The BeZine, March 2019, Vol. 6, Issue 1, Waging Peace

The Mass of Humanity from the Fountain of Time Sculpture by Lorado Taft

“May there be peace in the heavens, peace in the atmosphere, peace on the earth. Let there be coolness in the water, healing in the herbs and peace radiating from the trees. Let there be harmony in the planets and in the stars, and perfection in eternal knowledge. May everything in the universe be at peace. Let peace pervade everywhere, at all times. May I experience that peace within my own heart.” Yajur Veda 36.17)



At The BeZine when we discuss Waging Peace, we mean radical peace. We mean putting down weapons and using words. We are realists. We don’t envision a utopia. We do envision compromise, an imperfect peace but peace non-the-less.

Some of our contributors rightfully see Waging Peace as a path that starts with inner peace. Others were moved to bear witness, to raise consciousness, or to imagine a world at peace and some are inspired to suggest potential solutions.

It’s quite a package we gift you with today from poets and writers representing several of the world’s wisdom traditions and about ten countries including those of the U.K., Western Europe, Eastern Europe, the Indian Subcontinent, Africa, and the U.S.. Soul stirring. Thought provoking.  Satisfying.

Thanks to all our contributors, to our core team members, and to the readers who are an important part of this effort. Please read, “like”, and comment. You – and your thoughts – are valued.

On behalf of The Bardo Group Begines
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

Photo credit: Fountain of Time courtesy of Johntb17  (Wikipedia) under CC BY-SA 3.0

TABLE OF CONTENTS

How to read this issue of THE BeZINE:You can read each piece individually by clicking the links in the Table of Contents or you can click HERE and scroll through the entire zine.

BeAtitudes

Keeping Quiet, Pablo Neruda

Peace Rocks and Peace Roles, Corina Ravenscraft

Insecurity …, John Anstie

Pity the Nation and Let Us Be Poets, Voices of the Poet Prophets, Khalil Gibran & Lawrence Ferlinghetti

Poems

There’s a Chance, Johannes Beilharz

The Love in the Heart, Faruk Buzhala

The Way of Blessing, Wendy Bourke
Righteous Path, Wendy Bourke

Ethnic Cleanser, Paul Brooks
A Wealth, Paul Brookes
On Innocence, Paul Brookes
I’m Just About, Paul Brookes
Warlord, Paul Brookes
Two Tied, Paul Brookes
She Says, Paul Brookes

Ancient Messenger, Judy Capurso

At the End of War, DeWitt Clinton

Under Siege, Mahmoud Darwish

The Flautist Wears a Shaman’s Headdress, Jamie Dedes
The Plotting of a Story, Jamie Dedes
The Razor’s Edge, Jamie Dedes

Peace Alphabet, Michael Dickel
Here I Stand, Michael Dickel

Picket Fences, Irma Do
Tundra, Irma Do
Recycling Shakespeare for a Better World, Irma Do

Why You Came to Earth, Tikvah Feinstein

Boats on Blue, Joan Leotta
Damascus Cloak, Joan Leotta

the rock tumbler, Charles W. Martin

My Five-Five Fingers, Tomisin Olusala Martins
Flowers of Embers, Tomisin Olusala Martins

Only Collaboration, Carolyn O’Connell

Totem Stump, Myra Schneider

Open Door, Moe Seager

The Irony of Plowshares, Mike Stone

Drop the Guns and Let Us Be Poets, Anjum Wasim Dar

CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted on the Zine blog and The Poet by Day.

Announcing the new “The BeZine” Arts and Humanities Group page; details on our well-established 100TPC FB Group

“Creativity is the most supreme form of love. When it flows from any heart flooded by truth and light, it can change all those who encounter its seductive vibrations.” Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem



The BeZine now sponsors two Facebook Groups.  The first, established years ago, is The BeZine 100TPC 100,000 Poets (and friends) for Change. It was established to share best practices for facilitating change, to share good news and initiatives that might easily be implemented anywhere. It’s not a place to simply regurgitate the horror stories playing out around the world. It is a place to encourage positive action.

The new Facebook Group:  The BeZine Arts and Humanities discussion group is also unique. It’s place to share all your arts activities and accomplishments, not just poetry, in the hope of inspiring one another and encouraging collaborations among the arts. Within this group you may announce publications, showings, events and so forth. You are encouraged to share your videos: music, poetry readings, photography, art, film and so forth. No selling please … And . . . please keep it kind and supportive. Thank you!



Artwork by team member Corina Ravenscraft

Guidelines for the Facebook The BeZine 10OTPC, 2019 Group:

2019 NEWS & GUIDELINES FOR POSTING: We’re especially interested in filling a gap here by collecting info on practical initiatives – ideas for taking action – from anywhere in the world, “best practices” so to speak that foster peace, sustainability and social justice, especially those that might be picked up and implemented elsewhere. Examples from the past include a variety of initiatives taking place around the world to mitigate pollution and climate change, the churches that open their parking lots at night to the homeless, the restaurant owner who serves meals to the homeless; and, the barber who uses his days off to give homeless people haircuts and the group that put out clothing for people to take if needed. PLEASE DO NOT POST POETRY ON THE BeZINE 100TPC, 2019 discussion page. There are plenty of poetry groups for you on FB, now including the new Facebook is The BeZine Arts and Humanities Group.

We also offer other opportunities to share your poetry and creative work.

FOR WRITE-UPS ON SPIRITUAL PRACTICE for Beguine Again message Terri Stewart. Note: We have a FB page – The Bardo Group Beguines – where we provide Zine info, inspiration, notice of spiritual events of interest to seekers and links to work posted on beguineagain.com founded and managed by Terri.

SUBMISSIONS to The BeZine of poetry, essays, short stories, creative nonfiction, music videos, and artwork for – journal or blog – are considered via email only: bardogroup@gmail.com. Facebook message questions to G Jamie Dedes. Please don’t use FB for submissions.

The BeZine is published quarterly. Here are the schedule, themes, submission deadlines and publication dates for this year:

  • March 2019 issue, Deadline February 10th. Theme: Peace.
  • June 2019 issue, Deadline May 10th. Theme: Sustainability
  • September 2019 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2019 issue, Deadline November 10th, Theme: A Life of the Spirit

SAVE THE DATE: SEPTEMBER 28, 2019, 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT

OTHER OPPORTUNITIES: Email me (thepoetbyday@gmail.com) if you have poetry news or essays on poetry to be considered for The Poet by Day jamiededes.com. For submissions (poetry and short fiction or creative nonfiction) for consideration by Michael Dickel for Meta/Phor(e)/Play https://michaeldickel.info message Michael.

The Bardo Group Begines is a twelve-member core team of poets and writers, artists and musicians, philosophers and clerics providing comfort, inspiration and information via The BeZine and Bequine Again. The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

– Jamie Dedes

Final Call for Submissions to the March 2019 issue of “The BeZine”, themed Waging Peace

THE BeZINEBe Inspired. Be Creative. Be Peace. Be.

CALL FOR SUBMISSIONS

Opportunity Knocks

Submissions deadlinefor the March issue – themed Waging Peace – is March 10  at 11:59 p.m. Pacific Standard.

Please send text in the body of the email not as an attachment.Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text.

Send submissions to bardogroup@gmail.com.

Publication is March 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue.

We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. No just-war pieces please.

The BeZine i s an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.

The BeZine, Call for Submission for March issue, Waging Peace

“Kindness has no religion. Religions are like narrow tracks but kindness is like an open sky.” Nonviolence: The Transforming PowerAmit Ray


THE BeZINE Be Inspired. Be Creative. Be Peace. Be.

Opportunity Knocks

Submissions deadline for the March issue – themed Waging the Peace – is March 10  at 11:59 p.m. Pacific Standard.

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text.

Send submissions to bardogroup@gmail.com.

Publication is March 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue.

We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 

The BeZine, Dec. 2018, Vol. 5, Issue 4, Theme: Life of the Spirit

“Walk with the dreamers, the believers, the courageous, the cheerful, the planners, the doers, the successful people with their heads in the clouds and their feet on the ground. Let their spirit ignite a fire within you to leave this world better than when you found it…”  The Art of Living, Wilfred Peterson

December 15, 2018

A Life of the Spirit is a many-faceted jewel. Some of our contributors interpreted the theme for this month as Spirit (Being, the Ineffable, the Divine) and others more as spirited, strong. Some find Spirit and courage in the great love of their life or in their art, in their religion or spiritual practice. Others find it in an inspiring parent or grandparent.  You will see that nature plays a role for nearly everyone.

I don’t think I’ve ever used as many hankies in pulling together an issue of The BeZine as I have with this issue.  Contributors this quarter speak intimately from both joy and heartbreak, which is perhaps not surprising given the theme.

©2018 Naomi Baltuck, Chris Spengler, and Allison Cox

Our contributors have also rallied their spirits to speak out against gun violence and to speak up for the LGBTQ community. Violence and cruelty are not an absence of Spirit but a lack of awareness.

c 2018, Anjum Wasim Dar

My country – America – has a gun violence history that is notorious but firearms are ubiquitous on this Earth and complicit in wars and conflicts, hate crimes, terrorism, suicide and accidental shootings. Death by fire arms is grotesquely common in South American countries, Jamaica, and Swaziland.

Gun-suicides: I’ve taken the liberty of including a poem about my big sister, Teresa Margaret, who died of a self-inflicted gunshot to the head. She was twenty-seven. I was fourteen. Fifty-four years later, the trauma remains. The questions remain: Why? Where did the gun come from? Who taught her how to use it?

“Although the USA ranked fourth in the world with 12,400 firearm-related homicides, that figure pales in comparison with its 23,800 gun suicides. None of the other 194 nations and territories  [ … ] came close; India ranked second at 13,400.” USA Today HERE

Easy access to firearms is cited by experts as one reason for the prevalence of their use in suicide. Another may be that guns offer an effective means of suicide.

Since there is history, culture, identity, and ethic involved in gun ownership and use, attempts at doing away with guns are not feasible at this time. Complicated core issues need to be defined and addressed first. Will we ever come to a unified place where we agree that murder and torture are not options?  How then would Spirit play in the garden of material life?

Thanks to The Bardo Group Bequines team and to our guest writers for helping us put together an issue that is honest, artful, and inspiring, one that walks “with the dreamers, the believers, the courageous, the cheerful, the planners, the doers, the successful people with their heads in the clouds and their feet on the ground.”

