Nature – The BeZine

“Partnering With Nature” Exhibition To Be Presented at the World Economic Forum’s 2020 Annual Meeting

Posted on January 18, 2020January 18, 2020 by The Bardo Group Beguines

Department of Seaweed: Living Archive, 2018–ongoing; Julia Lohmann (German, b. 1977), Violaine Buet (French, b. 1977) and Jon Lister (New Zealander, b. 1977); Seaweed and rattan; Dimensions variable; Photo: Pierre-Yves Dinasquet, Department of Seaweed.

Cooper Hewitt, Smithsonian Design Museum has announced that a special exhibition, “Partnering with Nature,” will be on view at the World Economic Forum’s 50th Annual Meeting, Jan. 21 through Jan. 24 in Davos-Klosters, Switzerland. Drawing from the “Nature—Cooper Hewitt Design Triennial” exhibition originally organized by Cooper Hewitt and Cube design museum, this adaptation is a collaboration between the Smithsonian and the World Economic Forum (WEF). This is the fourth year that the Smithsonian and the WEF have collaborated on bringing an exhibition to the Annual Meeting in Davos. Installed in the Congress Centre, the exhibition will be offered alongside panels, workshops and other sessions organized by the WEF that address the ecological crisis and the Forum’s major focus on sustainability.

“A global platform for design, Cooper Hewitt is delighted to once again collaborate with the World Economic Forum and highlight the power of design to address the most significant environmental issues of our time,” said Caroline Baumann, director of the museum. “Through this powerful, interactive exhibition, Cooper Hewitt will invite leaders to rethink our relationship to nature and jumpstart the dialogue on sustainability practices on an international scale.”

Four installations will encourage participants to play with natural elements, learn about the symbiotic relationships in nature and be inspired to imagine a more cohesive approach to working with nature.

The works on view include:

Department of Seaweed Prototyping Workshop, 2019–20. Founded by Julia Lohmann in 2013, the Department of Seaweed brings together experts in design, science and craft to experiment with the fabrication processes and material properties of seaweed and explore possible applications of this plentiful and renewable resource. For the installation at Davos, Lohmann will create a seaweed structure, Hidaka-Ohmu, and have available living seaweed and a display of hanging, dried seaweed to show the materials used in the craft process. Participants will work with seaweed in a workshop with Lohmann’s team.
Tree of 40 Fruit, 2008–ongoing. Artist Sam Van Aken collapses an orchard of fruit trees into a single tree using centuries-old grafting techniques. Van Aken worked with Fructus, the Swiss Association for the Protection of Fruit Heritage, to identify, collect and graft 40 apple varieties onto a 6-year-old tree. The varieties originated, are historically grown, or are important commercial varieties in Switzerland. Van Aken maps the tree grafts with hand-drawn sketches that are color-coded to each blossom’s season. Participants will be invited to try bench grafting—a technique where scionwood is grafted to root systems to create new trees.
Totomoxtle, 2017–ongoing. Totomoxtle means “corn husk” in the Nahuatl language and refers to the brilliantly colored veneers made from native Mexican corn by designer Fernando Laposse. Since 2017, Laposse has collaborated with farmers, agronomists and scientists to reintroduce native varieties of corn that were decimated by industrial farming. The initiative has led to local job growth, a resurgence of craft and food traditions, and restoration of indigenous farming practices. Participants will join in the completion of a mosaic.
Algae Platform, 2019–20. Developed by Atelier Luma, a think-tank, workshop and space for research, production and learning, the Algae Platform investigates the potential of algae as an alternative material to plastic with many possible applications in the architecture and design field. Algae is a globally renewable resource that is found in natural, urban and industrial landscapes, and can be 3-D printed into vessels and extruded into filaments for textiles.

Related programming includes presentations by the designers in the Hub, followed by hands-on workshops. On Jan. 21, the designers from the Algae Platform and the Department of Seaweed will share the creative process of turning unwanted natural materials into art and everyday objects. On Jan. 23, the artists behind the Tree of 40 Fruit and Totomoxtle will discuss what ancient agricultural techniques can teach people about caring for the land. Additional programming during the series includes a Design by Nature session, Jan. 24, featuring Baumann in conversation with Netherlands-based artist and innovator Daan Roosegaarde who explores breakthrough ideas that bring nature and humans together in a sustainable way.

About Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt is America’s design museum. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum, education and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Steward of one of the world’s most diverse and comprehensive design collections—over 210,000 objects that range from an ancient Egyptian faience cup dating to about 1100 BC to contemporary 3-D-printed objects and digital code—Cooper Hewitt welcomes everyone to discover the importance of design and its power to change the world. Cooper Hewitt knits digital into experiences to enhance ideas, extend reach beyond museum walls and enable greater access, personalization, experimentation and connection. The museum is fully accessible.

For more information, visit www.cooperhewitt.org or follow @cooperhewitt on Instagram, Facebook, Twitter and YouTube.

About The World Economic Forum

The World Economic Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. The World Economic Forum’s Annual Meeting brings together over 3,000 participants from governments, international organizations, business, civil society, media and culture from all over the world. The theme of the 50th annual meeting in Davos is Stakeholders for a Cohesive and Sustainable World.

General Interest

Eco-Tourism and Jungle Law

Posted on September 4, 2019September 21, 2019 by The Bardo Group Beguines

We were grateful for bug screens on our trip to the Amazon, but the natural world often defies human-made barriers.

For instance, we shared The Hammock Room at the Research Center with a tarantula. He wasn’t as interested in us as we were in him.

It was a reminder to shake out our shoes each morning before getting dressed. Insects and critters found their way into our little sanctuary, but it was the ones I couldn’t see that bugged me.

We ventured into the jungle with Orlando, our guide. In spite of the heat and 90+ percent humidity, we covered as much skin as possible with clothing, and sprayed the rest with repellant. Nighttime mosquitoes carry malaria, daytime ones dengue fever, and I forget which ones carry yellow fever, but I didn’t want to be breakfast for anybody.

Below are a few of my own unofficial rules of the jungle for the timid traveler.

Rule of the Jungle #1– bring mosquito repellent!

Fallen trees and leaves, mud, and overnight storms in the tropical rainforest made hiking challenging.

We wore rubber boots to keep our feet dry. Bea stepped in a puddle deeper than anticipated, and water poured into her boot.

Rule of the Jungle # 2–Watch your step!

Orlando uprooted several small trees, and cut the trunks off with his machete to make tea from the bark to relieve his mother’s arthritis. He replanted the roots in the fertile soil, so the tree would survive. Maybe the tea really was for his mom, but it was a tactful way of providing us with walking sticks to help balance on slippery walkways.

Rule of the Jungle #3–Take the hand extended to you, and be grateful for kindness in any form or guise.

So many trees and leaves were poisonous, covered with harmful insects or razor-sharp edges. Another guest at the Research Center slipped and braced herself on a porcupine tree. It left dozens of venomous barbs in in her hand, which swelled up painfully. The nearest doctor was hours away, so her guide cut the barbs out with pins and a knife, and gave her anti-biotics.

Rule of the Jungle #4–Don’t touch ANYTHING!

Rule of the Jungle # 5–There are exceptions to any rule.

Orlando caught Olive Whip Snake with his bare hands.

