Posted in Corina L. Ravenscraft, Essay, poem, Poems/Poetry, poetry, Poets/Writers, Writing

April is Poetry Month!

Since 1996 in the United States and 1998 in Canada, April has been deemed by poets, librarians, booksellers and teachers as the best month to celebrate poetry, as it has been recorded as the time of year when it can garner the most participation. Although the celebration of poetry in April started as national events in US and Canada, the Bardo Group is celebrating the month as International Poetry Month, since we are a multi-country, multicultural collaborative. Here is some history on how and why poetry month started and some ideas for ways in which you might celebrate with your friends and family.

image borrowed from http://thelivepoetsociety.wordpress.com
image borrowed from http://thelivepoetsociety.wordpress.com

It was started by the Academy of American Poets as “an ultimate effort to encourage poetry readership year-round.”Source HERE is a great page and resource for what it’s all about. You can even receive daily poems by e-mail, if you like! THIS page has a list of thirty ways to celebrate. My three favorites among these suggestions are: * Put poetry in an unexpected place. I love this idea because the surprise element adds something extra – the very fact of it being unexpected may make more of an impact upon the person who sees/reads the poem, and perhaps will leave more of a lasting impression. 🙂 I’m already scouting out unexpected places to leave a poem or two! Post-it * Play the Exquisite Corpse game. (Rules can be found here) Simply put, it’s a game where the participants agree beforehand on what sentence structure to use, then provide one word and pass it along to the next person who has no idea what the word before is…and then that person passes along their word, and so on. It could be just a simple line of poetry or an entire poem, depending on how many people participate and/or how many times each person submits a word. What a fantastic idea to get people to have fun and collaborate, creating a unique poem in the process. I need to find some people willing to play, and if it turns out to be a success, I’ll post the results. 😀

Image borrowed from http://diaryofasmartchick.com
Image borrowed from http://diaryofasmartchick.com

* Take a poem out to lunch. My “lunch-time” normally falls between 9:30 p.m. and 10:30 p.m. because I work the night shift, so I don’t often have company with me. However, this is the perfect excuse to take someone to lunch with me on one of my days off and bring a poem! Maybe the person I take can bring one, too, for twice the enjoyment and twice the discussion. 🙂

Image borrowed from http://blogs.thenews.com.pk
Image borrowed from http://blogs.thenews.com.pk

However you decide to celebrate, I hope you DO decide to at least read or write one new poem and help spread the appreciation to others. One of my favorite ways to enjoy poetry is by searching and finding the perfect picture for a poetic verse or quote. It can be a lot more challenging than you might think, and the image/poetry combination is often times far more striking and memorable to the reader/viewer than a simple line of type. Of course, always be sure to give proper credit for both picture and poem.

Though on The Bardo Group blog we won’t exclusively post poems everyday this month, we’ll certainly celebrate with many poems and poets from different times and many places. Along with the Academy of American Poets, we’ll celebrate A Poem in Your Pocket on Thursday, April 24, when everyone is invited to share a poem here and/or a piece about a favorite poet no matter the poet’s time or place. Mister Linky will go up and you can link in your own work or share a URL to work you admire. Or, if you prefer, you can share a poem or comment on a poet in the comment section of that day’s post. Mister Linky will open at 12:01 a.m. on the 24th. We look forward to seeing what you have to share then.

Image borrowed from http://rationallyspeaking.blogspot.com
Image borrowed from http://rationallyspeaking.blogspot.com

In closing, here are a few of my favorite quotes about poetry from some of my favorite poets. How about you? Any celebration ideas? Favorite poems or poets to share?

“Poetry is a deal of joy and pain and wonder, with a dash of the dictionary.”Khalil Gibran

“Poetry is when an emotion has found its thought and the thought has found words.”Robert Frost

“Poetry is an echo, asking a shadow to dance.” Carl Sandburg

“Genuine poetry can communicate before it is understood.” T.S. Eliot

© 2014, essay, Corina Ravenscraft All rights reserved

effecd1bf289d498b5944e37d8f4ee6fAbout dragonkatet Regarding the blog name, Dragon’s Dreams ~ The name comes from my love-affairs with both Dragons and Dreams (capital Ds). It’s another extension of who I am, a facet for expression; a place and way to reach other like-minded, creative individuals. I post a lot of poetry and images that fascinate or move me, because that’s my favorite way to view the world. I post about things important to me and the world in which we live, try to champion extra important political, societal and environmental issues, etc. Sometimes I wax philosophical, because it’s also a place where I always seem to learn about myself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ and I don’t mean “net-working” with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

Posted in Essay, Poems/Poetry, Spiritual Practice, Terri Stewart

Sacred Space Wherever You Can Name It

A while ago, I was volunteering as a Spiritual Director with incarcerated women. As it so happens, working with the incarcerated us not always straight forward. Some of the things that impact the incarcerated are less education, unstable family systems, increased drug & alcohol use, and untreated mental illness.

One woman I worked with came to me for Spiritual Direction, but she was schizophrenic. The things we worked at were finding a concrete symbol of something that she could name as Love but that did not have her “hearing voices” or “listening for divine within” or anything at all like that! After all, coming from a time in life when she actively did hear voices, that was not something she trusted!

We hit upon the image of her teddy bear. That teddy bear encapsulated pure love for her. It was concrete and it helped her feel loved. That symbolized the spot where she could find sacred space.

What about you? Is there something ordinary that represents sacred space? A teddy bear? Book? Chair? What provides sacred, healing space that nobody else would suspect?

For me, that sacred space is often represented in words. Maybe my computer holds the sacred space. It is a window to a world of great wisdom and the receiver of my angst and wonderings as I process feelings through writing. Hmmm.

for an incarcerated mentally ill client

ghost town

small, still voice of wind,
tossing my tumbleweed-thoughts
that roll through a ghost town.

here, my safety has been
abandoned to the rats and mice
that hide from revelation,
distrusting that light
so much that they will not stay
and visit. the locks and guns
have been jammed by mud-caked
memories of injustice,
in the sheriff’s office.

the hollow-hallow notes of the
player-piano silent
except for the collapsing
frame that drops pieces of itself
crashing onto the discordant keys,
creating a nightmare sound of
happiness twisted into grief,
twisted into a mockery of joy,
in the saloon.

the telegraph does not speak
into the future, the wires
have frayed and disconnected
from the source of consolation,
reality has dissolved letters of love
or news of the war and the
beloved sears & roebuck catalog,
in the post-office.

the ghost town disgusts me.
especially when the wind is
blowing and changing all that
i know into something unknown
ripping the roof apart and causing
the cacophony of noises to come
in from all directions telling
me, what?  untrustworthy voice!

so small and still or
so big and booming

telling me to tear the walls apart
bare-handed until my fingers
become bloody stubs and
yet you insist that i see you,
listen to you, the wind destroying
the small community of barn owls
and bats that i have built in my
ghost town.  i do not want to hear
you.  the owls and bats are my
saving grace.

by "miracle design" at flickr.com CC (BY-ND)
by “miracle design”
at flickr.com
CC (BY-ND)

Post, Terri Stewart (c) 2014

Poem, Terri Stewart (c) 2010

terriTerri Stewart ~ a member of our Core Team,  comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction with honors and is a rare United Methodist student in the Jesuit Honor Society, Alpha Sigma Nu. She is a contributing author to the Abingdon Worship Annual.

