MLK’s Legacy … in his footsteps

2016015699419aee083by Rev. Ben Meyers, Unitarian Universalists of San Mateo (UUSM), CA

This past Saturday (January 16), in the North Central Neighborhood of San Mateo, the children in the county school system gathered at the Martin Luther King, Jr. Community Center to listen and support the poets, essayists, and artists who participated in this year’s (the 31st annual) event. Afterward, everyone was invited to gather at UUSM, to celebrate the children and to honor Martin Luther King, Jr. and his legacy with activities, music and buffet.

In most communities across the country, the practice of inviting school-age children to ponder King’s legacy and its impact on the American culture and society is fast becoming a standard practice and tradition. This year’s MLK contest topic encourages an exploration of other leaders who were influenced by King’s message of hope, unity, enfranchisement, and peace. It is right that the “next” generation engage in the continuance of King’s impact because we live in a time when those ideas are daily challenged by continued despair, disparity, and violence. We can yet ask, “Where do we go from here?”

FullSizeRender-1As we celebrate Martin Luther King, Jr.’s birth today, let this be a time when, along with paying our respects to the memory of King’s life and his historic legacy, we raise our consciences from our “moments of comfort and convenience” and ask ourselves in ways never before, “Where are we standing among the current challenges and controversies that yet plague our communities, thwarting our dreams of equality and shredding the network of mutuality of which Dr. King spoke so eloquently?” It is time to know where, or even if, we stand for justice and equity and peace.

If we do not like the answer to our inquiry, let us have the courage and the audacity to move ourselves from our comfort and complacency to a place more inconveniently situated, and stand tall.

© Rev. Ben Meyers, all rights reserved

Happy New Year, Part II – Assembling now, The Conscious Army . . .

Peace will prevail because of people just like you. Maybe not this year or the next but ultimately. Amen!

The Collapse of the Towers

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O God! O God! that it were possible
To undo things done; to call back yesterday
That Time could turn up his swift sandy glass,
To untell the days, and to redeem these hours.

— Thomas Heywood (1574?-1641), A Woman Killed with Kindness (Act 4, Sc. 6)

Photograph courtesy of Wally Gobetz under CC BY 2.0 license.

Sabbath and Syria

by Terri Stewart (Beguine Again)

“Faith is not the clinging to a shrine but an endless pilgrimage of the heart.”
~Rabbi Abraham Joshua Heschel

Trevor Hudson, in his book A Mile in My Shoes, describes living daily life as living daily pilgrimage into the suffering of others. Life as a daily pilgrimage includes:

  • Being present,
  • Listening, and
  • Noticing

I was thinking of this as I was pondering the great tragedy that is taking place in Syria. Bodies are washing up on the shores of the Mediterranean of little children and families fleeing. It is simply horrifying. An excellent explanation of what is happening is here.

About 6 years ago, when I first started working at the juvenile detention center, I was playing cards with some boys in the detention center. As we played games, the boys were sharing their stories. One of the boys happened to be from Syria. He left Syria and moved to the states after seeing his parents murdered in front of him. He came here to live with his auntie. He could barely read or write. He was in detention for violent behavior. Imagine that. He had anger issues. I thought it was horrifying then. It seems it just keeps on getting worse.

Trevor Hudson would have us travel into the suffering as a pilgrim, not as a voyeur or as a consumer, but as a sacred journey. Being present to pain. Listening to their stories without imposing outside values. And noticing. Noticing who they are. Sometimes that is the most sacred gift of all. I think on that day years ago, for that young man from Syria, that is what he longed for. Simply to be noticed.

Maybe this Sabbath day we can take a moment and be present to those who suffer near us. Take a pilgrimage with them–a sacred journey into the heart.

Shalom,

terri

pilgrimage of the heart

100,000 TPC 2015, Event Posters from Around the World

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As of this writing, there are well over 500 events scheduled around the world. To find an event near you or to register an event that you are organizing go to 100TPC.

Our own (Beguine Again and The Bardo Group) virtual event is scheduled to be held here at The BeZine blog on 26 September 2015. You are invited to join us by linking in your relevant work on poverty  (our theme this year) through Mr. Linky (directions will be included in the post that day) or simply by adding your link or your work in the comments.  You retain your own copyright.  All the links and works will be collected and posted in a Page at The BeZine and also archived at 100TPC.  Think about and prepare something you’d like to share so you can have your say and feature your own work.

