100,000 TPC 2015, Event Posters from Around the World

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As of this writing, there are well over 500 events scheduled around the world. To find an event near you or to register an event that you are organizing go to 100TPC.

Our own (Beguine Again and The Bardo Group) virtual event is scheduled to be held here at The BeZine blog on 26 September 2015. You are invited to join us by linking in your relevant work on poverty  (our theme this year) through Mr. Linky (directions will be included in the post that day) or simply by adding your link or your work in the comments.  You retain your own copyright.  All the links and works will be collected and posted in a Page at The BeZine and also archived at 100TPC.  Think about and prepare something you’d like to share so you can have your say and feature your own work.

To “meet” our host for that event, American-Israeli Poet Michael Dickel, link HERE.

To “meet” the founders of 100TPC, link HERE.

The Art of Work

 

Imagine a world without art and artists.

They help us see the world through different eyes.

And artisans infuse our everyday lives with beauty.

 

 

Works of art come in many disciplines.

 

And on many scales…

…some more grand than others.

 

My artist sister Constance’s painting, “The Poet”, celebrates the literary art of poetry through her visual art.

But I have great appreciation for people who would never consider themselves artists, and yet they make an art of work.

Some apply exceptional creativity to their work, like this fellow who rigged a bicycle to power a sugar cane juicer, to crank out a little work of art one cup at a time.

Some turn an ordinary business into something with a very personal touch.

In Ireland, I was moved by the gravestone of a man lovingly remembered for his gift of turning his work into an art.

Be it traditional…

…entrepreneurial…

…fleeting…

…or a treasured heirloom…

 

…art is all around us, and everyone is an artist in his or her own way, whether practicing with a paintbrush, chisel, camera, wooden spoon, plow, or scissors.

Art is in the eye of the beholder.

Also on the tongue…

…in the ear…

…the nose…

…the heart…

and the mind.

Whatever you do, wherever you go, party arty!

All images and words c2014Naomi Baltuck.

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NaomiPHOTO1-300ppi51kAqFGEesL._SY300_NAOMI BALTUCK ~ is a Contributing Editor and Resident Storyteller here410xuqmD74L._SY300_ at Bardo. She is a world-traveler and an award-winning writer, photographer, and story-teller whose works of fiction and nonfiction are available through Amazon HERE. Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV. She also conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

weeps for the earth

Another gentle lovely from Gretchen Del Rio …

Gretchen Del Rio's Art Blog

watercolor aceo 8/2014 watercolor aceo 8/2014

May the sun
bring you new energy by day
May the moon
softly restore you by night
May the rain
wash away your worries
May the breeze
blow new strength
into your being
May you walk
gently through the world
and know its beauty
all the days of your life
                                     Apache Blessing

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Perfection and Creation

We have a saying in my family, “Nothing to it, but to do it.” It’s meant to be a motivator, a call to action, and can be applied in many different situations. When it comes to the craft of creating, however, sometimes that motivation of knowing that “it needs to be done, so get to it”, isn’t enough. Some of us want to wait for the perfect time or inspiration in order to begin. Others of us start, only to become frustrated with how our efforts are proceeding.

john cleese quoteIt can be hard to create (whether it’s visual arts like painting or photography, or writing poetry, or coming up with a few bars for a new song) if/when you wait for the perfect inspiration to hit you or if you keep revising something in the quest for the perfect color, the perfect frame, word or note, etc.

have-no-fear-of-perfection Salvador Dali

Perfection is an illusion, anyway. But there are a couple of different schools of thought when it comes to applying “perfection” to the creation of one’s art. Some people feel that seeking perfection can lead to trying harder and ending up with something as close as you can get to perfect.Vince Lombardi perfection

Others think that it can demoralize a person to the point of giving up (or not starting at all, which is worse).

perfection quote Margaret Atwood5154-if-you-look-for-perfection-youll-never-be-content Leo TolstoyBoth approaches have their merits, and while both points of view can lead to success, I think they take very different types of people to make them work. Some people work better under pressure than others. Some enjoy more of a challenge than others do.

Quotation-Oscar-Wilde-practice-perfectionWhich camp describes you? Does the search for perfection in your craft motivate you? Do you find that striving to reach your personal best leads to success in your creative endeavors? Or do you feel that all that pressure tends to backfire and leads to being paralyzed with inaction? Do revisions make you shudder? Do you “edit” as you go?

Regardless of which attitude toward “perfection” that you have, it’s important to realize that the true meaning of the word only belongs to the Divine. We may come close. In fact, finding peace and acceptance of ourselves as part of the Divine is necessary, realizing that we are perfect, exactly as we are. Can/Will you apply that same perspective to your art?

It may seem as if I am advocating the acceptance of ‘mediocrity’. I am not. By all means, aim for the moon, you may at least hit the stars! But also realize that everyone probably has a different idea of ‘perfection’, and, barring editors, publishers and the like, you have to be able to stop at a point in the creation and decide when it’s done, or when it’s “good enough”.