Her online presence is “CloakedMonk.” This speaks to her grounding in contemplative arts (photography, mandala, poetry) and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com.
Posted in Essay, General Interest

Sacred Space in Peacemaking

I am currently at Ecumenical Advocacy Days in Washington DC. The focus is on radical peace making. I am reminded of the extreme risk that comes to people making radically peaceful stands.

Fr. John Dear suggested the following process to arrive at a nonviolent life:

– Nonviolent interior life … Leads to …

– Nonviolent interpersonal life … Leads to …

– Nonviolent world.

It reminds me of “love your neighbor as yourself!” That requires self love first. Interior nonviolence leads to a cosmos full of nonviolence!

Dr. Martin Luther King Jr. articulated six principles of nonviolence:

1. nonviolent resistance is not a method for cowards

2. nonviolence does not seek to defeat or humiliate the opponent, but to win his friendship and understanding

3. the attack is directed against forces of evil rather than against persons who happen to be doing the evil

4. nonviolent resistance is a willingness to accept suffering without retaliation, to accept blows from the opponent without striking back

5.it avoids not only external physical violence but also internal violence of spiri

6. it is based on the conviction that the universe is on the side of justice

Some of these are hard principles. But all the people I have heard of that do nonviolence have incredible wells of interior spaciousness. The ultimate source of nonviolence.

I hope you find something to prompt a thought that leads towards greater peace!

Shalom,

Terri Stewart

Source: http://www.wildmind.org/blogs/on-practice/the-path-of-nonviolence-six-principles-of-dr-martin-luther-king-jr

terriTerri Stewart ~ a member of our Core Team,  comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a recent graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction with honors and is a rare United Methodist student in the Jesuit Honor Society, Alpha Sigma Nu. She is a contributing author to the Abingdon Worship Annual.

Her online presence is “CloakedMonk.” This speaks to her grounding in contemplative arts (photography, mandala, poetry) and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com.

.

Posted in Essay, Liz Rice-Sosne, Spiritual Practice

A Second Spiritual Experience – Part Two

During this time in November of 2005 I communed with a Great Horned Owl and a Red-Tailed Hawk each who each resides in Forest Park.  One evening I was meant to take to the hawk, as an act of thanks, a chicken wing and place it upon a particular iron waist-high pole on the edge of the ball fields. It was Friday night. My husband kindly came with me to Straub’s the family grocery where I shop.  He hung back a bit somewhat embarrassed.  On Friday night the place is mobbed.  So, I got in line at the butcher’s counter and waited until my turn. There was a long wait. When it was finally my turn I ordered one chicken wing.  Everyone else in line hearing my request went nuts: “one chicken wing!”  Well no, actually, “just a half of a wing I did not want the drummie.”  People were looking at me in utter disbelief, as though I had wasted their collective time with purpose.  Once I had the wing I left for the park.  The problem there was that there were police everywhere.  It looked as though I was putting some garbage on a post.  But, I fulfilled the task and had no encounters with local law enforcement.  Aside from my request to God, the other thing that initiated my experience was my long conversation with a Vietnam Veteran.

What this experience in its entirety did for me; was to give to me the actual feelings that many war veterans experience during their times in war.  You might wonder: “how could that possibly be?”  I suspect that I was meant to feel what many soldiers felt during war, because I would later work with them at the VA.  For all of my life, veterans were persons to be thought of on Memorial Day and on Veteran’s day, period. I was conceived immediately after WWII.  So, my relation to veterans was not unusual. After my experience in which I sensed the emotional torment of those who have seen battle I was radically changed.  I studied war. I volunteered at the VA for several years and I gained a healthy respect and love for our country’s veterans. I might add I truly gained a deep respect and love for Vietnam Vets as they are of my generation. I also acquired abhorrence for war. I truly came to understand “love the warrior, hate the war.”  Most cannot enter into that cliché and act upon it. It is very tricky and very difficult for it is so political.   But my experience lacked all political thought or sense.

The other thing that I did was write about 20 poems about war, veterans, acts of war … really anything that came out of my experience that year.  My first poem titled: “A Certain Madness.” It came about during one particular writing class that I taught at the VA.  The poem follows.

A Certain Madness

Each one came, soldier, marine, airman, frog, walking quietly as if wrapped within the cocoon of his own world.

War’s sad energy like a gray, heavy mist lay upon the shoulders of each, reality spiking their dull black piercing shadows.

Each man sat at the table abandoned. 
 “Just a word? Coffee please.  May we write yet?”

And then he stood.
 A large and heavy presence, poorly balanced.

He shouted:  “Don’t you see them?
 There, in the corners … there is one in each corner.”

“How dare they come here?
 I ought-a know. 
I was with the CIA.”

Then he sat down defeated, again. 
 He seemed to relax until another
stream of madness crept out of his throat.

“I will NOT be giving you a sample today! 
 There will be no writing samples. 
 THEY … are here for that reason you know, to collect them.”

And I thought to myself: 
“Does the madness hide the pain? Or perhaps this pain drives one mad.”

© Liz Rice-Sosne

unnamed-2LIZ RICE-SOSNE a.k.a. Raven Spirit (noh where), perhaps the oldest friend to Bardo, is the newest member of The Bardo Group Core Team. She is also our new Voices for Peace project outreach coordinator and our go-to person for all things related to haiku.  She says she “writes for no reason at all. It is simply a pleasure.” Blogging, mostly poetry, has produced numerous friends for whom she has a great appreciation. Liz is an experienced blogger, photographer and a trained shaman. We think her middle name should be “adventure.”

Posted in Essay, Shamanism, Spiritual Practice

A Second Spiritual Experience – Part One

I feel privileged to be in the company of those who write here upon The Bardo.  It is an honor.  Though untrue, I often feel as though we write together.  That is comforting to me.

Spiritual experiences are by their very nature exceptionally private.  They can be difficult to speak of due to that private nature and due to the lack of an adequate lexicon.  I am not terribly private.  So, I would like to share one of my own experiences with you, as it radically changed my life.  It was 2005 and I had been retired for two years.  I served on several boards as a volunteer but otherwise I was bored.  So I will say to you before you read further – do not be offended by anything that I say.  This is a personal experience.  I am not proselytizing nor would I ever.  I am merely sharing.

I have never served in the military and I have never been to war.  The closest I came was in 1967-8 when formerly married and living on Okinawa, close to the war in Vietnam.  But that experience bears no relation to this experience.  This experience of which I speak was the second life changing spiritual experience that I have had within my lifetime. The first was Christian in nature in 1973.