To “meet” our host for that event, American-Israeli Poet Michael Dickel, link HERE.

To “meet” the founders of 100TPC, link HERE.

100,000 Poets (and other artisits and friends) for Change, 2015: over 500 events scheduled around the globe

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These are busy days for Michael Rothenberg and Terri Carrion who founded 100,000 Poets for Change.  Michael announced yesterday that 500 events are now scheduled for September 26, 2015, the fifth anniversary of this global initiative for change; that is, for peace and sustainability.

For those who are just catching up with us100 Thousand Poets for Change, or 100TPC, is an international grassroots educational organization focusing on the arts, especially poetry, music, and the literary arts. It was founded in 2011 by Michael Rothenberg and Terri Carrion and is centered on a world-wide event each September. This past June the first World Conference on 100TPC was held in Salerno, Italy.

There are also several offshoots cropping up: 100,000 Photographers for Change, 100,000 Drummers for Change … and so on. A little searching on Facebook and you’ll find them, though the umbrella for all,  100TPC, does include a range of artistic specialties and friends of the arts and is not limited to poets and poetry.

We – that is The Bardo Group and Beguine Again, publishers of The BeZine are hosting a virtual event and you are all invited to attend and add links to your own relevent work.  The links will be collected and published in a Page on The BeZine site and also archived at 100TPC. Michael Dickel (Fragments of Michael Dickel) of The Bardo Group is the lead for this event. Michael is also the organizer of an event scheduled in Israel this October.  You can contact him via his blog or message him on Facebook if you have an interest in participating there.

Meanwhile, here is an introduction to the visionary founders of 100TPC, Michael Rothenberg and Terri Carrion:

MICHAEL ROTHENBERG was born in Miami Beach, Florida in 1951, and has been living in the San Francisco Bay Area for the past 37 years. Currently Michael is living and creating among the redwoods.

Michael is co-founder of Shelldance Orchid Gardens in Pacifica, which is dedicated to the cultivation of orchids and bromeliads. He is a poet, painter, songwriter, and editor of Big Bridge Press and Big Bridge, a webzine of poetry and everything else.

In 2011 he and Terri Carrion co-founded the global poetry movement 100 Thousand Poets for Change. His songs have appeared in Hollywood Pictures’ Shadowhunter and Black Day, Blue Night, and most recently, TriStar Pictures’ Outside Ozona. Other songs have been recorded on CDs including: Bob Malone’s The Darkest Part of The Night (Caught Up in Christmas) and Bob Malone (Raydaddy’s Blues), Difficult Woman by Renee Geyer, Global Blues Deficit by Cody Palance, The Woodys by The Woodys, and Schell Game by Johnny Lee Schell.

Michael’s poetry books and broadsides are archived at the University of Francisco, and are held in the Special Collection libraries of Brown University, Claremont Colleges, University of Kansas, the New York Public Library, UC-Berkeley, UC-Davis, and UC-Santa Cruz.

His most recent collection of poems is Indefinite Detention: A Dog Story (Ekstasis Editions 2013) and Murder (Paper Press, 2013) My Youth As A Train published by Foothills Publishing in September 2010.

TERRI CARRION was conceived in Venezuela and born in New York to a Galician mother and Cuban father. She grew up in Los Angeles where she spent her youth skateboarding and slam-dancing.

Terri Carrion earned her MFA at Florida International University in Miami, where she taught Freshman English and Creative Writing, edited and designed the graduate literary magazine Gulfstream, taught poetry to High School docents at the Museum of Contemporary Art in North Miami and started a reading series at the local Luna Star Café. In her final semester at FIU, she was Program Director for the Study Abroad Program, Creative Writing in Dublin, Ireland.

Her poetry, fiction, non-fiction and photography has been published in many print magazines as well as online, including The Cream City Review, Hanging Loose, Pearl, Penumbra, Exquisite Corpse, Mangrove, Kick Ass Review, Jack, Mipoesia, Dead Drunk Dublin, and Physik Garden among others.

Her collaborative poem with Michael Rothenberg, Cartographic Anomaly was published in the anthology, Saints of Hysteria, A Half-Century of Collaborative American Poetry and her chapbook Lazy Tongue was published by D Press in the summer of 2007.