Quotation-Michelangelo-shadow-work-perfectionIn the end, the matter of whether our creation(s) have achieved “perfection” is completely up to us. Only the artist knows and can decide when something is done, and whether or not it’s done to the satisfaction of the creator. Remember: YOU, as the artist/creator are the only one you have to satisfy. Maybe in many cases, “good enough” IS perfect.  😉

Perfection-Quotes-Ring-the-bells-that-still-can-ring Leonard Cohen

* * * * * * * * *

effecd1bf289d498b5944e37d8f4ee6fAbout dragonkatet Regarding the blog name, Dragon’s Dreams ~ The name comes from my love-affairs with both Dragons and Dreams (capital Ds). It’s another extension of who I am, a facet for expression; a place and way to reach other like-minded, creative individuals. I post a lot of poetry and images that fascinate or move me, because that’s my favorite way to view the world. I post about things important to me and the world in which we live, try to champion extra important political, societal and environmental issues, etc. Sometimes I wax philosophical, because it’s also a place where I always seem to learn about myself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ and I don’t mean “net-working” with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

Painshill Park & The Honey Bee Festival

Reading Biddle The Bee at Painshill Park during the honey bee festival http://www.amazon.co.uk/Biddle-Bee-Everything-Garden-Purpose/dp/0992618827

painshill

 

 

 

 

 

 

It was such a treat to read my Biddle The Bee story at The Painshill Honey Bee Festival at the weekend.Painshill Park is a beautiful, 18th century garden near Cobham, Surrey, UK. The landscape garden was originally created by the Honourable Charles Hamilton between 1738 and 1773. Over 80,000 visitors a year now visit Painshill Park with its iconic follies.

The Honey Bee Festival is hosted every year by members of The British Beekeepers Association. Sandra Rickwood and Marion Cooper of the Weybridge Branch of British beekeepers invited me to participate and read my story of Biddle The Bee. Marion Cooper helped with the final editing of the book, and I can honestly say that beekeepers are very particular that all the facts in a story should be absolutely correct! Biddle The Bee has their seal of approval! Phew!!

www.amazon.com/Biddle-Bee-Dug-Rosie-Everything-ebook/dp/B00GLXM9TA

Biddle The Bee http://www.amazon.co.uk/Biddle-Bee-Everything-Garden-Purpose/dp/0992618827
And Papa jumped up, “Let’s waggle and jive! Let’s be like the bees when they’re in the hive. They buzz to the left, and buzz to the right! They’re dancing a map of their nectar flight, And showing each other just where they have been, To find the best nectar for feeding the queen!”
 My tongue is so long, like a straw, made to shloop! I prod and I poke; I probe and I scoop. I suck up the nectar for my honey tummy. I cook it; I mix it ~ sweet honey, so yummy!  I keep it and store it in my winter pantry, For when food is scarcezzzzz, and nectar is scanty!”
My tongue is so long, like a straw, made to shloop! I prod and I poke; I probe and I scoop. I suck up the nectar for my honey tummy. I cook it; I mix it ~ sweet honey, so yummy! I keep it and store it in my winter pantry, For when food is scarcezzzzz, and nectar is scanty!”

Biddle The Bee is one of a series of Pa Dug & Rosie books, all about how everything in the garden serves a purpose. In my attempt to bring poetry to science, I am thrilled to be involved in raising awareness of the wonderful bee who is under serious threat internationally from pesticides and loss of habitat. Bees are an incredible civilization unto themselves and many things upset their rhythm. As part of my research for this story, I visited an apiary. The fact that bees crawled all over me didn’t phase me a bit!  I trusted them, and they were remarkably calm ~ even when being handled.

Painshill Park is such a beautiful place. Songs from the book were sung, and children wrestled with deliberate tongue-twisters such as: “But the bee buzzed by on busy business!” Well! if you were aged between 3 and 7, you’d have fun pronouncing this! And, of course, we danced the Waggle Jive!!! Children love the musicality and rhythm of the rhyme and hearing it read with me imitating all the different voices…doing the bee voice is fun; doing this at my age is even more fun! And, of course, the little ones LOVE the pictures ~ Originals courtesy of Marta Pelrine Bacon and coloured with added graphics by yours truly!

Find Biddle The Bee HERE in Kindle (GREAT FOR CLASSROOMS). HERE (where the print version is cheaper than Amazon!)

Niamh Clune © 2014, words and illustrations, all rights reserved

430564_3240554249063_1337353112_n-1NIAMH CLUNE (Plum Tree Books Blog) ~ is the author of the Skyla McFee series: Orange Petals in a Storm, and Exaltation of a Rose. She is also the author of The Coming of the Feminine Christ: a ground-breaking spiritual psychology. Niamh received her Ph.D. from Surrey University on Acquiring Wisdom Through The Imagination and specialises in The Imaginal Mind and how the inborn, innate wisdom hidden in the soul informs our daily lives and stories. Niamh’s books are available in paperback (children’s books) and Kindle version (The Coming of the Feminine Christ). Dr. Clune is the CEO of Plum Tree Books and Art. Its online store is HERE.  Niamh’s Amazon page is HERE.

