Spring Later Time — Judy DeCroce

Almost Spring

I heard tomorrow and felt today.
                                 —William Staff

Willows breathe
the slow release of winter
quietly speaking to each other.

Time, stillness,
movement high—
soundless.

Today tastes ever-smooth

as restless birds glide
taming waves of wind.

Tomorrow is coming…
                                  or is already around.

For Later—For Later

old friends—before and after
comings–partings

words leave as if nothing has happened
most of my life ago

calm, flowing, feeding and feeling
with some grace in the changes

towards these I move and falter
bending much—yielding less

a surprise in knowing that yes,
elsewhere is waiting
echoing the days far away

sometimes I look up with questions
into this tall world
with anchors tethered to the next

It’s Time

“…who, in their eagerness to embrace spring,
have mistaken hope for a promise—Pat Janus

The old pond restores again
and geese vee in return.

Just now, as a promising breeze lifts,
the naked woods begin to green.

And, I too go on
as twilight lengthens
lit and listening.

©2021 Judy DeCroce
All rights reserved


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B-Side Shoulders | 2 poems — Roger Hare

Spirit of the Garden - Gerry Shepherd
Spirit of the Garden – Gerry Shepherd

Shoulder-to-Shoulder

Shall we learn the lessons of chlorophyll?
How it holds the hands of fire and water,
combines their incompatible tempers 
for a weight of photosynthesis
heavy enough 
to turn the Earth?

Will we engage the sensibility 
of those who can compose 
a tune? Set alongside each other 
notes of different strength and tone 
that for the sake of the stave 
will work together and not apart? 

Adversarial breaths that ventilate 
around a task in common 
demonstrate they dissipate 
their rage better 
side-by-side
than face-to-face.

The B Side

Brutality and bias both begin
with the letter b, like banner,
bigot, baton, bled, bleed,
bleeding red on the pavement
again, bent by beliefs 
of the unbending.

Hear the blue blues butterfly-heartache
of those names stained without cause,
bone-weary with building bridges
brought to nothing over rivers
every bit as bright
as any other body.

Allow their breeze 
to fill your sails, to carry us 
together to the other side; 
a place we
cannot reach a-
part.

Adaptation of a poem that first appeared in the ‘Black Lives Matter’ anthology published 2020 by Civic Leicester.


©2021 Roger Hare
All rights reserved


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Holding Onto My Last Breath — Joseph Hesch



I’m told there will come a time
when all will be revealed,
that moment just before you leave
where the Universe gives it up
to your virgin consciousness
and you go, ahhhhh….
And as great as that sounds,
you’ll note that your expression
of finally acquiring that enlightenment
comes in an exhalation,
more than likely your last.
I know that doesn’t sound fair,
but once you discover what
all this back-breaking, toil
and trouble life was for,
let alone about, what else is there
but to sound a short A?
Unless it’s a long ohhhhhh.
I suppose that’s why I intend
to hold my breath like a five-year-old
who won’t eat his Brussels sprouts
on that day when the Universe
comes a’knocking with my serving
of The Way, as the Buddhists might
intone. They call it nirvāṇa,
which is Sanskrit for “blowing out.”
That’s kind of what I’ve been saying,
only with an ahhhhh rather than an ohmmm.
Another translation is “liberation,”
which sounds so much better, because
I’d rather be freed from this
troubled coil, than blown out again
like a rotten basketball team,
or permanently, like a candle.
Ohm, shanti, shanti, shanti, y’all.
(Just in case.)

For those of us who don’t know Sanskrit, and I only know enough to get through a beginner’s yoga practice video, “Shanti” means “Peace.” So, I bid you all peace because we sure as hell need it. And so do I. So do I.


©2021 Joseph Hesch
All rights reserved


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I Know She’s Out There … Somewhere — Joseph Hesch



Sometimes I wonder if
I ever actually felt her warmth,
sensed her, breathed her in.
I look back and question
any place in my life where
I stood in her presence,
held her, or she held me.
I wonder if she was
nothing more than a dream I had,
when I still had dreams,
an ideal that kept me on
a path to be the nice polite boy
and good strong man, since
that was the way they said
one took to win her favor.
But I never did experience
her love and,
like most sore losers,
I have doubts now she
even exists. Perhaps, in this,
my last dream, if I stopped
searching so hard, one day
Peace will find me.