As you read, we hope that you will leave your “Likes” and comments behind to let each contributor know they were read and appreciated and to enrich the experience for others.

In the spirit of love (respect) and community,
and on behalf of The Bardo Group Bequines,
Jamie Dedes
Founding and Managing Editor

TABLE OF CONTENTS


How to read this issue of THE BeZINE:You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.


BeAttitudes

A Murmur, John Anstie

Your Freedom Eyes, Linda Chown

Julia Vinograd Slipped Into My Writing, Michael Dickel

Feathers of Grass, Joe Hesch

Whelm, Tricia Knoll

Making White Flags, P.A. Levy

Hope Springs Eternal, Tamam Tracy Moncur

Spirit Speaks, Corina Ravenscraft

A Gift of Courage, Anjum Wasim Dar

Poems

Standing Out in the Straight …, Linda Chown

Stone Love, P.A. Levy

Landing, P.C. Moorehead

Illuminating, P.C. Moorehead

Dense Flesh, P.C. Moorehead

Songbird, Jason A. Muckley

Princess of the Sea, Jason A. Muckley

Four Haiku, Jason A. Muckley

Log Cabin Quilt, Anne Myers

Lit Up With Your Warmth, Scott Thomas Outlar

Catching Leaves and Picking Clover, Scott Thomas Outlar

High Tide Hallelujah, Scott Thomas Outler

The Spirit of Us, poem by Deborah Setiyawait, photography by Carl Scharwath

The Star, Clarissa Simmens

my decision is not new, since …, Anjum Wasim Dar

for those who don’t know the chocolate, Amirah Al Wassif

the poetry is …, Amirah Al Wassif

Windows of Madrid, Amirah Al Wassif

Social Justice for LGBTQ

Telling Tales Under the Rainbow, Naomi Baltuck, Alison Cox, Chris Spengler

Gravy, Chris Spengler

Gun Violence

GunShot, Gary W. Bowers

A Girl in a Box, Jamie Dedes

A Poem for the Tree of Life Synagogue, Michael Dickel

Silencing the Thunder, Joe Hesch

Snow Angels, Joe Hesch

CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted every Sunday in Sunday Announcements on The Poet by Day.

Share your recommendations now and/or your own poems for Children’s Poetry for the 100TPC Read a Poem to a Child Initiative … Come out and play with us ….

“So, you might ask, “What’s the big deal? Why is poetry so important?” Poetry is essential for children because it is “the best words in the best order.” The rhythm and rhymes can help children develop a love a language—and a love of reading. Once kids begin flexing their writing muscles, poetry can spark their creativity and let their imaginations soar!” Sharing the Power of Poetry with Your Child, J. Patrick Lewis, PBS Parents



Michael Rothenberg, co-founder of 100,000 Poets (and friends) for Change, has created a special initiative this year, “Read a Poem to a Child.”

Readers have asked for suggestions: Toward that end, I’m putting out this call for your recommendations of children’s collections, specific poems or the poems you’ve written for children.  I’ll create a post with everything to be shared at The Poet by Day and on The Bezine blog and include a link to your website, blog or Amazon page.  So, let us know your recommendations and give us your link in the comments section below. Thank you!

Don’t forget to join us at The BeZine for our virtual 100TPC, September 29th.

– Jamie Dedes

The BeZine, Sept. 2018, Vol. 5, Issue 3, Theme: Social Justice

Sunspot—May Peace Prevail on Earth (3 languages)
Digital landscape from photos
©2018 Michael Dickel

Social Justice

The Zeitgeist of Resistance—a Historical River Flowing

Justice is a historical river flowing to us, around us, and through us, toward freedom. The river’s current, like our current Zeitgeist, is one of resistance. In times of extreme injustice(s), people rise. This issue of The BeZine dedicated to Social Justice brings you some of the history and much of our Zeitgeist of resistance.

You will read about the current White House occupant, the state of race and gender relations, economic disparity, oppression, and more that disturbs us in our time. However, coming to The BeZine from unrelated directions—some invited, some offered, some come across by seeming chance—history has sent reminders to us that we are not alone. Others have lived in times of extreme injustice(s). And people rose up to defy and resist injustice, in the name of freedom. This river of historical struggle for justice can help sustain us in our resistance to the flood of today’s injustice(s).

The ongoing history of resistance certainly underlies the choices of music in a new album by New York guitarist Marc Ribot—Songs of Resistance 1942–2018. Ribot brings together songs from the Italian resistance, the Civil Right Movement, and new songs protesting Donald Trump—reminding us that movements need songs, and that fascism has been defeated in the past. Yes, also that we are in its shadow once again, and we have yet to get our race relations straightened out. In this issue, you can read more about the record, officially released Friday (September 14, 2018), and hear a cut from that album, with Tom Waits vocalizing Bella Ciao, an anthem of the Italian partisans.

While Marc Ribot chronicles this recent stream of freedom songs, Tamar Tracy Moncur’s poem in this issue sings of the problems facing the U.S. (and the world, I hasten to add), but reminds us that “America Still Sings of Freedom,” its title and chorus. Two poets, Michael C. Odiah and Joseph Hesch, sing to us about slavery. Odiah marks the continued echoes and reverberations of slavery today. Hesch touches on those, but in light of the Civil War—asking us if we don’t risk seeing the sacrifice of life during that bloody conflict negated as we witness democracy evaporating around us and a rise of white nationalism. Linda E. Chown sings about the mid-Twentieth Century fight against fascism in a poem about Isidora Dolores Ibárruri Gómez, aka “La Pasionaria,” a Spanish Republican leader of the Spanish Civil War. In another poem by Chown, the speaker returns to Spain in 1988, after Franco’s death. Chown’s third poem in this issue shows McCarthyism, the tactics of which continually float up in the flood of our time.

Word War II comes up in this historical river, also, in two essays in our Be the Peace section. A British Officer from World War I had a spiritual experience, so the story goes, that led him to propose during the Second World War that people in the U.K. take a minute of silence for prayer or meditation to help end—and win—the war, but more broadly, for a lasting peace. His effort was quite successful, gaining the support of the King of England and Prime Minister Winston Churchill. You can read about the Silent Minute’s history in John Anstie’s recounting, and about a recent movement to bring it back for the resistance in Lynne Salomon Miceli’s account of her own efforts.

These historical streams come together for our issue in what I have been calling a historical river at a time when the present overwhelms us and floods our sensibilities. How can we resist? How can we find peace and social justice while preserving the environment in the face of an administration that seems bent on shredding all of those apart like a level-5 hurricane stalled out just offshore? How can we protect children torn from their parents, denied health care, and deprived of a reasonable future (theirs being stolen from them in the present)? These questions help to define the Zeitgeist. The historical river perhaps offers some answers in its rushing water.

Slaves survived, rose up (see the history of Haiti), and while they often got beaten down, eventually others joined in a movement that abolished slavery. Yes, we have a long way to go to heal from that terrible injustice and to resolve the racist legacy of colonialist slave-holding mentality institutionalized throughout the West, but people continue to rise to the challenge and struggle toward equality and justice. Yes, Black Lives Matter!

The partisans fought the fascists, lost many battles (and the Spanish Civil War), but also won—Hitler and Mussolini fell, defeated. Stalin may have continued, Western Imperialism may have shifted into Capitalist Imperialism, its center moving from Western empires to a global military-industrial complex held up by the remnants of those empires—but the tide went against the fascists. Democracy—real democracy, not “open markets”—still has a chance.

And yes, we now stand with fascist flood-waters rising again, using anti-immigrant, nationalistic rhetoric throughout the world to once more inflame conflict and division. Yet, people are calling it by name, and many are saying: “No.” Despite the bleakness of the picture, people are rising up—more than ever, louder than ever, on social media, and in protests on the streets. We are filling the sandbags against the flood.

Most importantly, in the U.S., women and people of color are standing for election as progressives and winning elections. Incumbents who have not stood up to the current U.S. administration’s anti-democratic policies have fallen to new-comers / outsiders who proudly project progressive values and propose progressive policies in opposition to that administration. We don’t yet know where this will lead for the mid-terms, but the weather vanes seem to be pointed toward hope. Change can’t wait!

I hope, we at The BeZine hope, that the forces of social justice, peace, and (economic and environmental) sustainability will win and lead to freedom for all. And to get there, deb y felio reminds us that community action is the collective action of individuals. Each one of us must act, personally, for the community to function. Corina Ravenscraft opens the Be the Peace section on a similar theme, with some helpful hints for how to maintain our own peacefulness in these times.

The writers in this issue call out injustice, but they also offer us reasons to believe that we who believe in democracy and equality, who focus on humanity and our living planet, can prevail. The words we bring you with this issue come as songs along a river of resistance history, with concern for social justice, peace, and sustainability, tuned to melodies that harmonize with the song(s) of freedom.

—Michael Dickel, Contributing Editor
Jerusalem, 14 September 2018


Features

A Village of One, deb y felio
The Match from Hell, Naomi Baltuck
Bella Ciao from Songs of Resistance 1942–2018, Marc Ribot and Tom Waits


poetry

Sepia — a poem, a controversy…, Karen Alkalay-Gut
Gibberish Jewel, Pat Berryhill
What they said, Linda E. Chown
Coming Back: Franco not here no more, 1988, Linda E. Chown
McCarthy’s Girl, Linda E. Chown
Lazy Bums Vanish from Lazy Town, DeWitt Clinton
Elegy, deb y felio
Killer Angels, Better Angles, Joseph Hesch
Clouds, Irma
Gestures, Irma
Intertwined, Irma
Unlearning, Irma
even the most civilized …, Charles W Martin
gambling on social justice . . ., Charles W Martin
systemic social justice, Charles W Martin
Universal Credit, Frank McMahan
America Still Sings of Freedom, Tamam Tracy Moncur
Black November, Michael Odiah
Life, Michael C. Odiah


Flash fiction

Off the Trail of Consumer Capitalism, Michael Dickel
The Great Education Escape, Michael Dickel
The Flicker of Better Angels, Joseph Hesch


BE THE PEACE
The Three Spheres of Peace Action

I’ve observed in the spiritual practice of various Indian traditions that “shanti”—the Sanskrit word for peace—is invoked three times in prayer and chant.

I learned from a friend that the first invocation is about making peace with ourselves. The thought is that we cannot make peace with and in the world without inner peace.

The second invocation is about making peace with – embracing – the human community, from our family, friends, neighbors and our smaller communities to the greater global family.