We cultivate love . . .

vulnerability-quote-webVulnerability is

1. The bearing of ones’ soul.
2. The exposing of our frailties
3. The peeling of our layers
4. The kiss and tell of our heart
5. The revealing of our inner being

Vulnerability feels like

1. Pain from an open wound
2. A throbbing in our head
3. A punch in our stomach
4. A thump in our brain
5. A thief stealing our soul

Love Feels Like
1. A quenched thirst
2. A harmonious gratifying touch
3. A warm breeze on our skin
4. Lips soft and sweet
5. An enchanted heart dancing

What does vulnerability mean to you?
What does vulnerability feel like to you?
What does love feel like to you?

Take the vulnerability test Brené Brown has offered us …..

“We cultivate LOVE when we allow our most vulnerable and powerful selves to be deeply seen and heard. ” Brené Brown, Ph.D., LMSW (b. 1965), American scholar, author, and public speaker, research professor at the University of Houston Graduate College of Social Work

Write these three sentences down and list your five answers.

Vulnerability is ….

Vulnerability feels like ….

Love Feels like ….

 

© 2014, essay, illustration and portrait (below), Isadora De La Vega, All rights reserved

unnamedISADORA DE LA VEGA (Inside the Mind of Isadora) ~ is a guest blogger here for the first time today. She was a copper-and-silversmith award-winning jeweler for twenty-eight years, exhibiting in more than 200 galleries across the U.S. and in Puerto Rico. Now semi-retired, Isadora maintains a web-site, Isadora Art Jewelry, for liquidating her remaining art jewelry. She is also the president and co-designer of Copper Whimsea’s by Al.

Isadora is a wife, mother of three, grandmother of eight, and a novice writer and a photographer. You can find her written work at Inside the Mind of Isadora and her photography at Isadora Art and Photography. She started her blog to hone her writing skills and never thought she would touch people in so many ways with her words and images. She is delighted to be able to do that and says, “I’m even happier that I am accomplishing the goal I had set for myself: touching peoples’ hearts.

“Who Speaks for Wolf” … a Native American Learning Story …

Our thanks to Gretchen Del Rio (Gretchen Del Rio’s Art Blog) and Mary Burns (Seeker of Truth and Beauty) for this lovely video.

Gretchen is much appreciated by us for her beautiful spirit as expressed through her spirit animal paintings. Below is one of her watercolors, War Bonnet, which notes that “Wolf is on the warpath. Many of his kind have been destroyed.”

If you haven’t already “met” Gretchen and Mary, we recommend a visit to their blogs.

Original watercolor by Gretchen Del Rio (c) all rights reserved; posted here with permission
Original watercolor by Gretchen Del Rio (c) all rights reserved; posted here with permission

21A6GA4TWSL._AA160_T

The book, Who Speaks for Wolf was
written by Paula Underwood and
illustrated by Frank Howell.

buddha bear

Gretchen Del Rio, the queen of spirit animal art, brings us this charming water color of Buddha the Bear and a sweet story of Buddha the Dog … Lovely!

Gretchen Del Rio's Art Blog

watercolor aceo 7/2014 watercolor aceo 7/2014

I have a dog named Buddha. It seems to me as though he looks quite like a bear. He has a very expressive face and he is a stealthy fellow. Many years ago when he was disappointed with the way things were going he decided to chew up a few things. It wasn’t the all out destruction of puppies cutting teeth or boredom. In fact he usually never chewed anything. He was, however,  a casual muncher at times. The problem was the arrival of the second dog….Maus. There was one particular little book that was always on a table in the living room. He took it off the table and chewed ever so delicately around the edges. Upon discovery he was reprimanded….”NO CHEWING BOOKS.” Right then and there the book was returned to the shelf. He watched the placement out of the corner of his eye. Next day he was chewing…

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Writer’s Fourth Wednesday–The Art of Touch

When introducing school-age children to the world of visual art back when I was a docent at the Nevada Museum of Art, I used to like to ask them, “What tools do artists use?” Typical answers include, “Paint, canvases, clay, ink…” and, indeed, it’s logical that these are the first things that come to mind for most of us. But then, standing before a painting or sculpture, I invited the children to take their responses a step further and, in so doing, we entered the sphere of the elements and principles of art.

As a would-be artist, I’ve learned that the elements and principles of art are tools can serve poets and writers, as well as visual artists. These tools include color, line, shape, space, texture, perspective, balance, contrast, movement, form, pattern, value, emphasis, rhythm and unity. Can you see how visual artists reach into their tool boxes and grab one or more of these to produce a painting or sculpture that will appeal to the eye and will elicit an emotional response? And how they might enrich your own work?

Photo: David Slotto

Today, I’d like to discuss Texture.

Texture refers to the surface quality, whether actual or implied, of artwork. Actual or tactile texture is present when, if you were to touch the piece, you would feel its roughness or smoothness. Implied texture is achieved through illusory techniques that allow your imagination to tell you how an object in the painting would feel.

To create rough texture in a painting, the artist uses heavy applications of paint with a brush or palette knife and layers it on the surface of the painting. This process is called impasto. Simulated or implied texture occurs when the artist creates the impression of smoothness or roughness. To do this he uses color and value contrasts, a dry brush technique, or broken lines. Collage is an art form that emphasizes texture through use of contrasting materials such as fabric, paper, wood, paint, fiber and natural objects.