This life-changing experience came to me via my plea one day to God: “What do you want me to do? What should I do now?”  At about the same time I began an ongoing conversation with a Vietnam Veteran, a former B-52 Bomber Pilot.  The experiences that followed were all a part the answer to my question. This experience was shamanic in nature. Shamanism is something that I studied in the 80s and 90s. This experience lasted about 6 weeks, it appeared to many that I might be having a “nervous breakdown.”  My friends were worried. My husband trusted me but worried nonetheless.  The experience was very dramatic, very painful and most ecstatic. I knew that I was doing exactly what I was meant to do.  None-the-less, I hung on for dear life. It was extremely hard to remain grounded. To do so I engaged the services of three different people, a body-worker, an exercise therapist and a counselor.  I remember and will recount one particularly humorous thing that happened.  Tomorrow.

unnamed-2LIZ RICE-SOSNE a.k.a. Raven Spirit (noh where), perhaps the oldest friend to Bardo, is the newest member of The Bardo Group Core Team. She is also our new Voices for Peace project outreach coordinator and our go-to person for all things related to haiku.  She says she “writes for no reason at all. It is simply a pleasure.” Blogging, mostly poetry, has produced numerous friends for whom she has a great appreciation. Liz is an experienced blogger, photographer and a trained shaman. We think her middle name should be “adventure.”

Posted in Essay, Poems/Poetry, Terri Stewart

Sacred Space in Music and the Next Generation (Cue Star Trek Theme Song)

I am bringing a piece that I wrote some time ago about music and children and words. It relates to the post from last week inspired by Dr. Cornell West and Rabbi Abraham Joshua Heschel. That focused on the pietic, the poetic, and the prophetic. This, inspired by my children, ties the three together for me.

I can almost hear everyone asking, “What do you mean?” Well, let me tell you! The pietic are those personal practices that bring greater spiritual freedom and spaciousness – music, prayer, walking – whatever floats your boat! Poetic is the words and the music that describe that inner spaciousness (quite literally what is below). And last, the prophetic, an outward movement of the inner spaciousness to bring greater freedom to the world. Here, quite literally, it is in my children as they are moving outward now bringing an inner spaciousness outward. This is what we do here.

In addition to the poem below, inspired by listening to my children get musical, I’ve linked in a Youtube recording from my son today. He was in the National Academy of Teachers of Singing (NATS) competition in Seattle today and placed second. He inspires me and in him and his friends, I see a generation coming of young people that continue to strive to bring an expansiveness to the cosmos that we have not felt or seen yet.

OK…the video is not necessary, but being the proud mama of this chick I have inflicted out into the world, I wanted to share! Thanks for your indulgence!

Love

by Terri Stewart, April 19, 2011
there is something

about that note
and the melody that
languidly curls in the air
a feathered piece of straw
catching your ear held
by the hands of mozart
and elvis and even
p.d.q. teasing
driftly softly down
blown by the soft
breeze of progeny
cascading joy rising up
like incense
holding the gift of
past, present, and future
the slightest brush of an
angel’s wing carrying
the melody onward

Terri Stewart ~ a member of our Core Team,  comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a recent graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction with honors and is a rare United Methodist student in the Jesuit Honor Society, Alpha Sigma Nu. She is a contributing author to the Abingdon Worship Annual.

Her online presence is “CloakedMonk.” This speaks to her grounding in contemplative arts (photography, mandala, poetry) and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com.
Posted in Culture/History, Essay, General Interest, Priscilla Galasso

Model Behavior

I don’t have a television, so I don’t see a lot of commercials. Still, I find NBA games on the internet and catch a few ads in the process. There’s one for a fried chicken franchise that particularly bothers me. Here’s the set-up: two teenaged kids have made a rare venture out of their rooms to join their parents for dinner. They are still plugged into their media devices and never speak or make eye contact with the camera or their parents. The African-American family sits in the living room with a bucket of chicken on the coffee table. Mom & Dad tell the camera that the chicken is the occasion for them to have this special “family” experience. Dad jokes that if the batteries run down, they might actually have a conversation.

 Sigh. Is this an accurate snapshot of our current culture? Rewind about 100 years.

 I’m reading a book called Nothing To Do But Stay: My Pioneer Mother by Carrie Young. The author describes her life in North Dakota during the Great Depression. Her mother had acquired land as a homesteader, married and raised 6 kids on the farm. Her sisters struggled to become educated and get jobs as school teachers in local one-room schoolhouses. One particularly brutal winter, their parents found it more sensible to drop off the 18-year-old daughter, the teacher, with the two younger sisters at school and let them stay there during the week instead of transporting them back and forth through the snow drifts by horse-drawn wagon. The week turned into months. Fresh supplies were delivered every week, but these 3 young ladies spent that winter relying on their own resourcefulness for their daily life — with no electricity, simply a coal-burning furnace in the basement and a woodstove with one burner in the classroom. How is that possible? I’m sure that life was one that their parents had modeled for years.

 Compare these two snapshots and imagine the changes that have swept through our country. What has “adult living” become? What do we model for our children these days? What skills are being delegated to machines or service companies or ‘experts’ that used to be more universal and personal? Besides modeling tasking skills, how do we model social and moral skills in this decade?

 When more families were farming, children grew up alongside their parents and were incorporated into communal activities. They helped milk the cows, tend the garden, and make the food and clothing they all needed to live. In the 50s, when more families lived in cities and suburbs, Dad would drive off in the morning and work out of sight of his kids all day while Mom would turn on appliances to do the chores around home. The kids learned consumerism. Then the Moms left the house and went into the workforce leaving the kids in daycare. In 1992, someone came up with “Take Your Daughters To Work Day”. That was expanded to include boys a decade later. What was first perceived as a Feminist issue of role modeling was recognized as a parenting void: children had no clue how adults spent their work days.

Musing about these changes made me consider what my own children had learned from my husband and me. My daughter made a calligraphy sign when she was in High School: “My father didn’t tell me how to live; he lived and let me watch him do it.” (Clarence B. Kelland) She was 23 when her father died. What we intended to model and what she actually learned are most likely two different things. One thing I do know. She did learn to cook her own chicken.

joy 2

© 2014, essay and photograph, Priscilla Galasso, All rights reserved

004PRISCILLA GALASSO ~ started her blog at scillagrace.com to mark the beginning of her fiftieth year. Born to summer and given a name that means ‘ancient’, her travel through seasons of time and landscape has inspired her to create visual and verbal souvenirs of her journey.

Currently living in Wisconsin, she considers herself a lifelong learner and educator. She gives private voice lessons, is employed by two different museums and runs a business (Scholar & Poet Books, via eBay and ABE Books) with her partner, Steve.

Posted in Disability, Essay, General Interest, Mental Health, Michael Watson

The Olympics, Polio, and the Medicine Wheel, Part Two

community-seatingThe Olympics have come to a close; the Paralympics follow. Saturday evening Jennie and I watched a Gimp DVD. She is planning to show it to her Expressive Therapies class, along with some material from Bill T. Jones. Its been a while since we last saw Gimp in performance so revisiting their work was a revelation.

The Paralympics is a much-needed, if under-reported competition for athletes who happen to be disabled. The Gimp Project is a collective of dancers, able-bodied and disabled. The Paralypics is a contest; Gimp is a collaboration exploring the world of disability experience.  The first seeks perfection, the latter revels in the beauty of imperfection. The Paralympics pursue inclusion, abet separate and unequal; Gimp tells stories, often casting light on the processes that marginalize and exclude.