Terri’s most recent projects includes collaborating on a trilingual Galician Anthology, (from Galician to Spanish to English) and co-editing an online selection of the bi-lingual anthology of Venezuelan women writers, Profiles of Night, both to appear in late August, on BigBridge.org., for which she is assistant editor and art designer. Currently, she is learning how to play the accordion. Terri Carrion lives under the redwoods and above the Russian River in Guerneville, Ca. with her partner in crime Michael Rothenberg, and her dogs Chiqui and Ziggy.

The Poet as Witness: “War Surrounds Us,” an interview with American-Israeli Poet, Michael Dickel

Editors note: The theme for our September issue is poverty. It is part of our 100,000 Poets (and other artists and friends) for Change event (change being peace and sustainability) to be held here as a virtual event on 26 September 2015. Michael Dickel takes the lead on this project and the September issue. Here’s an opportunity to get to know him better. Michael’s vision: “… hope must/ still remain with those who cross/ borders, ignore false lines and divisions/” is consistent with the mission of Bequine Again and The Bardo Group, publishers of The BeZine.  The September issue will post on the 15th. J.D.

5182N5cYeEL._SX355_BO1,204,203,200_“That some of those labelled as enemies
have crossed the lines to offer condolences
at the mourning tents; that the mourning
families spoke to each other as parents
and cried on each others’ shoulders;
that we cried for the children who died
on both sides of the divide; that the
war began anyway; that hope must
still remain with those who cross
borders, ignore false lines and divisions;
that children should be allowed to live;
that we must cry for all children who die”

– Michael Dickel, (Mosquitos) War Surrounds Us

Jerusalem, Summer 2014: Michael Dickel and his family including Moshe (3 years) and Naomi (1 year) hear the air raid sirens, find safety in shelters, and don’t find relief during vacation travels.  In a country smaller than New Jersey, there is no escaping the grumbling wars that encircle. So Michael did what writers and poets do. He bore witness. He picked up his pen and recorded thoughts, feelings, sounds, fears, colors, events and concerns in poetry. The result is his third collection of poems, a chapbook, War Surrounds Us.

While some use poetry to galvanize war, Michael’s poetry is a cry for peace. He watched the provocations between Israel and Hamas that resulted in war in 2014 and he illustrates the insanity.

            And the retaliation
Continues, reptilian and cold,
retaliation the perpetrator
of all massacres.

Though the poems change their pacing and structure, they present a cohesive logical and emotional flow, one that takes you blood and bone into the heart of Michael’s experience as a human being, a poet, a Jew, a father and husband. He touches the humanity in all of us with his record of the tension between summer outings and death tolls, life as usual and the omnipresence of war.  Both thumbs up on this one. Bravo, Michael.

– Jamie Dedes

Poems from War Surrounds Us:
Again
Musical Meditations
The Roses

TLV1 Interview and Poetry Reading

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MY INTERVIEW WITH MICHAEL DICKEL:

Jamie: Putting together a poetry collection and ordering the work in a way that enhances the meaning and clarity of poems included is not easy. One of the first things to strike me about the collection as a whole is how it flows, so well in fact that it reads almost like one long poem. I found that quality contributed to the work’s readability. How did you work out the order? Was it consciously ordered or did it arise organically out of the experience of the war?

Michael: I’m very gratified that you noticed this about my book. I hadn’t thought of it quite in that sense, of being one poem, but I like that it reads that way. The sense of a book holding together, a collection of poems having some coherence, is important to me. I don’t think my first book achieved this very well, although it has some flow poem to poem. The whole is not focused, though. My second book has a sense of motion and narrative, from the Midwest where I grew up to arriving and living in Israel, and now being part of the Mid-East. However, War Surrounds Us, my third book, finally has a sense of focus that the other two did not.

Unfortunately, I probably can’t take too much credit for that coherence. Even more unfortunate, a real war raged in Gaza, with rockets also hitting the Jerusalem area, not that far from where I live. As we know now, thousands died, most apparently civilians, many children. Just across the border to the Northeast, diagonally opposite of Gaza, a much larger scale conflict burned and still burns through Syria—with even larger death tolls and even more atrocities over a longer time. These wars had, and still have, a huge impact on me and my family.