He showed us how to handle a snake without getting bitten…

Orlando’s grandfather was a shaman. “My grandfather said if you can get a snake to wrap around you, it will become gentle and give you its energy.” As soon as it wrapped around him, the snake grew calm, and then Orlando released it into a tree.

Rule of the Jungle #6–Be as open to new experiences as you can without endangering yourself or others.

Rule of the Jungle #7–Bring your camera!!

We caught many tantalizing glimpses of wildlife, but they were often quicker than I was when it came to focusing the camera.

However, some critters obligingly held still for me.

Occasionally I would be rewarded with a shot like this.

Or this….

Or this…

Rule of the Jungle #8–Only you can know what it requires for you to glean the most meaning and satisfaction out of your jungle experience or your life. Do no harm, be respectful, but make up your own rules, and break them whenever necessary.

Culture/History, Environment/Deep Ecology/Climate Change, Naomi Baltuck, Nature, ocean bliss, Peace & Justice, Photo Story, Photography/Photographer, Spiritual Practice, story, Story Telling, Photo Story, Sustainability, Teachers, TheBeZine, trees, Writing

Hope Floats

Posted on April 28, 2019April 28, 2019 by Naomi Baltuck

On my last visit to Juneau, my Alaskan sister Constance, told me a story. It began over fifteen hundred years ago, when a small band of Pacific Islanders, plagued by overpopulation and the depletion of natural resources, set sail across the Pacific in outrigger canoes to seek new islands to call home.

They were the ancestors of the people of Hawaii, Tahiti, Samoa, and other Polynesian islands. Their only guidance was gleaned from the stars, the wind, ocean currents, the swell of the waves, the birds and the fish, the movement of the clouds. This ancient system of navigation, known as ‘wayfinding,’ enabled them to travel thousands of miles across vast stretches of ocean to remote tiny islands.

My sister told me she had volunteered at an event in honor of native Hawai’ian, Nainoa Thompson, who had come to Juneau to tell his story, and to celebrate the strong bond between the First Peoples of Alaska and Hawai’i. It began in 1976, when Nainoa wanted to follow in his ancestors’ wake by sailing from Hawai’i to Tahiti with only traditional navigation as guidance. He had a double-hulled outrigger canoe named Hokule’a, ‘Our Star of Gladness’. At that time, ‘wayfinding’ was in danger of being forever lost. Hawaii’s wayfinders had all died, and only a few elderly wayfinders remained in Micronesia. One of them, Mau Piailug, barely spoke English, and the trip from Hawaii to Tahiti longer than any voyage Mau had ever made. But Mau’s children, like the children of so many Native Americans, had been taken away to boarding schools, robbed of their culture, and any interest in learning the ancient art. He agreed to mentor Nainoa.

Under Mau’s tutelage Nainoa completed the trip, and became a master wayfinder, helping to preserve Hawai’ian culture. But the Hokule’a was built from modern materials, and Nainoa wanted to build a ship of traditional Hawai’ian materials. For almost a year, Nainoa searched throughout the Hawai’ian Islands for two koa trees to use as hulls.

Between the devastation of ranching and logging, he couldn’t find a single koa tree tall or thick enough to serve.

It was noted in Captain George Vancouvers journals in 1793–that some Hawai’ian canoes had hulls of Sitka Spruce. The logs had been carried three thousand miles from Alaska by ocean currents, tossed up on Hawaiian beaches, and were considered gifts from the gods.

Nainoa asked Alaskan tribal elders for two Sitka Spruce trees to build an outrigger canoe. He was told that he could have the trees “so you can build the canoe to carry your culture. But we won’t take their lives until you come see that they are what you need.”

The Sitka Spruce trees were beautiful; 200-feet tall, eight feet in diameter, over 400 years old. But Nainoa realized that he couldn’t take the life of those trees before dealing with the destruction of his native Hawaiian forests.

Nainoa returned to Hawai’i to launch a restoration program. People worked together, old and young–some traveled from Alaska–to plant thousands of koa tree seedlings, creating forests that will one day have tree big enough to make canoes.

Only then did Nainoa feel he could return to Alaska to accept the gift of the Sitka Spruce trees.

Nainoa called the new canoe ‘Hawai’iloa’, after the ancient wayfinder who first discovered the Hawai’ian Islands.

Those first Polynesian voyagers coped with overpopulation and depletion of resources by migrating to other uninhabited islands, but that’s no longer an option on our crowded planet. Nainoa’s expanded mission has become ‘Malama Honua’, which means ‘caring for the Earth.’ Last year the Hokule’a completed a three year tour that circled the planet, building global community, and promoting earth care and sustainability as well as Polynesian culture.

I believe we have strayed, and lost sight of the world we want and need to live in. But, as Nainoa discovered, and now teaches, if one is willing to listen and learn, there are wayfinders who can show us the way home.

NAOMI BALTUCK (Writing Between the Lines)~ is Resident Storyteller at The BeZine. She is a world-traveler and an award-winning writer, photographer. Her works of fiction and nonfiction are available through Amazon HERE.

Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV (her personal blog) as well as on The BeZine.

Naomi conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

Naomi says, “When not actually writing, I am researching the world with my long-suffering husband and our two kids, or outside editing my garden. My novel, The Keeper of the Crystal Spring (Viking Penguin), can be read in English, German, Spanish, and Italian. My storytelling anthology, Apples From Heaven, garnered four national awards, including the Anne Izard Storytellers’ Choice. I am currently working on a contemporary women’s novel.”

Environment/Deep Ecology/Climate Change, Essay, Nature

Indian Summer

Posted on October 21, 2017October 18, 2017 by The Bardo Group Beguines

After the frost, warmth returns. We are now in Indian Summer, that period between first frost and the true onset of winter. The name “Indian Summer” seems to be of contested origins. I was always told that the name came from the colonists’ observation that Native people intensified hunting and gathering during the quiet time leading up to winter. Subsistence practices in colder temperate climates require that as much food and wood be put away as possible before the freeze sets in, yet the simple fact that much food is perishable means that food must be stored as late in the season as possible. Indian summer is, therefore, one of the few uses of the term “Indian” that refers to our perseverance and foresight, rather than being derogatory.

As climate change accelerates, Indigenous people around the globe are speaking to the dramatic shifts in the seasonal round, and insisting that these changes portend hard times to come. Perhaps it is simple racism, or greed, or both, that stops so many from hearing the truth in the lived experience, and the vision, of those who live close to the land. Perhaps it is just the human condition to ignore that which threatens us but is not yet dramatically altering our lives.

In the Autumn, traditional people, and people of many cultures who live on and with the land, have traditionally worked together to secure the harvest and assure the well-being of one another and the community. We are indeed in Indian Summer, both here in New England, and around the planet. This time, rather than raging winter, we face an unprecedented time of climate upheaval for which there is, for many, no way to prepare. May we yet find a sense of community and work together to bring ourselves, and the world, back to balance.

100,000 Poets, Musicians, Artists and Activists for Change, Environment/Deep Ecology/Climate Change, Jamie Dedes, Nature, poetry

the smell of wood, the scorch of fire … and a writing prompt to help you prepare for 100TPC

Posted on August 31, 2016August 30, 2016 by Jamie Dedes

this rough-barked sequoia stump, sitting in majesty
in its coastal home, victim of wildfire, burned down
to its gnarly roots, its nicks, holes and char, eons
of scars, life seemingly cut off, goddess snake alive
inside the concentric circles, the smell of wood and
scorch of fire, at the verge of our infinity, in its truth ~

pristine

rugged

pulsing

haunted by the geometry of limbs, the calculus of green,
the algebraic eloquence of a world within a world ~

So present.