The third invocation is about making peace with nature.

Thus we have three spheres of peace action: personal, social, and the natural world.

For the personal, Corina Ravenscraft offers suggestions for balance, Miki Byrne gives insight into mental anguish, and Changming Yuan’s brilliant metaphysical gift to us presents the complex interplay of elements in the search for self and truth. Kerry Darbishire and Miki Byrne call our attention to forgiveness, letting go, and accepting the gift of love. Tricia Knoll and Joseph Hesch suggest healing, the former through love and the latter through art.

The Venerable Bhikkhu Bodhi and Paul Fullmer beautifully and wisely address our pathway to peace in the context of the social sphere. John Anstie and Lynne Salomon Miceli propose shared silent moment as a means to unify in a profound way, especially with the Silent Minute, borrowed from WWII England.

Our connection to nature is featured in Wabi Sabi, and in Anne Myers’ The Other World.


Yes to Blue

The work on this issue has been thoroughly enjoyable and made the more so by Michael Dickel’s genius, commitment, and hard work. This issue would not be half as good without him. His dedication each year to taking the lead on the September issue and on our virtual 100,000 Poets for Change on the fourth Saturday of September is the more remarkable because these always coincide with Jewish holy days, a busy time for him.

For my part, our editorial collaborations are fun and a delightful change of pace from the solitary endeavors of writing and poetry. I am in California and Michael is in Israel, so the back-and-forth of things is probably not as fluid and detailed as it might be under other circumstances, but there is an editorial flow, a sorting, strategizing, tossing, absorbing, updating, and always struggling with tech challenges (I struggle, Michael saves). Jim Haba‘s poem, Yes to Blue, rather captures the feel of it all…

Yes to blue after trying
to separate green from yellow
and hoping that everything
will get simpler each time you bring an idea closer
to the light which is always
changing always being
born day after day
again and again
now

(© Jim Haba, a poet, artist and teacher. Some may know him for running the Dodge Poetry Festival. My thanks to Jim for getting back to me so quickly with permission to use “Yes to Blue,” which is from Thirty-one Poems.)

So now, with love and gratitude for our indefatigable Michael Dickel, for all our wise contributors, our readers, and our dedicated core team, The Bardo Group Bequines…

In the spirit of peace, love (respect), and community, and
on behalf of The Bardo Group Bequines,

Jamie Dedes

The BeZine, Founding and Managing Editor


Personal

Find Your Balance to “Be the Peace”, Corina Ravenscraft
Dataism, Changming Yuan
Sunday People, Kerry Darbishire
Fear and the Mind, Miki Byrne
Sore Spots, Miki Byrne
Yours If You Will Take It, Miki Byrne
Potting Up the Peppermint, Tricia Knoll
Blessed Sacrament, Joseph Hesch


Social

What Does It Mean to Love Everyone?, Bkikkhu Bodhi
Being the Peace in Community, Paul Fullmer
The Silent Minute—a Brief History, John Anstie
Bringing Back the Silent Minute, Lynne Salomon Miceli


the natural world

Wabi Sabi, Jamie Dedes
The Other World, Anne Myles


CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted every Sunday in Sunday Announcements on The Poet by Day.

The BeZine, Call for Submissions




The BeZine is published quarterly on the fifteenth of March, June, September and December. Please read our Intro and Mission Statement and at least one back issue of The BeZine before submitting work for consideration. Each issue is theme based.

Please be mindful that our core team (The Bardo Group Beguines), guest contributors and readers represent the world’s diversity. Nonviolence, respect and inclusion are core values.

All work must be submitted in English and properly edited for publication. Submissions in other languages are fine but only if they are accompanied by an English translation.

Please send submissions to bardogroup@gmail.com and put “submission” in the subject line.  If you were referred by one of our core team, please put their name in the subject line along with “submission.” Please include a brief bio not a curriculum vitae. If you have published the work submitted on your own website, blog, YouTube channel or other online venue you may send a link.

PLEASE NOTE: We apply the same standards with regard to content, quality, submission guidelines and reading policy that all high-caliber literary magazines do with the exception that we will consider work that is already published. The copyright, however, must be yours.

DEADLINE: The 10th of the month prior to the publication date, but for the June issue it is extended through May 20th. You still have some time.

Artwork by The Bardo Group Beguines team-member, © Corina Ravenscraft (Dragon’s Dreams) for The BeZine, 100,000 Poets (and Others) for Change, 2018.

Themes each year are consistent with the concerns of the global movement cofounded by Michael Rosenberg and Terri Carrion, 100,000 Poets (and others) for Change:

  • March, Peace;
  • June, Sustainability;
  • September, Social Justice

… and for December the shared value of The Bardo Group Beguines:

  • a life of the spirit.
.
On the fourth Saturday in September , we’ll hold our traditional 100,000 Poets (and other artists and friends) virtual event. Michael Dickel will be our master of ceremonies. Details in future announcements.
.

COPYRIGHT: You retain your copyright for work published in The BeZine. If you are doing multiple submissions, please let us know that you have submitted the work to other publications and advise us when and if the work is accepted elsewhere. From our perspective this does not preclude publication in The BeZine but we need to know if another publisher has contracted for first-time or exclusive rights.

We regret that we are unable to offer payment or editorial feedback. However, while we don’t offer payment we also don’t charge submission or reading fees or subscription fees. This effort is entirely volunteer run, a gift of love.

Some issues will include a subtheme and for June it is Domestic and Gendered abuse.  As of today (May 15, 2018) I have sufficient materal from women and would be interested in reviewing the work of other genders.)

All creative arts that lend themselves to online publication are acceptable for consideration: visual arts, literature and poetry, and music and film (video).

FICTION/NONFICTION/ESSAY: Should you have anything to submit for consideration that is over 1,000 words, please forward a brief one-paragraph summary description for preliminary evaluation.

POETRY: If you are submitting poetry, please don’t bomb us with work. Restrict your submissions to three at a time every three months. Be selective. Send your best.

VIDEO: One video at a time.

PHOTOGRAPHS and ILLUSTRATIONS: If you include these with your poems and features, then you must include the source with url and licensing information. We do not accept work that is not properly – respectfully – credited.

READING SCHEDULE: At the time of this writing, the reading schedule is variable but a regular schedule is forthcoming and will be announced.

Send your work for the zine to us at the bardogroup@gmail.com.

NEW THIS YEAR: We’ll submit nominations for The Pushcart Prize, probably in October. The BeZine welcomes – encourages – work from the world community, but The Pushcart Prize is only open to citizens of the United States.

We look forward to hearing from you.  Thank you!

Be the peace.
Jamie Dedes, Founding and Managing Editor

Update: May 15, 2018

Please note The BeZine logo was designed by © Terri Stewart


CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

“The BeZine” – 100,000 Poets (and friends) for Change Facebook Discussion Page

Artwork by The Bardo Group Beguines team-member, Corina Ravenscraft (Dragon’s Dreams)

Join us at Our Zine 100TPC Facebook discussion page. It’s unique:

2018 NEWS & GUIDELINES FOR POSTING ON THE DISCUSSION PAGE: We’re especially interested in filling a gap by collecting info on practical initiatives – ideas for taking action – from anywhere in the world, “best practices” so to speak that foster peace, sustainability and social justice, especially those that might be picked up and implemented elsewhere. Examples from the past include the churches that open their parking lots at night to the homeless, the barber who uses his days off to give homeless people haircuts, or the group that put out clothing for people to take if needed.

Other information:

FOR WRITE-UPS ON SPIRITUAL PRACTICE for Beguine Again beguineagain.com Facebook message Terri Stewart. We also have a FB page – The Bardo Group Beguines -where we provide Zine info, inspiration, notice of spiritual events of interest to seekers and links to work posted on beguineagain.com founded and managed by Terri.

PLEASE DO NOT POST POETRY ON THE DISCUSSION PAGE. There are plenty of poetry groups on FB. We’re unique, doing something different but we do offer other opportunities to share your poetry and creative work:

SUBMISSIONS of poetry, essays, short stories, creative nonfiction, music videos, and artwork for The BeZine – journal or blog – are considered via email only: thebardogroup@gmail.com.

The BeZine is on a quarterly schedule in 2018 and for the foreseeable future. Here are the schedule, themes, submission deadlines and publication dates for the remainder of this year:

June 2018 issue, Deadline May 20th. (The deadline is extended this month and would normally be on the 10th of the month prior to the publication month.) Theme: Sustainability
September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit

OTHER OPPORTUNITIES: Email me – thepoetbyday@gmail.com – if you have poetry news or essays on poetry to be considered for The Poet by Day jamiededes.com For submissions (poetry and short fiction or creative nonfiction) for consideration by Michael Dickel for Meta/Phor(e)/Play Facebook message Michael or connect with him HERE.

The Bardo Group Begines is a twelve-member core team of poets and writers, artists and musicians, philosophers and clerics providing comfort, inspiration and information via thebezine.com and beguineagain.com. The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees. Instead of charging you, if you enjoy and benefit from The BeZine and Beguine Again, we encourage you to make a donation to one of your local charities and, especially if you are in the Seattle area, to Terri Stewart’s Youth Chaplaincy and Peacemaking Coordinating Team.

– Jamie Dedes

The BeZine, Vol. 4, Issue One, Music to the Eyes

October 15, 2017

After silence, that which comes nearest to expressing the inexpressible is music
~ Aldous Huxley

IMG_0004
From: ‘Notable Quotes’ hand carved code

Reading Michael Dickel’s introduction to last month’s edition of The BeZine, sowing the seeds of the mindset at the roots of the ethos of this publication – promoting peace, sustainability and social justice – but in particular, overcoming anger and harnessing it for good, he quotes a good deal of Audre Lorde’s laudable speech and essay The Uses of Anger: Women Responding to Racism,  perhaps a reflection on what divides the world, what creates so much anxiety, political division, protective greed and selfishness.

So, we have music.

I don’t know about you, but there are few times in my life when music has done anything other than have a life enhancing and positive effect on me – with the possible exception of a Moody Blues concert I went to in 1969, in my university days, when I was left with a ringing in my ears for several days. This was, along with competitive shooting of Lee-Enfield .303 bore rifles at school, without ear defenders, probably the root of my tinnitus!  Subsequently, I carry ear plugs and try to avoid over amplified performances by groups of musicians, who employ sound engineers, who may be – shall we say – aurally challenged!