During last summer, the summer of 2014, this reality of war surrounding us had all of my attention. And it came out in my writing as obsession with the war, my family, the dissonance between living everyday life and the reality of death and destruction a missile’s throw away. So the topic filled my poems those months, as it did my thoughts. And the poems emerged as events unfolded over time, so a sort of narrative wove into them—not a plot, mind you, not exactly, anyway.

This gives a chronological structure to the book. However, not all of the poems appear in the order I wrote them. I did move some around, seeing connections in a theme or image—if it did not jar the sense of the underlying chronology of the war. Some of the events in our life could move around, and I did move some poems to places where I thought they fit better. I also revised the poems, reading from beginning to end several times, trying to smooth out the flow. A few of the poems I actually wrote or started before this phase of the ongoing conflict broke out—but where they also fit into a pattern, I included them. In the end, I moved and revised intuitively, following my own sense of flow and connection. I’m glad that it seems to have worked for you, as a reader, too.

Jamie: What is the place of the poet and poetry in war? Can poetry, art and literature move us to peace? How and why?

Michael: This is a difficult question. Historically, one place of poets was to call the soldiers to war, to rile them up and denounce the enemy. There is a famous poem from the Hebrew Scriptures. Balaam is called by Balak to curse Jacob and his army. The story sets a talking donkey who sees an angel with a sword and other obstacles in his way, but long story short, he arrives and raises his voice. He is the poet who is supposed to curse the enemy. Instead, he begins, “How beautiful your tents, O Jacob…” and recites a poem that is now part of the Jewish liturgy. This is not necessarily a peace poem, but it shows words and their power to curse of bless. I think the place of the poet is to bless and, rather than curse, to witness with clear sight.

There is a long history of poet as witness and observer. Czeslaw Milosz in The Witness of Poetry and Carolyn Forché, following him, in her books Against Forgetting: Twentieth Century Poetry of Witness and Poetry of Witness, which goes back to the 16th Century, argue that the poet’s role is to observe and bear witness to the world—to the darkness, the atrocities, genocide, war… Forché quotes Bertolt Brecht: “In these dark times, will there also be singing? / Yes, there will be singing. / About the dark times.” I think that is what we do as poets. That’s what I hope that War Surrounds Us does at its best, albeit as much a witnessing of my own family and context as of the Other. Then, as feminist theory has taught me, the personal is political, the political personal.

A1oKsOxRrJL._UY200_Can art and literature move us to peace? I don’t know. I hope it can move us to see more clearly, to feel more acutely, and to embrace our humanity and the humanity of others. Perhaps that will move us toward peace. There is so much to do, and it is as the rabbinic wisdom says about healing creation: it may not be ours to see the work completed, but that does not free us from the responsibility to do the work. As poets, we make a contribution. I hope the songs about the dark times will also be blessings for us all.

Jamie: Tell us about your life as a poet. When did you start and how did you pursue the path? How do you carve out time for it in a life that includes work, children and community responsibilities. You live on a kibbutz, I think.

Michael: Well, starting at the end, no, I don’t live on a kibbutz, I live in Jerusalem (the pre-1967 side of the Green Line). I do teach English at a college that was started by the Kibbutz Movement as a teacher’s college in the 1960s, now Kibbutzim College of Education, Arts and Technology. That appears in my email signature and confuses some people outside of Israel, who think I teach as part of living at a kibbutz. I’m actually more like adjunct faculty, but no one at the college works directly for a kibbutz as far as I know, and the college is open to anybody who qualifies.

While I only have a short day, from when the kids of my current family go to pre-school until I pick them up, I also usually only teach part-time. Some semesters I teach full-time or even more, but usually not. And, many of my courses in the past couple of years have been online, meeting only a few times during the semester. This helps.

My wife works full-time in high tech, which allows us to survive on my irregular, adjunct pay. She also has some flexibility, which allows her to usually be free to pick up the kids as needed around my teaching schedule, and we have on occasion hired someone to help with the kids so I could teach, not so much for my writing. But that has allowed writing time on other days.

Mostly, I write during those few hours when the kids are at pre-school, after the kids have gone to bed, or even later, after my wife has also gone to bed. If I’m working on a deadline or a large project, such as some of the freelance work I do for film production companies, I write after my wife gets home from work even if the kids are still awake. Usually, though, I write when I find time, and I find time when I don’t have other obligations.