So essential.

So primal.

it sings to itself in the marrow of our bones

– Jamie Dedes

WRITING PROMPT

In preparation for The BeZine 100,000 Poets (and Friends) for Change

Saturday, Sept. 24, 2016

Theme: Environment/Environmental Injustice

This poem was originally written in 2014 for Wilderness Week. There were then and are now a number of fires raging in the western United States. Wildfires are a natural occurrence but since the 1980s they’ve been increasing due to human-caused climate change. According to the Union of Concerned Scientists . . .

Wildfires in the western United States have been . . . occurring nearly four times more often, burning more than six times the land area, and lasting almost five times as long (comparisons are between 1970-1986 and 1986-2003) ….. many of the areas that have seen these increases—such as Yosemite National Park and the Northern Rockies—are protected from or relatively unaffected by human land-use and behaviors. This suggests that climate change is a major factor driving the increase in wildfires.” MORE

We tend to look at these fires in terms of the expense incurred fighting them and the cost of lives, homes, habitat, wild life and so forth. However, there’s one consideration we may tend to forget: Nature teaches us, comforts us, feeds us and is the ebb and flow of our spiritual and physical lives. The loss – the environmental injustice – is profound on more than a material level. This is what the smell of wood, the scorch of fire seeks to illustrate. “Nature” is who we are. Nature is us.

Write a poem or creative nonfiction piece on what the natural environment means to you and perhaps the sense of loss you feel as you note plants, animals, insects and wilderness that you’ve seen damaged or destroyed by climate, industry, overpopulation and whatever else has effected the area in which you live.

© 2014, poem, Jamie Dedes (The Poet by Day), All rights reserved; Photo credit ~Bay Nature.org: “The Bay Nature Institute, based in Berkeley, California, is dedicated to educating the people of the San Francisco Bay Area about, and celebrating the beauty of, the surrounding natural world. We do so with the aim of inspiring residents to explore and preserve the diverse and unique natural heritage of the region, and of nurturing productive relationships among the many organizations and individuals working towards these same goals.” Read more HERE.

You are invited to join The Bardo Group Beguines at The BeZine blog on Saturday, September 24 for 100,000 Poets (and friends) for Change. Below is a list of more features to provide you with information. We hope you’ll join us.

RELATED:

Poems/Poetry

Where the Wisteria Grows

Posted on March 31, 2016March 30, 2016 by Jamie Dedes

At the flower market this morning
I thought of us and our naked lives
Did you notice the star lilies bowing
and giant calyxes unfurling themselves?

A painter’s pallette of color there
fretting in terra-cotta, feral and windblown
A fabulous fusion of scent and form,
forests of nectar-pots on knobby stems,
the stuff of heaven for the anthophilous
In just a day or two, they’ll be gone

I couldn’t help but think that these
yes! … these are our human days
our days to sow or steal our human joys
Another day will inevitably transform us
The moon will stew us in a soffritto
of tulips and night-blooming jasmine

At dawn on the day I decide to die,
we’ll sip oolong at the Tudor Rose,
but I won’t be there, I promise I won’t
You’ll eat orchids to celebrate our love
and our long walks in kempt gardens

Once you picked forget-me-nots –
meant as the soul of our redemption
When their colors fade and leaves wither,
it will be time to look for me …
Look for me where the wisteria grows
With subtle eupony my blue-violet tendrils will
call you, weaving and binding you in love again

” . . . when we look around ourselves, we can recognize ourselves in the non-self elements, like a father looking at his children can see himself in his children, can see his continuation in his children. So he is not attached to the idea that his body is the only thing that is him. He’s more than his body. He is inside of his body but he is also at the same [time] outside of his body in many elements. And if we have the habit of looking like that, we will not be the victim of our attachment to one form of manifestation, and we will be free. And that freedom makes happiness and peace possible.” Thich Nhat Hanh

General Interest, Nature

In Memory: Robert D. Rossel, Ph.D.

Posted on August 6, 2015August 4, 2015 by Jamie Dedes

One of the first of three (the others being Buddhist poet Ann Emerson and Methodist Minister Terri Stewart) to be invited to share work on this site was Robert D. Rossel, Ph.D. who passed away on Sunday, July 26, surrounded by his family. He participated here for about two-and-a-half years. Below – in memory – is a piece Rob wrote and shared here in 2011. We know many fondly remember Rob and his work. Enjoy!

Photograph California Quail in Golden Gate Park courtesy of Mila Zinkova under GNU Free Documentation License via Wikipedia.

Nature’s Gifts

Robert D. Rossel, Ph.D.

This morning I had an amazing encounter. After a sleepless night, I woke up late and decided to go for my morning walk in the local nature preserve behind my house. It was drizzling slightly— a very gentle spring rain. I was deep in an intense internal reverie as I entered the park. I looked up and found myself looking at three deer slightly ahead of me on the trail. I instinctively calmed myself and walked slowly forward. They didn’t seem in any hurry to leave as they often do when I encounter deer in the preserve. It may have helped that I caught one of them, a two year old buck, in the middle of “doing his business.” He turned around and looked at me head-on but didn’t move because he wanted to finish. The others, perhaps encouraged by his unwillingness to stop what he was doing, were in no hurry to leave either. They just managed to keep themselves at a safe distance as I slowly moved forward. Very slowly, I walked forward. The buck kept me in his gaze but didn’t move. I was able to get maybe within six or eight feet of him, almost within reach. Finally he finished his business and slowly walked away from the trail, still keeping me in his gaze.

Then while walking further, I encountered a mother quail and ten teeny, teeny, babies walking into the tall grass on the side of the trail. It was like a cartoon, the last little straggler trying to negotiate and jump over strands of weed and grass, mother scolding/encouraging them all to come along. The little chicks must have been no more than a day old, very small, very cute.

Public domain photograph courtesy of Arpingstone.

Then I arrived at a farm in the middle of the preserve. The farm is for families with children—goats, pigs, chickens and ducks to enjoy, and a cow, named Luna. I have become very fond of this cow over many trips to the farm–perhaps because of my bovine heart valve. She knows me now and accepts my touch, and will occasionally give me a big affectionate lick. (I haven’t brought myself yet to lick her back). Anyway, she has been away for a while so they can repair her paddock and I haven’t been able to see her. But to my great delight she was there this morning, nursing a baby bull and calf. Even while occupied with her nursing babies, she recognized me and let me give her a few scratches and nuzzles.

I felt so gifted this morning by Nature. It was as if in the inscrutable wisdom of nature the Gods found a way of bringing me out of my funk and deep reverie and welcomed me into the world. All of my efforts at self-care in a painful, sleepless, night had utterly failed me. But somehow Nature’s magic managed to touch me and bring me out of my funk and reverie. It amazes me that this happens over and over again in my life. When I seem to most need it, Nature finds a way to touch me. I am grateful. I am also grateful that I am still able to be touched!

Photograph courtesy of Mandie Lancaster, Public Domain Pictures.net.

