Teacher and a Teacher Trainer by Profession, she is a colored-pencil artist and also enjoys knitting and is currently trying to learn Tunisian Crochet.
Posted in Environment/Deep Ecology/Climate Change, General Interest, Poems/Poetry

Environmental Justice ~ Poseidon’s Plea

 

Courtesy of Joseph Barrientos, Unsplash

Oceans are one of the many miracles of the Creator as the Earth itself is. The water holds itself yet moves, full of life, rebirth and deaths and fathoms of fluid space, stable for all ships and boats, salty roadways, for travelers transport and sport. / Anjum Wasim Dar



O’ Poseidon bestowed with the power unique
tell us the secret of the two seas that do not meet
yet flow with different colors, wave by wave, move
by move, side by side, a perfect acceptance of diversity,

Poseidon speaks, ‘Man is nothing without the Gods’
oceans or skies the sole power is with the Creator
who loves clear open hearts, He blocks nothing nor
builds walls, see my home has no doors nor windows’

All are free to enter, float, sail, swim dive or dig
I am full of food, fish, color, charms and treasures
but many living beings are careless, inconsiderate
they throw harmful waste trash plastic on and in me.

Water will not become less but will be a source of
trouble for human beings themselves, the dead will
float the dying will cry and curse, the thought makes
me shudder, storms surge, waves rise to great heights,

Water is hurt, it is red now with blood and scales
breathing is difficult, inhale a struggle, exhale an
ordeal, oil blocks unmarked uncharted paths
Ocean ides, no longer accept offerings from fans.

Home state worries Oceanus, growing more old
countless pennies coins of gold, are useless down
on the sea bed, worthless is such a treasure which
sinks and loses its values, shine and becomes cold.

A revenge rises a tsunami results, as the grand
bowl shakes jolts jumps and throws up-
beware O People …I envision a huge surge…
sing not any songs nor lie naked on the beach

Pray pray pray peace, repentance, forgiveness, seek

© 2020, Anjum Wasim Dar

ANJUM WASIM DAR (Poetic Oceans) is one of the newest members of “The BeZine” core team.
Anjum was born in Srinagar (Indian occupied Kashmir) in 1949. Her family opted for and migrated to Pakistan after the Partition of India and she was educated in St Anne’s Presentation Convent Rawalpindi where she passed the Matriculation Examination in 1964. Anjum ji was a Graduate with Distinction in English in 1968 from the Punjab University, which ended the four years of College with many academic prizes and the All Round Best Student Cup, but she found she had to make extra efforts for the Masters Degree in English Literature/American Studies from the Punjab University of Pakistan since she was at the time also a back-to-college mom with three school-age children.
.
Her work required further studies, hence a Post Graduate Diploma in Teaching English as a Foreign Language (TEFL) from Allama Iqbal Open University Islamabad and a CPE, a proficiency certificate, from Cambridge University UK (LSE – Local Syndicate Examination – British Council) were added to  her professional qualifications.
 .
Anjum ji says she has always enjoyed writing poems, articles, and anecdotes and her written work found space in local magazines and newspapers. A real breakthrough came with the Internet when a poem submitted online was selected for the Bronze Medal Award and I was nominated as Poet of Merit 2000 USA. She accepted the Challenge of NANOWRIMO 2014 and Freedom is Not a Gift, A Dialogue of Memoirs, a novel form was the result. She was a winner, completing her 50,000 word draft in one month.
.
Although a Teacher and a Teacher Trainer by Profession, she is a colored-pencil artist and also enjoys knitting and is currently trying to learn Tunisian Crochet.
Posted in Disability, disability/illness, Environment/Deep Ecology/Climate Change, environmental injustice

Cruel Legacy, Environmental Injustice and the Growing Incidence of Interstitial Lung Disease

fullsizerender

Thanks to the support of my world-class son and a stellar medical team, I’ve lived for about two decades past my original medically predicted expiration date. Every year or so I feel compelled to get on my soap box –  though the topic is off-theme for my poetry site, The Poet by Day – about lung disease, its increasing prevalence, and its debilitating effects. This post was originally written in 2016 for The Poet by Day. At that time, I needed oxygen for activity only and carried a small tank or two in a backpack as above.  As expected, over time the disease progressed and years of insufficient oxygen resulted in other complications: pulmonary hypertension and right-sided heart-failure. These are further complicated by a rare blood cancer (not curable but managed). These complications result in my being home-bound and often bed-bound for days.