There is a remarkable invisibility surrounding these processes, although many activists, academics, and artists have sought to illumine them. It matters little whether these forces  exclude persons on the basis of ethnicity, race, disability, or other difference, the effect is consistent. The systems are pervasive and largely invisible; they are also profoundly human.

The Medicine Wheel holds all of human experience, offering us a view of life as a whole. There is a place on the Wheel for everything that can be encountered, even a space for our collective fear of otherness and contagion. The Wheel reminds us that we will each encounter all that is, whether directly or through the experiences of others. Our fates are inexorably woven together; the fate of each is that of all.

As we meditate on the Wheel we are encouraged to consider that while they seem real, both safety and isolation are illusory, transitory states. The last few months I have found myself wandering the wilderness that is part of the Post Polio experience. Recent health concerns continue to bring up ancient unresolved feelings, along with worries about the future. I have been repeatedly thrown back to the fear and pain of the acute illness and post-illness recovery, and the social isolation imposed on me as a Polio. I am also reminded the effects of the virus continues to impact my life and thus the lives of those I hold dear.

I’ve been exploring the experience of Post Polio through the wisdom of the Wheel. For me, now, Post Polio lies in the North, the place of aging, teaching, and eventually, making preparations to return to the Spirit World. (The North is also the place of preparation for rebirth!) The journey is complicated as I find myself trying to make sense of my nearly lifelong disability from a place on the Wheel where it is also my task to embrace a declining body.

Part of the task is to acknowledge my fear of erasure. We live in an epoch in which Polio was eradicated; we are, for most purposes, a Post-Polio world. I was taught I had survived the virus and should get on with life, ignoring, as much as possible, the devastation to my body and psyche. Yet the path of forgetting and ignoring is fraught with difficulties; the way of assimilation or “passing” is thorny. The normative prescription offers the possibility of inclusion, yet to follow that road is to participate in a collective act of erasure, to become invisible, and thus lose Self.

Every human being comes to a place where s/he is vulnerable; each of us eventually faces the treat of erasure and the powerful emotions that accompany that threat. In a culture addicted to perfection, and dismissive of difference and need, such moments carry added fear and shame. How odd such an essentially human experience is marginalized, leaving so many to face the North filled with loneliness and dread.

As a society we increasingly relegate the task of accompanying folks on the journey through the North to the health care profession and the clergy. As a result, we have marginalized the insight and wisdom that may accompany disability, experiences of trauma, and aging.  In doing so we create great suffering for the very young we profess to idolize, for we deny them context. How are they, in the face of ceaseless messages about the centrality of competition and perfection, to know they are all loveable, all sacred, beautiful, and desirable in their humanness and imperfections?

Our collective focus on perfection sells products and drives our economy, yet blinds us to the fate of our neighbors and the world. Our deeply held collective desire for safety encourages us to abandon our elders, young people, and children, threatens our very being as a species, and steals our Souls. Still, as prophesy insists, we have options. We can risk relearning the wisdom of the elders, symbolized by the Medicine Wheel, accept the complexity and terror of being human, and journey together into a Sixth World. There are, if we make it so, seats for all at the table.

– Michael Watson, Ph.D.

© 2013, essay and photographs (includes the one below), Michael Watson, All rights reserved

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Posted in Disability, Essay, General Interest, memoir, Mental Health, Michael Watson

The Olympics, Polio, and the Medicine Wheel, Part One

Snowy-MorningEditor’s Note: This is the first of a two-part piece on Perfectionism originally posted on Dreaming the World. Part II will post here tomorrow.

I am an elder, and as such I am given the task of teaching and supporting the young. On the Medicine Wheel of this lifetime I am in the Northwest, the place of honoring the challenges of my life, understanding them as best as I am able, and sharing what I have learned with others. Perhaps you will share your thoughts about the experiences I share below; I would greatly value that.

We, along with many others, spent a good deal of time during the past two weeks watching the Olympics. Over time we noticed, especially from NBC’s coverage, that the commentators seem to believe winning and perfection were all important. This is a sad thing. One does not have to watch much before one becomes aware the announcers are ceaselessly pointing out errors and failures. Rather than empathy for the competitors, one is barraged with demands for perfection and minute details about failure to achieve such.  There is very little celebration of the athletes who fail to meet the announcers’ or judges’ criteria.

This hits home on two fronts. The first is cultural. I was raised to appreciate the efforts of all. Winning is fun, but should not shame others. Nor should anyone be left behind after the games are over. Further, perfection was considered suspect. One was advised to build imperfection into one’s art and welcome it in one’s life. After all, we are not the Creator although we are aspects of His/Her creation. Only the Creator can be perfect, and it is likely even S/He makes mistakes; as we are reflective of the Creator this suggests that even mistakes can be good and holy. The unbridled pursuit of perfection endangers the individual and the culture, the community and the ecosystem.

The second part is I am a survivor of Bulbar Polio. My phsysiatrist says I am “a walking quad”; rather than disparaging, this is a simple statement of truth. I have severe neurological injuries; Polio destroyed motor neurons all over my body. My arms and hands have considerably diminished capacity; my legs and feet lack strength and mobility; breathing can be a challenge. I am not perfect by the dominant culture’s standards.

Add to this my Native American heritage and the soup becomes thick indeed. I once heard a man, who understandably thought he was with other Europeans, say something like,  “There is nothing more pathetic than a disabled Indian.”  What are we to do with that? Indeed, what are we to do with NBC’s virtual silence on the topic of the Para-Olympics?

Herein lies the difficulty. One one hand I was encouraged to accept  and honor imperfections. On the other, as a Polio survivor I was taught to do my level best to pass as normal, to overcome limitations, and to forget my illness and its  aftermath. Additionally, as a child in a Native family that was actively passing, I was taught to be invisible, a lesson that surely applied to Polio as well.

It is a profound challenge to resist the limiting messages of our families and the dehumanizing ones of the dominant culture. I have done my best, yet I have also spent much of my life seeking to achieve others’ views of perfection, even though not even normalcy was not an option.This has been painful.

I don’t know whether you have ever thought about the Wounded Healer.  In Traditional cultures ill youngsters are often expected, should they recover, to become healers. I use the term “recovery” loosely. Youngsters who face and survive catastrophic illness may not have the same physical capacities as their normative friends. Yet their illness may also give them abilities and insights not readily available to others. When the child is ill the healers do their best to aid. They also seek to discern the nature of the illness; often such illness are understood to be calls from the spirits, initiations into the realm of healers. When there is a spirit call, training in the healing arts accompanies recovery. The illness frequently leaves a footprint in the life and work of the survivor; he or she becomes a wounded healer, knowledgeable about many of the territories and challenges that accompany illness.

This is a different model than the academic learning focus of the West. Of course, the two paths are not mutually exclusive. Indeed, they may intersect, even overlap at times. Both address the needs of the body. Some Western trained healers have adopted the Indigenous understanding that the soul and psyche must also be attended to.  (Milton Erickson, although not to my knowledge Indian, comes to mind as someone who walked both roads well.)