©2021 Joseph Hesch
All rights reserved


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flint stallion — Chinedu Jonathan

The Female Christ - crucifixion - Peter Wilkin
The Female Christ – crucifixion – Peter Wilkin

flint knife

you have sworn to cut us asunder
and scoop out a nation
flowing with milk and honey
circumcise the hearts of our sons
they are no longer led by drunks
they are now old enough to withstand costly battles
to drag their father’s ghost by it’s collar
men who willfully wasted away in this wilderness 
let your love fall like rain from the heavens 
let your harvest bring forth tender vine
roll away their shame of enslavement 
scrape from the bosom of their rot 
tyranny that will accompany withered desire
become again manna,
appearing from dew,
upon the roofs of our palette.

wilderness stallion

i once came across an unusual apparition 
whose hair strands were made of chrome
it was filled to its brim measure
with mangroves of dishevel thistle and torn
and definitely weighed a hefty tonne

she painfully crawled towards me
shedding profuse tears from the corner of her brow
high-jacked with the broadest of resilient candor
i couldn't believe my whole eyes
her laughter in its midst had an effervescent effect

on my entire life's perspective
i raised her up till her lifeless feet dangled lazily
it infused more seriousness to the texture in her tone
she gave me a gentle peck on my right cheek
and whispered into my left english speaking ears

"Life is whatever you decide of it…"
i tried to comprehend..but it was too late
i never even had the chance to say goodbye
she had already permeated inside every iota of me
leaving her monstrous baggage astride the foot of the Cross…

©2017–2021 Chinedu Jonathan
All rights reserved


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On Seeing the Poet’s Drowned Corpse Float — MacGillivray

Downstream - Digital Work - Miroslava Panayatova
Downstream – Digital Work – Miroslava Panayatova

‘a holy whirlpool spins in your river’ —Enheduanna

I enlist this river's mineral bed;   
whose damp air manipulates bone-body shape,        
whose discharged oracle once roughly bled   
a shrieking carpet of dust, rolled swiftly out,      
reconfiguring motes its water-shade laid
in fire-glyphs seared on the river's parched mud. 

When Alexander sucked the poison root, 
pleading to know if his tongue wrinkled stone,
sweating in semi-precious types of light,          
he faced the whirlpool's voice-clot - found it mute;
circling earthy patterns of thoughtful doubt,
looping the river's underwritten knot.

How brightly the dust-wet whirlpool flares, half-immersed
in halo-bone. Many faces drawn, disperse,
whose deeds of kindness, are water-written.                                             
I lift the river to my mouth—find it bitter—
I weep, rivers dry: when I rise, rivers rise,
their fierce burns refreshing my flame-filled eyes.

Astonishments of fire, astonishments of blood.
Where Woolf's softening skull blunders dim rock thud;
turning on her shoeless heel, dead Li Po,
whose eyes roll black to blue, staring in moon-sunk glow:        
self-possessed of sleep in flame, river-thrown
in burning water, where all poets drown.

Commissioned by BBC Radio 3 The Verb in 2019 for programme ‘Along the River’ and subsequently published in Blackwell’s Poetry No. 1, 2020.


©2019 MacGillivray
All rights reserved


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The Protest Inside — Jane Kennedy Mitchell

Compton Acres - Gerry Shepherd
Compton Acres – Gerry Shepherd
the circle sings a round of protest
marchers crash through the square
but my heart thumps its own protest
signs on for love to an open-ended slog

my masked mummer of doubt
riots through gardens of deception
knocks down arrogant losers
posers without shame
slashes sloganed preconceptions

and my iconolatry falls riddled
with pangs racking enough
to put my passive life at risk
forcing me to tuck
this unfathomable world
tightly inside
my once restricted embrace

©2021 Jane Kennedy Mitchell
All rights reserved


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Rain Tomorrow Storm—Antoni Ooto

no matter how much rain falls

you will be all right

recall spring
while nature whispers to a waiting field

all those secrets soaked faithfully
nudging a belief in growth

in peace, sowing trust
leaning forward;

like a monk dropping seed
keeping that final vow

Published first by The Remnant Archive, September 2020

If There’s a Better Tomorrow

If we count back to zero,
if we call to the spaces beyond, 
and trek the stars that follow. 