I am now on high-flow oxygen (15 liters) 24/7 and am attached to two linked stationary oxygen concentrators at home and have large portable tanks for doctor visits and to get around the senior housing facility that is my home. These are moved around with specially-designed carts.  My son must come with me to doctor appointments because it takes four tanks per trip, which is too much for me to handle on my own.



At the time in our history when we started to see nature as something apart from us, when we gave up our shamanic instincts and in our hubris separated them from our growing science, when we devolved from stewardship and one-with to ownership and power-over, we set ourselves up for a world of multifaceted pain and disruption. One result in modern times is environmentally induced disease caused by xenobiotic substances that result in cancers, autoimmune disorders, and interstitial lung diseases (ILDs).

My concern here – as a powerful and noteworthy example of the impact of industrial pollutants and of wars and other violence to the earth and its inhabitants – is interstitial lung disease. I have hypersensitivity pneumonitis, an ILD that can be caused by smoking. I am a lifelong non-smoker. Everyone – EVERYONE – is at risk of ILD, smokers or not, and so are other animals. We know that in the United States and England alone, the numbers suffering from ILD are growing. No matter where  in the world we live and what we do for work, we all need to recognize and acknowledge this as part of the complex package of environmental injustices.

Our lungs are the only organs that are exposed and immediately vulnerable to industrial pollutants and inhaled chemicals, dust and other particulate matter in the air. One study tells us, “Lung cancer is the number one cause of cancer-related deaths in humans worldwide. Environmental factors play an important role in the epidemiology of these cancers.”

Consider the two hundred ILDs: These are diseases that affect the tissue and space around the air sacs (alveoli) of the lungs resulting in scaring (fibrosis). We – and other animals – can’t breath through scar tissue, which is not permeable. Hence the exchange of carbon dioxide and oxygen is inhibited. The result is a slow, horrifying and painful death by suffocation. This is mitigated for people like me who have access to healthcare, supplemental oxygen and medications like prednisone and mycophenolate mofetil and, when the time comes, palliative care and ultimately hospice. People living in poverty, in war-torn areas or working at risky occupations in third-world countries, get no such relief and no palliative care is available to them in the final stages. This is unimaginably cruel.

While the most common interstitial lung diseases are considered idiopathic, they can result from exposure to certain chemicals– including medications – and from secondhand smoke and occupational exposure to agents such as asbestos, silica, and coal dust. They may also evolve from an autoimmune reaction (hypersensitivity pneumonitis) to agents in the environment, some of which might be naturally occurring and benign for many people.

Forbes Magazine cites lung disease as one of the continuing legacies of 9/11, the result of “toxic collections of airplane fuel, asbestos, fiberglass, metal, plastic, garbage, waste materials, fecal material, human remains and who knows what else.” In reading this description, one can’t help but think also of the people of Syria and other regions of war and conflict. It is not uncommon for soldiers returning from war to report newly developed respiratory disorders.

Industry, war and conflict, greed and denial, all combine to put the very ground we live on at risk, the air we breath, and the precious functioning of our lungs … We rightly worry about and advocate for issues of deforestation, pollution, hunger, dislocation, destruction of property and other issues of environmental injustice. Not the least of our motivations, concerns and advocacy must be for the sake of our lungs. It’s a fight for the very breath that enlivens us.