000 Poets, Artists and Activists for Change, Essay, General Interest, John Anstie, meditative, Mortality, Musicians, poem, Poems/Poetry, poetry

Politics, Treachery and… a Rose – Part 2

Posted on September 30, 2014January 2, 2015 by PoetJanstie

If you read part 1, then you will have become aware of certain things: my sometimes rather glum outlook on life and (more particularly) the photographs, which don’t seem to fit the subject. Here is another, hopefully more palatable side of me as well as an explanation of the photographs …

View from The Cary Inn, Babbacombe ... and the Roses — View from The Cary Inn, Babbacombe … and the roses

My wife and I had taken a holiday break in Torquay and, during an overcast, but warm summer’s day, we included a very special Birthday lunch for my wife – gifted and arranged by our daughter and her husband – on the ‘Captain’s Table at The Cary Arms, (‘Inn on The Beach’) at Babbacombe in Devon. In a moment, as we sat relaxing digesting our meal, the simplest, most natural thing happened, which most, including myself, would normally have brushed off, quite literally, and forgotten within seconds. However, on this occasion for some reason, it sowed a seed, which, along with several subsequent prompts, including from other blogs that I read, germinated a series of thoughts that resulted in this blog post … and a poem.

One of several menus at the Carey Arms ... this the most amusing one! — One of several menus at the Carey Arms … this is the most amusing!

It was a small petal – a deep vermilion rose petal – that arrived from somewhere and landed on the left hand sleeve of my folded arms. For a moment, I just looked at it, admired it for what it really was and allowed my thoughts to focus, for some reason known only to my right brain, on what had happened in the human world during the short life of the rose from which it had come. What war, human misery and treachery had occurred in that short time; but also what good had been done; what valiant efforts to keep the peace in war-torn countries of the world; what individual moments of heroism and courage had been demonstrated by a soldier, activist, newshound, medic or aid worker somewhere out there in this dangerous world.

The terraced borders at The Cary Arms are very well tended, including plenty of roses, all of which were in full bloom that warm June day. My thoughts on this event incubated for a short period, after which, early one Saturday morning, they evolved into this poem – a Shakespearean sonnet – entitled … well what else could I call it, but “Rose Petal“..?

This poem is invested with so much that is significant to me; I hope also to you.

Rose Petal

You came to me from rose vermilion red;
so rude and flushed with health you seemed to be.
I was surprised when I discerned instead
your disposition was no longer free;
that, whilst you were so moist and soft, I then
with sadness realised your life was spent;
that you had chosen me for your amen
between your zenith and your final rent.

What price for love you had to pay, and stain
upon your beauteous journey through short life,
so full of human tragedy and pain;
so savaged by our ugliness and strife.

And yet, you gift us your perfume unkempt
and beauty, which our hideousness preempts.

(This was one of seven of John’s poems, which were published by Aquillrelle in the anthology “Petrichor Rising” in August 2013)