Which of our dreams, should we offer— 
to a long winter’s night?

Let’s remember…
“what (was) usual 
is not what is always.”
             —Jane Hirshfield

Published first by Green Ink Poetry, December 2020

Waiting Out the Storm

My friends afford me 
the comfort of their absence.

Sometimes a week or months go by.
Then when I feel alone, I remember 
somewhere out there, in that other place,
someone still cares.

This was a time of need and fear,
divisiveness and protests.
It was a time of followers, idiots, leaders 
believing their own lies and doubling down.

It was ridiculous.

It was a time for waiting
with little space for hope.

I worried and felt shame.

In other years—
at lunches among old friends I’d nod, 
seemingly attentive, listening to past cons, 
a rant, some rehashed excuses, 
as misguided comments circled the table.

Opinions simmered— 
but not mine.
When finished everyone leaned back 
eyes checking for approval.

And I sat silent, knowing less, 
about whom, I thought I knew most. 

In that breather, 
I took stock of the present.

The unending fires,
super hurricanes and floods,
oceans choking in plastic,

desperate cities looking out of war,
and ice shelves becoming history.
(Yes, all that.)

My mind is too small to hold 
without a pause button.

It’s easier remembering how 
rain quenches, restores.
But winter, (Oh God!)
winter has no time for old men.

Wait we must, then shovel our penances.  

In a storm, 
the world disappears, 
and in spring, 
with enough faith, we’ll find it again.

Published first by The Confessionalist Zine, November, 2020

©2021 Antonio Ooto
All rights reserved


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In Theory — Stuart Patterson

Acrylic painting of Whitehaven harbour entrance, Whitehaven, Cumbria, Northwest England - Tom Higgins
Acrylic painting of Whitehaven harbour entrance, Whitehaven, Cumbria, Northwest England – Tom Higgins
I

Along the Douro toward Salamanca, faces rise from books,
tables are pushed together, destinations are forgotten and new
conversations begin - in a rush at first - as the daylight dies.

Across Hangzhou Bay the bridge rises and dips, breezes
murmur with relaxed laughter; children greet elders in low
voices and begin musing together about changes they'll make.

Over dunes, vines, and bush to the southern Cape, friends shake
their heads while strolling quietly together; their quick eyes glow
with joy in the charged air as they reveal their hidden ideas. 

Down the Cordillera Central into its vast basin, the infirm rise
in their beds on thin arms and smile, glad in the end to know
the rhythm of peace in their own limbs and in others’ talk.   

From the Gulf’s warm waters to windswept tundra, we’ll walk 
toward each other, leaving our doors open on meetings that grow
animated with voices over food provided for the common cause.

II

Even now, we hear of suicides foregoing their sacrifices.
Even the victimizers have let themselves be led beyond harm.
Even the wealthy turn from their tragic course in good faith. 

Worship begins anew, awkwardly at first, among total strangers.
Work slows into worship as neighbors relinquish their silence. 
War blooms into work as everyone’s speeches are heard through.

III

The winds of common love blow warmly from the pages 
of the books we open to new convictions. We awake crowded 
into others’ lives, into the honeyed rising of complex harmonies

in our own voices, like nothing we have ever heard so close.
The ends of days leave room for us to go rummaging
through old, native inflections to forge a useful past, attentive 

to accidental insults we may offer, and ready for correction. 
The lakes of our hearts are now joined in trust and we embark 
safely, even if at times the waters toss and our oars miss.