Music, particularly live and acoustic music has played and still does play an increasingly major part in most of my life; it provides a therapy against the rigours and stresses of everyday living. But it does more than this.

My personal perspective on the value of poetry has some relevance here. It is a belief that poetry should always be one step removed from the obvious, the logical and rational, in order for it to awaken the right brain, the creative side of our amazing abilities as humans; to stimulate the visceral (as opposed to the purely intellectual, rational, ‘logical’) response. In turn, this has the potential to stimulate a fresh approach to solving our challenges, be they personal or global. This hits on the core mission of The BeZine in a big way.

BeZine Planning
From: ‘Notable Quotes’ hand carved code

But if poetry has this potential power to stimulate a new way of thinking outside the framework imposed by a culture of consumerism, greed and material comfort, as opposed to our social well being, then music does so with a vengeance. It is truly visceral without the constraints of language. Of course, when the poetry of lyrics is introduced to create song, then there is the opportunity to create something that is greater than the sum of its parts; synergy. It can provide something that dwells in the conscious and even subconscious for a lifetime – whoever forgets the words and melody of a song that they heard at a very poignant moment in their lives, which continues to inhabit a special place in memory, resonate and invoke the most emotional response every time it is heard. There are a few who would argue this is ‘just an over-emotional response’, but it may well be the last resort to aid the development of a greater understanding and a clearer insight into the human need for compassion as well as passion in their lives.

If music be the food of love, play on;” said Duke Orsino “give me excess of it”. The opening lines of Shakespeare’s “Twelfth Night” speaks much for music, even though he goes on, cynically “that, surfeiting, the appetite may sicken, and so die”.  Can you get too much of a good thing, I ask?

BeZine Planning (2)
From: ‘Notable Quotes’ hand carved code

Music is so often a catalyst for romance. We could not even begin to count the number of songs that have ever been written over the ages on the subject of romantic or divine and spiritual love … and its consequences. However, I wonder how often we may contemplate how many instrumental or orchestral compositions there are, which, without words, in a different way, on a very different level, are capable of promoting a feeling of love and, equally, a sense of calm, peace, remorse, sadness, melancholy, a whole gamut of emotional responses that can and very often do bring about a state of mind that is elevated above the daily grind of our lives, the trauma, the tragedies, the disasters and injustices we witness every day in the news, and above all, the ability it has to help us cry. In this way, music can act as a protest against injustice and, in a sense, be ‘angry’, but still it can act as a relief for that anger, just as poets can find simply by writing a ‘political’ poem, which can relieve the frustration and anxiety brought about by political injustice. It is this value that I attach to music that I hold highest in my personal esteem for this art of arts.

It is, in fact, an art that can, like no other, combine the poetry of good lyrics, the rhythms of our roots, the vast array of instrumental sounds and voices, and the spine tingling harmonies they can create, into one; that can team itself with other art forms, particularly in photography, film and dance, but also notably in storytelling. What broadcast programme, be it documentary, drama, comedy, film (movie) is made without serious thought for the addition of music, a song, an orchestral piece, which so often includes a main theme along with incidental ‘tracks’ throughout its production, which then, of course, naturally leads to the merchandising of a soundtrack album.

Even the latest generation of advertisers have realised the visceral value of music, sometimes combined with poetry (look at Apple’s poetic narration by the inimitable and dearly missed Robin Williams, who significantly quoted from Walt Whitman’s poem O Me, O Life to evoke the kind of emotional responses that are known to drive most human decisions … in this case, to buy!

As a test of how important a part music plays in teasing our wallets from our pockets, next time such an advert hits your screen, try turning off the sound. What are you left with … not a lot that is meaningful. Now here, I hope the photographers and cinematographers amongst us (Naomi Baltuck) will not take exception to this notion that still and moving pictures cannot move us, which of course they can and a similar thesis to this could be written for the visceral value of great pictures, but I know you will trust that my meaning, in this context, is well intended!

This month, as lead editor for the anniversary edition of The BeZine, the first of its fifth year, we feel quite frankly blessed with the quantity and quality of contributions we have received from our regular core contributors, and I take my hat off to our new guest contributors, including some very talented young writers and musicians. The sizeable response of quality submissions makes this, I believe, our largest issue yet; like a big fat magazine, but without any adverts, in itself, says something about the importance we attach to music.

We have poems galore, almost all of which touch the music theme or contain subtle BeZine Planning (1)references to it. Two fellow Brits are amongst the new contributors to The BeZine. From musician and composer, Joseph Alen Shaw, a piece that addresses the core of the Bardo Group Bequines mission, Music Beyond Belief, on the subject of faith and musical composition in the 20th Century. Joseph has also contributed another account of one of his recent compositions, the Wentworth Cantata. British newcomer, historian and musician, Emily Needle, has written an account of her research on her travels through Eastern USA in 2015, into the achievements of a remarkable and little known Charleston man, who had a surprisingly big influence on Jazz music in the early 20th Century.

Beside Joseph and Emily, other new contributors have all embraced the music theme in such creative ways, mostly poetry but also some lyrical prose, with very interesting results. Stephanie Williams’ Singing Man is a charming prose piece that evokes a child’s certain view of what they like. S.R. Chappell has written a couple of poems in praise of music. Kakali Das Ghosh, in her poem, presents us with some very mystical feelings. Andrew Scott gives us a story of a gritty performer with all the emotional baggage that can accompany that way of life, and JB Mulligan writes three deeply insightful and thought provoking poems.

All of our regular contributors have also given us a wealth of musical delight and I thank them all for their excellence that has made this a very special issue.

Further Acknowledgments

Thanks are due to Glen Armstrong (his deeply nostalgic plea for vinyl records that ‘once had purpose’), Naomi Baltuck (for your photo essay with a family musical conclusion), Sonja Benskin Mesher (her beautiful reflective on ageing, remembering, companionship ends with music), Paul Brookes (fine poems, particularly clever is his onomatopoeic on a Bodhrán), Miki Byrne (whose poems about performance are both clever and revealing), Bill Cushing (and his handful of poems with oh so subtle musical references), Jamie Dedes (whose Orchestra of Impossible Beauty relates the moving story of the British ‘ParaOrchestra’ comprised of people with a variety of disabled conditions), Renee Espriu (and who can resist the image of how a child can hear the recording in a seashell of the sound of the sea or how they can bring home from school a musical instrument that’s bigger than themselves!), Denise Fletcher (on a trip to a Country Music Festival or the intrusive quality of loud music), Priscilla Galasso (for her usual insightful qualities), Mike Gallagher (for his remarkable, lyrical prose piece), Mark Heathcote (and his Whispering Muse), Charles Martin (and his ekphrastic haiku / senryu triplet), Liliana Negoi (for super imaginative variety of expression), Phillip Stephens (with a further challenging ekphrastic poem), John Sullivan (whose poems include a conversation with his radio, deeply embedded with the blues and a call to the Tripitaka of Buddhism), Lynn White (for not allowing us to forget the importance in our lives of birdsong), and the artful collaboration of photograph Amy Bassin and poet Mark Blickley in Screaming Mime.

So much delight from each and every one of our writers, I can’t tell you what a pleasure this has been, to write about one of my favourite pastimes.

Enjoy.

John Anstie


THANK YOU!

It seems somehow right that we dance into our fifth year on a musical note and John’s perceptive and passionate introduction to this month’s The BeZine. It is no exaggeration to say that the longevity of this 100% volunteer effort is the outgrowth of the stalwart support of readers and contributors and the work, creativity, vision and perspicacity of our core team: John Anstie, Naomi Baltuck, James R. Cowles, Michael Dickel, Priscilla Galasso, Chrysty Hendrick, Joseph Hesch, Ruth Jewel, Charlie Martin, Liliana Negoi, Lana Phillips, Corina Ravenscraft ,Terri Stewart (founder of Beguine Again, our sister site), and Michael Watson.

There are so many other ways readers, contributors and team could choose to spend valuable time, but you have all chosen to invest a portion in this small effort to build a community of others.

This site was founded in 2011 with three American Buddhist friends. Two have passed on. Since that time as both blog and zine we have published the works of like-minded representing all races, at least six religions, agnosticism and atheism and, I believe, nearly thirty countries. We have stood in solidarity for kindness and joy and raised our voices for peace, environmental sustainability and social justice.  

HAPPY ANNIVERSARY to all of us. Thank you everyone and may peace and friendship prevail.

On behalf of the Bardo Group Beguines
and in the spirit of peace, love (respect) and community,
Jamie Dedes
Managing Editor

MUSIC TO THE EYES

How to read this issue of THE BeZINE:

Click HERE to read the entire magazine by scrolling, or
You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.


 

TABLE OF CONTENTS

Poetic Musical Musings

Underneath The Stairs, John Anstie

Cannonball Adderley Adrift, Glen Armstrong

Post-Punk, Glen Armstrong

Used Records, Glen Armstrong

Under A Rainbow. Somewhere., Mendes Biondo

First Time, Paul Brookes

Bodhrán, Paul Brookes

When I Used to Play, Miki Byrne

Beginners Night, Mike Byrne

Applause, Miki Byrne

For Gilly Dangerous, Miki Byrne

Music Crashing, S.R. Chappell

Music Within, S.R. Chappell

Ode to Nina Simone, Bill Cushing

On Modest Mussourgsky’s “Bydlo”, Bill Cushing

La Rosa & El Dragon (impressions from the music of “Pan’s Labyrinth”, Bill Cushing

“Zooz’s Brasshouse” Busking, Bill Cushing

Blakeson, Bill Cushing

Harmonic Chanson, Kakali Das Ghosh

The Music of the Conch Shell, Renee Espriu

The Music of Prowess, Renee Espriu

Intrusion, Denise Fletcher

The Whisper of the Muse, Mark Heathcote

Three Notes, Charles Martin

As We Go Together, Sonja Benskin Mesher

String Quartet, JB Mulligan

Consolation #3 in D Flat by Liszt,  JB Mulligan

Canon, JB Mulligan

Song for Agriope, Liliana Negoi

Feathery Song, Liliana Negoi

Mr. Bluesman, Andrew Scott

Understanding the Flautist (Meditation on a Peace Painting), Phillip T. Stephens

Llano Estacado, John Sullivan

True Emergency, John Sullivan

Aubade on Royal Street,  John Sullivan

Chill, Lynn White

To The Passing of The Nightingale,Lynn White

~~~~~~~

Musical Insights

Press Play, Photo Essay from Naomi Baltuck

How Hawkwind Improved My Adolescence, Paul Brookes

A Christmas Reflection On Skepticism and A Confession, James R Cowles

Country Music, Cow Pokes and City Girls, Jamie Dedes

The Orchestra of Impossible Beauty, Jamie Dedes

 Stars In My Eyes, Denise Fletcher

Beyond Music Appreciation, Priscilla Galasso

The Clonmel Set, Mike Gallagher

From Rags Through Race to Ragtime, Emily Needle

The Presence of Sound,  Liliana Negoi

Music Beyond Belief, Joseph Alen Shaw

The Singing Man, Stephanie Williams

~~~~~~~

Music, Video & Special Interest

My (Sort of) Desert Island Discs, John Anstie

Wentworth Cantata, Joseph Alen Shaw

Screaming Mime, Amy Bassin and Mark Blickley

Stocksbridge Memorial Project, Ian McMillan

Translating Words Into/From Music, Liliana Negoi

 


Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator


CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

Submissions:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted every Sunday in Sunday Announcements on The Poet by Day.