Essay and poem © 2011 John Anstie

Photographs © 2011 John Anstie

~~~~~~~~~~~~~~~~~~

This post is a part of our participation in 100,000 Poets – and Musicians, Artists and Activists – for Change. Details HERE. Our theme is Peace and Justice.We invite you to participate in this global event by linking in your work with ours. We’ll be collecting all the links in a commemorative page shortly after we close this project on October 3. You may use Mister Linky below or include your link in the comments section. Thank you!

JOHN ANSTIE (My Poetry Library and 42) ~ is a British writer and poet, a contributing editor here at Bardo, and multi-talented gentleman self-described as a “Family man, Grandfather, Occasional Musician, Singer, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer”. He has participated in d’Verse Poet’s Pub and is a player in New World Creative Union as well as a being a ‘spoken-voice’ participant in Roger Allen Baut’s excellent ‘Blue Sky Highway‘ radio broadcasts. He’s been blogging since the beginning of 2011. He is also a member of The Poetry Society (UK).

*****

John has also been involved in the recent publication of two anthologies that are the result of online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group, for which he produced and edited their anthology, “Petrichor* Rising” in 2013. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

* Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.

000 Poets, Artists and Activists for Change, Essay, General Interest, John Anstie, justice, Meditation, Mortality, Musicians, Peace & Justice, poem, Poems/Poetry, poetry

Politics, Treachery and… a Rose – Part 1

Posted on September 29, 2014January 30, 2017 by PoetJanstie

[Current world events have conspired to remind me recently about a post that I wrote over three years ago. My experience to date, at that time, had demonstrated to me that I don’t have complete control over the processes that steer me through life. Nobody does, however much we would like to think we do. It is also apposite that the worrying and sinister developments in talks between the European Union and the USA about what is called the TTIP (Transatlantic Trade and Investment Partnership) have rather vindicated the concerns that I expressed three years ago. It may also be appropriate to mention that the theme of this essay just happens to align, I think quite well, with Corina’s last piece – “Wilful Ignorance and Some Food for Thought” as well as Jamie’s “Earthlings, Making The Compassionate Connection” ].

Since my retirement, I’ve had more time not only to reflect but also review, research and interrogate life’s processes and relate them to what’s going on ‘out there’. I’ve woken up and opened my eyes. I admit, from time to time, that I’ve allowed my mind to become infected by pessimistic thoughts, which have conspired to worsen my mood, with a concomitant fear for the futures of my children and grandchildren in a world with an increasing population, increasing greed for its limited resources, self-interest, political and corporate corruption, treachery and tyranny!

In my less cynical moments, I like to call this ‘life’s rich tapestry’ and all the more interesting for it. So not all is bad; there is still hope.

Babbacombe and the Carey Arms from Oddicombe (© 2011 John Anstie)

We are all self-interested, to a greater or lesser degree; we are all selfish and greedy from time to time; and, given the opportunity, I dare say there are many of us, who would be tempted to take advantage of privilege and power, if we had it in sufficient measure! I hope that I would not be one of these, but how can I say so with certainty? It is only the truly arrogant, who are unable to see how fragile and vulnerable we all are! But it takes a certain type of personality to be capable of merciless and ruthless exploitation and treachery; to be bereft of conscience – I am reminded of the ‘Morlocks’ in H G Wells’ chilling vision of the world in “The Time Machine“, published late in the 19th Century.

These personalities display all the characteristics of damaged minds that can exploit beyond a simple local selfish motive; even beyond a desire to build and run a large, successful organisation – be it commercial, charitable or social one. I’m talking here of international, corporate power mongering; a desire to exploit and control whole populations, with the end game being investment solely in the interests of a minority elite. It has happened throughout the history of the human race. It continues today, but that doesn’t make it right.

In the face of all this, it is sometimes encouraging to know that there are still some very courageous, inspiring as well as philosophically and intellectually ennobled people in the world, people with huge integrity as well as faith, who are capable of giving us great strength as well as hope for the future of humanity. They come in all shapes and sizes and you find them in the most unexpected places, not least amongst some of the free spirits that are to be found here in ‘Blogosphere’. They can be anybody, from wealthy philanthropists like the social thinker and reformer, John Ruskin, on the one hand, to the totally charitable, nay saintly, who dedicate their lives to the cause of the underprivileged, to help the truly needy of the world, whose selfish human motive seems to have been subordinated and whose spiritual conscience transcends all that is material; here I think of Mother Teresa of Calcutta.

The Captain's Table nearby poetic inspiration... — The Captain’s Table nearby poetic inspiration…

Whilst we each fight our own battles to survive and thrive, to overcome whatever obstacles there may be in our competition for the world’s resources, as well as our own sanity, I am constantly reminded that there is also a vast array, a rich vein of powerful and beautiful natural phenomena that have the unquenchable capacity to ennoble our own minds, to elevate our spirits. I am speaking of the natural world; the flora, fauna and insectoids, some of which existed long before homo sapiens marched onto the scene with our unique set of biological characteristics that have enabled us to rule, dominate and change all that we see. But – and I say this with some trepidation, because I know it is controversial in some quarters – we are still animals; animals with an extraordinary ability for creative and innovative endeavour, but animals nonetheless. Look what happens, as we turn on our television screens almost every day, when law and order breaks down or when people get hungry or angry [evidence the London Riots in 2011], and tell me human beings are only capable of civilised behaviour… the fact that we are, well, hopefully a vast majority of us, capable of civilised behaviour, listening to your conscience and, above all, giving air to our compassion, is a cause for optimism; a cause for us never, and I mean never to give up the fight to maintain democracy and intelligently to vanquish those who represent the worst side of human nature (ibid) and the greatest threat to our freedoms.

Although the natural world cannot help us directly in this quest, it is in this vein that I come to the crux. Something occurred to me that I would not normally have expected, not even given my ability for creative thought. This … happening … somehow focussed my attention and led me, in that moment, to become intensely mindful.

This experience will be revealed in Part 2:

https://thebezine.com/2014/09/30/politics-treachery-and-a-rose-part-2/.

Essay (© 2014) and photographs (© 2011) John Anstie

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This post is a part of our participation in 100,000 Poets – and Musicians, Artists and Activists – for Change. Details HERE. Our theme is Peace and Justice.We invite you to participate in this global event by linking in your work with ours. We’ll be collecting all the links in a commemorative page shortly after we close this project on October 3. You may use Mister Linky below or include your link in the comments section. Thank you!

*****

John has also been involved in the recent publication of two anthologies that are the result of online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group, for which he produced and edited their anthology, “Petrichor* Rising“. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

* Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.

Art, Naomi Baltuck, Photo Essay, Photo Story, Photography/Photographer

The Art of Work

Posted on September 25, 2014September 26, 2014 by Naomi Baltuck

Imagine a world without art and artists.

They help us see the world through different eyes.

And artisans infuse our everyday lives with beauty.

Works of art come in many disciplines.

And on many scales…

…some more grand than others.

My artist sister Constance’s painting, “The Poet”, celebrates the literary art of poetry through her visual art.

But I have great appreciation for people who would never consider themselves artists, and yet they make an art of work.

Some apply exceptional creativity to their work, like this fellow who rigged a bicycle to power a sugar cane juicer, to crank out a little work of art one cup at a time.

Some turn an ordinary business into something with a very personal touch.

In Ireland, I was moved by the gravestone of a man lovingly remembered for his gift of turning his work into an art.

Be it traditional…

…entrepreneurial…

…fleeting…

…or a treasured heirloom…

…art is all around us, and everyone is an artist in his or her own way, whether practicing with a paintbrush, chisel, camera, wooden spoon, plow, or scissors.

Art is in the eye of the beholder.

Also on the tongue…

…in the ear…

…the nose…

…the heart…

and the mind.

Whatever you do, wherever you go, party arty!

All images and words c2014Naomi Baltuck.

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NAOMI BALTUCK ~ is a Contributing Editor and Resident Storyteller here at Bardo. She is a world-traveler and an award-winning writer, photographer, and story-teller whose works of fiction and nonfiction are available through Amazon HERE. Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV. She also conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