Perhaps of relevance to this book, the writing took over. I was late in getting papers back to students and delayed other obligations and deadlines, even canceling a couple of other projects—although it was not just the writing, but the whole experience of the war, dealing with it and wanting to be very present with my children. As the poems relate, we went to the Galilee, in the North, for a month, a vacation we have taken before. Last summer, though, it had extra urgency because of the war. Unfortunately, during an outing picking apples in the Golan Heights, we heard artillery across the border in Syria, and that’s when I wrote the title poem of the book, “War Surrounds Us.”

The summer before, on that same month-long getaway, I wrote a lot of flash fiction, which makes up most of my next book, which should come out by the end of the year. I wrote during both summers when the kids were napping or after their bedtime, mostly. The place we stay in, a friend’s house (he travels every summer), has a lovely courtyard, and after the children went to bed, Aviva and I would sit out in it, usually with a glass of wine. She would read or work online and I would write on my laptop into the night. It was lovely and romantic.

I have to say that I almost don’t remember a time when I didn’t write poetry or stories. I recall trying to stop on a few occasions, either to work in some other aspect of my life, or when I did a different kind of writing, such as for my dissertation (which devolved into creative writing for more than half of it). But really, going back into my early years, I wrote stories or poems of some sort—influenced I suppose by A. A. Milne, Sol Silverstein, Kenneth Grahame and, later, Mark Twain and even Shakespeare. I had books of Roman and Greek myths, the Lambs’ bowdlerized Shakespeare for children, and some Arthurian tales as a child, not to mention shelves of Golden Books. Later, I read Madeleine L’Engle and a lot of science fiction. And everything I read made me also want to write.

I owe the earliest of my poems that I can remember to exercises from grade school teachers, one in 3rd grade, maybe 4th, the other in 6th grade. However, I’m sure that I wrote stories and possibly “poems” earlier. My first sense that I could become a poet arrived via a junior high school teacher, who encouraged me to submit some poetry to a school contest. I tied for first place.

So, I started writing forever ago. By the time of the junior high contest, I had read e e cummings, Emily Dickinson, some Whitman. By 9th grade, I discovered the Beats through a recording of Ginsberg reading “Kaddish” and other poems. Hearing him read the poems, then reading them myself, changed everything.

Alongside this development, one of my brothers brought Dylan records home that I listened to. All three of my brothers, with my parents’ tacit approval, played folk music and protest music in the form of songs of Woody Guthrie; The Weavers; Joan Baez; Peter, Paul and Mary; in addition to Dylan. These influenced both my writing and my world view. The same year that I came across Ginsberg’s work, I was involved in anti-war activity in my high school. That spring, four students were shot at Kent State. In another way, that changed everything, too.

Writing, activism, and politics, for me have always been interwoven. I also heard that year about “The Woman’s Movement,” which today we call Feminism. Later, much later, I would read and take to heart the idea of the personal being political, the body being political. I think my poems, even the most personal, always have a political and theoretical lens. And the most philosophical or political or theoretical, also have a personal lens. I don’t think that we can help but do that, but I try to be aware of the various lenses, of using their different foci deliberately as part of my craft. I’m not sure that is the current trend, and much of my work doesn’t fit well in spoken word or slam settings (some of it fits). However, this is my poetry and poetics—and they arise from a specific cultural context, the complexity of which I could not begin to convey in less than a lifetime of writing.

My development from those awakening moments looked like this: I read. I wrote. I shared my work with other people who wrote. Sometimes I talked with others about writing. My first degree in college was in psychology, not English, because I naively thought that psych would help me understand the human condition and that English would “ruin” – suppress – my writing voice. However, I took a lot of literature courses and my study abroad term focused entirely on literature.

After college, I had a career as a counselor working with runaways, with street teens, with children undergoing in-patient psych evaluations, and in a crisis intervention and suicide prevention center—a career that taught me a lot about politics, gender, race, and justice. I continued to write, often about some of the most disturbing realities that I encountered, but not well.