 

Our virtual “live” 100,000 Poets (and friends) for change event …. The Countdown Begins now AND YOU’RE INVITED

Well, the Zine’s virtual “live” 100TPC Master of Ceremonies, Michael Dickel (Meta/ Phor(e) /Play), is doing the event from the Midwestern U.S. this year, not Israel, and I’m here in Northern California as back-up.

We have just a few hours to go before we begin The BeZine 100,000 Poets (and friends) for Change, 2017 (100TPC), our biggest event of The BeZine year.  Do join us and bring your reading glasses and your work suggestive of peace, sustainability and social justice. Michael will get us started and I’ll be on hand to help put a wrap on things. We’ll run at least 24 hours to make it convenient for you to participate no matter where in the world you live.

You may have missed some of these posts that will clarify what we’re doing, how we’re doing it, and how you can participate. Here are two posts that you’ll find helpful:

See you later at The BeZine blog!

Jamie Dedes
Managing Editor, The BeZine
on behalf of Michael and The Bardo Group Beguines


CALLING ALL POETS, WRITERS, ARTISTS AND MUSICIANS: We Need Your Most Passionate Work

We invite you to share your most passionate works expressing kindness and human connection and the ways that together we might heal the degradation and devastation of wars and genocides; the heartbreak of refugees living in limbo; the desolation of hunger and famine and environmental catastrophes; the insanity of extrajudicial murders; and the disappointing growth in the West of racial and religious tensions and efforts by various administrations to chill dissent.

Please take this opportunity to join hands and hearts in peace and love: TEAM WITH US for The BeZine 100TPC online “live” event this September 30th (our 6th year) to address peace, sustainability, and social justice through poetry, music (videos), art and anything artistic that can be posted online and accessed through a url link or by responding in the comments section of the event post. The BeZine 100TPC is one of hundreds of events that will be held around the world on September 30 under the rubric of Global 100TPC founded by poets Michael Rothenberg and Terri Carrion.


WE ACKNOWLEDGE that there are enormous theological differences and historical resentments that carve wedges among and within the traditions and ethnic or national groups, but we believe that ultimately self-preservation, common sense, and human solidarity will empower connections and collaboration and overcome division and disorder.

100TPC is just one effort that illustrates the higher possibilities of the human heart.

Let us ply our art, meditations, and prayer toward that tipping point when compromise – an admittedly imperfect peace – will overcome war and respect for life will topple resentments and greed. That may not happen in our time, but it has to start somewhere and sometime. Together let this be our modest contribution toward an end for which diverse people the world over are working and praying.


HOW THE BeZINE “VIRTUAL” 100TPC WORKS … It’s easy and will be intuitively obvious, though we will provide instruction. A blog post will go up at The BeZine blog on September 30 with some introductory material and directions. As with any other blog post, you can respond by putting your poem or other work in the comments section. There will also be “Mister Linky” … a way to put in a link to relevant work on your site. It’s easy to use but if you don’t like it, you can just put your link in the comments section. That works!

American-Isreali Poet, Michael Dickel

American-Israeli poet,Michael Dickel (Meta/ Phore(e)/ Play), is an extraordinary – and at this point very experienced – Master of Ceremonies. He’ll maintain a rolling commentary in the comments section. I’ll be online to fill in for Michael when he takes a break and also to extend the length of the event.We’re in different time zones, though this year not half-a-day apart since he will be in the States. The idea is convenience and inclusively.

All types of artists and friends can participate no matter where they live in the world even if there is no event going on in their neighborhood and even if like me they are pretty much or completely home bound (which was the inspiration for the virtual event). You can participate in our virtual event even if you are at an off-line event. You can do both. We hope that you will not only share your artistry but also enjoy the artistry of others, which is what makes it like a live event. See you then … 🙂 We also hope that you’ll visit The BeZine to read our September edition, a prequel to the 100TPC event.

On behalf of The Bardo Group Beguines (publishers of The BeZine) and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor
The BeZine

The BeZine, August 2017, Vol. 3, Issue 11, Theatre

August 15, 2017

In the introduction to his translation of Beowulf, Seamus Haney comments that “as a work of art it lives in its own continuous present.” For me, theatre (whether in its broadest or narrowest sense) is very much the same. Theatre always encourages us to be in that continuous present. As an over-arching art form it can integrate every other form of human (and even animal) expression. It usually rewards our engagement and disdains our detachment. Even when a show runs for a thousand performances, it can never be quite as canned, as mass produced as many of our other entertainments. Human variability is on display every night.

More broadly, theatre tends to mean any place in which we think there is a scripted or specialized drama occurring. In that sense it often indicates that we’re seeing a performance driven by an agenda and perhaps designed to deceive. We criticize this as hypocrisy. In ancient Greece, a hypocrite was merely an actor, i.e. one who had made a judgment or assessment of a script when preparing to perform that script for others. At that time, it was also thought unworthy for actors to become politicians since actors were skilled at impersonation. We could not know their true selves.

In the context of our art, we would probably judge this as unfair. We’ve all had the experience of “donning the mask” or crafting a persona as a way of freeing ourselves. In expressing the lie, we hope to tell the truth.

I’m delighted to be Guest Editor this month. It coincides with a production that I’m currently in. This is an experimental production staged as immersive experience. We’re telling the story of a family in crisis (the passing of parents, dealing with aging and the end of life, and the break-up of relationships). We tell this story in a residence where small audience groups (a dozen to two dozen at a time) sit in the “living rooms” of the characters. This intimacy connects us with our audience. They do not participate in the sense of interacting with the actors. But, they are side-by-side with us as we make the journey, watching us, crying with us, laughing with us and even eating with us. Detachment is not an option. We join together in the continuous present.

This month’s pieces remind  us of these connections and touch on so many of the stages on which we act.

Priscilla Galasso speaks of her experience with theatre and its broad impact in her life. “Playing the muck of human behavior” as she says.

Charles W. Martin’s poetry talks passionately of life’s stage, reminding us that, yes, detachment is not an option.

Corina Ravenscraft gets to the root of why we should all spend time in “the seeing place.” It’s a broadside worth taking around when it comes time to fund arts in schools and communities.

Michael Watson recounts an early experience where his personal humiliation also reflected larger and deeper ones around him. He shows us how Playback Theatre is another powerful way to connect.

John Anstie recounts the life of his mother. In reading her story, I think on the many roles we are often forced to play and how we adopt certain personas to help us survive.

I feel that basic joy of theatre in Renee Espriu’s contribution. “The hills are alive…” means a little more to me now than it did before.

Jamie Dedes points us to theatrical entertainment with its golden moments and the theatre of life with it’s chaos and absurdity. [And, seriously, check out Fanny Brice’s physical comedy.]

John Sullivan’s four poems this month are, for me, intriguing and searching meditations on the self. They speak to who we are, the personas we have, the masks we wear, the music we sing. And, he’s allowed us to publish an excerpt from his new play, Hey Fritz, Looks Like You Lost It All Again in the Ghosting.

Naomi Baltuck’s discussion of Come From Away focuses right in on an essential aspect of our experiences both in life and in theatre. Specifically, I’m thinking about what it means to literally commune with strangers, whether it’s the characters in Come From Away or the audience who watches it.

Karen Fayeth shows how, no matter what size or shape the spectacle, there is something profound in the simplest of relationships. Say, between a boy and his horse. Because, whether we’re seeing animals at play or a play about animals we are moved.

In bringing together both her visual art and her poetry, Sonja Benskin Mesher has each explain the other. And, yet, each also enlarges the other and perhaps we see our own actions a little differently, too.

Of course, plays and poetics go hand-in-hand. Michael Dickel thoughtfully discusses how one arises from the other and the personal origins of both.

Paul Brookes’ poems read as very modern, but also touching on things quite old, such as shared rituals and the hypocrisy of actors (in the classical sense).

And, finally, there’s a last word from Denise Fletcher. I hope we’ve achieved a kind of success along the lines of what she describes.

Thank you to all who contributed this month and for letting me join the show. I’m having a wonderful time! I look forward to seeing where the story goes from here. And, to the last one who leaves the theatre, please turn on the ghost light.

Richard Lingua
Guest Editor

THEATRE

How to read this issue of THE BEZINE:

  • Click HERE to read the entire magazine by scrolling, or
  • You can read each piece individually by clicking the links below.
  • To learn more about our guests contributors, please link HERE.
  • To learn more about our core team members, please link HERE.

Photograph: Gargoyles as theatrical masks above a water basin. Mosaic, Roman artwork, 2nd century CE. The piece can be found at the Capitoline Museum in Rome, Palazzo dei Conservatori, first floor, hall of the Horti of Mæcenas. From the Baths of Decius on the Aventine Hill, Rome.

TABLE OF CONTENTS

Priscilla Galasso

Charles W. Martin

Corina Ravenscraft

Michael Watson

John Anstie

Renee Espriu

Jamie Dedes

John Sullivan

Naomi Baltuck

Karen Fayeth

Sonja Benskin Mesher

Michael Dickel

Paul Brookes

Denise Fletcher


Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator

CONNECT WITH US

The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

The BeZine, July 2017, Vol 3, Issue 10, Prison Culture, Restorative Justice

July 15, 2017

This month’s publication focuses on Restorative Justice. This is a topic that is dear to me. I am the Director of the Youth Chaplaincy Coalition. I have been working with incarcerated folks and those touched by incarceration since 2003. I have seen the ripples of harm that have come. There is harm to the victim, of course. But there is also harm to the person who committed the harmful act, harm to their families, and harm to the communities that encircle all of these people.