We can hardly believe that we used to call other people “total
strangers”; we turn from the past in the weariness we shake 
from our hearts and hands, always eager to get to preliminaries, 

like those first long looks into the eyes of those who’ve wronged 
us, or devising lists on how to prepare old homes for new guests. 
Having surveyed our outworn furnishings, once dear to us, 

we prepare to remake them entirely as we put up new calendars,
though phrases including the word “repair” seem to creep more
often into our talk. Likewise, the news from elsewhere sounds 

just like our own, playing lightly over the meals we prepare 
together but might take alone, whichever mood strikes us, 
remarking to those at hand, especially ourselves, how many days 

we’ve spent at the peripheries of others’ lives, with friends, friends 
of friends, in melting crowds, during single encounters and on 
chance convergences, as in plans laid to fill an afternoon, trading 

current references for an hour, or even some of our better stories 
if the visit lasted the better part of a day, in homes we've entered 
exactly once, hellos we never followed up on or renewed, 

but that wander now back into our thoughts, like the slower-
moving distances in a view gliding out beyond the nearer, 
racing verge even as we travel toward similar outings 

right in the midst of the vastness we used to call “a race,” 
outings with the once-met who think of us too and who, 
we hear, are going to join us in nursing back to health

the rooms we all love but that still stand empty 
for most of each day. Someone mentions “heaven” 
and we all laugh, then go our ways.

IV

The rules, if you can call them that, for our conduct are self-
evident: axioms for good conversation and intelligent means
for spotting a good plan: one from which we can extricate

what matters most, if need be. You may have to tilt your 
head just so to understand how all this works; it's easier
if you assume the posture you were in when you first

realized you were “growing up,” even if this seems like 
a story you’ve only overheard somewhere. They are as easy 
to attend to as one’s breathing, so it takes practice. Now and 

then a fear might grip you; shudder, if you must, then resume. 

V

Most at stake, of course, are the children, all around us 
as we work. We don’t want to destroy them in our embrace,
like the angels hovering at the opening of Rilke’s First Elegy,

but how can we preserve these new insights even as we shed
habits that still lie about the grounds now like snares, and to keep 
them from the fates we would otherwise rush toward headlong 

in self-sacrifice? As though we had a choice! But we can absorb
these questions later. Let’s walk together a little further 
as we talk. The children can mind themselves, and the lowering

light will just now be catching the bluebells in the beech groves.
It’s really as though some music were playing at the shore of a bay 
that leads to broad, open waters beyond. Here - here’s the way.

©2021 Stuart Patterson
All rights reserved


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Imperfect Willow Why — Darrell Petska

Imperfect Tense

Peace is an action word.

The yogi lying in savasana,
the meditater, the worshiper,
the nature lover know quietude,
but theirs is imperfect peace.

In our world of countries
saddled with bitterness and hate,
imperfect peace is the best
peaceable countries can know.

Peace is an action word
calming others’ fears,
seeking solutions to strife,
furthering the common good.

Only by peacing together
our one human family
can we finally say
peace nears, peace is at hand.

Like the Willow

What must be done
when venomous discord
coils about the branches
of one’s family tree?

Little help perjuring belief,
insisting it’s merely wind’s hiss
or leafy innuendos we hear,
not contention’s noxious voice.

And what good pruning limbs?
Discord’s poison planted,
all limbs are stricken:
the whole tree suffers.

Look to love, most patient love,
that chemistry of shared blood,
to reclaim lost harmonies,
grant the tree its growth—

Like the willow, family is resilient:
its members may toss and weep,
assailed by stormy weather,
yet love’s roots will to prevail.

Why Had We Fought?

My enemy and I, grappling among weeds, failed to see a pit into which we plunged. Hurting from our fall, we kept to opposite sides in that dark, dank hole, glaring hatefully at each other. Overhead, the surface loomed beyond our combined height. Beside us lay the remains of a deer that must have crashed through the pit’s flimsy cover rotting in pieces about us. Our breaths returning, we called out. No one answered. Our only hope rested with each other.
The pit likely had served as an ancient cistern. Eroded bricks jutted from its sides. Seeing the task before us, we began sullenly to fashion a platform from which one of us might loft the other skyward. Unspoken went the question: who would be lofted? We worked with distrust, checking our anger.