For this Writers’ Fourth Wednesday, I invite you, as word artisans, to create textural poetry or prose.

  • You may choose to focus on texture as the subject of your poem, exploring and reproducing the rough texture of tree bark or wood, the smooth feel of a baby’s or lover’s body, the cool gloss of ice or the warm fuzz of a cuddly kitten.

  • Or select words that are textural when spoken, perhaps including a recording of your spoken verse.

  • Another option is to select a piece of art that is textured and write to that. Some artists known for texture include the masters Rembrandt and Titian, Impressionists such as Vincent van Gogh, or abstract expressionists such as Willem de Kooning and Jackson Pollock.

  • Perhaps you have a painting, sculpture or photograph of your own that you would like to showcase.

Image Credit: theguardian.com
Image Credit: theguardian.com

I hope you enjoy bringing the sense of touch to your writing and look forward to reading your contributions, should you chose to share them. Above all, have fun adding texture to your creative tool box.

To link simply write your piece and post it on your website or blog, then copy the direct URL of your work into Mr. LInky.

2014, essay, Victoria C. Slotto, All rights reserved; photographs as indicated 

2940013445222_p0_v1_s260x42034ff816cd604d91d26b52d7daf7e8417VICTORIA C. SLOTTO (Victoria C. Slotto, Author: Fiction, Poetry and Writing Prompts) ~ is an accomplished writer and poet. Winter is Past, published by Lucky Bat Books in 2012, is Victoria’s first novel. A second novel is in process. On Amazon and hot-off-the-press nonfiction is Beating the Odds: Support for Persons with Early Stage Dementia. Victoria’s ebooks (poetry and nonfiction) are free to Amazon Prime Members. Link HERE for Victoria’s Amazon page. Victoria’s poetry collection is  Jacaranda Rain, Collected Poems, 2012, Beautifully done.

Writers’ Fourth Wednesday prompt is hosted by Victoria from January through October. Victoria’s next Fourth Wednesday writers’ prompt will post at 12:01 a.m. PST on July 23. Please join us. Mister Linky will remain open for seventy-two hours so that you can link your response to this blog. If you find Mister Linky too cumbersome to use, please feel free to leave your link in the comments section on Wednesday. Victoria and Jamie will read and comment and we hope you will read each other’s work as well, comment and encourage. 

Pressed Flower Power and Sunny Spinach Pie

It is SUCH a blessing to have a mother who is an artist! My mother recently hosted a workshop where we made flower presses and feasted on home-made goodies. I had never given much thought to the process of dried and pressed flowers before, but I learned quite a bit! Did you know that back in Victorian times, pressed flowers were considered one of the “acceptable” past-times for women? They would trade them, make “Old Maid” cards with them, use them to decorate serving trays by putting them on the bottom of the tray and then placing a piece of glass over them to keep them in place and protect them! You can do the same kind of thing today, of course, or they can be used for bookmarks, hand-crafted greeting cards, even decoupage gift boxes. There are scads of good ways to use these free gifts of nature. 🙂

Bought Flower PressMy mom got the idea after buying some blotter paper on sale and seeing the different types of flower presses available out there in the world. She got a couple off of e-bay and decided that they were really simple to make, so she cut up some scrap wood she had in the garage, and bought some hardware and invited us all to come learn about the process.

Materials for Flower Press

She made it easy for us by providing all of the materials. Each press has two pieces of wood for a top and bottom, four long bolts with washers on each side and four wing-nuts, and then as many pieces of blotter paper and cardboard between as you can fit into the press.

Finished PressPress Close-Up

There were several of us who attended, and we each got busy sanding the edges off our own presses. We had to use wood rasps/files to get the big splinters and rough pieces off, and then we graduated to sand paper. Each top and bottom had holes (pre-drilled, thanks to Mom) in all four corners to line up for the bolts and wing-nuts.

Cutting PatternsAfter that, it was cutting out the cardboard patterns to go between the blotter papers (which had already been graciously cut and provided). You can use any paper (even regular copy paper) as your blotters but we suspect that the acid content may have something to do with preserving the original colors of the flowers.

Pressed HybiscusPressed Nellie Moser Clematis

The next step is to place your flowers between two blotters and stack them as you get more of them, so that eventually, your press is full of flowers! You then have to be patient and leave it alone for about 6 months, so that the flowers have a chance to fully dry and stay stationary. (This part will be the hardest part for me, as I am not known for my patience and I know I’ll want to keep checking on them). This is what my finished press looked like. I may paint it on the top and bottom, and I glued down the washers at the corners to keep them from sliding around when I added more flowers.

Pressed Jackmani Clematis

It’s important to get the flowers early in the day, after the dew is off of them, but before the sun has had a chance to wilt them. Moisture is bad, because it can cause your pressed flowers to mold. The thicker the flower, usually the longer it will take for it to dry, but don’t be afraid to try them all! You never know!

As for the “Sunny Spinach Pie”, I got the recipe from here and it looked so lovely that I decided to try and make it. I thought it would be the perfect dish to bring to our get-together. I ended up making two. The first one was what my boyfriend delicately called a “Pinterest Fail” (I’ll leave it to you to Google that phrase). It didn’t look very good but it tasted fine. The second one, however, came out a lot better. It was a success at the workshop, too. Everyone seemed to enjoy it.

