Writers, poets and other artists are often the change agents in a world that seeks the balance of reason to counter violence, injustice or stagnation.
On Saturday, 27 September, 100,000 Poets (and Writers, Musicians, Artists and Activists) will join in cities and towns around the world to explore and inspire positive changes for issues of human rights, poverty, hunger, climate, and peace-making. You can learn more about that effort and see what’s happening in your area by linking HERE.
The Bardo Group is hosting a virtual event as a vehicle to facilitate blogger participation and also for those who may not live near an off-line event or who may be homebound. Tomorrow, we are jump-starting our participation with our traditional Writers’ First Wednesday prompt. Novelist, poet and writing coach, Victoria C. Slotto will host Got Change? and you are invited to share your thoughts and work by linking in through Mister Linky or by leaving comments or links in the comment section.
Please join us on The Bardo Group blog tomorrow for Victoria’s Writers’ Fourth Wednesday.
Details on our virtual participation with 100,000 Poets for Change event are HERE.
With the help and support of talented bloggers and readers, I founded The Bardo Group because I feel that blogging offers a means to see one another in our simple humanity, as brothers and sisters and not as “other.” I am the poetry liaison and a member of the Core Team. Terri Stewart (Beguine Again) is in the lead position and the Beguine Again collaborative and The Bardo Group are coordinating a consolidation of the two groups.
“Good work, like good talk or any other form of worthwhile human relationship, depends upon being able to assume an extended shared world.” Stefan Collini (b. 1947), English Literary Critic and Professor of English Literature at Cambridge
interNATIONAL POETRY MONTH is coming to an end. We recreated this annual April event, which is national in Canada and the United States, into an international celebration inclusive of everyone in our collective and consistent with our philosophy. Poetry – as all art – knows no borders.
We are pleased to share the news that Elegy to Damascusfrom the exquisite pen of Algerian Imen Benyoub garnered much attention, including two re-blogs and nearly fifty Facebook “Likes.” The poem is very much in the spirit of Bardo.
WHO IS POETRY FOR? This coming Wednesday as we put closure on poetry month – but not poetry – we share an essay from Bardo friend, Myra Schneider, who is much appreciated for her work as a poet and teacher, a consultant to Second Light Networkand for her encouragement of others to read and write poetry for well-being. Myra asks, “Who is Poetry For?” and invites suggestions on how we might widen the audience for poetry. Feel free to offer suggestions in the comments section whether you are invested in this art as vocation or avocation or as an enthusiastic reader.
SECOND LIGHT NETWORK‘s next issue of ARTEMISpoetry is due out in May. The network’s anthologyHer Wings of Glassis forthcoming this October. On Wednesday a review of the November issue by Jamie Dedes will post on The Poet by Day. Note: Second Light Network was founded and is based in England but its membership is open to women world-wide. See the site for more info on membership qualifications, membership costs and benefits.
The launch ofthe new web-site is on Saturday 3rd of May. “We hope you will join us then for story-telling and more.” Niamh has invited us to visit, so do save the date and lend your support. For a taste of what’s to come, visit Dr. Nana Plum’s Story Corner.
PTB Anthology in the works: Niamh reports that “we have received some wonderful poetry submissions and art for our Mother anthology. There is still time to send in yours.”
BRAVO! A pat on the metaphorical back of Jamaica, which just this month named its first National Poet Laureate in fifty years. Read all about it HERE.
YOUTH POET LAUREATES: Los Angeles County Youth have until May 19th to submit work to Urban Word, which will name one talented person (aged 14-19)LA Youth Poet Laureate. Details HERE.
In January at Mayor Bill de Blasio’s inauguration, New York’s Youth Poet Laureate, Ramya Ramana, read her poem entitled New York City, a poem dedicated to Mr. de Blasio.
YOUTH CORNER: The Bardo Group is still looking for a youth – aged 19-24- to run a Youth Poetry Corner. Email us at firstname.lastname@example.org if you are interested.
ENITHARMON PRESS: The media team at Enitharmon Press alerts us to the publication of three new books of poetry in May with announcements of book launches in London for those in our collective who live or are visiting the area.