As the first day passed into the second, and our bodies weakened from lack of food or water, we began guardedly to speak—first, how best to bolster our crude platform, then about our families. Time and our waning strength worked against us as we clawed bricks from the cistern wall and mounded them with dirt to increase our platform’s height. Even in the night’s darkness, we worked by feel, our bodies bumping against each other as we furthered our plan.
On the third day we made our attempt. The question weighed heavily between us: who first would rise toward freedom? We sat quietly, staring in the gloom at each other. Finally, we drew a circle in the dirt. My enemy’s pebble landed closest to the center. I would do the lifting. He vowed to return.

I knelt on our makeshift platform, and he climbed atop my shoulders. Slowly I struggled to standing, raising him up. Though I couldn’t see his progress, I heard him straining to reach a handhold, felt his weight slowly lift from my shoulders—and I knew he’d gone over the top.
I waited, fearing I’d been left to die. Would I have returned? But at last a knotted rope trailed down to me—he’d kept his word

Once we stood together at the surface, we peered down into the prison from which we’d raised each other. We shook hands, our eyes meeting. Why had we fought? Parting without rancor, we returned to our families, never to fight again.


©2021 Darrell Petska
All rights reserved


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Leader Paradox Time — Kushal Poddar

Landscape With Something Happening Over The Horizon - Gerry Shepherd
Landscape With Something Happening Over The Horizon – Gerry Shepherd

Once The Leader Leaves

The leader has left.
The pennon withers
With the ebbing wind.

Flowers beneath our shoes,
Sandwiches served on paper-plates
So thin that even 
My untrimmed nail
Can slash through their truths,
And I ask where we stand
Now that the words are gone,
And the oration is silent.

My friend munches on.
A dragonfly thins out 
Into the space where our eyes go, 
Seek nothing but find peace.

The Paradox

“Any man’s death diminishes me”- John Donne
In our springtime amble 
We see a dule of peace-birds 
Wash the strip of the sky 
Between two in-between places – 
Their burial ground, and our 
Cremation pier. 

The vesper left some fragrance.
I love it, albeit it makes me sneeze.
“Look,” I show my daughter 
Those shadows that follow us, 
“we are so small to own those.”
She shivers, remembers 
The latest death amongst our kin,
And because she has been 
Watching TV series she imagines 
The glacial metalline trays our niece
Might have slept before they decide
Her flesh can be cremated.

A few feathers swirl en arriére.
Silence is the common ground
We stroll, shaken and sad as only 
Human can be, and yet peaceful,
Perturbed, thinking about our race
Growing and diminishing – a paradox.

Time Has It Hands In The Fire and On The Frost

The bird, I imagine, 
asks how long the bard'll 
go on scrivening 
about those stolen kisses he missed 
as a young man. 

From the street beneath 
my verandah, a vagrant
upturns his palms. Money? 
No, he shows his scald. 
Time has touched 
both the fire and the frost; 
does the man feel 
the veins swelled with the pride 
for his battle marks? 

Almost spring, the bipolar wind
inoculates two minds
I think with, and I think about
the bird of the morning 
and the man without a home,
and those two minds fight
against the starry starry night 
and chasing crows inside.

Time feeds two serpents.
Some rumours of the summer 
lure you to open the curtains.
A flyer flies in. Don't pick up. 
I scream. We didn't discover
any vaccine for belief.

©2021 Kushal Poddar
All rights reserved


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Wishes Too, Are Protests & Other Poems — Kushal Poddar

Window - Digital Work - Miroslava Panayotova
Window – Digital Work – Miroslava Panayotova

Wishes Too, Are Protests

On the day following
the National Military Pride Day,
the dead men and women reincarnate,

some as the crows
on the yellow painted barricades,
and some as scavengers 
cleaning the meat they were,

but that day, when the tanks and bayonets
march like strange phallus cairns 
from a tribe soon some other will replace,    
they have more than flesh on their piths –

those dreams and dreads unfulfilled
they carried 
are reborn too. Beware of those. Billows whisper.

Spring Morning, 2021

The morning sun,

if you play with words and
whisper with still-life lips,
'Golden shower.'

swishes through your arm hair,
and inside, an unreal siren shrieks 
and squeals - Tide is coming
albeit, too late, you wreck and sink.

I hold you, also feeling erotic.