Environment/Deep Ecology/Climate Change, Essay, General Interest, Michael Watson

Dreaming

Posted on September 21, 2014September 20, 2014 by Michael Watson PhD

Posted this evening in solidarity with The People’s Climate Mobilization, Sept. 20/21 a Global Day of Action

This week folks around the world will gather to call for real and pervasive action to address climate change. This post honors all who hold the vision of a just, kind, and healed world.

The weather has turned damp and chilly, with the temperature only in the mid-fifties. A couple of days ago the first Titmouse of the season landed on the garden fence and looked into our window with that classic “Why is the feeder empty?” look. Fall has certainly arrived!

A few nights ago I dreamt about prophesy. In my dreams I longed to heal the world, to stop our country’s headlong dash towards Darkness. Then, near the time I awoke, my vision turned inward and I saw my own inner suffering and turmoil. In the dream I was shown that I have limited influence on the larger world, but I might have great influence in my inner domain.

The Dream world spoke of prophesy, the ancient teachings that speak of the fall of the colonial world. The power of those who favor wealth over kindness, self over community, is rising, a great Darkness that threatens to engulf the world. With their ascent, we witness sharp increases in poverty, racism, and misogyny, and a growing disdain for the young, old, and those with disabilities. Many of the young people I meet speak of a profound sense of desperation and a deep fear for the their future.

These things arise because we have failed to address the wrongs of the past and the challenges of the present. As a result, the violence of our country’s past haunts our collective consciousness and shapes our social world. The European project in the Americas and the South Pacific was one of slavery and genocide as avenues to wealth, and the oppression of the many for the economic gain of a few continues to be the centerpiece of our social order.

I grew up in evangelical churches, places where prophesy was alive. These were not wealthy mega-congregations. Rather they were the refuges of working class men and women, often new immigrants from farm to city. Their faith was immediate, as was their walk with the Creator as they understood Her/Him. In those small churches prophesy was lived experience.

Native American history, the great expanse of it, cutting across many hundreds of tribes and languages, and thousands of years, speaks to the power and truth of prophesy. The great seers were given visions of that which was to come, from the everyday to the earth shattering. Visions still come to The People. Often these visions are shared by our Medicine people and elders, although all to frequently the larger culture refuses to listen.

Still, the Creator speaks to all who will hear, encouraging us to be kind to ourselves and one another, to strengthen our communities, and work with Pachamama to heal our world. This healing is as much about the suffering in or hearts and spirits as that of the natural and social worlds. The tugging or breaking of our hearts in the presence of pain, ours and that of others, is the voice of the Creator, and the call of prophesy.

Prophetic vision may be vast or intimate, and addresses the condition of our internal or external worlds; in the end, perhaps there is no difference. Our realms of individual influence may be small, yet we can do our best to care for those whose lives we touch, including ourselves. We may keep in mind the awareness that vision that lacks compassion leads to tyranny while true kindness heals self and other, and we can allow that knowledge to guide our actions. Is that not the purpose of prophesy, to change and guide? May we each grow more kind, and more skillful at listening to the prophetic voice within us.

Post Script: This morning I attended service at our local UU church, in part because Jennie was singing in the choir, and because the congregation was gathering to bless the 100 or so members who are going to the Climate March in NYC next weekend. (The congregation is only 500 strong!) The minister reminded us that prophesy is action in the face of great odds, and that action takes courage and a soft heart. She then reflected on the place of joy in Dark times, on the necessity of a glad heart. It was good to gather with others who care deeply for the world, and who put that caring into action.

May those who travel to NYC for The March, and all who do their best to heal the deep wounds of our world, find joy, companionship, and renewed hope.

– Michael Watson

MICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Uncategorized

Testing One’s Mettle

Posted on September 16, 2014September 15, 2014 by Naomi Baltuck

“What are you afraid of?” author Bob Mayer asked at a writing conference, “because that’s what’s holding you back as writers.”

At the time, it was social media–mastering new technology, committing to cranking out a weekly post. But I started a blog, and am glad I did. Since my first blogpost I’ve made new friends, discovered photographic storytelling, which I love, and crossed a whopper off this writer’s to-do list.

Marriage was another commitment that terrified me, but I faced that fear too.

It took seven years before Thom and I felt brave enough to assume the awesome responsibility of parenthood. It’s the most joyful, most difficult, most rewarding, and most important undertaking we’d ever signed on for, or ever will.

Whether we choose them ourselves or take what fate throws our way, the most daunting experiences are often the most edifying.

The most challenging ones tend to be the most rewarding.

With the toughest climbs come the best views.

After the kids were old enough to change their own diapers, we thought could rest on our laurels, but there was an unexpected twist to the parent/child relationship.

We raised kids who challenge themselves. Bea watched her big brother do his math homework, and designed her own “Really Hard Math Problem.”

As they tested their own mettle, and created their own challenges…

…we were forced out of our comfort zones just to keep up.

Thom and I would never have chosen to go to the Amazon jungle if the kids hadn’t been keen to go.

It was hard to watch my kids twist and turn like little spiders on a web as they climbed 200 feet up into the canopy to zipline. And for the first (and probably last) time in my life, I went ziplining too. You never know when someone might need a bandaid or some bug repellant.

Only for my kid would I board a hot air balloon in Cappadocia, another thing I swore I’d never do. But it’s good to feel a fire in your belly and rise above your fears.

We are not extreme travelers. I’ve said it before and I’ll say it again: most of the adventures I have are in my own mind. But for the sake of my kids, I’ve put on my big girl panties and donned a hard hat once or twice.

Sometimes you have to throw caution to the wind.

I appreciate people who can lure me out of my comfort zone.

Sometimes it’s good to commit to a path with unexpected twists and bends.

I’m sure I’m a better person for it. And if nothing else, Life Outside The Comfort Zone provides great material for a writer.

Environment/Deep Ecology/Climate Change, Naomi Baltuck, Nature, Photo Essay, Photography/Photographer

Jungle Law

Posted on September 6, 2014September 4, 2014 by Naomi Baltuck

Thank goodness for window screens! But as demonstrated in my last post on the Amazon, screens don’t always keep the wildlife out.

For instance, we shared The Hammock Room at the Research Center with this tarantula. He wasn’t as interested in us as we were in him.

We named him Tomacito, or “Little Tommy.” Tomacito served as a reminder to shake out our shoes each morning before getting dressed. Insects and critters found their way into our little sanctuary, but it was the ones I couldn’t see that bugged me.

That first morning we ventured into the jungle with Orlando, our amazing guide, the Eighth Natural Wonder of the World. (I will tell you more about him later.) In spite of the heat and 90+ percent humidity, we covered as much skin as possible, and sprayed whatever body parts we couldn’t cover with repellant. Nighttime mosquitoes carry malaria, daytime ones dengue fever, and I can’t remember which carry yellow fever, but I didn’t want to be the breakfast special for any of them.

Below are a few of my own unofficial rules of the jungle for the timid traveler.

Rule of the Jungle #1– bring mosquito repellent!

Fallen trees and leaves, mud, and overnight storms in the tropical rainforest made hiking challenging.

We wore rubber boots to keep our feet dry. Bea stepped in a puddle deeper than anticipated, and water poured into her boot.

Rule of the Jungle # 2–Watch your step!

Orlando uprooted several small trees, and cut the trunks off with his machete to make tea from the bark to relieve his mother’s arthritis. He replanted the roots in the fertile soil, so the tree would survive. Maybe the tea really was for his mom, but I believe it was also his tactful way of providing the Gringos with walking sticks to help balance on slippery walkways.

Rule of the Jungle #3–Take the hand extended to you, and be grateful for kindness in any form or guise.

So many trees and leaves were poisonous, covered with harmful insects, or had razor-sharp edges. Another guest at the Research Center slipped and braced herself on a porcupine tree. It left dozens of venomous barbs in in her hand, which swelled up painfully. There was no doctor there–her guide Fernando cut the barbs out of her hand with pins and a knife, and she took a course of anti-biotics.

Rule of the Jungle #4–Don’t touch ANYTHING!

Rule of the Jungle # 5–There are exceptions to any rule.

Orlando saw an Olive Whip Snake, and quickly caught it with his bare hands.

He showed both kids how to handle a snake without getting bitten…