BOOK LAUNCH INVITES, 1, 13, 22 May 2014
SOME LETTERS NEVER SENTby Neil Curry ~ “Deceptively relaxed in tone, these verse letters – sometimes serious, sometimes whimsical – are addressed to such figures as Angelea Carter, the Venerable Bede and from Odysseus to Gilbert White’s tortoise, on topics as diverse as smallpox and the paintings of Vermeer, landscape-gardening, the King James Bible and Eddie Eddi Stobart’s lorries on the M6. There has not been a collection of verse letters of this nature since the Epistles of the Roman poet Horace and, fittingly, it is to Horace that the final letter is addressed, partly by way of apology.”
SOONER OR LATER FRANK by Jeremy Reed “Sooner or Later Frank finds Jeremy Reed optimising his London quarter of Soho and the West End, its outlaws, opportune strangers and rogue mavericks condensed into poems coloured by an imagery that pushes pioneering edges towards final frontiers. Right on the big city moment, and with an eye for arresting acute visual detail, Reed makes the capital into personal affairs. His characteristic love of glamour, rock music, seasonal step-changes, and a Ballardian preoccupation with the visionary render this new PBS Recommendation, in John Ashbery’s words on Reed’s recent work, ‘a dazzling tour de force.'” You’ll find the poem that lends its name to the book HERE.
THE ORCHID BOAT by Lee Harwood ~ “A weave of stories: some personal, some historical, some real, some imaginary. Often these stories may co-exist in a poem just as they do in one’s everyday mind, as a collage mirroring our own perception of the world. It is a mix that can include Alexandria or China or Brighton or North Wales. These interwoven stories insist on the acceptance of contradictions and complexity in people and in life; a recognition characteristic of Harwood’s poetry and shaped by his acknowledged influences: Gide, de Montherlant and Cavafy, John Ashbery and Frank O’Hara. In Harwood’s poems the richest material and tone is found in ‘the ordinary’, and in The Orchid Boat this focus is thrown into even greater relief as he explores the power and weight of memories.”
CALL FOR SUBMISSIONS:Robert (Bob) Clark Young tells us that, “As the creative nonfiction editor for Connotation Press, I’m always looking for new essays. I invite you to submit nonfiction on a topic of your choice. I’m looking for creative nonfiction, narrative nonfiction, memoirs, and personal essays–with the understanding that these categories often overlap. Up to 10,000 words. Please submit work directly to me at email@example.com. I look forward to reading your work.”
Bob was a guest writer on Bardo. In his piece, Escape from the Nursing Home,he shared his story – and the rewards – of caring for elderly and infirm parents.
SAVE THE DATES
From Oxford Brookes Poetry Centre and the Arts Council of England
From The Bardo Group: While we don’t have a striking poster such as the one above, we do have some fun and interesting virtual events coming up:
WRITER’S FOURTH WEDNESDAY prompt hosted by Victoria C. Slotto is scheduled next for May 28th.
VOICES FOR PEACE PROJECT in concert with 100,000 Poets for Change (Michael Rothbenberg and Terri Carrion organizers) is hosted by Liz Rice-Sosne and scheduled for September 27, 2014. We are officially partnered with 100,000 Poets of Change as of April 10, 2014.
The same question that had hounded her for years continued to pummel Irene: At the end of my life, what will I have to show for it?
The answer, she decided, wasn’t in this place—a box-like room full of white sheets, a white blanket, a white commode and the sickly smell of urine, feces and vomit.
She dragged her legs to the edge of the bed, grabbed the rubber handles of her walker encrusted with the grime of three weeks in the nursing home, and made her way to the apple red crash cart parked down the hall where she copped a vial of potassium chloride, a 22 gauge needle, a syringe and tourniquet from the drawer that should have been locked.
After signing herself out against medical advice, she took a taxi home—her happy yellow home with the flower boxes on the window sill that had just come into bloom—the place where she had chosen to die.
Purty, her calico cat greeted her at the door, purring and winding herself about the ankles of the old lady who suddenly realized that the medicine stashed inside her purse wasn’t what she really wanted, not when she had something that needed her..
In my nursing experience, people need someone or something to get better for–or at least the process of rehabilitation goes much better when there is a loved one waiting at home. Even, perhaps especially, if that “someone” depends upon them.
WE SALUTE THE ARGENTINE POET and SOCIAL ACTIVIST, JUAN GELMAN, whodied on the 14th in Mexico City where he moved after his exile and lived for the last twenty years.