Morning, and yet the cats caterwaul.
Either they're mating 
or have seen 
what no mortal should see.

Below, in our weeds bed, dandelions
burst like suicide bombers.
Someone sneezes in our plain.

Shadow Puppets

On the unfading pillow
we lie;
hands, my hands, now
bark at the night 
spread across the walls of this room;

my daughter holds the torch; 
now my hands fly 
to join the folk it will miss - 
it always will.

What should my hands do?
My daughter moulds those 
into the rugged back of a crocodile,

and or time that devours the mountains,
or the mountains
that swells out of the sea depths.

Full Moon, Springtime 2021

The reflection of the moon at its peak 
looks like a before & after photography, 
not a pair of fake shots used for selling something, 
but one real you stumble upon in a spring cleaning. 

The water seems more smoke and less mirror 
one moment, and more mirror and less smoke the next. 
Anyway, you would have thought the scene fake, 
and yet loved to show the same to your best friend. 
You cannot do so in this virus outbreak, 
but that doesn’t explain why you do not call him, 
why sometimes coming out and staring at the lake 
is the only thing you do other than washing hands.

©2021 Kushal Poddar
All rights reserved


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Asking for a Friend — Corina Ravenscraft

The Art of Waging Peace - Paul Chappell
The Art of Waging Peace – Paul Chappell
If you knew
Your whole family would die tomorrow,
From a senseless war not of your making,
Would you wage peace,
For just one day,
To keep your heart, 
From needlessly breaking?

If I knew
Next week would poison rivers, the air,
Turned toxic by corporate dumping, pollution,
Would I wage peace,
For just one week,
Use my money instead,
For a “Greener” solution?

If we knew
Plants and animals would die next month,
Climate Change pushing them past the brink,
Would we wage peace,
For just one month,
Wage peace for the planet,
Could we do it, you think?

You, I, We, Us,
What will it take to make us care?
A day? A week? A month? A year?
Whole continents burning, unbreathable air,
Fishless oceans, concrete leaving all lands bereft,
Endless bodies, choked rubble from War’s bloody fare,
By the time we wage peace, who and what will be left?

©2021 C.L.R.
All rights reserved


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Open Door — Moe Seager

Colourful World - Digital Work - Miroslava Panayatova
Colourful World – Digital Work – Miroslava Panayatova
                                                                                                                                                                                                       Come in. My door is open
The windows uncovered
Be you friend or stranger
The enemy of ignorance
My table, round
A circle of friends and strangers
Enemies breaking bread
 
I´ll pour you Italian espresso
You bring the baclava from Beirut
We will discuss the differences
Of olives
Big and small
Green and black
Let us chew on the options
 
You be the Muslim
I´ll be the Jew
I´ll poem, you sing
We shall dance before an open window
For all the world to know
That we can


I shall follow you
To your city
To your house
I carry flowers
A curious manner
A wish to know
Your tastes, the aromas of your kitchen
The chatter of children
The photos you hang
Faces of they whom you carry
In your heart
An old man dies
A child is born
You tell me stories
I tell mine
 
Both of us discharging the shit
Of our lives in a world gone mad with itself
Spilling our laughter and pain
When evening descends
We find ourselves
Alone in the still ambiance
Of a solitude shared
 
When I take my leave of you
I will carry your voice
Your soft eyes
Landing in mine
My breath in halt
In that moment of
Wordless silence
Of discovery
We share the grace
Night birds call
To waxing stars
All the world around
The grace of peace
 
I will carry your city
On the map of my memory
Carry your voice
In conversations on the bus
I will carry your smile
As a work of art
We shall both
Be changed
For the rest of time
 
From my grave to yours
We shall rise in the heat of battle
To run on the waters
Fly on the winds
To the heat of battles
Angels of deliverance
                                                                                                                                                                                      Summoning our descendants
To lay down the fear
Pick up the torch
That lights the way
The way we had trod
To the crossroad of
Fulfillment
Complete and calling
All the children home

from We Want Everything, Onslaught Press, 2016


©2021 Moe Seager
All rights reserved


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In the Valley of Elah & More — Mike Stone