Orlando’s grandfather was a shaman. Orlando said, “My grandfather used to say, if you can get a snake to wrap around you, it will become gentle and give you its energy.” As soon as it wrapped around him, the snake calmed down, and then Orlando released it into a tree.

Rule of the Jungle #6–Be as open to new experiences as you can without endangering yourself or others.

Rule of the Jungle #7–Bring your camera!!

We caught many tantalizing glimpses of wildlife, but by the time I could focus the camera, the creature was almost always natural history.

However, some critters obligingly held still for the camera.

Occasionally I would be rewarded with a shot like this.

Or this….

Or this…

Rule of the Jungle #8–Only you can know what it requires for you to glean the most meaning and satisfaction out of your jungle experience or your life. Do no harm, but make up your own damn rules, and break them whenever necessary.

With this lovely post, we bring Wilderness Week to a close.

THANK YOU for joining us!

. . . and thanks to Priscilla Galasso (scillagrace) for hosting this event.

Film/Documentaries/Reviews, Nature, trees, Video

John Muir, Patron Saint of the Backwoods

Posted on September 5, 2014September 4, 2014 by Jamie Dedes

“The gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.” John Muir (1838-1914), Scottish-American naturalist, conservationist and author

The Biography of John Muir

General Interest, Guest Writer, Nature, poem, Poems/Poetry, poetry

The Wild

Posted on September 5, 2014September 4, 2014 by The Bardo Group Beguines

White foam rides the churning
river and a Red-Shouldered Hawk
cries out as he drifts overhead;
a meadow vole takes cover.

In an ancient, towering pine,
lies an enormous aerie, home
to a Bald Eagle couple and their
two fledglings who take turns
flapping wildly, strengthening
their wings before take-off.

A feeding herd of White-Tailed
deer wander calm through the
open forest, several fawns
leap and kick in play and sometimes
bleat for their mothers when they
wander too far.

The armor-plated armadillo can be seen
snuffling through low brush and dirt
searching for grubs, worms and beetles.
Berries, nuts and seeds are the choice
of food for the Florida Scrub Jay seen
flitting through the low, spindly oaks,
and hiding in the scrub when feeling shy.
Their lives lived in extended-family colonies
helps assure them survival even while
their habitat is being threatened.

A dirt colored and plain patterned
garter snakes through the underbrush
before coming to rest in a sunny patch
on the forest’s floor…taking time to
absorb some warmth before moving on;
a gopher turtle stirs from his day’s nap.

All the animals hear when the humans
approach and they watch with
curiosity and then fear as monstrous
machines can be heard revving their
engines preparing once again for
their encroaching.

– Gayle Walters Rose

GAYLE WALTERS ROSE (Bodhirose’s Blog) ~ has contributed to The Bardo Group blog several times since its founding in 2011. Gayle has actively blogged since 2010, writing about family life, things of the spirit, and her ashram-life experiences. In this relatively short time, her sincerity and authenticity has earned her quite a large and loyal following. Gayle is a regular participant in d’Verse Poets Pub. This poem was written in response to Victoria’s Wilderness Week writing prompt posted on Wednesday.

Environment/Deep Ecology/Climate Change, Essay, General Interest, Michael Watson, Nature

In Wilderness Is the Preservation of the World

Posted on September 4, 2014September 3, 2014 by Michael Watson PhD

I came of age with Eliot Porter. Not literally of course. Rather, my adolescence and young adulthood were accompanied by his books and photos. He taught me how to look. Even now, his photographs influence my writing and visual work.

A few weeks ago we were in Downeast Maine, north of Bar Harbor. Every few days we drove south, down Penobscot County way. Eliot Porter spent much time in the Penobscot region, as well as out West. Out West, his photos were panoramic. Downeast, they were more intimate, capturing a brook, leaf, or pod of berries. If memory serves me, his iconic book and homage to Thoreau, In Wilderness is the Preservation of the Earth, drew heavily from his Penobscot experience.

People tend to think of wilderness as vast tracks of untouched ecosystems. Yet in our time, there are few such places. Climate change and other forms of pollution reach the farthermost corners of the earth. Here, in North America, fossil fuel mining takes place in the midst of former wildlands. Our population has grown so large that we fill the back country with people on many weekends.

The elders taught me to treasure wilderness, and to remember there is another wilderness, the one that lies within each of us. Those vast spaces can be imposing, even terrible, in their beauty and harshness. I was taught there is another danger in focusing on the wilderness inside us: we may ignore the needs of the Planet that supports us, and the innumerable beings that accompany us. To successfully journey into wilderness requires forethought and balance.

For many, the inner wilderness seems most inaccessible, even dangerous. There are daemons within, and sea monsters, waiting to devour us. As shamans everywhere have long known, there is also the ever present threat of madness. Yet there is also the promise of renewal.

Shamans journey into this wilderness to seek aid for others, to return souls to their owners, and to accompany the dead to the other world. They travel for visions of the future, to learn where game will be tomorrow, and to correct imbalances in the world, imbalances most often created by people. Sometimes shamans travel and fail to return home; this is a always a risk.

When Europeans arrived in the Americas, they brought imbalance to our people in the form of illness, alcohol, and social chaos. Faced with this, the shamans and Medicine people sought cures in the inner and the everyday worlds. They were resourceful and connected to the spirits of things, and were often successful in finding ways to heal those afflicted. Yet, eventually, the sheer volume on illness overwhelmed many of our cultures, killing great numbers of healers as they cared for others. Much knowledge was lost in those dark days.

Downeast, Eliot Porter focused on the small, the everyday. He reminded us that wilderness is a matter of scale and attention, that we can find wilderness wherever we are. We can, in turn, look closely at the minutia of the world around us, journey deep into the forest, or turn inward. Sometimes we do all these, simultaneously. Such moments form a sort of vision quest.

Eliot Porter taught me that as we look through the camera’s lens, we sharpen our attention, and open to the magic of the unexpected. Perhaps, for just a moment, we discover ourselves reflected in the world around us, and are returned to primal wholeness and balance. In such moments we may know that we are the salmon swimming home to reproduce and die, the leaves settling into the litter, preparing to nurture the next generation, or the eagle that flies above the world, capturing visions of wholeness. Then we may understand that wilderness is indeed the preservation of the world, and of the soul.

– Michael Watson

MICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Uncategorized

Chasing Rainbows

Posted on September 3, 2014September 2, 2014 by Naomi Baltuck

If a tree falls in the woods and I don’t photograph it, did I really see it?

Last week, amidst the throes of last-minute packing for spring break in Hawaii, I was mentally outlining the next chapter of my manuscript. That’s the only excuse I can give for walking out of the house and onto an airplane…

Without. My. Camera.

So Thom gave me charge of his new toy, a Pentax underwater camera, for use in or out of the water. My hero!

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Its zoom wasn’t as powerful, but I was grateful. As they say, “Any port in a storm!”

I snapped a handful of shots before it died. We changed the battery and…nothing. Arrrrgh! I thought about buying a new camera, but it seemed wasteful; I’m happy with the one at home. Maybe just a one-use camera, a single roll of film in a recycled plastic case? No, those photos always look washed out. Then I thought, I’ve been to Maui, and I’ll be back. How many sunsets do I need in my archives?

I don’t need to chase rainbows

I decided to make a clean break of it, go cold turkey. Perhaps my travel experience might even improve without a lens between me and my world.

Look, Ma! No cams!

I confess, I felt the pangs of withdrawal. My photographs help refresh memories I might otherwise forget.

With my camera, I am never alone.

I anticipate with pleasure the sharing of pictures with friends, family, my blogging community. Even sans camera, I was constantly framing shots in my mind’s eye. Sea turtles gliding in ocean currents. Two hotel maids walking arm-in-arm down a deserted hotel corridor. The underwater service station run by a pair of enterprising Cleaning Wrasse, with bigger fish lined up like cars at a car wash, patiently waiting their turn to be picked clean of parasites.

Oh, yes, and the kid in neon snorkel gear who shouted, “Mom! Dad! I can hear the whales singing!” Eli and I smiled indulgently at his vivid imagination.

The next morning we were snorkeling off that same beach when Eli said, “Mom! Dad! I can hear whales singing!” I thought he was teasing, but I ducked under the waves, held my breath, and listened. And I could hear them too. For an hour or more, we held perfectly still, just letting the whale song wash over us. I’d been coming to Maui for twenty years, but had never heard them. Had they been there all along? I was an astronaut, observing an alien planet from my little floating bubble, and was unexpectedly invited in for tea! And inside my snorkel mask I cried.