Sunny Spinach PieWorkshops like this are a good chance to get together with other creative individuals, share the ‘creative energy’, good times, and learn something new at the same time. If you have a passion for a certain type of creative project, why not consider making it into a workshop and inviting others to participate? 🙂

~ © Corina L. Ravenscraft 2014 ~

effecd1bf289d498b5944e37d8f4ee6fAbout dragonkatet Regarding the blog name, Dragon’s Dreams ~ The name comes from my love-affairs with both Dragons and Dreams (capital Ds). It’s another extension of who I am, a facet for expression; a place and way to reach other like-minded, creative individuals. I post a lot of poetry and images that fascinate or move me, because that’s my favorite way to view the world. I post about things important to me and the world in which we live, try to champion extra important political, societal and environmental issues, etc. Sometimes I wax philosophical, because it’s also a place where I always seem to learn about myself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ and I don’t mean “net-working” with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

About my friend, Wendy Alger, Fine Art Photographer

WENDY ALGER (b. 1972), Chicago, IL, U.S.A.

Fine Art Photography

“Photography. It’s like music … It’s like your favorite song, something you can listen to over and over and over again. You try to explain it to some and you can’t. That’s the feeling it gives me. It’s like traveling and you want to tell everyone how great it was … and I have that experience every time I pick up a camera.” Wendy Alger

My friend, Wendy Alger, is a talented photographer, now still active though legally blind. Wendy pursued the craft of photography as a hobby until another friend of hers suggested that she become a photographer. Wendy thought that sounded just right and a natural thing to do since both her parents were photography enthusiasts. Wendy’s dad supported her new goal and gave her one of his cameras and some lenses. And so the story begins …

At the time when this adventure started, Wendy owned an old ’68 Mustang. She’d drive around, listening to music. When something called out to her, she’d stop and take photographs. Thus Wendy began to learn what subjects appealed. “I photographed everything that felt right and compelled me to keep taking photographs.” Slowly, she discovered the artful photographer within and her own distinctive style. “I enrolled at the Academy of Art University in San Francisco and trained there, where I learned manual SLR. I also learned how to use a dark room.”

I am always surprised and delighted with the remarkable results Wendy manages despite the limitations of her sight due to retinitis pigmentosa. Quite a bit older than Wendy, I cut my own photo visionings using a Brownie and have not graduated much beyond that. My camera is digital, but it’s just a simple budget-wise P.H.D. (Push Here Dummy) camera.  Wendy, however, uses newer, better quality and more complex equipment than mine and tells me that these newer technologies facilitate the practice of her craft.  “I use a digital camera and I can check my pictures on the camera instead of in a dark room. Nowadays, my darkroom is a laptop, Photoshop and Photoshop Lightroom. This allows me to transform and print my images at home. I also use visual memory … I remember feeling to get through a photo session.”

Wendy’s long-term goal:

“To have my artwork displayed in the same building as Walker Evans in my lifetime – not after – during! My vision problems are not stopping me. I never even think about that. After I was diagnosed and as soon as I got the money I bought my digital camera.”

Here is a small gallery of Wendy’s recent work with a digital camera. The photo at the head of the post and the first one below are self-portraits. Wendy’s photographs are copyright protected. You can see more of her work HERE. She’s now in the process of updating her site.

– Jamie Dedes

© photographs, 2011 Wendy Rose Alger, All rights reserved

Photo on 2014-03-31 at 17.16 #3kif_0858-1JAMIE DEDES (The Poet by Day)~ I am a medically retired (disabled) elder and the mother of a married son. The graces of poetry, art, music, writing and reading continue to evolve as a sources of wonder and solace, as creative outlets, and as a part of my spiritual practice. My Facebook pages are: Jamie Dedes (Arts and Humanities) and Simply Living, Living Simply.

The photograph to your right, Portrait of a Photographer, which some will recognize as the photo I used for Wordless Wednesday, is a portrait of Wendy. I guess it might be more correct to say it’s a portrait of the camera not the photographer, though it was meant to capture the spirit in which Wendy works. I took the photograph some years ago when we spent an afternoon at Union Cemetery in Redwood City, Wendy pursuing art and me as chauffeur and tag-along doing the best I could. My own portrait here is a selfie captured using the photo feature on my MacBook. Happy interNational Photography Month.

~ Planet MoM ~

"Planet MoM" © Corina L. Ravenscraft 2014
“Planet MoM” © Corina L. Ravenscraft 2014

M is for the multitudes She nurtures.
O is for the only world we have.
T is terrestrial preservation – Hers.
H is for the home we have to save!
E is ecosystems, all connected.
R is for respect that She is due.

E is for environments, protected.
A is for awakened points of view.
R is for the rescue of our parent.
T is teaching all to love Her, too.
H is the Heaven or Hell they will inherit.

For all She gives us, it’s the least that we can do.