Variants - Digital Work - Miroslava Panayotova
Variants – Digital Work – Miroslava Panayotova

The Irony of Plowshares

In the Middle East
If you want to prepare for peace
You must first prepare for war
Because peace must be waged
With the same seriousness of intent as war
And there are as many obstacles and pitfalls
On the path to peace as there are along the path to war.
A weak man cannot forge peace because
His weakness tempts his enemies to attack
And weak are the sabre rattlers
Hoping to frighten their enemies
With simulations of disproportionate force.
Their fears and uncertainties blind them
To the path of peace.
Only a strong man is confident and sees clearly.
He walks calmly along the path
Narrow as the razor's edge.
The path to peace meanders through Gaza
Where we've been eyeless and
Our plow shares will be made out of swords,
Neither flowers
Nor gentle breezes.

		September 28, 2016

Ode to the Common Man

This is not a tale that Homer’d tell of
Achilles, hero of the Achaean army,
Paris, jack of hearts and Troy’s downfall,
Or Odysseus, errant lord of Ithaca,
No, this is an ode to common men
On whose backs history marches
But of whom little or nothing is recorded,
Who follow heroes to untimely deaths,
Who mimic their brave gestures and rousing phrases
Until a roar rises up from countless throats
To cow those who would think more rationally,
Common men who stand against uncommon men,
Common men who march stridently in endless waves
Toward the future facing backward,
Common men who’d be their heroes
If only they were common too.

			December 30, 2019

In the Valley of Elah

In the Valley of Elah, not far from Gat
A young Philistine puts a smooth stone
In the pouch of his sling with one hand, 
Pulls the leather thongs taut with his other hand,
And swings the stone over his head,
Releasing its lethal trajectory
At a squad of helmeted shielded soldiers
Patrolling the rocky hills.
It is always the same play –
Sometimes we are David and
Sometimes we are Goliath.

			February 12, 2021

©2021 Mike Stone
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Generation Living Dead — Samantha Terrell

What’s a Generation?

Twenty years
325,980 bombs
Sent away
From these United States.
But sent towards?
Towards a bigger empire,
A wealthier portfolio,
Another generation
Trained to defend
A cruel nation.

Song of the Living Dead

The living
Bury ourselves in shame
Of pipeline trenches dug.

The living are ripped
Jaggedly, lengthwise; symmetry undone
By fracking.

The salt of the living
Bleeds, nuclear waste
Leaking into ocean waters.

The living mourn the loss
Of nature’s bountiful song,
Supplanted by the drone strikes of the dead.

Acknowledgment

Remind me, 
Your anger 
Is fear.
It will 
Help me 
Read 

Unarticulated words on 
The page of your 
Heart, pore over 
Them as I would my own,
To set aside ugly faces, 
Translate 

Them into vulnerability;
Vulnerability 
Into tenderness; Tenderness, relatability –
Where we are one –
Where we know 
Each other’s words so well we can, finally, grow.

©2021 Samantha Terrell
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Pretending Peace & More — Samantha Terrell

Tulip at Night - Digital Work - Miroslava Panayotova
Tulip at Night – Digital Work – Miroslava Panayotova

Pretending Peace

My peace plant has
Two American flags stuck in.
I like to imagine
One flag for peace abroad,
The other – peace at home. 
But imaginations are 
A dangerous thing,
Causing us to look for answers.
And, much to my chagrin,
Sometimes reality
Is scarier than pretend.

Equalizers

Skin color,
Gender,
Size up my bank account.

Weed-smoker,
Ex-offender,
Size up his bank account.

Drifters,
Loners,
Size up their bank accounts.

Pedophile?
Peacemaker?
Equals in eyes 
Who size up where power lies.

I’m Not Qualified to Pray for Peace

Maybe 
To pray for peace 
Is too bold and ambitious, 
When we know not what it means.

Maybe instead, 
The prayers and hopes to offer
Would be for the wealthy 
To be generous with their coffers;

For the injured and diseased 
To find relief from their pain;
Or, for drought-laden countries
To get their share of rain.
 	
Maybe we should pray for safety
For the world’s children,
Instead of praying for peace 
To do a magic-trick in volatile regions.
 