When we staggered onto the beach and looked out at the water, we saw them spouting, teasing us with glimpses of their fins and shiny black backs. We also saw the whale watching boat hounding them. Had they been communicating distress or just watching out for each other? Finally the boat left. And the moment it did, the whales began breaching and splashing, showing their big white bellies, time and time again! I suspect they were jumping for joy and shouting,”Woo hoo! We ditched ’em!”

It was like discovering your house is haunted with friendly ghosts going about their business, oblivious to that other world, except on those occasions when your worlds intersect. I decided the rolling ocean is The Poker Face of the World, and just beneath the surface, a swirl of emotions, life and death struggles, joy, pain, drama, and countless stories play themselves out.

There was no way a camera could have recorded that breathtaking experience, and no way I would ever need the help of a camera to recall it. Just when I resolved and resigned myself to a camera-free existence, Eli and I went for an afternoon walk.

And he taught me how to take photos with his Smart Phone.

Okay, forget everything I just told you about a camera-free life. Because then Saint Eli indulged me completely, taking me back to revisit all the beautiful sights I’d admired. We snapped all these pics and more with his Smart Phone.

Pretty pictures of stationary subjects…

…that practically come when you whistle for them.

Other photos depended upon conditions like weather.

Or light.

Or where our feet happened to take us.

My favorite shots are the unexpected ones, that dropped like ripe fruit falling from a tree into my lap.

Sweet.

Sweeter.

Sweetest!

As we sat on the beach watching the sun set, directly ahead of us a whale leapt out of the ocean so close I could see the lines on its belly. It thrust one long fin into the air and waved goodbye. Exhilarating! A flash of wonder! A glimpse of the sacred just for us! It is forever engraved in our memories and upon our hearts.

But I’m THRILLED that Eli caught it on his Smart Phone!

Okay, time to come clean. I ADORE chasing rainbows…

…and I will ALWAYS go for the gold!

WOO HOO!

All images and words copyright Naomi Baltuck (and Eli Garrard!)

General Interest

Grand is in the Details

Posted on August 25, 2014August 23, 2014 by Naomi Baltuck

This magnificent mountain in the Peruvian Andes is Huanya Picchu.

To me it looks like a great green ghost, its strong stone arms wrapped protectively around the ancient Incan city of Machu Picchu .

Machu Picchu, meaning “Ancient Mountain,” was built in the 15th century, at the peak of Incan culture. One of the greatest artistic, architectural, and land use achievements of the world, it was chosen as a World Heritage Site in 1983.

No one can say for certain, as the Incas had no written language, but it is thought to have been a royal estate, perhaps a summer retreat, or maybe a religious center.

It was so remote that the Spanish conquerors never found it, but it was by no means isolated.

It was connected to the vast Incan Empire by a royal highway called The Inca Trail, linking Machu Picchu to 25, 000 miles of roadway, the Incan version of the Internet. Special runners called “Chasquis” traveled as far as 240K in a day to keep the king connected, or to deliver delicacies to his dinner table. Runners could rest at stations along the way, or relay messages by tag-team.

Much of The Inca Trail survives to this day. This section leads to the Sun Gate.

Another steep trail leading in the other direction hugged the cliffside. This Incan drawbridge made it impossible for outsiders to invade the city…

…unless you count tourists.

The grand view was worth the walk.

Machu Picchu is surrounded on the other three sides by steep cliffs and a raging river, making it practically impregnable.

Magnificent. Dramatic. Ingenious. Grand.

Machu Picchu’s grandeur can be found in the details. Like the integration of natural elements into its design, shaping the city to fit into its surroundings. Terraces not only took on the curve of the mountain, but prevented landslides and provided a hanging garden for growing crops.

Its location was a matter of sacred geography. It was situated among mountains with religious significance to the Incas…

…and is perfectly aligned for key astronomical events.

This instrument cut into the bedrock was used for astronomical observations.

The Incans worshipped the mountains as gods, and this was reflected in their building.

Everywhere we turned, we saw natural features incorporated into the design.

Architecture mirrored nature’s design.

Walls were built around huge boulders, which remained cradled in the earth where they had slept since the mountains were born.

This did not prevent Incan engineers from using natural features to provide creature comforts, such as running water.

On our second visit, the clouds lifted. We arrived in time to see the morning sun turn gray stones gold.

We tried to imagine what it might have been like to have lived there half a millennium ago…

The dry stone walls were constructed without mortar, with some stones fitted so tight a blade of grass couldn’t squeeze between them. Even so, the ancients must’ve worked hard to keep the jungle at bay…

…just as they do today. There were redshirts perched on ladders, whose full time job was to keep the weeds from taking over.

The backstairs whispered ancient secrets, but we couldn’t quite make them out.

We could only wonder at the world around us.

The flora…

And fauna.

Each one…

…a tiny miracle.

Great civilizations come and go….

…and life goes on.

As hard as we try to unlock them…

…Machu Picchu’s walls hold onto their secrets.

In the grand scheme of things, what does it matter if we don’t know all the answers?

It is a privilege to be there…

…following in the footsteps….

…of the ancient ones.

Click here for more interpretations of The Weekly Photo Challenge: Reflections.

About Cooper Hewitt, Smithsonian Design Museum

About The World Economic Forum

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WRITING PROMPT

In preparation for The BeZine 100,000 Poets (and Friends) for Change

Saturday, Sept. 24, 2016

Theme: Environment/Environmental Injustice

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If you read part 1, then you will have become aware of certain things: my sometimes rather glum outlook on life and (more particularly) the photographs, which don’t seem to fit the subject. Here is another, hopefully more palatable side of me as well as an explanation of the photographs …

This poem is invested with so much that is significant to me; I hope also to you.

Rose Petal

What price for love you had to pay, and stain upon your beauteous journey through short life, so full of human tragedy and pain; so savaged by our ugliness and strife.

And yet, you gift us your perfume unkempt and beauty, which our hideousness preempts.

(This was one of seven of John’s poems, which were published by Aquillrelle in the anthology “Petrichor Rising” in August 2013)

Essay and poem © 2011 John Anstie

Photographs © 2011 John Anstie

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In my less cynical moments, I like to call this ‘life’s rich tapestry’ and all the more interesting for it. So not all is bad; there is still hope.

This experience will be revealed in Part 2:

https://thebezine.com/2014/09/30/politics-treachery-and-a-rose-part-2/.

Essay (© 2014) and photographs (© 2011) John Anstie

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Posted this evening in solidarity with The People’s Climate Mobilization, Sept. 20/21 a Global Day of Action

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With this lovely post, we bring Wilderness Week to a close.

THANK YOU for joining us!

. . . and thanks to Priscilla Galasso (scillagrace) for hosting this event.

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“The gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.” John Muir (1838-1914), Scottish-American naturalist, conservationist and author

The Biography of John Muir

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White foam rides the churning river and a Red-Shouldered Hawk cries out as he drifts overhead; a meadow vole takes cover.

In an ancient, towering pine, lies an enormous aerie, home to a Bald Eagle couple and their two fledglings who take turns flapping wildly, strengthening their wings before take-off.

A feeding herd of White-Tailed deer wander calm through the open forest, several fawns leap and kick in play and sometimes bleat for their mothers when they wander too far.

A dirt colored and plain patterned garter snakes through the underbrush before coming to rest in a sunny patch on the forest’s floor…taking time to absorb some warmth before moving on; a gopher turtle stirs from his day’s nap.

All the animals hear when the humans approach and they watch with curiosity and then fear as monstrous machines can be heard revving their engines preparing once again for their encroaching.

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What price for love you had to pay, and stain
upon your beauteous journey through short life,
so full of human tragedy and pain;
so savaged by our ugliness and strife.

And yet, you gift us your perfume unkempt
and beauty, which our hideousness preempts.

White foam rides the churning
river and a Red-Shouldered Hawk
cries out as he drifts overhead;
a meadow vole takes cover.

In an ancient, towering pine,
lies an enormous aerie, home
to a Bald Eagle couple and their
two fledglings who take turns
flapping wildly, strengthening
their wings before take-off.

A feeding herd of White-Tailed
deer wander calm through the
open forest, several fawns
leap and kick in play and sometimes
bleat for their mothers when they
wander too far.

A dirt colored and plain patterned
garter snakes through the underbrush
before coming to rest in a sunny patch
on the forest’s floor…taking time to
absorb some warmth before moving on;
a gopher turtle stirs from his day’s nap.

All the animals hear when the humans
approach and they watch with
curiosity and then fear as monstrous
machines can be heard revving their
engines preparing once again for
their encroaching.