Posted in Culture/History, Environment/Deep Ecology/Climate Change, Naomi Baltuck, Nature, ocean bliss, Peace & Justice, Photo Story, Photography/Photographer, Spiritual Practice, story, Story Telling, Photo Story, Sustainability, Teachers, TheBeZine, trees, Writing

Hope Floats

 

On my last visit to Juneau, my Alaskan sister Constance, told me a story. It began over fifteen hundred years ago, when a small band of Pacific Islanders, plagued by overpopulation and the depletion of natural resources, set sail across the Pacific in outrigger canoes to seek new islands to call home.

 

They were the ancestors of the people of Hawaii, Tahiti, Samoa, and other Polynesian islands.  Their only guidance was gleaned from the stars, the wind, ocean currents, the swell of the waves, the birds and the fish, the movement of the clouds. This ancient system of navigation, known as ‘wayfinding,’ enabled them to travel thousands of miles across vast stretches of ocean to remote tiny islands.

My sister told me she had volunteered at an event in honor of native Hawai’ian, Nainoa Thompson, who had come to Juneau to tell his story, and to celebrate the strong bond between the First Peoples of Alaska and Hawai’i.  It began in 1976, when Nainoa wanted to follow in his ancestors’ wake by sailing from Hawai’i to Tahiti with only traditional navigation as guidance.  He had a double-hulled outrigger canoe named Hokule’a, ‘Our Star of Gladness’.  At that time, ‘wayfinding’ was in danger of being forever lost.  Hawaii’s wayfinders had all died, and only a few elderly wayfinders remained in Micronesia. One of them, Mau Piailug, barely spoke English, and the trip from Hawaii to Tahiti longer than any voyage Mau had ever made.  But Mau’s children, like the children of so many Native Americans, had been taken away to boarding schools, robbed of their culture, and any interest in learning the ancient art.  He agreed to mentor Nainoa.

Under Mau’s tutelage Nainoa completed the trip, and became a master wayfinder, helping to preserve Hawai’ian culture.  But the Hokule’a was built from modern materials, and Nainoa wanted to build a ship of traditional Hawai’ian materials.  For almost a year, Nainoa searched throughout the Hawai’ian Islands for two koa trees to use as hulls.

Between the devastation of ranching and logging, he couldn’t find a single koa tree tall or thick enough to serve.

It was noted in Captain George Vancouvers journals in 1793–that some Hawai’ian canoes had hulls of Sitka Spruce.  The logs had been carried three thousand miles from Alaska by ocean currents, tossed up on Hawaiian beaches, and were considered gifts from the gods.

Nainoa asked Alaskan tribal elders for two Sitka Spruce trees to build an outrigger canoe.  He was told that he could have the trees “so you can build the canoe to carry your culture.  But we won’t take their lives until you come see that they are what you need.”

The Sitka Spruce trees were beautiful; 200-feet tall, eight feet in diameter, over 400 years old.  But Nainoa realized that he couldn’t take the life of those trees before dealing with the destruction of his native Hawaiian forests.

Nainoa returned to Hawai’i to launch a restoration program. People worked together, old and young–some traveled from Alaska–to plant thousands of koa tree seedlings, creating forests that will one day have tree big enough to make canoes.

Only then did Nainoa feel he could return to Alaska to accept the gift of the Sitka Spruce trees.

Nainoa called the new canoe ‘Hawai’iloa’, after the ancient wayfinder who first discovered the Hawai’ian Islands.

Those first Polynesian voyagers coped with overpopulation and depletion of resources by migrating to other uninhabited islands, but that’s no longer an option on our crowded planet.  Nainoa’s expanded mission has become ‘Malama Honua’, which means ‘caring for the Earth.’  Last year the Hokule’a completed a three year tour that circled the planet, building global community, and promoting earth care and sustainability as well as Polynesian culture.

I believe we have strayed, and lost sight of the world we want and need to live in.  But, as Nainoa discovered, and now teaches, if one is willing to listen and learn, there are wayfinders who can show us the way home.

All images ©2019 Naomi Baltuck


NAOMI BALTUCK (Writing Between the Lines)~ is Resident Storyteller at The BeZine. She is a world-traveler and an award-winning writer, photographer. Her works of fiction and nonfiction are available through Amazon HERE.

Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV (her personal blog) as well as on The BeZine.

Naomi conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

Naomi says, “When not actually writing, I am researching the world with my long-suffering husband and our two kids, or outside editing my garden. My novel, The Keeper of the Crystal Spring (Viking Penguin), can be read in English, German, Spanish, and Italian. My storytelling anthology, Apples From Heaven, garnered four national awards, including the Anne Izard Storytellers’ Choice. I am currently working on a contemporary women’s novel.”

Posted in Art, Naomi Baltuck, Photo Essay, Photo Story, Photography/Photographer

The Art of Work

 

Imagine a world without art and artists.

They help us see the world through different eyes.