Or, we could pray for cooperation 
Amongst all cultures, nations and religions,
Rather than generic peace treaties 
Which become tools of derision.

And, if we pray for fewer
Loaded guns, less animosity,
We might begin to understand this
Loaded word called peace.

©2021 Samantha Terrell
All rights reserved


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Reclamation Neighbor Friend — Kim Whysall-Hammond

Still Life Garden 2 - Gerry Shepherd
Still Life Garden 2 – Gerry Shepherd

Reclamation

Solar fairy lights are draped over bean poles
scattered in bushes, hang from trees

Small children snuggle in huge sleeping bags
are tucked into tiny pop-up tents, cocooned in strollers
Mums and Mums, Mums and Dads, Dads and Dads
relax together

By the trees, Ska is playing on a bluetooth speaker
while a Steel Band sets up with the Rock Choir

Someone somewhere being is burning the Jerk Chicken
Nan Breads steam on tables
people sit on blankets swapping delicacies, favourite snacks
spices pervade the air

Morris dancing is being committed, I hear the tinkle of bells
my wife goes to find them, laughing

Several Turkish families munching kebabs are
encircling two wrestlers covered in olive oil
who slip and slide on the grass, struggling to grip
as a wider audience gathers

Solar streetlights proclaim party, the Mosque draped
them in thin scarves to colour our night

We are reconnecting, reclaiming the night and ourselves
while older kids are transfixed by all the moths
most of the local wildlife is probably putting
paws over furry ears, heads under wings and muttering
sod off

The Banghra dancers are warming up to
the booming dollop dollop of their large drums

The local likely lads, all ready to strut their stuff
to rhyme and patter at the microphone
are laughing hard at something.
I go over to see what's up
It's all a Rap they tell me
can't you see?

Raucous all-night picnic.

Love Thy Neighbour

"We close the divide because we know, to put our future first,
we must first put our differences aside"  Amanda Gorman
It’s hard, he doesn't like people my colour
but we have all been through hard times
we are now waiting for the future
wanting it to be good,
we all need care, attention.
I've been shopping for him since the virus first came
been trying to prize him from his flat
all that stuff piled high
can't be healthy.

Today the lifts work
since the community maintenance, they been good.
Today I got him to the park, reckon he needs fresh air.

And he came alive, started walking faster
went up to the trees, saying
robin blackbird,
well I misunderstood at first
racist begger I muttered.
Then, he turned, pointed up at some bird hovering
said Kestrel, and I realised
he knows this nature stuff.
Suddenly he was naming butterflies
hey, bloody butterflies have names
that are as beautiful as they are.
And I realised
when you name them, they are more real.

We spent a sunny afternoon wandering
me learning so much.
Then the kids came out of school
flooded through,
stopped, actually listened 
began repeating the names.

He goes to all the local schools now
tells everyone about birds, butterflies, moths, worms.
God, worms are important
really they are
we need them to grow food.

He calls me his Princess these days, old devil,
says I gave him a new life.
Well, that's what we all want.

The other friend I told you about

He can show me which doorway to sleep in
and where the bins have good eating.
I have that little place I know
where they do the best Takoyaki.
He tells me the names of all the constellations
and the stars within them,
I explain how solar panels can be made so thin
and he understands.
He’s seen stuff
well I have too, but he can’t see that
yet.

I’m afraid to touch him in case I catch something,
he’s afraid I’ll call the Police.

We often meet in the beer garden
sip lemonade
“Yeah, I got lemons, didn’t I?”
he says ruefully.
His eyes can glitter with assumptions
resentments.
Our thoughts about each other
dance round and round and round.

I took him to the theatre
he knew the names of the lights
 in the rig above us, could quote the play.
He took me to gospel choir
got me to sing, I knew the words.

We talk about how we met,
by the canal, feeding ducks.
He told me off for giving them bread.
We found we had lots in common
all those things we are interested in.

He tells me a lot, perhaps everything,
whether I believe him is
immaterial.
I talk about family and
he walks away.
We miss each other after a while,
meet up again.

©2021 Kim Whysall-Hammond
All rights reserved


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