Restorative Justice is an en vogue term. Everyone wants it but we don’t know much about how to do it. Most of us look backwards at the ancient ways of first peoples such as the Māori people of New Zealand or the Tagish and Tlingit First Nation people of the Yukon. We lift their practices and bring it forward into a defined court case.

This somewhat misses the point.

The circling process that the first peoples used far pre-dates the term restorative justice. At the same time, restorative justice has become a term to be used by the justice system. And so we create another circling process that is set aside for the courts, jails, and prisons to use.

Circling or Peacemaking Circles, the process given to us by the ancients, is to be used everywhere and with anything: healing, sentencing, discernment. And it involves the entire community. The entire circle of ripples affected by an act. It is a big process. And that’s why we relegate it to the justice system.

Because if we don’t relegate it to the work of the justice system, that means we will have to change and do better. The first principle of the circle: You can only change yourself. As long as we make restorative justice the property of the courts, we don’t have to change. We don’t have to be more welcoming, giving, or inclusive. We don’t have to mentor, feed the hungry, clothe the naked. But I have news! Great news of good tidings! Restorative justice, Peacemaking Circles, is, as the ancients say, the wisdom of the universe. It belongs to no one person and is there for all for the healing and transformation—not of the world, but of each one of us.

This issue about Restorative Justice and new forays into restoration is explored by our core team and guest writers. Each brings their own wisdom to the topic.

Writing on aspects of justice and restorative justice are: Myself, James Cowles, and Chris Hoke. Justice oriented creative writers are Lisa Ashley, Carolyn O’Connell, Paul Brookes, Rob Cullen, Charles W. Martin, Marieta Maglas, Sonja Benskin Mesher, Paul Brookes, Jamie Dedes and a short stories by Joseph Hesch, Lisa Ashley and Rachel Barton. Gail Stone offers a video that speaks to her faith and hope in restorative justice. I have also offered a moderated discussion that I led regarding zero incarceration for youth. Denise Fletcher teaches us how to put together Comfort Kit Baskets for the incarcerated.

We hope this issue will give you pleasure even as it provokes you. Leave your likes and comments behind. As readers you are as import to the The BeZine project, values and goals as are our contributors. Your commentary is welcome and encourages our writers. As always, we offer the work of emerging, mid-career and polished pros, all talented and all with ideas and ideals worth reading and thinking about.

In the spirit of peace, love (respect) and community and on behalf of The Bardo Group Beguines,

Terri Stewart, Guest Editor

TABLE OF CONTENTS

How to read this issue of THE BEZINE:

  • Click HERE to read the entire magazine by scrolling, or
  • You can read each piece individually by clicking the links below.
  • To learn more about our guests contributors, please link HERE.

BeAttitudes

Do You Hear What I Hear?, Terri Stewart
Justice the New Old Way, Terri Stewart
Hearing Voice Underground, Chris Hoke
Refuge, Reconciliation, Recidivism, James R. Cowles
Of Pirates and Emperors, Jamie Dedes
Comfort Kits, Denise Fletcher

Videos

Hope and Faith in Restorative Justice, Gail Stone
Zero Incarceration for Youth, Terri Stewart

Music

Room at the Table, Terri Stewart

Short Stories

I Can Trust You, A True Story, Lisa Ashley
Walking Along the Edge, Rachel Barton
Comin’, Joseph Hesch

Poetry

A Child’s Touch, Lisa Ashley
Full Buck Moon, Lisa Ashley

(ANGERONA) Sunstead, Paul Brookes
Prisoner, Paul Brookes

The Boy in the Park, Rob Cullen

Oscar Wilde in Prison, Marieta Maglas

Restorative Justice for Sale, Charles W. Martin
before it began … , Charles W. Martin
teach a man to fish …, Charles W. Martin

#what more do you expect, Sonja Benskin Mesher
.verdict., Sonja Benskin Mesher

Confrontation, Carolyn O’Conner
Sacrificial Lambs, Carolyn O’Conner


Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator


CONNECT WITH US


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The BeZine, June 2017, Vol. 3, Issue 9


June 15, 2017

The environmental  challenges are complex, an understatement I know.

  • Big Ag pollutes our waterways and groundwater, air and soil. Some wetlands, rivers and their tributaries can no longer sustain life. Much pastureland is befouled with pesticides, animal waste, phosphates and nitrates and other toxic residue from unsustainable farming practices.
  • Sudan Relief Fund, World Food Program, Oxfam, Catholic Relief Fund, Buddhist Global Relief, the World Food Program and many other organizations are working to mitigate widespread  hunger, which is a problem of economic injustice as well as environmental degradation and environmental injustice.
  • Drought and resulting famine are devastating the Sudan, the West Upper Nile and Yemen.
  • In many areas of the world, access to potable water is sorely lacking.
  • Lack of access to clean water is exacerbated by a want of toilets for some 4.2 billion people, which has a  huge impact on public health.  The result of poor hygiene and sanitation is Dysentery, Typhoid, Cholera, Hepatitis A and death-dealing Diarrhea. More people die of diarrhea in Third World counties than of AIDs.

Our problems are pressing and complex and are made the more difficult as we struggle under a cloud of skepticism and division and the discouraging weight of a Doomsday Clock that was moved forward in January to two-and-a-half minutes to midnight in response to Trump’s election.  That’s the closest we’ve been to midnight since 1953.

Access to potable water may be the most pressing of our challenges.

“The world runs on water. Clean, reliable water supplies are vital for industry, agriculture, and energy production. Every community and ecosystem on Earth depends on water for sanitation, hygiene, and daily survival.

“Yet the world’s water systems face formidable threats. More than a billion people currently live in water-scarce regions, and as many as 3.5 billion could experience water scarcity by 2025. Increasing pollution degrades freshwater and coastal aquatic ecosystems. And climate change is poised to shift precipitation patterns and speed glacial melt, altering water supplies and intensifying floods and drought.”  World Resources Institute

The good news is that there are many working conscientiously to raise awareness and funds. Some of our readers and contributors are among them. There are good people offering time and expertise, sometimes putting their own lives and livelihoods  in danger.

This month our core team and guest writers have chosen to focus largely on water, but they also address the need to respect science (Naomi Baltuck) and the need to acknowledge that war is a danger to the environment in general as well as a cause of human hunger. (Michael Dickel). If the Syrian Civil War were to stop right this second, one wonders how long – how many years, perhaps decades – it would take to make that country’s land farmable again.

Michael Watson, Carolyn O’Connell and Joe Hesch touch their experiences of farms before industrial farming.  Priscilla Galasso, John Anstie, Paul Brooks, Marieta Maglas and Rob Cullen speak to us of water.  Corina Ravenscraft and Sonja Benskin Mesher remind us of the element of greed – as does John – and Sonja points to gratitude.  Enough is truly enough.  Charlie Martin’s poems are poignant, making us think about how sad it would be if we lost it all.  Liliana Negoi brings a quiet and practical appreciation of nature.  Phillip Stevens paints the earth in all her delicacy and need for tender husbandry.

Thanks to our core team members for stellar, thoughtful work as always: John Anstie, Michael Watson and Michael Dickel, Priscilla Galasso and Corina Ravenscraft, Charles Martin, Liliana Negoi, Naomi Baltuck and Joe Hesch.

Welcome back to Paul Brooks, Phillip Stephens and Sonja Benskin Mesher and a warm welcome to Marieta Maglas and Rob Cullen, new to our pages.

We hope this issue will give you pleasure even as it provokes you. Leave your likes and comments behind. As readers you are as import to the The BeZine project, values and goals as are our contributors. Your commentary is welcome and encourages our writers. As always, we offer the work of emerging, mid-career and polished pros, all talented and all with ideas and ideals worth reading and thinking about.

In the spirit of peace, love (respect) and community
and on behalf of The Bardo Group Beguines,
Jamie Dedes, Founding and Managing Editor

Photo credit: A Mongolian Gazelle, victim of drought, Gobi Desert 2009 courtesy of Mark Heard under CC BY 2.0


TABLE OF CONTENTS

How to read this issue of THE BEZINE:

  • Click HERE to read the entire magazine by scrolling (now includes this Intro), or
  • You can read each piece individually by clicking the links below.
  • To learn more about our guests contributors, please link HERE.

SPECIAL

Children call on world leaders to save the ocean, World Oceans Day

BeATTITUDES

Walking With Water, Rob Cullen
Water Wishes, Priscilla Galasso
Our Albatross Is Greed, But We’re Not Sunk Yet, Corina Ravenscraft
Close to My Heart, Michael Watson

 POEMS

Let the Rains Fall, John Anstie

The Value of Water, Paul Brookes
WET KILL, Paul Brookes
What Use Poetry When It Floods, Paul Brookes

Hybrid: Warm Hunger, Michael Dickel

Water, Ralph Waldo Emerson

Don’t Blink, Joseph Hesch

The Desert, Marieta Maglas

Postponed Awareness, Charles W. Martin
off course evolution, Charles W. Martin
death by committee, Charles W. Martin

#what more do you expect, Sonja Benskin Mesher

prints, Liliana Negoi
growth, Liliana Negoi
what remains after the tree, Liliana Negoi

Remember the Farm, Carolyn O’Connell

Guerilla Gardening, Phillip Stephens
Resurrection Restoration, Phillip Stephens

PHOTO/ESSAY

That Was Then, This Is Now, Naomi Baltuck

MORE LIGHT

For My Children, Rob Cullen


Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator


CONNECT WITH US


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Call to register and prepare for 100TPC global event & Last call for submissions to the June issue of “The BeZine”



Notice from founders Michael Rothenberg and Terri Carion ~

Dear Friends of 100 Thousand Poets for Change,

It is that time of year again when we begin to sign up organizers and events for the next Global 100 Thousand Poets for Change Day–September 30, 2017. Please let me know if you will be organizing in your town.

Also, as you know, 100 Thousand Poets for Change is a non-profit 501 (c) 3 and we need your donations to keep this movement going strong.

We would be grateful if you would take a moment to make a donation through Paypal at 100 Thousand Poets for Change Donation Link at http://100tpc.org/?page_id=14104 or send a check donation to 100 TPC, Box 2724, Tallahassee, FL 32304, USA.

We need your support so that we can continue to provide a global platform for poets and artists to speak about peace, justice, sustainability, and community.