I had been out of college nearly a decade when I took some courses in creative writing at the University of Minnesota, at the suggestion of some friends in a writing group who had also taken some. One of the professors encouraged me to apply to the Creative Writing Program, where I was accepted. The acceptance was a poignant moment—I was out of state at my father’s burial. My now ex-wife remained back with our then 2 year-old daughter. She saw the letter in the mail, so called and read it to me. It was also my 32nd birthday. So many emotions all at the same time. Mostly, I remember wishing I could have told my father—from when he first heard that I’d applied, every phone call we had included his asking if I had heard yet if I had been accepted. It was the most direct way he had of saying he was proud.

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Jamie: Tell us a little about 100,000 Poets for Change (100TPC) in Israel and how people can get in touch with you if they want to participate this year. Are you able to manage a mix of Arabs and Jews?

Michael: The thing about 100TPC is that it’s pretty loose, as an organization, and very anarchic in governance. Which is to say, I’m not sure there is something I could call 100TPC in Israel. There’s a wonderful poet in Haifa who does some events, I don’t think every year. She is very active in peace activism and poetry. There’s an Israeli mentor of mine, Karen Alkalay-Gut, who has organized 100TPC events in Tel Aviv since the first year. For the past two years, I organized a poetry reading in Jerusalem. The first one was small, a few people I knew and cajoled into reading. The second one was much larger, over 25 poets. We had one Arab writer, who writes in English, at the second reading. Her poetry is powerful and personal, written as an Arab woman, a mother, and an Israeli. An Arab musician was going to join us, but he had a conflict arise with a paying gig. It is difficult to manage the practical, political, and social barriers, but people do it here. I am just learning a bit how to do this now.

For this year, I am working with two other organizations—the Lindberg Peace Foundation, which has held annual Poetry for Peace events. This year will be the 40th anniversary (yartzheit, in Hebrew) of Miriam Lindberg’s tragic death at the age of 18. She wrote poetry, was a peace activist, and also an environmental activist. Her mother was a poet and professor, and passed away a few years ago. Joining us in planning the Jerusalem event will be the Interfaith Center for Sustainable Development. Their mission as I understand it is to develop interfaith leadership for common goals related to eco-justice that would also provide a model for solving the Middle East conflicts.

The Jerusalem events won’t be the same date as the national event (26 September)—our dates will be 15–16 October, to honor the 40th anniversary of Miriam Lindberg’s death. Dorit Weissman, a Hebrew-language poet and playwright, also has become part of 100TPC this year, and she and I are having a smaller reading on 8 October with other poets.

We are just setting up a Facebook page for organizing with the three groups, 100TPC, the foundation, and the center. People could look for me on FB and send me a chat message there to be in touch. I hope that we will have the events posted on FB in the next few weeks, but we are still working on the details. The devil is always in the details, as the saying goes.

Michael will host The BeZine‘s virtual 100TPC this 26 September 2015.

Be the peace.

© 2015, book review, Jamie Dedes, All rights reserved; words, poetry, photographs of Michael, Michael Dickel, All rights reserved; cover illustration, The Evolution of Music, by Jerry Ingeman, All rights reserved

Conversations on Poverty and Homelessness (Part 2)~ The BeZine, 100,000 Poets for Change

On our 2015 Facebook Page for 100,000 Poets for Change, we’ve been discussing poverty and homelessness.  I’m sharing some of the conversation there.  If you’d like to join us on Facebook, please let us know.  All are welcome. For the September 2015 issue of The BeZine, we’ll be exploring poverty and on September 26, we’ll hold our virtual event and we invite reader participation.  Instructions will be in our blog that day.  Links to everyone’s work will be collected and posted as a Page and also incorporated into a PDF that will be archived at 100,000 Poets (writers, artists, photographers, musicians and friends) for Change; i.e., peace and sustainability. 

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This conversation was started on our The BeZine 100TPC 2015 Facebook Group Page by Michael Dickel (Fragments of Michael Dickel):

It’s only a little more than a month until 100 Thousand Poets for Change—Fifth Anniversary—26 September! Time to start some provocations…

Just to get us thinking abou the Poverty Theme next month—this was posted in a FB group, “Philosophy,” a while back but just appeared in my timeline.

The question I have is, does the standing man reach into his pocket because of empathy? Does he see that the beggar could be him? Or is it narcissism, that he sees an extension of himself (rather than seeing the person himself as separate)? Is he only giving b/c it is another version of himself (white male)? Would he reach into his pocket if he saw the Other?

