Posted in poem, Poems/Poetry, poetry, Writing

One Poet, “One Art,” One Villanelle…the practiced precision of poetry

51yTZd+toIL._SY300_When people are good at what the do – no matter what their jobs are – their work seems effortless. We never see the hours of practice behind the dancer’s bravura performance or the pianist’s breathtaking delivery nor the years of experience behind the actor’s overnight success, the accountant’s instant analysis or the cook’s fabulously original meal pulled together with left-overs and pantry odds-and-ends. And so it is with the practiced precision of poetry …

Elizabeth Bishop’s One Art  seems effortless but over the course of years she rewrote it seventeen times. It’s humbling to note that someone this brilliant still struggled. One of the reasons that I tend to take down the poems on my blog is that they’re often drafts, even when I delude myself into thinking they’re not. I come back to them sometime later and small important things make me cringe and seem to shout for attention: the glaringly misplaced or missing comma, the inappropriate or inaccurate word and the major issues like overheated emotion, flawed logic or the disordered stanza. In my own small, insignificant way, I relate to Elizabeth Bishop’s struggle to get it just right.

In the short video that follows Professor M. Mark at Vassar College (Bishop’s alma mater) discusses Elizabeth Bishop, her work, and her only villanelle*, the renowned poem, One Art, which is included in The Complete Poems 1926-1978 (recommended reading). .

– Jamie Dedes.

One Art

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, an hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

– Elizabeth Bishop

Video uploaded by Vassar College.

* Vinanelle ~ a nineteen-line poem with two rhymes throughout, consisting of five tercets and a quatrain, with the first and third lines of the opening tercet recurring alternately at the end of the other tercets and with both repeated at the close of the concluding quatrain. New Oxford American Dictionary

photo-on-2012-09-19-at-19-541JAMIE DEDES (The Poet by Day)~ I am a mother and a medically retired (disabled) elder. The graces of poetry, art, music, writing and reading continue to evolve as a sources of wonder and solace, as a creative outlet, and as a part of my spiritual practice.

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Author:

Jamie Dedes is a Lebanese-American poet and free-lance writer. She is the founder and curator of The Poet by Day, info hub for poets and writers, and the founder of The Bardo Group, publishers of The BeZine, of which she was the founding editor and currently a co-manager editor with Michael Dickel. Ms. Dedes is the Poet Laureate of Womawords Press 2020 and U.S associate to that press as well. Her debut collection, "The Damask Garden," is due out fall 2020 from Blue Dolphin Press.

4 thoughts on “One Poet, “One Art,” One Villanelle…the practiced precision of poetry

  1. So true, Jamie! It took ten years to write The Coming of the Feminine Christ. Art is a process, and we can only ever be satisfied once the creation says, “I might not be perfect, but I am complete. There is nothing more you can do. You have said it!”

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  2. I’ve loved this poem since I first heard it. And yes, rewriting takes a lot of time. Took me nine years and many, many rewrites for the first novel. If I had the courage to look at it again, I know there would be more.

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  3. Jamie, Yes, there is great effort behind most good work. I am struck by your courage and commitment to making your art. I find myself wondering how much time goes into each of your poems and posts. No doubt more than I know.

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