© 2016, words and photograph, Jamie Dedes  

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Posted in Environment/Deep Ecology/Climate Change, General Interest

“Partnering With Nature” Exhibition To Be Presented at the World Economic Forum’s 2020 Annual Meeting

spiral artworkDepartment of Seaweed: Living Archive, 2018–ongoing; Julia Lohmann (German, b. 1977), Violaine Buet (French, b. 1977) and Jon Lister (New Zealander, b. 1977); Seaweed and rattan; Dimensions variable; Photo: Pierre-Yves Dinasquet, Department of Seaweed.


Cooper Hewitt, Smithsonian Design Museum has announced that a special exhibition, “Partnering with Nature,” will be on view at the World Economic Forum’s 50th Annual Meeting, Jan. 21 through Jan. 24 in Davos-Klosters, Switzerland. Drawing from the “Nature—Cooper Hewitt Design Triennial” exhibition originally organized by Cooper Hewitt and Cube design museum, this adaptation is a collaboration between the Smithsonian and the World Economic Forum (WEF). This is the fourth year that the Smithsonian and the WEF have collaborated on bringing an exhibition to the Annual Meeting in Davos. Installed in the Congress Centre, the exhibition will be offered alongside panels, workshops and other sessions organized by the WEF that address the ecological crisis and the Forum’s major focus on sustainability.

“A global platform for design, Cooper Hewitt is delighted to once again collaborate with the World Economic Forum and highlight the power of design to address the most significant environmental issues of our time,” said Caroline Baumann, director of the museum. “Through this powerful, interactive exhibition, Cooper Hewitt will invite leaders to rethink our relationship to nature and jumpstart the dialogue on sustainability practices on an international scale.”

Four installations will encourage participants to play with natural elements, learn about the symbiotic relationships in nature and be inspired to imagine a more cohesive approach to working with nature.

The works on view include:

  • Department of Seaweed Prototyping Workshop, 2019–20. Founded by Julia Lohmann in 2013, the Department of Seaweed brings together experts in design, science and craft to experiment with the fabrication processes and material properties of seaweed and explore possible applications of this plentiful and renewable resource. For the installation at Davos, Lohmann will create a seaweed structure, Hidaka-Ohmu, and have available living seaweed and a display of hanging, dried seaweed to show the materials used in the craft process. Participants will work with seaweed in a workshop with Lohmann’s team.
  • Tree of 40 Fruit, 2008–ongoing. Artist Sam Van Aken collapses an orchard of fruit trees into a single tree using centuries-old grafting techniques. Van Aken worked with Fructus, the Swiss Association for the Protection of Fruit Heritage, to identify, collect and graft 40 apple varieties onto a 6-year-old tree. The varieties originated, are historically grown, or are important commercial varieties in Switzerland. Van Aken maps the tree grafts with hand-drawn sketches that are color-coded to each blossom’s season. Participants will be invited to try bench grafting—a technique where scionwood is grafted to root systems to create new trees.
  • Totomoxtle, 2017–ongoing. Totomoxtle means “corn husk” in the Nahuatl language and refers to the brilliantly colored veneers made from native Mexican corn by designer Fernando Laposse. Since 2017, Laposse has collaborated with farmers, agronomists and scientists to reintroduce native varieties of corn that were decimated by industrial farming. The initiative has led to local job growth, a resurgence of craft and food traditions, and restoration of indigenous farming practices. Participants will join in the completion of a mosaic.
  • Algae Platform, 2019–20. Developed by Atelier Luma, a think-tank, workshop and space for research, production and learning, the Algae Platform investigates the potential of algae as an alternative material to plastic with many possible applications in the architecture and design field. Algae is a globally renewable resource that is found in natural, urban and industrial landscapes, and can be 3-D printed into vessels and extruded into filaments for textiles.

Related programming includes presentations by the designers in the Hub, followed by hands-on workshops. On Jan. 21, the designers from the Algae Platform and the Department of Seaweed will share the creative process of turning unwanted natural materials into art and everyday objects. On Jan. 23, the artists behind the Tree of 40 Fruit and Totomoxtle will discuss what ancient agricultural techniques can teach people about caring for the land. Additional programming during the series includes a Design by Nature session, Jan. 24, featuring Baumann in conversation with Netherlands-based artist and innovator Daan Roosegaarde who explores breakthrough ideas that bring nature and humans together in a sustainable way.

About Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt is America’s design museum. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum, education and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Steward of one of the world’s most diverse and comprehensive design collections—over 210,000 objects that range from an ancient Egyptian faience cup dating to about 1100 BC to contemporary 3-D-printed objects and digital code—Cooper Hewitt welcomes everyone to discover the importance of design and its power to change the world. Cooper Hewitt knits digital into experiences to enhance ideas, extend reach beyond museum walls and enable greater access, personalization, experimentation and connection. The museum is fully accessible.

For more information, visit www.cooperhewitt.org or follow @cooperhewitt on Instagram, Facebook, Twitter and YouTube.

About The World Economic Forum

The World Economic Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. The World Economic Forum’s Annual Meeting brings together over 3,000 participants from governments, international organizations, business, civil society, media and culture from all over the world. The theme of the 50th annual meeting in Davos is Stakeholders for a Cohesive and Sustainable World.

Posted in Environment/Deep Ecology/Climate Change

Global Harming, a poem by Deb y Felio

The Human Impact on Nature courtesy of George Hodan, PublicDomainPictures.net

we’re crossing the desert in sandals
across new Antarctica
camels follow with our packs
it feels like southern Florida

before the ocean rose and drowned
the people near the shore
and then receded sixty miles
creating quite a lore

to be recited by old timers
beginning with remember when
there was water in these here parts
now there’s sand up to our shins

we’d swim and fish—those were the days
they’d tell the children listening
to magical times when people were wet
coming from deep water glistening

It’s just a fairy tale, we know
the children refuse to believe it
like so many of us long ago
hearing the global warning bit

slow but sure the changes came
spring slush replaced the snow
low temps in seventies everywhere
and gale winds would always blow

but we were brave and kept our cars
kept digging for petroleum
concern belonged to the next generation
never mind the panic symposium

so here we are just like they said
dry and hot as old Florida
in our sandals with our camels
crossing the new Antarctica.

© 2019, Deb y Felio

Originally published on The Poet by Day



With this post we close our month-long Climate Action blog-series presented in solidarity with the world’s youth and with the many organizations that held events this past month.  Our gratitude to and appreciation for the contributors to this series and our readers and followers. Together we rise in support of our beautiful blue-green Earth and our ability to survive and thrive here.

In the spirit of love (respect) and community
and on behalf of The Bardo Group Beguines,
Jamie Dedes
Founding and Managing Editor

Posted in Environment/Deep Ecology/Climate Change

The Top Environmental Problems …



Gus Speth. Event “The Carbon Age: From Crisis to Stability” at the Carnegie Institution for Science. Courtesy of ShashiBellamkonda under CC BY 2.0

James Gustave (Gus) Speth (born March 4, 1942 in Orangeburg, South Carolina) is an American environmental lawyer and advocate. Speth has been a leader or participant in many task forces and committees aimed at combating environmental degradation, including the President’s Task Force on Global Resources and Environment; the Western Hemisphere Dialogue on Environment and Development; and the National Commission on the Environment. Among the many acknowledgements for his work are the National Wildlife Federation’s Resources Defense Award, the Natural Resources Council of America’s Barbara Swain Award of Honor, a 1997 Special Recognition Award from the Society for International Development, the Lifetime Achievement Award of the Environmental Law Institute, and the Blue Planet Prize.

Posted in Environment/Deep Ecology/Climate Change

The Chalice, a poem by John Anstie

Dear Earth, you are a sacred aqueous Isle
in a dark and endless sea of universe.
You may never reveal your strategy.
We may be  bound  by  genetic code
to the presupposing chemical destiny
of one great astrophysical master plan
for all living things. We, who represent
your malaise,  your chronic infestation;
we,  like a fleeting itch in your long life,
will never comprehend it.  But, in truth
you know too well  that  we can never
understand more  than one percent
of all there is to know. You contain
the knowledge that is beyond us.
We are but a rash on your skin.