I don’t ask these questions to be cynical, but because I think the cartoon suggests all of this and possibly more. Who do we see when we see poverty? Who do we help? Who do we wonder why they are not “making something” of their lives (as one commenter on the posted photo said he would ask “himself”—the beggar self—in this situation)?

Jamie asked me to take the lead for the poverty-100TPC page, if I understood correctly, so consider this a first provocation. I hope to put out a couple of more in the next couple of weeks.

Are they prompts? Inspiration? Irritants? I like the idea of provoking thoughts, creativity, ideas. So I call them provocations. Mainly, just use what generates something for you, ignore the rest or all if you’ve got your own excitement rolling.

– Michael Dickel

Some of the discussion that resulted from Michael’s prompt follows:

“Would he reach into his pocket if he saw the Other?” Heartbreaking that we even have to ask. And we know the artist’s perspective, he is not seeing the other.” Terri Stewart (Beguine Again)

“I’d like to think in the spiritual sense he’s seeing himself but that is wishful thinking, eh? Jamie Dedes (The Poet by Day)

“The ‘but for the grace of God, go I’ response. Maybe. I was more cynical…I was seeing the ego. Ego demands giving to look good. Ugh. I’ve been doing justice work too long.” Terri Stewart

“I think the cartoon suggest all of this—the empathy of “there but for the Grace of God” likely the intent of the artist. The ego the reflection in the mirror, and possibly also intent? Who knows, I guess about intent… and that sense of I will help those like me. And what about those not like me? Terri Stewart

The drawing is provocative. And privileged. And as such, regardless of intent, draws attention to our own privilege, those like me anyway, white male, sitting at my expensive computer writing on FaceBook, drinking good coffee, and not worrying about where my next meal will come from, just whether I can afford to install central AC.” Michael Dickel

What are YOUR thoughts? Please feel free to share them below.

The August issue of The BeZine will be published online on August 15. The theme for August is music.

Year 5 of 100,000 Poets & Friends for Change: 400 events scheduled.

IMG_1250I just realized that I haven’t published an update for some time.  All the news is good.

Michael Rothenberg, co-founder of 100,000 Poets, Artists, Photographers, Musicians and Friends for Change [100TPC] – change being all that is peaceful and sustainable – reported yesterday that there are over 400 events scheduled in various places around the world to celebrate the fifth year of 100TPC.

Michael’s message:

“Don’t forget September 26 is the 5th Anniversary of 100 Thousand Poets for Change! So far over 400 events are confirmed for that day. If you believe that poetry, music, and all of the arts are capable of making a more peaceful and sustainable world then 100 Thousand Poets for Change is for you! Contact me with your name, city, country and email if you would like to organize an event in your town to celebrate this important day. I will sign you up!”

Meanwhile, we have over seventy people united with us on our Facebook discussion page, The BeZine 100TPC, 2015.  You are encouraged to join with us. Leave me a message in the comments area below if you want to be included. The more the better … we welcome diverse participation.  This year we are addressing “poverty.”

For Discussion Here:

 

Audrey Hepburn (1929-1993), American Actress
Audrey Hepburn (1929-1993), American Actress

I took this photo outside a church theater. It reminded me of Actress Audrey Hepburn’s service as a UNICEF ambassador. She traveled widely as she worked on behalf of the poor and the hungry. She said, “I don’t believe in collective guilt, but I do believe in collective responsibility.” Your thoughts????

The Plan:

The tentative plan: On the 15th of September we will publish The BeZine as usual.  The theme is poverty.  We are reviewing submissions now.  Send them to bardogroup@gmail.com and put “poverty” in the subject line.  Nothing over 1,000 words please and nothing that is unkind. Thank you!

On 26 September we will publish a blog post. Readers are invited to join with us by putting the links to their own relevant work in the comment section or to connect via Mr. Linky (directions will be provided).  We encourage you to read everyone’s work and to comment. We will then collect everything into one Page and publish that on The Bardo Group site.  Michael Rothenberg will include a PDF of the Page in 100TPC archives.

American-Israeli poet, writer and educator, Michael Dickel (War Surrounds Us) will take the lead for the September issue. Michael has hosted live 100TPC events in Israel for the past two years, has a third event scheduled for this October, and attended The First World Conference on the Future of 100TPC.  You can read his article on that event: Salerno, il mio amore.