A bird lived in me. A flower traveled in my blood. My heart was a violin.
Gelman was revered in Latin America and in Spain for his work against the junta of Argentina, his subject matter largely addressing injustice and oppression, but he was renowned the world over for his excellence and his ethic. He became a symbol of the “disappeared,” when he began a search for his granddaughter after his son and daughter-in-law were disappeared and killed. If you don’t know his story, you can read it HERE.
Shelley wrote that poets are the protectors of moral and civil laws, “the unacknowledged legislators of the world.” Gelman certainly wrote in just such a spirit.
Professor Ilan Stavens (Amherst College) reads Juan Gelman’s poem End.
Photo credit ~ Presidencia de la Nación Argentina under CC A 2.0 Generic license.
OUR YEAR-END REPORT FROM WORDPRESS: The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed over 38,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 14 sold-out performances for that many people to see it. In 2013 there were 354 new posts. There were 412 pictures uploaded, which is about a picture per day. The busiest day of the year was January 18th with 524 views. [LAUNCH AT LAST! … Rhineo & Juliet, Love & Tragedy in Africa – unfortunately the two videos that were included in that post are no longer available for review.]
MORE ON CREATIVE COLLECTIVES: In another Bardo News post we wrote:
We are nurturing a growth that goes beyond the simple idea of “connectivity” to a more productive virtual “proximity” … think in terms of artistic gatherings – not always formally organized – that you’ve read about and perhaps loved – Bloomsbury in England or the cafe gatherings of the so-called Lost Generation in Paris of the 1920s or even the Algonquin Round Table in New York, also the 1920s, though we will forego the pranks and practical jokes of the latter.
We received a response to that from a Bardo friend who wishes to remain anonymous: “I had developed some additional thoughts or elaborations I’m passing on to you.
“Prior creative and intellectual movements benefited greatly from geographic proximity. It wasn’t enough to be part of community, but that the community shared and debated some essential values and were in constant contact. The idea is that fervency, serendipity and discovery arise out of actual physical proximity.
“This is why artists still flock to cities. Despite the Internet, we still go to Mecca.
“Connecting technologies have always strengthened the bonds between people with like-minded interests (letter-writing, magazine letter columns, BBS, chatrooms, message boards, social networking, etc), fostering community. But, in the last 40 years, I haven’t seen technology yet truly replicate the creative synergy that occurs with physical proximity.
“Which led to my conclusion: any creative person who is working via connected technologies (Internet, etc), needs to focus on how they can go beyond mere community and replicate the qualities caused by physical, geographical proximity.
“I think those qualities, include:
1. regularly scheduled contact
2. opportunities for random contact
3. an agreement on the values under discussion (not necessarily in agreement on the rightness or wrongness of the values themselves).
4. diversity of interest and perspective on those values.
“Several recent groups are decent examples (these are not necessarily endorsements), including:
• The Beats (rather amorphous really, but SF, NY, and Tangiers at various times)
• The Objectivists (in NY, prior to the broader expansion)
• Maybe, the “Fog City Mavericks” in film; Lucas, Spielberg, Eastwood, Coppola, Kaufman, Zaentz.
• The Inklings
• The Futurians
“Of course, as I read this, I also recognize that the ultimate failure of these groups and collectives was often caused by a descent into orthodoxy that stifled creativity and diversity.”
INTRODUCING JOSEPH HESCH (A Thing for Words): Joe joined us as a member of the core team late last year. He is a writer and poet from Albany, New York. Many of his poems and stories are inspired by his almost 400-year-old hometown, but most spring from his many travels between his right ear and his left ear. A former journalist, he’s written for a living more than thirty years, but only recently convinced himself to rediscover the writer he once thought he was. Five years ago, he began to write short fiction. Two years later, in a serendipitous response to a blinding case of writer’s block, he wrote his first poem…ever. He hasn’t looked back.
Since then his work has been published in journals and anthologies coast to coast and worldwide. He posts poems and stories-in-progress on his blog, A Thing for Words (http://athingforwordsjahesch.wordpress.com/). An original staff member at dVerse Poets Pub website, he was named one of Writers Digest Editor Robert Lee Brewer’s “2011 Best Tweeps for Writers to Follow.”