 

~ © Corina L. Ravenscraft 2014 ~

effecd1bf289d498b5944e37d8f4ee6fAbout dragonkatet Regarding the blog name, Dragon’s Dreams ~ The name comes from my love-affairs with both Dragons and Dreams (capital Ds). It’s another extension of who I am, a facet for expression; a place and way to reach other like-minded, creative individuals. I post a lot of poetry and images that fascinate or move me, because that’s my favorite way to view the world. I post about things important to me and the world in which we live, try to champion extra important political, societal and environmental issues, etc. Sometimes I wax philosophical, because it’s also a place where I always seem to learn about myself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ and I don’t mean “net-working” with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

Empty Space as an Aesthetic Significance

I’ve read an intriguing quote in Japanese Women Don’t Get Old or Fat by Naomi Moriyama;

‘The importance of ‘empty’ space in the presentation of Japanese cuisine can scarcely be exaggerated. Receptacles are never filled to the brim, but are left with a certain margin of emptiness- emptiness of an aesthetic significance comparable to that in a Zen ink painting‘.

(Chef Masaru Yammamoto).

Considering the importance of empty space is what I do when I draw or paint. Often an empty space is needed to guide the viewer to the place that needs his attention. Other times, empty space is filled with suspense. Because empty space can create guidance, tension and calm contemplation, it is full of possibility.

Isn’t possibility what emptiness is? The emptiness or absence of sound means a bird can fill it with its song. Emptiness as possibility works in compositions exactly the same. An empty place can be filled in or left open.

It is important to notice what exists in an empty space. If I paint a bird on the left side of my drawing looking at the right, what is the bird looking at? The empty space isn’t empty at all. It is full of possibilities. Is the bird looking at a mate? Or a prowling cat? Not filling up an empty space often works well; it adds more possibility, tension or imagination to a painting. Other times a large empty space is too dominating or too much a void, in that case, doing something with it is better. It is a place that offers calm contemplation, leave it open.

If you are a home educator, don’t teach you child that the whole page or canvas needs to be filled in. (The only reason why you should offer an art assignment in which nobody is allowed to leave the class room before his paper is completely covered, is when your students need to overcome shyness, self restrained, or inhibition).

If you are a creative therapist or an understanding friend, sit down with your client or friend, and analyse his doodle or drawing by asking what is going on in its empty space. Talk, investigate, and dream together. You will be surprised how many possibilities or interpretations will emerge.

If you are a parent and your young child is proudly showing you a painting, play with your child. Ask what is going on with the objects that are drawn, and what is happening within the empty space. Then built a story on what the child tells you. Your child will charm and entertain you with pure child fantasies. Empty spaces are full possibilities.

You thought empty space is boring or shows a lack of imagination? Or a bad composition? Certainly not always, often quite the opposite.

Returning to the book on Japanese food; I always dread the moment when I have to stop drawing in order to prepare a dinner. From now on, I will plan to continue my mindful meditation by bringing aesthetic principles into my kitchen.

– Paula Kuitenbrouwer

© 2013, essay and photographs and artwork (above and below), Paula Kuitenbrouwer, All rights reserved

birdcardsPAULA KUITENBROUWER ~ is a regular contributor to Into the Bardo and a Dutch nature artist living in The Netherlands and sharing her work with us on her blog, Mindful Drawing and on her website.   In addition to art, Paula’s main interest is philosophy. She studied at the University of Utrecht and Amsterdam. She has lived in Eastern Europe and in Asia. Paula says that in Korea, “my family lived next to a Buddhist temple. In the early morning we would hear the monks chanting. During my hours of sauntering with my daughter through the beautiful temple gardens, I felt a blissful happiness that I try to capture in my drawings.” Paula sometimes teaches children’s art classes. She lives with her husband and daughter and close to her father. You can view her portfolio of mindful drawings HERE.

The Artist

Book Art by Brian Dettmer
Book Art by Brian Dettmer

The Artist

You are the poem and the rhyme,
The reason for created time;
The song, the sung, the singer too;
The truth that is the deepest you.
So ask not why you paint the rose,
Or write of love’s heart-wrenching prose ~
And steal the light from Heaven’s hand,
To write a poem in the sand.


© Niamh Clune 2013

430564_3240554249063_1337353112_n-1orange-petals-cover_page_001DR. NIAMH CLUNE (Plum Tree Books Blog) ~ is the author of the Skyla McFee series: Orange Petals in a Storm, and Exaltation of a Rose. She is also the author of The Coming of the Feminine Christ: a ground-breaking spiritual psychology. Niamh received her Ph.D. from Surrey University on Acquiring Wisdom Through The Imagination and specialises in The Imaginal Mind and how the inborn, innate wisdom hidden in the soul informs our daily lives and stories. Niamh’s books are available in paperback (children’s books) and Kindle version (The Coming of the Feminine Christ). Dr. Clune is the CEO of Plum Tree Books and Art. Its online store is HERE.  Niamh’s Amazon page is HERE.

sacred buffalo

Here we have Gretchen del Rio’s delightful watercolor painting of Sacred Buffalo. Gretchen created it for a women’s collective – the International Council of Thirteen Indigenous Grandmothers – an organized movement to affirm the human connection to this beautiful Earth of ours and an alliance to protect our resources. You can read more about the painting and the group by following the link to Gretchen’s blog.  J.D.