I have come to this point on the Medicine Wheel by living my life from within this severely injured body. This is a sharp contrast to the physically perfection of elite Olympic athletes, or the health and wealth gurus we see on PBS and on innumerable infomercials. The television sages convey the message to us that illness, poverty, loneliness, and all other forms of suffering are moral failures. They do not speak this directly, rather they hold up their carefully managed perfection as a mirror to our human frailties. They offer advice, even salvation; for a fee we can be just like them. But I, and many others, cannot.  The very lifestyles they espouse harm us, and endanger our precious planetary ecosystem and all that lives therein. Where, I wonder is their wisdom and compassion?

We approach the Spring, the East in the Abenaki view of the Medicine Wheel, the place of rebirth and awakening. I am curious how my changing understanding of this beloved, traumatized body will blossom in the coming year.  I wonder whether our culture can set aside the deeply held values of independence, competition, and perfectionism that shaped the  our country (the very ones espoused by those television commentators). Can we own our imperfections, and acknowledge the harm we have inflicted on ourselves and so many others, inside and outside our country? Can we embrace those who suffer illness, poverty, displacement, abuse, or isolation?

As we follow the journey of the sun into the East, we are invited to begin again, to open our eyes and practice compassion and understanding. May we  find the courage to do so.

– Michael Watson, Ph.D.

© 2014, essay and photographs (includes the one below), Michael Watson, All rights reserved

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Posted in Essay, Terri Stewart

Sacred Space in What You Are Already Doing!

flickr photo by On Being  cc licensed ( BY NC SA )
flickr photo by On Being
cc licensed ( BY NC SA )

Tonight I went to see Dr. Cornel West along with two young men that I work with. We were all inspired by the passionate energy that Dr. West brings to his presentation! Tonight, he was particularly focused on the work of Abraham Joshua Heschel. He describes the arch of Heschel’s work in a way that I totally relate to the Bardo community!

Pietic–>Poetic–>Prophetic

Meaning, personal piety not bound by religious rules but bound by reverence or seeing the sacred worth in all be-ings. For West’s interpretation of Heschel, the pietic leads to the poetic. A poetry that is not grounded in nihilism or optimism, but grounded in hope. He said, Heschel was “not a person of optimism, but a person of hope.” And that Heschel’s hope as expressed in poetry was hope for the world–not just the Hasidic Jew world–but the entire world. And lastly, but using poetic imagination, we move to the prophetic: speaking truth to power. The importance of the poetic imagination cannot be overstressed! And that is what you are already doing! And it is a sacred journey that leads to wholeness and healing just by the simple transformation of words. And make no doubt, words are action and words cause action. Words can change perceptions which can bring about changes in the world. So, today, embrace your poetic imagination. Allow it to mold you and change your vision so that you see the “faces everywhere” that are longing with thirst. And use that imagination to call the world into prophetic compassion with each other.

There is no space more sacred than that which causes compassion.

Intimate Hymn

by Rabbi Abraham Joshua Heschel

English version by Rabbi Zalman M. Schachter-Shalomi
Original Language English, Yiddish

From word to word I roam, from dawn to dusk.
Dream in, dream out — I pass myself and towns,
A human satellite.

I wait, am hopeful, as one who waits at the rock
For the spring to well forth and ever well on.
I feel as bright as if I tented somewhere in the Milky Way.
To urge the world to feel I walk through lonesome solitudes.

All around me lightning explodes sparks from my glance
To reveal all light, unveil faces everywhere.
Godward, onward to the final weighing
overcoming heavy weight with thirst.
Constantly, the longings of all born call out, “Is anyone around?”
I know each one is HE, but in my heart there writhes a tear;
When of men and rocks and trees I hear;
All plead “Feel us”
All beg “See us”
God! Lend me your eyes!

I came to be, to sow the seed of sight in the world,
To unmask the God who disguised Himself as world–
And yes, I wait to be the first to announce “The Dawn.”

– from “Human, God’s Ineffable Name,” by Rabbi Abraham Joshua Heschel, freely rendered by Rabbi Zalman M. Schachter-Shalomi. Available from the Reb Zalman Legacy Project

Shalom and Amen!

~Terri

(c) 2014, Terri Stewart

simultaneously published at http://www.BeguineAgain.com

REV. TERRI STEWART is The Bardo Group’s Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction.

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.BeguineAgain.com ,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.

Posted in Essay, Poems/Poetry, Spiritual Practice, Terri Stewart

Sacred Space and Anam Cara

The concept of Anam Cara is “soul friend” or the Celtic belief would be “soul bonding.”  John O’Donohue writes in Anam Cara: A Book of Celtic Wisdom, “If you send out goodness from yourself, or if you share that which is happy or good within you, it will all come back to you multiplied ten thousand times. In the kingdom of love there is no competition; there is no possessiveness or control. The more love you give away, the more love you will have.” 

Anam cara accepts you are you are. As a beautifully created creature of love. They see your inner light and mirror it back to you. According to John O’Donahue, “…You are joined in an ancient and eternal union with humanity that cuts across all barriers of time, convention, philosophy and definition. When you are blessed with an Anam Cara, the Irish believe, you have arrived at that most sacred place: home.”

My awakening today, is the awareness of the love that we I give and share with Anam Cara. I offer to you this poem and ask you, “Have you seen your Anam Cara? How would you describe Anam Cara?”

anam cara

i have been meaning

to sew that quilt

together. squares

sitting side-by-side

unconnected by

physical thread.

each one a perfect

gift of solitary beauty.

she sits

in pieces

waiting and

dare I say

taunts me to change

her separateness into a

cohesive creation sewing

warmth into each stitch

from rags to riches

so to speak

such lovely pieces

held together in my heart

anam cara

i know what the finished

piece

would be with each square

clinging tightly to one

another.

and she calls.

complete me.

intertwine our threads.

behold

each square a perfected

gift of beauty. together.

then i know

beyond what is seen

we are already stitched

together

photo by Martina Winkel cc licensed ( BY ) flickr
photo by Martina Winkel
cc licensed ( BY ) flickr

(c) 2014, Terri Stewart

REV. TERRI STEWART is The Bardo Group’s Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction.

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.BeguineAgain.com ,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.

Posted in Essay, General Interest, Spiritual Practice, Terri Stewart

Finding Sacred Space in the Story

Below is the beginning of a parable written by an unknown person. As an exercise of finding yourself and sacred space, please place yourself in the story from whatever perspective you feel speaks to you and finish the story! Are you a chicken? The eagle? The farmer? An unseen or unknown person? Let us know!

A long time ago in a remote valley, there lived a farmer. One day he got tired of the daily routine of running the farm and decided to climb the cliffs that brooded above the valley to see what lay beyond.

He climbed all day until he reached a ledge just below the top of the cliff; there, to his amazement was a nest, full of eggs.

Immediately he knew they were eagle’s eggs and, even though he knew it was profoundly un-ecological and almost certainly illegal, he carefully took one and stowed it in his pack; then seeing the sun was low in the sky, he realized it was too late in the day to make the top and slowly began to make his way down the cliff to his farm.

When he got home he put the egg in with the few chickens he kept in the yard. The mother hen was the proudest chicken you ever saw, sitting atop this magnificent egg; and the cockerel couldn’t have been prouder.

