Vashti
I’ll obey your order – shake my booty, sway my naked hips until the drunk guests moan. I know what a woman’s body’s for. But not alone. Husband, drop your robe and join me, your lined skin and paunch becoming handsome as we move together in love’s light. Take my hand and start to shimmy. Then I’ll dance.
from Caught in the Myth (NYQ Books, 2016)
But Not His Name
Spring was lost to lockdown. Now it’s summer, the air thick with humidity and fear. Returned to work, we sweat into our masks. The scientists are taken off the air. I AM NOT A RACIST, the racist yells while bodies pile up like bags of gold. Cars honk for protestors carrying signs. The ground trembles when stone generals fall. It’s always about who has the power. Years ago, at Ellis Island, my grandfather, but not his name, allowed to enter. Boats of Jews turned back to die. What does it mean to be American? Official fireworks banned, my neighbor provides a noisy, low-budget display. Zimmerman autographs bags of Skittles. Fake stallions watch through moss-covered eyes.
from To See What Rises (CW Books, 2023)
April, with Corona
Spring sticks to the lesson plan – blossoms, brash light, gaudy shades of red. So much new life multiplying, but the virus has its own math. Subtraction, division, bodies in freezer cars waiting for graves. Close to a school, I used to hear the children’s recess cries, but now there’s only birdsong and sounds of this sudden storm – an odd flipping between hail and sun-streaked rain – that drives me inside to screams from the TV and yowls from the cat. I want to howl my own prayer or recrimination, but to whom? The men in charge are deaf to voices pitched like mine, and the wind that shakes my windows isn’t God.
from To See What Rises (CW Books, 2023)
©2023 Alison Stone
All rights reserved

Alison Stone…
…has published seven full-length collections, Zombies at the Disco (Jacar Press, 2020), Caught in the Myth (NYQ Books, 2019), Dazzle (Jacar Press, 2017), Masterplan, collaborative poems with Eric Greinke (Presa Press, 2018), Ordinary Magic, (NYQ Books, 2016), Dangerous Enough (Presa Press 2014), and They Sing at Midnight, which won the 2003 Many Mountains Moving Poetry Award; as well as three chapbooks. She has been awarded Poetry’s Frederick Bock Prize and New York Quarterly’s Madeline Sadin Award.
Website
©2023 Alison Stone
All rights reserved
The 2023 (Inter)National Poetry Month BeZine Blog Bash

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(Inter)National Poetry Month
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Vashti’s Name Corona | Alison Stone
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our preoccupation | gary lundy
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Sonnet Hues Profaned | Kushal Poddar
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Eternal Memories Souls | Dessy Tsvetkova
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from Hiraeth | Mike Stone
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Departure, Arrival | Julia Knobloch
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Spring Throat | Mykyta Ryzhykh
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Democracy | Michael Dickel
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Whispering Vibrations | Waqas Khwaja
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The Joke | Faruk Buzhala
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intentional attention | Lonnie Monka
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Toy Improv Play | Gerry Shepherd
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Spring Hope | jsburl
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We Should Respond | Terry Trowbridge
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Probation Plea | Pek-êng Koa
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Am Feel Month | Brittney Cotrona
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a shadow lurking—3 poems | Mitko Gogov
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Red Sap | Mykyta Ryzhykh
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Invisible Fog | Eve Otto
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Assuage with pen ye troubadours | Lorraine Caputo
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Outcasts Gate Grieving | Linda Chown
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When The Queen Came to Tea | John Anstie
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Unicorn Diasporic Birdwatching | Gili Haimovich
Art: European Robin, pastels, ©2021 Tom Higgins