Now more than ever! Show your support!

Sincerely,

Michael and Terri

100 Thousand Poets for Change

100TPC.org

The BeZine will host a 100,000 Poets for Change virtual event. Poets are welcome to contribute from anywhere in the world and we encourage disabled poets to participate, especially those who are homebound.  Michael Dickel (Meta / Phor(e) / Play) takes the lead.



Deadline for the June issue is tomorrow (June 10th) at midnight PST.

THE BeZINE submissions for the June 2017 issues (theme: Environmental Justice/Climate Change: Farming and Access to Water) should be in by June 10th latest.  Publication date is June 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions.

The theme for the July issue is Prison Culture, Restorative Justice. The deadline is July 10th at midnight PST. Terri Stewart (Beguine Again) takes the lead.

The BeZine, May 2017, Honesty & Transparency, The Post-truth (Post-factual Politices) Era

May 15, 2017

Due to technical problems, this issue didn’t get distributed to those who subscribe by email. J.D.


“In a time of deceit telling the truth is a revolutionary act.”
—George Orwell

This is an extraordinary time; a time when post-truth culture is thriving in Russia, China, America, Australia, Britian, India, Japan and Turkey. This political climate is founded and furthered by appeals to emotion and on conclusions based on ignorance of and resistance to hard science and well-documented history. A perhaps unprecedented level of bombast replaces common sense, honesty and sincere promise creating a climate that rests on disinformation, intimidation and divide-and-conquer as its primary weapons of control. This all combines to undermine rule of law, free speech and free media. We have administrations evolving in the spirit of Orwell’s 1984 where diplomacy and statesmanship have devolved into manipulative spins calculated to influence the gullible and solidify the power of would-be autharitarians.

With the mixed blessing of social networking citizens seem unable – or perhaps unwilling – to distinguish lies from truth and fact from fallacy. President Obama is described as “obsessed” with this problem (hyperreality) and the mixed ecosystem of professional journalism and social network reportage in which “everything is true and nothing is true.”

“In an age where there’s so much active misinformation, and it’s packaged very well, and it looks the same when you see it on a Facebook page or you turn on your television, where some over-zealousness on the part of a US official is equated with constant and severe repression elsewhere, if everything seems to be the same and no distinctions are made, then we won’t know what to protect…If we can’t discriminate between serious arguments and propaganda, then we have problems.”
—Barak Obama

We’ve decided this month to address the challenges that face our countries and the world. We’ve addressed these in essay and poetry, sometimes head-on and sometimes by a thread. Though perspectives and solutions may differ to some degree, there is clear agreement that the concerns are real as is the need to “resist.”

A last note: Thanks to Michael Dickel for further technical refinements to make this zine more accessible and readily readable. Thanks also to the members of our core team, to our guest contributors and to our readers for continued support, encouragement and the pleasures of our shared values.

In the spirit of peace, love and community
and on behalf of The Bardo Group Bequines,
—Jamie Dedes, Founding and Managing Editor

“Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. ”
― George Orwell

For this issue of The BeZine

  • Click HERE to read the entire magazine by scrolling (includes the intro above) and
  • To learn more about our guests contributors, please link HERE.

April 2017, Vol. 3, Issue 7, Celebrating interNational Poetry Month

April 15, 2017

Poetry Month means that we have arrived at

…the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain. (T. S. Eliot, The Wasteland)

One of the most famous poems “about” poetry, Marianne Moore‘s poem, “Poetry.” It famously begins with

I, too, dislike it: there are things that are important beyond
all this fiddle.

However, she goes on in the very next lines to say

Reading it, however, with a perfect contempt for it, one
discovers that there is in
it after all, a place for the genuine.

There is much that is genuine in this April issue of The BeZine, which celebrates Poetry Month globally with our celebration of interNational Poetry Month. We are proud to present a wide variety of poets and poetry from all over the world. We have 45 posts of poetry (many with more than one poem), an essay, and one short story. This issue of The BeZine is an anthology!

Over the years, questions of poetry’s health, suggestions of its “death,” and concerns over who, if anybody, might be reading it, continue to swirl around in various articles, essays, and round tables. While many of the debates one might encounter in this bubbling broth come from a perspective of poetry’s decline, it seems to me that the reasons that such questions arise come from two primary sources.

One is an anxiety about how society values what we do, as poets or readers of poetry. It seems that the writers from this vein often worry that, in fact, society does not value poetry—as recorded in statistics about readership or as suggested by some other perceived decline in attention to it. The other vein, in my view, is a more healthy concern with what poetry is and what we are doing when we “do” poetry (read, write, critique).

This past year, a lot of words spilled onto the screen and page regarding Bob Dylan receiving the Nobel Prize—is a song writer a poet? Of course, poetry comes from song, so a song writer is a poet. Is poetry still song, then, or has it gone “beyond”? These articles and essays seem to flow from both of the sources I’ve suggested: anxiety and reflection. If our modest zine is any indication, poetry thrives throughout the world.

While the anxieties and reflections continue—and they are not new, witness the 1919 date of Marianne Moore’s poem—poets continue to write, and readers continue to read. You are reading this, so you are evidence of readers who have an interest in poetry. Whether there are more or fewer readers in any year or decade might fluctuate, or the methods of measuring them might change. However, as there are poets, there are those who read poetry. And listen to it—as in spoken word and slam.

Billy Collins opens his essay, The Vehicle of Language, suggesting that a problem with the reception of poetry is how poetry is taught:

For any teacher of poetry with the slightest interest in reducing the often high-pitched level of student anxiety, one step would be to substitute for the nagging and ultimately pointless question, “What does this poem mean?” the more manageable question “Where does this poem go?” Tracking the ways a poem moves from beginning to end puts the emphasis on the poem’s tendency to travel imaginatively and thus to carry the reader in the vehicle of its language.

In principle, I agree that the emphasis should be on where poetry goes, how it plays with language—not on decoding “meaning.” The same approach could be applied to the concerns expressed about poetry. The concerns need not be about where poetry is as measured against expectations of its current quality, akin to the “meaning” anxiety of its teaching.

Although some express an anxiety about the “quality” of online poetry or spoken word or even “today’s” written word, we would do well to reflect instead on where poetry is going, for us as readers and writers—where we as writers of it want to go with our poetry, and where we as readers of it want poetry to go to be most satisfying.

Poetry invites us to take an imaginative journey: from the flatness of practical language into the rhythms and sound systems of poetic speech. (Billy Collins, The Vehicle of Language)

It is our hope that you will read the poetry here with an appreciation for poetry’s “place for the genuine,” and find satisfaction in the depth and breadth presented here. Whether or not you will have “a perfect contempt for it” as you read, we leave up to you…

Michael Dickel
Contributing Editor


TABLE OF CONTENTS

Celebrating interNational Poetry Month

To Read this issue of The BeZine

  • Click HERE to read the entire magazine by scrolling, or
  • You can read each piece individually by clicking the links below.
  • To learn more about our guests contributors, please link HERE.

Poetry

April Fool, Iulia Gherghei
Barricades and Beds, Aditi Angiras
The Burgundy Madonna, Patricia Leighton
Common Ground, Dorothy Long Parma
dancing toward infinity, Jamie Dedes
Don’t Let Fall Go – sonnet, Liliana Negoi
Donatella D’Angelo | unpublished poems 2016
Dreaming of Children, Renee Espiru
A few from the vaults …, Corina Ravenscraft
Four Poems by Reuben Woolley
Full Buck Moon and other poems by Lisa Ashley
gary lundy’s poetics | 5 prose poems
A geography of memories | Reshmi Dutt-Ballerstadt
Grandmother, Dorothy Long Parma
having found a stone in my shoe …, Charles W Martin
healing hands …, Charles W Martin
Kali, Gayle Walters Rose
Kinga Fabó | 3 Hungarian Poems in Translation
Lead Boots, David Ratcliffe
levels, Liliana Negoi
luke 10:25-37…, Charles W Martin
Melissa Houghton | 3 Poems
Michael Rothenberg and Mitko Gogov
Ms. Weary’s Blues, Jamie Dedes
not with a bang but a whimper, three poems, Jamie Dedes,
One of My Tomorrows, John Anstie
patriarichal wounds…, Charles W Martin
Poetry and Prayer, Phillip T Stephens
PTSD Children, Charles W Martin
Rachel Heimowitz | Three Poems from Israel
the red coat, Sonja Benskin Mesher
Science Fiction, Phillip T. Stephens
Socks | Michael Dickel
Spring in my Sundays, Iulia Gherghei
Standing Post: Trees in Practice, Gayle Walters Rose
Teaching Poetry | Michael Dickel
Terri Muuss | and the word was
The Marks Remain, David Ratcliffe
Three Poems by Paul Brookes
Three Poems by Phillip Larrea
Three Poems from Albanian | Faruk Buzhala
To Our Broken Sandals, Mendes Biondo
To the Frog at the Door, Jamie Dedes
Two Poems by Denise Fletcher
Valérie Déus | 3 Poems

BeAttitude

Look Upon My Works, Ye Mighty, Naomi Baltuck

Short Story

Whispers on an April Morning Breeze, Joseph Hesch


Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator


CONNECT WITH US


Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

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March 2017, Vol.3, Issue 6, Science in Culture, Politics and Religion

March 15, 2017

The title of David Cooper’s book on Kabbalah invites us to re-think the Creator as Creating: God is a Verb. While I don’t want to equate science to God in a religious sense, I want to borrow this re-conception. Science is creative, creating, if you will, knowledge of the world. Science is a verb.

Too often we get tied down to a concept of science as about facts. However, as Thomas Kuhn describes it in The Structures of Scientific Revolutions, science is a process (hence, verb). The process involves a method (the scientific method), observation, repeated results, and, if repeated results are consistent, an assertion that a hypothesis is likely to be true. However, Kuhn explains that it is also a sociological process where the method and affirmed hypotheses lead to paradigmatic beliefs—models that predict reasonably well future observations.

The paradigms are not easily changed—the paradigm of Newtonian Mechanics, which work very well in most real-world situations, did not easily yield to Relativity and Quantum Mechanics even as Newtonian physics accumulated observations it couldn’t explain while quantum physics explained more and more. As a model for most human activities on Earth, though, Newton’s model still works. It’s when boring down to atomic particles or moving out into massive astronomical systems, or specific cases like black holes and light itself, that we need Quantum Mechanics.