INTRODUCING LIZ RICE-SOSONE a.k.a. RAVEN SPIRIT (Noh Where): Liz is probably the most long-standing friend of Bardo. She guested here on several occasions and late last year joined us as a core team member and as the point person for our Voices of Peace Project. Liz began writing when older and housebound due to illness. HIV/AIDS work was the most rewarding work of her lifetime. Her animals are the loves of her life. Her husband is her best friend and also the love of her life. She received a master’s degree in 2008 in gerontology and creative writing at the age of 62. She started her second blog Noh Where in 2012. She has a deep connection to all things Corvid.
Additionally, let’s celebrate with Terri as she was invited to provide testimony at her state legislature on January 29th. She will provide witness regarding the effect of having confidential juvenile records. Her state does not consider juvenile records confidential and any court proceedings are subject to the open records act. Additionally, the state she lives in sells juvenile records before the youth is even an adult and able to follow the steps to sealing their record. Making the records confidential is a huge step forward in providing peace and justice in the youth’s lives.
“Bea In Your Bonnet: First Sting is a collection of germinal poems featuring Aunt Bea. Aunt Bea’s voice is one I’ve heard almost every day of my life. Family observations, lessons, and advice given to me and every other family member who had the good sense to listen. Her homespun philosophy most likely will not be found in any collegiate textbooks or for that matter in any local town crier newspaper catering to city dwellers. Indeed, she has a different way of viewing the world; a bit old fashion, sassy, and steely at times but a viewpoint which has engaged my imagination and heart. I sincerely hope you too will find some morsel of wisdom in her personal observations and interpretations of life’s events, but do watch out for her stingers.”
FEBRUARY BLOG EVENTS: Please join us on February 14 forBloggers in Planet Love.Mr. Linky will be open for 72 hours begining on the 14th. We hope you’ll share your post on nature, environment and environmental protection, food and farming, climate change and any other earthy subject. We welcome all forms of artistic expression: poems and photography, visual and video art, music, fiction, creative nonfiction and essay. We hope that you will also visit the other participants so that we can support one another while we all encourage appreciation and care of this beautiful planet of ours. The next Writers’ Fourth Wednesday prompt with Victoria Slotto (Victoria C. Slotto, Author/Fictionn, Poetry and Writing Prompts) is on February 26th. Thanks to those who joined with us last week. We look forward to seeing your participation again.
JAMIE DEDES (The Poet by Day) posted three short stories as Pages on her blog:
JOHN NOONEY’S (Johnbalaya) post, Some Thoughts on Adoption, drew considerable – if quiet -traffic and garnered fifty Facebook “Likes.” We’re thinking maybe there’s potential for a book in the expanded version of the story, John. Just sayiing!
GOT NEWS? Please feel free to leave any news you may have in the comments section today. The next Bardo News is scheduled for Sunday, February 23 at 7 p.m. and the deadline for submitting your news is Friday, February 21. If you have news you’d like shared in that post, please leave a message in the comments section of any post between now and then and someone will get back to you. Thank you!
Thank you for your readings, writings, sharing, “Likes,” and comments. All valued, as are you.
This month Victoria Slotto will host “Writer’s Fourth Wednesday” writing prompt on January 22 at 7 p.m. here at The Bardo Group. She invites any and all to participate. Victoria will set up Mr. Linky and leave it up for three days so that we can all link in our scribbles whether poems, fiction or creative nonfiction.
I hope this reblogged piece on the English poet Mary MacRae will help to start the creative juices running and perhaps inspire some confidence in those others who are also coming to their art late in life. J. D.
NOTE: Originally published here about two years ago, this post is worthy of a wider audience and more than one read; and so, with some additions, I post it again for the benefit new readers and old. Among other things, the evolution of Mary’s poetic grace in her maturity is certain inspiration for those who come to their art late in life as she did. Enjoy …
Mary MacRae “wrote and published poetry for only the last ten years of her life, after ill-health forced her to take early retirement from teaching. She taught for 15 years at the James Allen Girls School (JAGS), Dulwich, London. Her commitment to writing led to her deep involvement with the first years of the Poetry School under Mimi Khalvati, studying with Mimi and Myra Schneider, whose advanced poetry workshop she attended for 8 years. In these groups her exceptional talent…