Sure enough, some weeks later, from the egg emerged a fine, healthy eglet. And as is in the gentle nature of chickens, they didn’t balk at the stranger in their midst and raised the majestic bird as one of their own.

So it was that the eagle grew up with its brother and sister chicks. It learned to do all the things chickens do: it clucked and cackled, scratching in the dirt for grits and worms, flapping its wings furiously,flying just a few feet in the air before crashing down to earth in a pile of dust and feathers.

It believed resolutely and absolutely it was a chicken.

Then, later in its life, the eagle, doing all the all the things chickens do – it clucked and cackled, scratching in the dirt for grits and worms, flapping its wings furiously,flying just a few feet in the air before crashing down to earth in a pile of dust and feathers – suddenly took flight and flew up into the nearest tree, high above his brother and sister chickens. And there he perched…

And now, you tell the rest of the story!

photo by Linda Tanner cc licensed (BY) flickr
photo by Linda Tanner
cc licensed (BY) flickr

(c) 2014, post, Terri Stewart

parable in its complete form found at http://www.spiritual-short-stories.com/spiritual-short-story-602-Chicken+and+the+Eagles.html

REV. TERRI STEWART is The Bardo Group’s Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction.

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.BeguineAgain.com ,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.

Posted in Essay, Spiritual Practice, Terri Stewart

Paradise Realized-Sacred Space in the Cosmos

flickr photo by Evan Leeson cc licensed (BY NC SA)
flickr photo by Evan Leeson
cc licensed (BY NC SA)

As I pondered “Bloggers in Planet Love” for Valentine’s Day, I thought that there is something to the visions of paradise that seem to permeate religious cultures. I never see paradise populated by buildings towering into the sky! There are always elements of lush green lands, towering trees, and people living as one with nature. That seems to be sacred space.

And sacred space is realized in different cultures almost always in natural spaces. I remember the journeys of Moses up the mountain top, zen mountain monasteries, the sacred Heart Butte of the Blackfeet…and more down to earth, the ordinary everydayness of working in a beautiful garden box. Connecting with the earth and with ancient rhythms.

Just a moment’s digression. Connecting with the earth. I want to change that to cosmos. I am thinking of the ancient Greek word kosmos. Kosmos is typically translated from ancient Greek to the word world or earth. But it really is equivalent to something like, “all the known existence.” Our cosmos is ever expanding. Our understanding of creation is also. Expanding in energy, connectivity, and creativity.

That is Paradise.

I’d like to take a moment to do a short meditation on realizing paradise and loving the cosmos. First, sit down, put your feet flat on the floor or ground. Let your arms rest comfortable. Let your gaze rest gently on the screen. Slow your breathing. Shake your body out, roll your head, roll your shoulders, settle into calmness.

Let us begin.

Breathe in, saying, “Earth”
Breathe out, saying, “Love”
Breathe in, saying, “Cosmos”
Breathe out, saying, “Love”
Breathe in, saying, “Earth”
Breathe out, saying, “Love”

Wiggle your toes. Scooch your feet into the floor a little. Feel the textures. Describe them. It is part of creation. Of paradise. Let your feet feel not only the floor and its coverings, but send your energy downward. Connect to the earth that supports you and all things.

Breathe in, saying, “Hello”
Breathe out, saying “Love”

As your energy goes downward through your feet to the floor, to the earth, ponder what is missing? Can you feel the absence in creation of a necessary energy? Is there something crying out for your attention? Ask the earth, the cosmos, what attention it wants from you.

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your hips, keep breathing, focusing on what you are hearing as an answer, through your feet. What is reverberating through your legs, into the root of your spine? This is the location of security, grounding, and survival. Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your stomach, with your connection to the earth firm through your feet, let your attention travel from the root of your spine upward to the area under your bellybutton.  This is the location of sexuality, creativity, and relationships. How is this part of your body reacting to this connection and question? What are you feeling?

Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your solar plexus or diaphragm, with your feet firmly grounded, feeling the energy reverberating upwards, let your attention travel to the solar plexus. How is this part of your body reacting to this connection and question? Here we find energy, vitality, and personal authority. What are you feeling?

Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your heart, checking in with your feet, your naval, your solar plexus, move onward to your heart–the seat of balance, love and connection. How is your heart reacting to this journey? Is energy gathering here? Or is your heart at peace?

Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your throat, moving onward to your throat, still holding a conscious connection to the earth through your feet and the root of your spine, do you feel anything? Sometimes, our voice feels silenced or choked. Other times, we want to sing out of joy! Can you see both? The beauty of the cosmos calling out in song? And the imbalance of the earth? Is your voice choked and suffering? Or is it singing and witnessing? The throat is the seat of communication and healing. What energy do you feel?

Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Resting your hands lightly on your forehead, check in with the earth at your feet, wiggle your toes just a moment, see that everything is doing fine, move upward to just above your eyes. Here is the seat of your intuition and understanding. You have been listening to the earth. Asking, “What is your desire?” Do you sense an answer? Is the earth noisy today? Or quiet? What energy do you feel?

Keep asking the earth…

Breathe in, saying, “What is”
Breathe out, saying, “Your desire?”

Let your hands almost form over your head as if you are holding a hat in place, staying fully connected through your toes all the way to just above your head, check in with your whole self, with the whole earth, and ask if it is okay to move onward. Focus your thoughts into the space above your head. Here, is transcendental connection to all that is. What is it that you desire? What is it that the cosmos is desiring of you? Do you hear or feel a call?

Breathe in, saying, “Earth”
Breathe out, saying, “Love”
Breathe in, saying, “Cosmos”
Breathe out, saying, “Love”
Breathe in, saying, “Earth”
Breathe out, saying, “Love”

Shake your hands out, letting them drop to your sides. Move your attention from your crown, thanking it for the wisdom it has provided you this down. Move downwards, one by one, thanking your body for listening to you and to the earth.

Breath in, saying, “Dear Eyes”
Breath out, saying, “Thank you for understanding.”

Breath in, saying, “Dear Throat”
Breath out, saying, “Thank you for telling.”

Breath in, saying, “Dear Heart”
Breath out, saying, “Thank you for compassion.”

Breath in, saying, “Dear Diaphragm”
Breath out, saying, “Thank you for desire.”

Breath in, saying, “Dear Stomach”
Breath out, saying, “Thank you for creative answers.”

Breath in, saying, “Dear Spine”
Breath out, saying, “Thank you support.”

Let your attention travel back to your toes, concentrating on a full connection to the earth. Look to the earth and to the cosmos. Bow inwardly, inclining your head and your attention, wishing the earth, “Peace be with you.”

And peace be with you.

Shalom and amen,

~Terri

(c) 2014, post, Terri Stewart

REV. TERRI STEWART is The Bardo Group’s Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction.

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.beguineagain.com ,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.