The different (and often competing) models—also known as theories—are products of science, the verb. The scientific process refines, overturns, explores new models. Science, at its best, produces closer and closer approximations of the actual universe it models. This is different from a belief in an unwavering truth or an ideology—in part, because it relies on observation and corrections if observations do not show what the model predicts. And second, because science does not make truth statements but, rather, probability statements. Sometimes, the probability approaches 100%, sometimes only 95%.

The flexibility that comes from self-correction unfortunately also provides ammunition for “science deniers,” such as those who deny climate change. As science is a process and models do change, as models are based on predictive ability and that ability is not 100% even in the best cases, those whose ideology or greed get in the way of accepting the predictions (even the very strongly likely ones) often claim the whole model is “unreliable,” or point to earlier results that required corrections to the model in order to discredit the whole theory. Yet, those who object do not offer an alternative model that does stand up to the process of scrutiny, repeated results, and reliable prediction of future events. They often offer no alternative at all.

At its outer theoretical spheres, the science verb sometimes takes us to conversations that sound like mysticism—as do some of aspects of that mysterious energy, light. Humans have a long cultural (and religious) history with light. Arthur Zajonc’s book Catching the Light: The Entwined History of Light and Mind provides a wide ranging cultural and inter-cultural exploration of human understanding of light through history. In the end, Zajonc re-connects current quantum physics concepts with those from ancient myths as accurate metaphors (or analogies). Zajonc, a professor of physics at Amherst (now retired), has studied culture, mind and spirit in relation to physics from his perspective as a physic working in quantum optics (for example: The New Physics and Cosmology: Dialogues with the Dalai Lama, one of his better known books).

In a very real sense, the verb science interacts with arts and culture. It is an active process of human society, a developed methodology for producing close observations and repeatable results to help us build models that predict future results under different conditions. It is not a series of facts, but rather a system of understanding and predicting creation. In this way, it actively creates the world, literally as we know it. And it has influence culture. Certain newly (re)discovered understandings from mathematics helped European artists develop perspective in painting. A recent example, Chaos Theory, with its fractals and butterfly effect, has influenced art, music, and literature, and not just with science fiction movies.

In this issue, we celebrate, explore, and raise questions involving science, culture, politics, and religion. John Anstie and I both contribute poems that have sub-atomic particles at their centers, but are not (only or even mostly) about them. Naomi Baltuck explores Galileo through the Musee Galileo, in another one of her marvelous photo-essays. An sampling of snippets from science take us through Science in culture, politics and religion”  in Corina Ravenscraft’s exploration of connections. In “A Life,” Michael Watson gives a highly personal account of his own encounters and loves with different ways of understanding — or knowing — embodied in the theme’s elements of science, culture, religion, and politics. Current politics seem to attack the different approaches each has to offer. Phillip T. Stevens begins with Chaos Theory and moves into myths, the myths of myths, as it happens. Hearts, Minds, and Souls, by John Anstie, considers the theme from a socio-political framework, considering societies need to control as one of many elements in shaping science, culture, and religion through politics.

The issue has much more to offer— fiction by Joseph Hesch and lots of poetry by Jamie Dedes, Renée Espiru, Priscilla Galasso, Terri Muuss, and Phillip T. Stevens. The more light section has three more poems that are not directly related to this month’s theme, but we wanted to share with our readers at this time.

Michael Dickel
Associate Editor


“It is frequently the tragedy of the great artist, as it is of the great scientist, that he frightens the ordinary man.” Loren Eiseley (1907 – 1977), American anthropologist, educator, philosopher, and natural science writer

This issue of The BeZine is dedicated to scientists the world over, especially those who are conscientiously fighting to preserve this earth, its people, and scientific integrity. Throughout history scientists have met with the same skepticism they face in some quarters today. They were sometimes misunderstood and crudely punished. Alan Turing comes to mind first, cruelly treated after being of enormous service to his country.

I think of  Rhazes (865-925), a forward-looking medical scientist who wrote a compendium of all that was known about medicine in his time.  He was beaten over the head with his book, went blind and was unable to continue his work. Galileo’s (1564-1642) insight and honesty was labeled heresy. Albert Einstein’s (1879-1955) books were burned. Henry Oldenburg (1619-1677) was suspected of spying when he sought to acquire and publish worthy works by people outside his own country.

The tensions between ignorance and cognoscence continue today. So much so that in my country scientists are planning an Earth Day march on Washington to protest the current regime’s dismantling of climate protections. Members of many scientific and research groups are scrambling to archive government data they believe could be in jeopardy under this new regime.

Many thanks this month to Michael Dickel for having my back on this issue and for his distinguished contributions. Thanks also to all our supporters – especially Terri Stewart, Charlie Martin, Chrysty Darby Hendrick, Ruth Jewel, Lana Phillips, Sharon Frye, Silva Merjanian, M. Zane McCllelan and Inger Morgan and to this month’s contributors (not in any particular order) Priscilla Galasso, Corina Ravenscraft, Joe Hesch, Michael Watson, Naomi Baltuck,  John Anstie, James R. Cowles, Terri Muuss and Pat Leighton. All are valued as we pursue this small effort in the name of peace and understanding.

New to our pages this month is Phillip T. Stevens. Phillip tells me he spent most of the eighties and nineties as a community and arts activist. To pay his bills he taught writing and visual design to community college students and at-risk youth for the Texas Youth Commission. He published four novels, two volumes of poetry and academic papers (including a series of articles on the role of metaphoric thinking in the development of scientific theory and religious belief for the International Journal of Religion and Spirituality in Society). Phillip lives with his wife Carol in Oak Hill, Texas, where they rescue abandoned cats for Austin Siamese Rescue.

And here we are. Thanks to the efforts of many, we leave the March issue in your hands. Enjoy and …

Be inspired. Be creative. Be peace. Be …

On behalf of the Bardo Group Beguines
and in the spirit of love and community,
Jamie Dedes, Managing Editor


TABLE OF CONTENTS

Science in Culture, Politics and Religion

To Read this issue of The BeZine

  • Click HERE to read the entire magazine by scrolling. (I place it in  backwards though, so you’ll be starting at the end and moving forward.  Sorry about that.  Just getting this down. J.D.), or
  • You can read each piece individually by clicking the links the below.

BeAttitudes

The Speed of Light Poem, Michael Dickel

Unreality, John Anstie

Lead Features

That Was Then, This Is Now, Naomi Baltuck
Some Scientific Snippets, Corina Ravenscraft
A Life, Michael Watson
Still Phoning ET, James R. Cowles
Myths of Eden and Science, Phillip T. Stevens

Hearts, Minds and Souls, John Anstie

Fiction

Shills Like White Elephants,  Joseph Hesch

Poetry

The Return of Primordial Night, Jamie Dedes
Butterfly Effect, Michael Dickel
The Road Leads Away and Back, Renee Espiru
Brain Tools, Priscilla Galasso
Landscape with rice, Patricia Leighton
and the word was, Terri Muuss
Two Excerpts from “Poems, Parables and Prayers”, Phillip T. Stevens

More Light

Once Upon a Sea Green Day, Jamie Dedes
Purim Fibonacci, Michael Dickel
How Can It Be, Ann Emerson
What I Can Say, Terri Muss
Spread of Fear, Carolyn O’Connell


CONNECT WITH US

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

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The BeZine, Vol. 3, Issue 5, February 2017, Overcoming Hate

think how wonderful when all the registries are
…..thrown out with the trash
so that the children of the poor come out ahead
some half-pint future president
on the street the man who stopped you with his
…..pockets inside out
is loading you with fruits & sweets is kissing you
a hero who can send a message into every little head
…..the thought of some enchanted evening
the reciprocal tyranny of fathers & of sons is over
& the need or love grows always stronger makes the
…..master builder stretch the promenades into the
…..farthest outskirts
which is freedom yes & which is love

excerpt from Tyranny or Love by Vítêzlav Nezval in Atilyrik & Other Poems

Love can be a kind of tyranny but hate tyrannizes the hated and the hateful and everyone around them. My godmother used to say that it is harder to hold onto hate than to let go in love.  How do we overcome the hate in ourselves?

Michael Dickel comes to the subject by exploring the biblical story of Yaakov (Jacob) wrestling with himself and God.

“To overcome hate, we must wrestle with our own soul (tendencies toward harsh judgments, anger, hate—that is, wrestle with our own fears and demons) and with God …” Michael Dickel

Naomi explores all the “H” words, some positive and some not so much, including hate and arriving at like-Hearted. She gives us balance. Corina Ravenscraft explores how hate manifests and Priscilla Galasso comes to it from the position of personal growth. She says:

“The more I work with my own feelings and come to understand myself, the more I can begin to understand others. When I see someone who is angry and hateful, I understand that he is suffering.”

The times are challenging us to explore our emotions and how we react to the encroachment by some elements into the domain of compassion, freedom and justice. We see this expressed in Mark Heathcote’s poem, which reminds us that strong emotion needs fuel, and in Michael Dickel’s Hate Is Not the Opposite of Love and my own Time for the Temple Whores To Sleep With Insanity.

“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.”  Elie Wiesel

The core issues it turns out are indifference and fear. George Orwell reminds us of what we have to fear if we are not vigilant and proactive. The Rev. Dr. Martin Luther King reminds us that “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out fear: only love can do that.”  Love is freedom, the absence of tyranny, and the more we love, the more we are able to love.

In the spirit of Peace, Love and Community
and on behalf of The Bardo Group Beguines,
Jamie Dedes
Managing Editor


To read this issue of TheBeZine

  • Click HERE to scroll through and read the entire magazine.
  • Or, you can read each piece individually by clicking the links in the Table of Contents below.  Enjoy!

Table of Contents

BeAttitude

“The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.” George Orwell, 1984

The Animals Are Running the Farm, Jamie Dedes

Overcoming Hate

Lead Features

Your Attention, Please, Corina Ravenscraft
The “H” Word, Naomi Baltuck
Transcending Anger, Power and Fear, Priscilla Galasso
Hate Is Not the Opposite of Love, Michael Dickel

Poetry

Silencing the Lambs, John Anstie
Time for the Temple Whores to Sleep with Insanity, Jamie Dedes
Wrestling with God, two poems, Michael Dickel
Five Glosses from Imaginary Exegesis, Michael Dickel
Deconstruction, Michael Dickel
Flying without dice, Michael Dickel
I remember dreaming, Michael Dickel
Hate, it is a termite mound, Mark Heathcote

– End – 

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