One day, we know you will
raze all of our delusions,
prepare us for the day
when a blinding light
will  inoculate  you
and inform us  of
a moment when
extant humans
will, at last be
prepared to
distinguish
the  l i e s
f r o m
truth
and

so
we
a r e
m e r e
a t o m i c
p  a  r  t  i  c  l  e  s
inside   a   temporal   chalice

© 2014 John Anstie
All rights reserved

Posted in Environment/Deep Ecology/Climate Change

Moon Child, a poem by John Anstie

Once in a while you exceed yourself.
Are you blue, because we thought no more of you
as the driving force for life on Earth
or potency behind the waves of bitches and whelps
giving us thrilling moments or contemplative
of a thriving, muddy, salty, riverine universe of life
waiting for you to draw the tidal covers
repeatedly over the fruits of our sustenance.

A force of nature, fully formed
yet so much smaller than the mother of your birth,
you hold sway, in countless ways
you touch our lives and drive us through our days.
Humble, unassuming, even unnoticed
by those who hurtle, mindlessly, and make no time
for the wisdom of our insignificance
or feel the difference between our age and yours.

As necessity tramples over truth
most days, we hide in fear of the darkening,
of the madness that ensues.
Does not the hunter choose your waning dark
to spike the nervous memory,
remind us of the feral wolf pack?
We may not ever tame you, but
your mother is dying a slow and painful death.

Oh super blood blue moon,
does not your God and our God sing the same tune?

© 2018 John Anstie
All rights reserved

Posted in Environment/Deep Ecology/Climate Change

The Planet Speaks, a poem by Carolyn O’Connell

Deforestation in the Maranhão state of Brazil, 2016, courtesy of Operação Hymenaea, Julho/2016 under CC BY 2.0

“We’re fighting for soil, land, food, trees, water, birds. We’re fighting for life.” Gregorio Mirabal, Indigenous leader and coordinator of the Coordinator of Indigenous Organizations of the Amazon Basin (COICA)



the Amazon burns! No one
quells the fires
air; knowledge is lost in the fire.
Waters run polluted! No one
seeks to free fish
or children drinking poison.
Air spins in cyclones
destroying all under its twisting cloud
flooding the earth.
Metal is used to make war
peoples flee
are called predators by those who’ve only known comfort.
Are we but people
whatever language colour, creed
we came from one source?
But will expire
in our own detritus
unless we care for our planet
which will spin
into the void of extinction
unless we care for it and others.

© 2019, Carolyn O’Connell

Posted in Environment/Deep Ecology/Climate Change

The Return of Primordial Night, a poem by Jamie Dedes

“Because, underneath all of this is the real truth we have been avoiding: climate change isn’t an “issue” to add to the list of things to worry about, next to health care and taxes. It is a civilizational wake-up call. A powerful message—spoken in the language of fires, floods, droughts, and extinctions—telling us that we need an entirely new economic model and a new way of sharing this planet. Telling us that we need to evolve.” Naomi Klein (b. 1970) is a Canadian author, social activist, and filmmaker known for her political analyses and criticism of corporate globalization and of capitalism. On a three-year appointment from September 2018, she is the Gloria Steinem Chair in Media, Culture, and Feminist Studies at Rutgers University.



the ghosts of our parents search vainly 
for wildflowers near the beach at Big Sur

they were deaf to the threat in thunder,
but we were struck by lightning,
heaved in the rain and waves and
the overflow from the melting ice

the computers went down
their screens black as the wicked water,
in whirling chaos they morphed into drums

every fetus turned in the womb,
the men went to the mountain tops
and the women sheltered in caves

the souls of saints and sinners
were run through a cosmic wash cycle
after the spin dry, a new wisdom

but the shades of our parents remain,
they’re waiting for us at Big Sur,
waiting by the Santa Lucia Mountains

© 2013, Jamie Dedes

Posted in Environment/Deep Ecology/Climate Change, General Interest

The Honeymoon’s Over, a poem by John Anstie

Spring’s promise of high summer
has passed, the lush greens gone,
and now less vibrant. Parched.
Stale somehow. Disappointing.