Gretchen Del Rio's Art Blog

‘When one sits in the hoop of the People, one must be responsible because all of creation is related and the hurt of one is the hurt of all and the honor of one is the honor of all.’

‘White Buffalo Calf Woman’

 

I was asked to create this painting for a collective of women coming together to support/embody the energy of white buffalo calf woman. I am very excited about what is happening here. ‘This is a calling of women of peace from all walks of life to join hands and come together as a collective to support a humble movement of the Original People of the world.’

 

THE MOMENT IS NOW

“When the council of original seed issued by the Mother called upon the four elements ~ air, water, earth and fire ~ to Unity ~ life came to be on planet Earth. Now today, the Mother is…

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very private thoughts

The Milkmaid, oil-on-canvas painting by Johannes Vermeer (1632-1675), Dutch
The Milkmaid, oil-on-canvas painting by Johannes Vermeer (1632-1675), Dutch

My first memory of art was in a dictionary, when I used to gaze dreamily at a portrait by Johannes Vermeer, The Milkmaid, a woman wearing a white cap, standing by a table covered with a blue cloth pouring milk…I was so fascinated by the painting, by the humble tranquil atmosphere and the basket of bread that resembled ours…and the dancing light on the maid’s face and arm. I knew nothing about this Vermeer but the few lines in the dictionary that never satisfied my curiosity: “a Dutch painter, born in Delft, his paintings, mostly about everyday life and domestic scenes were characterized by use of subtle light ”

Johannes Vermeer was my first inspiration, even his name had poetry or so I thought. After The Milkmaid I started a notebook and wrote about every painter I discovered. I made sure I kept it well hidden from my family.

My mother never understood why I spent most of my day holding that heavy dictionary just staring at paintings, I was a mercurial child and a picture could easily define and change my mood!! So my discoveries continued with Dutch art, some paintings by a mysterious looking guy called Rembrandt and another with an ironic look called Van Gogh.

My friends outside were so far from my world as a million star years. I remember their looks, half sarcastic half pitiful on a girl always lost in reverie, befriending ghostly figures in a dictionary and talking about places they never heard of.
I was always asking: how can this famous Van Gogh paint such a naïve painting like les douze tournesols? I can do it better!! What was le jeune homme au gilet rouge of Cézanne thinking?

Of course my childish mind always separated and catalogued them: the cheerful ones like the only painting by Rénoir that made me so fond of Paris le Moulin de la galette and those beautiful ballerinas in la classe de dance by Degas. The sad ones like femmes de Tahiti by Gauguin. Eespite the suggestive earthy colours of those exotic women I couldn’t miss the touch of melancholy on their faces. Géricault frightened me with his méduse so did the painting of Goya el tres de Mai that reminded me of my history classes about the Algerian revolution. Les mendiants made me cry and have nightmares (with all respect to Bruegel l’ancien). I hated the dismembered people and the cruelty of the act, but those who evoked me the most were those that made my fertile imagination drift even more.

La route de Louveciennes,  oil on canvas by Camille Pissarro (1830-1903), French
La route de Louveciennes, oil on canvas by Camille Pissarro (1830-1903), French

When I walk back home from school I close my eyes and imagine myself walking with the couple in la route de Louveciennes despite the difference between Pissaro’s perfect painting and my village disappointed me, it gave me extreme pleasure, only equaled by floating with Chagal.’s women in autour d’elle a name I found extremely romantic. Nothing matched that serene blue bathed in moonlight and those strange looking women I wanted so bad to look like.

I loved the fantasy in autour d’elle but another painting made me laugh and cemented the impression that this Picasso used squares and triangles only!! Because I always loved the light sprinkled on Rénoir’s canvas…Musiciens aux masques was as funny as humorous, because I never knew any instrument but the guitar, or who those three men were and never saw the dog under the table until recently.

I was drowning bit-by-bit in this world of colours, I knew Kandinsky, Caravaggio, Durer and Poussin and their names had a sensual sonority for my Arabic ear, not that I could pronounce them correctly because I could only manage the French ones. I continued to dream about the Louvre and cities I can visit when I become older. I continued to have my nocturnal conversations with Vermeer, Cézanne and Rénoir and make my own versions of la route de louveciennes and

Autour d'elle, oil on fabric by Marc Chagall (1887-1985), French artisit, Belarusian ethnic
Autour d’elle, oil on fabric by Marc Chagall (1887-1985), French artisit,

Vlaminck’s nature morte, this widened the gap between me and my friends who thought that I was weird and treated me suspiciously, my mother still couldn’t understand my attachment to this dictionary I wasn’t using to explain difficult words.

These memories came rushing back the moment I finished reading Tracy Chevalier’s novel Girl With a Pearl Earing, a gift from my beloved uncle who lives in Italy.I am still faithful to my Vermeer but through another equally mesmerizing painting la Joconde du Nord, and I know more about the art world now, my childish impressions and convictions are dramatically changed now. I can pronounce those names perfectly and I have wonderful friends who share my enthusiasm and passion.