Posted in Essay, Liz Rice-Sosne, memoir, poem, Poems/Poetry, poetry

I Imagine …

I imagine Mummy

She is listening for Doodle Bugs

Running past St James Square

They make a swooshing noise before

Hitting their targets

Windows are darkening now

As she scurries by them

Like a mouse

Shades being pulled down

All light receding and gone

She is heading towards St Paul’s

She is meeting with a friend

At the statue of St Ann

Dinner was to soon follow

Constant gray clouds of dust

Engulfed her in dirt

London was under

Aerial bombardment

The Luftwaffe would spend

Fifty-seven nights

Bombing this great city

Wishing to eradicate it

From the face of the earth

This symbol of London and God

But London endured

St Paul’s remained standing

A symbol of British

endurance

Mummy lived to return home

To the USA

But I still imagine

I still wonder

Was it the war that

Shaped her personna

Making her harsh

She once said to me

During a phone call

With Mummy

Not long before her death

She told me that

The war was the most

Thrilling period of her life

I understand that feeling

I know what she was saying

She is gone

St Paul’s is standing

London thrives

Yet still I imagine

We all must come to terms with our upbringing.  For some there is more pain to work through than for others.  I had what one might call a proper upbringing.  Yet still, one filled with much pain.  My mother was not in London during those 57 nights of the Blitz.  This was of course poetic license on my part.  However, she was living in London during 1943 and 1944 in WWII.  She became a lifelong Anglophile.  This fact set up some difficult goals for her children to attain for they were not British (and we came after the war).

Sometimes due to her scrapbooks I feel as though I was there, in London during the war.

There was a time that I knew nothing about war.  A spiritual experience that I was willing to have in 2005, dictated that I learn about war.  Mummy never spoke of her work in London during WWII.  She worked for the US propaganda office or the OWI – Office of War Information.  I really never knew until I found two scrapbooks while cleaning out the family home.  Finding these scrapbooks made me realize what a vary brave woman she had been.  As a result, instead of harboring resentment towards her (resentment that she earned) I came to have significant admiration for her.

I wish to redo these books as they are in a state of disintegration.  However, it is exceptionally difficult for me to work with them.  I am very emotional about the subject.

Politicians never give thought to the consequences of wars into which they enter.  They have no clue as to the gravity of the collateral damage that accompanies their warring ways.  The United States of course had to enter WWII.  But, Hitler did not have to begin The War To End All Wars.  That war like so many have touched people down through the ages, times long past the end of the war in question.  War shapes people for generations to come.  Peace begins at home.  Not in the country, the state or the city.  No peace begins in the heart of the individual.  For it is when you get peaceful individuals together, one at a time that real peace begins to grow into a movement.  It becomes sizable and a peaceful nation is born.

The following paragraph is taken word for word out from Wikipedia:

“On 31 December, the Daily Mail took the unusual step of publishing the photographer’s account of how he took the picture:[

I focused at intervals as the great dome loomed up through the smoke. Glares of many fires and sweeping clouds of smoke kept hiding the shape. Then a wind sprang up. Suddenly, the shining cross, dome and towers stood out like a symbol in the inferno. The scene was unbelievable. In that moment or two I released my shutter.”  – Herbert Mason

Stpaulsblitz

© 2013, essay and photographs, Liz Rice-Stone, All rights reserved

unnamed-2LIZ RICE-SOSNE a.k.a. Raven Spirit (noh where), perhaps the oldest friend to Bardo, is the newest member of The Bardo Group Core Team. She is also our new Voices for Peace project outreach coordinator and our go-to person for all things related to haiku.  She says she “writes for no reason at all. It is simply a pleasure.” Blogging, mostly poetry, has produced numerous friends for whom she has a great appreciation. Liz is an experienced blogger, photographer and a trained shaman. We think her middle name should be “adventure.”

BLOGGERS IN PLANET LOVE

Rainforest_Fatu_HivaPLEASE JOIN US: Beginning at  7 p.m. PST this evening, we are celebrating Valentine’s Day with love – not the love of and for another person – but our love for our mother planet ….

WE INVITE ALL writers, poets, artists, photographers, musicians and other creatives to join us at The Bardo Group for our Valentine’s Day event, BLOGGERS IN PLANET LOVE. Link in your work that shares your appreciation for the beauty of nature or your concern for environmental issues. You can share the url to your post via Mr. Linky, which will stay up for seventy-two hours. Corina Ravenscraft (DragonDreams) hosts. Jamie Dedes (The Poet by Day) will visit sites and comment. We hope you will also visit others and comment on their work, lending support and encouragement and making connection.

If tonight is date-night for you, remember that you do have seventy-two hours to link your work in. It doesn’t have to be a new or recent piece, just something in the spirit of the event, something that expresses your love of our planet.

Photo credit ~ Tropical Rainforest, Fatu Hiva Island, Marquesas Islands, French Polynesia by Benutzerseite: Makemake via German language Wikipedia under CC A-SA 3.0 Unported license.

Posted in Essay, Spiritual Practice, Terri Stewart

Sacred Space in the Mirror

My theology and my anthropology descend from two ideas:

  • We are all created as beloved children and as an image of the divine
  • We are called to enter lovingly into sacred mystery, to enter lovingly into our deepest selves, and to enter lovingly into caring for the whole world

That makes the Divine and people ultimately loving and good in my view. The place that I believe that it is most difficult to lovingly accept is when we look into the mirror and see ourselves. What do you see in your mirror? Are you noticing every flaw? Or are you seeing perfection? Those are probably two places that are hard to be. What if we looked in the mirror and found love? acceptance? our ancestors? the future? It is all there!

I am wondering if you could offer a reflection in whatever form speaks to you on what you see in the mirror.

my face is not an
etch-a-sketch
the lines do
not disappear
when you shake me
they are there forever
traced over by time
lovingly etched
by laughter and
tears

my fingers
trace the lines
no knobs to turn
to change directions
the path already
traveled
knowing that each
line
knowing that each
curve
reflects love

no.

I would not trade
these engravings for
an etch-a-sketch
shake-shake-shaking
away each
memory, erasing
each person
that has walked
the line creating a
new face, a
new face, a
new face
and again, a
new face

cc licensed ( BY NC ND ) flickr photo by Welshdan: http://flickr.com/photos/welshdan/415087493/
cc licensed ( BY NC ND ) flickr photo by Welshdan: http://flickr.com/photos/welshdan/415087493/

(c) 2014, post, Terri Stewart

REV. TERRI STEWART is The Bardo Group’s Sunday chaplain, senior content editor, and site co-administrator. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction. She is a contributing author to the Abingdon Worship Annual. (The 2014 issue just released!)

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.beguineagain.com ,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com

Posted in Essay, General Interest, John Anstie, Peace & Justice

The Value of Life

Word art image by John Anstie via 'Cloudart'
Word art image by John Anstie via ‘Cloudart’

This year marks the centenary of the beginning of a war that should have ended all wars. My thoughts for this piece were inspired, nay possibly provoked, by commentary from two recent sources.

The first was an item on the BBC’s Newsnight. This was a contention by some commentator that the perspective of the horrors of the Great War had swung “too far to the left”!

The second came from somewhere inside those compartments of my brain that store data from my professional life in commerce and trade. It relates to how successful companies aim to keep the balance sheet healthy (and the shareholders or directors happy).

It doesn’t matter which political regime is in government – left, centre or right – we keep going to war, somewhere in the world, for some reason, the truth of which is often illusory. So, whichever social, political or historic perspective we decide to adopt to absolve ourselves of the guilt, brought on by the inhuman horror of war, it alters neither the fatal results on the lives of so many, nor its lasting and damaging effects on the survivors and future generations.