The promise so much sweeter
than reality; the heady warmth;
sun filled days and mirage haze
the balmy heat, hot naked nights.

We should enjoy this time, by rights
but if it brings us closer to the fall;
the Autumn of our life, if that is all
then can we not enjoy the cooling

promised winter chill, another world,
its yielding to the blacks and whites
mysterious greys, the icy haze,
the freezing hibernation, preserving.

But no. An earlier Spring, that comes
too soon, and sooner still the melting
Arctic ice. One day, there’ll be no more
dreaming of a summer honeymoon.

© 2017 John Anstie
All rights reserved

Posted in Environment/Deep Ecology/Climate Change

Shadow Cycles, a poem by Sheikha A.

“What use will money and wealth be to those who possess them when the rivers and land are poisoned, the seas devoid of life and the air polluted beyond tolerance?” Luke Eastwood, The Journey: Exploring the Spiritual Truth at the Heart of the World’s Religions



Autumn falls on lids
of summer as brown kohl;
dust sticks to formica – dim
laminates – dreary clouds

not heavy enough to pour,
sun sleeps without sheets,
stars bulge like heat-wombs
ready to expel – air bites

like bugs-scratched land;
necks of trees on blade of axe,
green silky bands of crowns
shorn – barks planked, piled

with their withered parts; dry
weeds irrigate soil’s uterus,
roots stoned like cracked clay;
dusk smudges like mascara-

tears, rooms bleak from
smog – homes invaded by
carbon – moon drowns in
a sea of smouldering char.

© 2019, Sheikha A.

Posted in Environment/Deep Ecology/Climate Change

En Gedi, a poem by Michael Dickel

En Gedi — Wadi David Photograph ©2015
En Gedi — Wadi David
Photograph ©2015

En Gedi

Even lizards hide from this scorched heat.
Tristram’s grackles pant in the shade of skeletal acacia.
Fan-tail ravens float on rising currents like vultures.

David hid from Saul in the strongholds of En Gedi;
along the wadi now named for him, waterfalls
drop warm water onto maidenhair ferns into tepid pools.

Any stippled shade provides shelter from the scathing sun
when hiding from midday heat or close pursuit:
Tristram and Iseult, David, seek shade, ferns, sparkling droplets.

We escape, fugitives from kings
into what little shade we find, wade
into green puddles of desert water,

for brief respite, solace,
a bright glimmer sliding down
an eroding rock face.


Michael Dickel read En Gedi at the Interfaith Eco Poetry Slam in Jerusalem on 30 June, 2016, sponsored by the Interfaith Center for Sustainable Development. Here is a video of him reading it.


En Gedi Digital Art / Poem ©2014-2016 Michael Dickel
En Gedi
Digital Art / Poem
©2012-2016 Michael Dickel


This poem originally appeared in Michael Dickel’s book, Midwest / Mid-East and is published here with the poet’s permission. It first appeared in The BeZine on July 15, 2016.


Posted in Environment/Deep Ecology/Climate Change

Climate Action for International Day of Peace, peace music and video

U.N. INTERNATIONAL DAY OF PEACE 2019 theme, “CLIMATE ACTION FOR PEACE”. Let us find ways and means to avert the likely threats to International Peace and Security by projecting the Universal Cause for combating climate change that in turn protects and promotes U.Ns CONCEPT OF ‘UNIVERSAL PEACE.

Ashokchakravarthy Tholana
Posted in Environment/Deep Ecology/Climate Change

Healing Garden, photography by Denise Fletcher

© 2019, Denise Fletcher



“Odd as I am sure it will appear to some, I can think of no better form of personal involvement in the cure of the environment than that of gardening. A person who is growing a garden, if he is growing it organically, is improving a piece of the world. He is producing something to eat, which makes him somewhat independent of the grocery business, but he is also enlarging, for himself, the meaning of food and the pleasure of eating.” Wendell Berry, The Art of the Commonplace: The Agrarian Essays