But…despite internet and the thick art catalogues of le Figaro in my aunt’s library, despite the documentaries, TV shows and the long biographies I can read for hours, that dictionary still has the favour and a dear place in my heart, heavy, torn in places with its red cover and a single Arabic word written in black…

that was my first art class.

– Imen Benyoub

© 2013, essay and photograph(below), Imen Benyoub, All rights reserved
Illustrations courtesy of Imen Benyoub

pictureIMEN BENYOUB ~ is a milti-lingual, multi-talented essayist, poet, and artist living in Guelma, Algeria. She is a regular contributor to Into the Bardo.

A Cheeky Spin on Art History by “Hold Your Horses!,” a polyphonic rock band from Paris

A bit of Bardo on the light side. Warning: Artistic nudity.


Video posted to YouTube by 
logerproduction.  

This irreverent music video for 70 Million, the hit song by the Franco-American band, Hold Your Horses!, offers a wink at art history. The inventive seven-member group playfully recreated twenty-five iconic paintings – can you name them all? – from Da Vinci to Andy Warhol. Enjoy!

What follows is a video using the original paintings with the artist’s name on each. If you care to, you can check it out to see if you got all the paintings and artists right when you viewed the first video.

Video posted to YouTube by .

she leaps from the cleavage of time . . .

she’s present
returned to bite through the umbilical of tradition,
to flick her tongue
and cut loose the animus-god of our parents,
like a panther she roams the earth, she is eve wild in the night,
freeing minds from hard shells
and hearts from the confines of their cages,
she’s entwined in the woodlands of our psyches
and offers her silken locks to the sacred forests of our souls ~
naked but for her righteousness,
she stands in primal light,
in the untrammeled river of dreams
the yin to balance yang
the cup of peace to uncross the swords of war ~
through the eons she’s been waiting for her time
her quiet numinosity hiding in the phenomenal world,
in the cyclical renewal of mother earth,
whispering to us as the silver intuition of grandmother moon
watching us as the warm vigilance of father sun ~
she, omen of peace birthed out of the dark,
even as tradition tries to block her return,
her power leaps from the cleavage of time

)0(

– Jamie Dedes

Original water color by Gretchen Del Rio
Original water color by Gretchen Del Rio

©2013, poem, Jamie Dedes, All rights reserved 

Illustration ~ this lovely watercolor painting by Gretchen Del Rio with its girl-tree, panther and other spirit animals seemed the perfect illustration for my poem on the spiritual return of the feminine. The real back-story on the painting is just as interesting. Gretchen says, “I painted this for a 14 year old Navaho girl. It is for her protection and her power. She sees auras and is very disturbed by this. She is just amazing. Beauty beyond any words. You can see into the soul of the universe when you look at her eyes. She has no idea. I loved her the moment I saw her. My blessings for her well being are woven into the art.” Such a charming piece. I posted it full-size so that everyone can enjoy the detail. Bravo, Gretchen, and thank you. J.D.

Photo on 2012-09-19 at 20.00JAMIE DEDES ~ My worldly tags are poet and writer. For nearly six years I’ve blogged at The Poet by Day,the journey in poem, formerly titled Musing by Moonlight.  Through the gift of poetry (mine and that of others), I enter sacred space.

Attn.: Poets and Writers

Victoria C. Slotto’s Writers’ Fourth Wednesday is tonight.

7 p.m. P.S.T. here on Into the Bardo

See you then …

Mindfully Drinking Jasmine Tea

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To drink your Jasmine tea with awareness, you might like to….

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….admire the origin of your tea, the Jasmine shrub with its white flowers.

You can spend some thoughts on how the shrub lived and bloomed, and how the flowers smell. Your tea is scented with Jasmine flowers; do you see the whitish leaves? If you have bought Jasmine pearls, you could appreciate how they unfold.

200px-jasmine_pearls

Sniff the relaxing scent of Jasmine. Does this bring back memories? Happy memories? Do you like to let go something before you will enjoy your tea? Feel the warm tea mug and enjoy the drinking. Thoughts, scent, and taste…observe them all.

Do you get distracted or is your tea finished? Feel the tranquillizing effect of your mindful tea session by being grateful for this mindful moment.

mg_3971

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What are your thoughts on Jasmine tea and mindfully drinking scented tea? Is Jasmine growing in your garden? Have you painted its flowers? I invite you to add your link in the comment section.

– Paula Kuitenbrouwer

© 2013, essay and photographs and artwork (above and below), Paula Kuitenbrouwer, All rights reserved

birdcardsPAULA KUITENBROUWER ~ is a regular contributor to Into the Bardo and a Dutch nature artist living in The Netherlands and sharing her work with us on her blog, Mindful Drawing and on her website.   In addition to art, Paula’s main interest is philosophy. She studied at the University of Utrecht and Amsterdam. She has lived in Eastern Europe and in Asia. Paula says that in Korea, “my family lived next to a Buddhist temple. In the early morning we would hear the monks chanting. During my hours of sauntering with my daughter through the beautiful temple gardens, I felt a blissful happiness that I try to capture in my drawings.” Paula sometimes teaches children’s art classes. She lives with her husband and daughter and close to her father. You can view her portfolio of mindful drawings HERE.