And artisans infuse our everyday lives with beauty.

 

 

Works of art come in many disciplines.

 

And on many scales…

…some more grand than others.

 

My artist sister Constance’s painting, “The Poet”, celebrates the literary art of poetry through her visual art.

But I have great appreciation for people who would never consider themselves artists, and yet they make an art of work.

Some apply exceptional creativity to their work, like this fellow who rigged a bicycle to power a sugar cane juicer, to crank out a little work of art one cup at a time.

Some turn an ordinary business into something with a very personal touch.

In Ireland, I was moved by the gravestone of a man lovingly remembered for his gift of turning his work into an art.

Be it traditional…

…entrepreneurial…

…fleeting…

…or a treasured heirloom…

 

…art is all around us, and everyone is an artist in his or her own way, whether practicing with a paintbrush, chisel, camera, wooden spoon, plow, or scissors.

Art is in the eye of the beholder.

Also on the tongue…

…in the ear…

…the nose…

…the heart…

and the mind.

Whatever you do, wherever you go, party arty!

All images and words c2014Naomi Baltuck.

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NaomiPHOTO1-300ppi51kAqFGEesL._SY300_NAOMI BALTUCK ~ is a Contributing Editor and Resident Storyteller here410xuqmD74L._SY300_ at Bardo. She is a world-traveler and an award-winning writer, photographer, and story-teller whose works of fiction and nonfiction are available through Amazon HERE. Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV. She also conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

Posted in Essay, Photo Essay, Photo Story, Photography/Photographer, Spiritual Practice, Story Telling, Terri Stewart

Sacred Space in the Fault Zone

During the week of August 31 – September 6, The Bardo Group will post essays, photos and poems on Wilderness to coincide with the 50th anniversary of the Wilderness Act being signed into law in the U. S.  More information is at the end of this post-scroll down!

Throughout religious history, wilderness has been associated with sacred space. Mt. Zion, Mt. Tabor, Mt. Olympus, the wilderness outside Jerusalem, Heart Butte, Sacred Bear Butte, and the list goes on. Sacred places which attract people questing for beauty and for a glimpse into something beyond us. All over the world, people religious live in the wilderness–the Celtic “thin places.” Places where the realm between what is and what could be seem unified in a spiritual wild-zone. Thin places offer the potential for transformation. I’d like to invite you to travel into the wilderness of “The Earthquake Trail” with me and Colin (my son).

1-earthquaketrailThe Earthquake Trail is north of San Francisco and goes directly over the San Andreas fault. We went there after my son had surgery and had his post-surgery “clearance” checkup. This surgery was necessary for Colin to continue his path to a transformed, fulfilled, abundant life. It seems appropriate that we visit a place where sudden transformation has and will occur. And as the sign so appropriately points out, “Prepare yourself for the uncertainty of walking in the fault zone.

2It seems to me, that is what the wilderness experience is about. Confronting uncertainty and coming through it with a greater appreciation for the faults that lie within ourselves…and with others. But most importantly, recognizing the power that our faults have when they rage out of control and the beauty they hold when they illustrate our uniqueness.

4There is life in the fault zone. New life of grains, older life of majestic trees, even dried moss hanging on lifelessly-for now-waiting to be reborn during the moist days ahead. And most majestically, the California Condor–a bird rebounding from extinction in the wild. Life is abundant here, in the fault zone.

10Prickly thistles adding color and leaves hanging in the balance–proving even the most uncomfortable plant can provide beauty and buoyancy.

5But no matter where we are, there comes a point when we have to make a choice. Do we stay here? Or do we go deeper? Will we cross the bridge? Ford the stream?

6Once we cross, as before, there are boundaries. Places that are “in” and are “out.” Boundaries can be places of support and beauty as we grow and become comfortable with our faults.

7But our boundaries are not always healthy. Sometimes they need to be reset. Transformation happens in an upsetting of power that tumbles our soul pell-mell through the wilderness. What used to be a contiguous, easy, fence breaks and a new boundary is set. Opening up space for abundant love.

9
This fence was moved from “here” to “there” during an earthquake. It used to be one, straight fence.

And this happens within the wilderness and ancient trees that dwarf our understanding of life. But always stretching it upward and onward.

11Inviting us to further journey along the path.

12Following the inspiration that calls to us. No matter which way the wind blows. Finding sacred space in the fault zone.

13
Weathervane at the Earthquake Zone Visitor’s Center

Shalom and Amen!

terri

 

 

Simulcast at http://www.BeguineAgain.com

You are encouraged to add your voice to ours on this site via Mister Linky or by sharing a link to your work in the comments section of any post that week.  Although this is an U.S. event, we recognize that there are places all over the world that are still wild and that are protected by naturalists, scientists, governments and concerned citizens. Hence, we invite participation from everywhere. We think it would be a good thing for us to share information and insights about the world’s many wild places though poems, essays, photographs, music and videos. Please mark your calendars and plan to join us.  

 

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