Any company, developing a new product for market, will want it to succeed in the market. If the product fails to sell in sufficient quantities or survive against the competition, then would they carry on producing it and pushing it into the market, expending their valuable resources on a failing campaign? The answer is a resounding NO! They would either review and redevelop the product, remodel its placement in the market or withdraw it altogether!

An army, like a commercial company, has as its main resource what any organisation should value most, it’s people. Their operations in the field have to be managed in a way that ensures the highest probable success at the lowest possible cost. So the generals (and their political masters), who presided over operations at the front in the First World War, failed! It still hurts now, even after nearly one hundred years, that, by any measure, the obscene loss of young lives in that war was a failure on a catastrophic scale. However great was the threat that existed from Central Europe’s ‘Triple Alliance’ (Germany, Austria-Hungary and Italy), they could have managed that threat with far better strategy, better tactics.

Surely few could have foreseen the horrors that would follow but, years later, with countless tomes of historical reportage, documentary … and some of the most poignant poetry ever written … there comes a time for reconciliation; a time for present leaderships to face the truth, admit their predecessors were wrong and apologise to the descendants of all those lost and hurt by such bad management. I think it is important for any civilisation, if it is not to descend into a dark Orwellian future, if it’s peoples are not to be subjugated by fear of war, foreign invasion and death, that its leadership, regardless of political colour, must be able to stand up and face the truth, admit their failures and apologise for taking us to war, any war! We all need to seek truth and reconciliation.

It has been said that we should not ‘celebrate’ but rather ‘commemorate’ the First World War at its anniversary. I disagree. I believe we should celebrate it, which means that, once we acknowledge it was a complete failure because of its decimation of life, it should serve as an unforgettable beacon that we will always celebrate for reminding us of the value of life.

© 2014, John Anstie, All rights reserved

John_in_Pose_Half_Face3JOHN ANSTIE (My Poetry Library and 42) ~ is a British poet and writer, a contributing editor here at Bardo, and multi-talented gentleman self-described as a “Family man, Grandfather, Occasional Musician, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer. John participates in d’Verse Poet’s Pub and is a player in New World Creative Union. He’s been blogging since the beginning of 2011. John is also an active member of The Poetry Society (UK).

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product_thumbnail-3.php51w-rH34dTL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_John has been involved in the recent publication of two anthologies that are the result of online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group, for which he produced and edited their anthology, “Petrichor* Rising. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.

Posted in Essay, General Interest, Michael Watson

Edge of America

Winter-TwilightThe days are lengthening; the intense cold of the winter thus far has receded for the time being. Overnight a light snow fell, fluffy and bright, the form of snow that arrives with temperatures in the upper 20’s.

Yesterday a Six Nations friend dropped by with a film, Edge of America. I’ve been stuck at home for the past week, following some surgery, and I was beginning to feel a touch of cabin fever. I had managed to go the the university library for 45 minutes and out for a quick cup of coffee earlier in the week, but mostly I have been sleeping and reading.

I had missed the film when it played in the theaters here briefly several years ago. Then, as has been my habit for a number of years, I never got around to borrowing a copy. The plot is pretty basic. A Black man arrives to teach English on the Res, revives the high school women’s’ basketball team (they have not won a game in years), finds a home, and creates the conditions for a good deal of much needed healing. On the road to redemption he tramples all over his team, his friends, the local medicine woman, and his spirit. I sure could relate!

Watching the film I was carried back to my middle school days in rural Illinois where the world turns around basketball and agriculture. I was the manager of the basketball team; when I was in eight grade we won the state tourney in double overtime. The women of our film lose in the state finals (in double overtime) to a team that is racist and represented the very worst of the dominant culture. None-the-less, our heroines are greeted on their return home by the entire Res community. The view of people and vehicles lining the highway brought a flood of memories. (Somewhere I have a memorial book that includes photos of the victory parade. The other team had one, too.)

Just before the team arrives home they have a conversation about winning and losing. They are bitterly disappointed, working hard to resist recriminations. They have lost sight of just how much they have accomplished. The community, however, remembers and reminds them. They are winners.

They are also women. Most of our Indian cultures are women centered; healing arises from the strength and wisdom of women, just as life arose from the sacrifices of Falling Woman. We men are definitely the weaker gender. (Then there are the two-spirits but that is another story.)

Edge of America addresses the hard parts of life on and off the Res: alcohol, violence, poverty, and crushing racism, drawing connections between Indian and Black experience. It also explores the inevitable tension between the healer’s need to remain traditional while nurturing the future. And yes, there is a strong undercurrent of good old Indian spirituality. (There is a priceless scene in which the medicine woman (whose daughter plays for the team) and her friends, are listening to the women’s game on their transistor radio, in a beautiful, spacious, hogan far from anywhere. One of the players has been “witched”, has required a healing ceremony, and now must make crucial free throws. The healer switches from rambunctious fan to medicine person, does what is needed, and returns to fandom, all in maybe 20 seconds.)

So there we sat, two light skinned male Indians who have never lived anywhere close to the Res. We are well in to our sixties, reasonably affluent, over-educated urban professionals. We’re laughing, crying, and hooting for the good guys. (I remember as a kid wanting to be a cowboy so I could win occasionally.) We are also noting the racism and just plain viciousness coming from all the guys: Indian, White, and Black. No holds barred there. At the film’s conclusion I am choked with emotion.

I believe that at the very heart of human experience lies story. Sitting in my living room, wrapped in my electric blanket, gazing at the TV screen, I was blessed to be told a remarkably good story. In the process I was reminded that together a good friend, a community, and a great tale can be remarkably healing. Last night my dreams carried that notion forward. In my dreams the spirits and Ancestors came to remind me that these things are good to live and good to think about. They are indeed profoundly healing.

– Michael Watson, Ph.D.

© 2013, essay and photographs (includes the one below), Michael Watson, All rights reserved

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Posted in Disability, Essay, General Interest, Jamie Dedes

drawing the world back into ourselves … celebrating Lung Leavin’ Day

Heather Von St. James is an eight-year survivor of mesothelioma – a rare cancer caused by asbestos exposure. She initiated Lung Leavin’ Day to encourge people to face their fears, whatever those fears might be. Together she and Jamie Dedes share some of their experiences with and victories over Interstitial Lung Disease (ILD) and encourage you care for yourself.

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

“Breathing involves a continual oscillation between exhaling and inhaling, offering ourselves to the world at one moment and drawing the world into ourselves at the next…” David Abram, Becoming Animal: An Earthly Cosmology

469px-Lungs_diagram_detailed.svgBreath: So necessary to the maintenance of life and so often a metaphor for life and spirit. Every year around this time, I take advantage of my blog to change the subject and write about diseases that harm the mechanism of breath, our lungs. I don’t do this to draw attention to myself. I do it to draw attention to the lung disease. I want people to be aware because Interstitial Lung Disease (ILD) can go undiagnosed or misdiagnosed and unattended for too long adding even more devastation to what is frankly horrific.

This year I was contacted by Heather Von St. James who wrote to me saying, ” I am an 8-year survivor of mesothelioma – a rare…

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