The next issue of The BeZine is scheduled for 15 August 2015. The theme is music. The July 2015 issue is up for your reading pleasure. The theme is imagination and the critical spirit.  Link HERE.

100 TPC … poets, writers, artists, photographers, musicians and friends in solidarity for positive change … POVERTY

IMG_1250POVERTY: Discussion on Bequine Again/The Bardo Group Facebook page (let me know in the comments section if you want to be included there) has made it evident that some definition – some framework – might be needed. As we stand in solidarity and share our art, essays, poetry, music and photography on Facebook and our blogs on September 26th, I think I can safely say on behalf of the leadership at 100TPC (stated core value: peace and sustainability) and Bequine Again/The Bardo Group, publishers of The Be Zine (stated core value: nonviolence), that we are not primarily focused on spiritual malaise, ennui, or existential angst, the kind of indulgences that might characterize those of us who don’t live with bombs dropping and who so fortunately have three meals a day, clean and plentiful water, housing, health care and education. We are not primarily concerned with the psychological/spiritual insecurity that results in the need to over accumulate. These are real, important and relevant issues that do have a place in discussion. However …

… our key objective is to shed a light on the often invisible MATERIAL POVERTY that results in the death of 22,000 children each day (UNICEF) and in the nearly one billion people who entered the 21st century with no education, no reading skills. We are talking about the ever-widening distance between the haves and the have-nots even within the developed countries, with the increasing numbers of homeless, “food insecure,” and the marginalized and disaffected.

We want to shed some light on the decreasing number of the world’s richest countries v the growing number of the world’s poorest countries. In 1820 the number of poor countries to wealthy was three-to-one. In 1992 it was seventy-two to one (1999 Human Development Report of the United Nations Development Programme – see also the Center for Economic and Policy Research). What do you think are the implications for all of us in that?

In short, our concerns are primarily centered on those issues that could be mitigated and perhaps resolved by deflecting investment in war to investment in people, by responsible consumerism, responsible corporate ethic and policy, and responsible national and global human development policy. We are of the same mind as Simone Weil (The Need for Roots, 1949)when she wrote that feeding the hungry is the most basic of human obligations and that “human progress” is defined by “ a transition to a state of human society in which people will not suffer from hunger.”

– Jamie Dedes

Prayer as Action for Peace

Editorial note: The next issue of The BeZine will publish on Sunday, March 15.  Meanwhile, this hugely popular intro and collection of prayers was originally posted by Terri Stewart for Saturday, September 7, 2013, in response to a call for worldwide prayer and fasting to focus on peace in Syria. With all that is going on in the Middle East and given the Ukraine crises, the many conflicts in Africa and the deaths and dislocations resulting from drug wars in Central and South America, this seems a good time to post it again in the spirit of peace, love and community …  Jamie Dedes

I have seen many things happening–prayer vigils, personal meditation practices, marches, and communications with elected officials. We decided to offer a Labyrinth Walk for Peace at Bothell UMC in Bothell, WA in the morning. I gathered inter-faith prayers, we walked, prayed, and focused on bringing peace to the world. What follows is prayers and photos from that journey that became deeply personal for each attendant. There was a certain transition that occurred for me as I took in my surroundings and noticed Farmer Brown’s Garden. I began to see, literally, a connection between peacefulness and being fed. You will see.

Entering Sacred Space

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Sufi Prayer for Peace

Send Thy peace, O Lord, which is perfect and everlasting, that our souls may radiate peace.
Send Thy peace, O Lord, that we may think, act,
and speak harmoniously.
Send Thy peace, O Lord, that we may be contented
and thankful for Thy bountiful gifts.
Send Thy peace, O Lord, that amidst our worldly strife we may enjoy thy bliss.
Send Thy peace, O Lord, that we may endure all,
tolerate all in the thought of thy grace and mercy.
Send Thy peace, O Lord, that our lives may become a
divine vision, and in Thy light all darkness may vanish.
Send Thy peace, O Lord, our Father and Mother,
that we Thy children on earth may all unite in one family.
– Sufi Prayer

The Journey Begins

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An Islamic Prayer for Peace

In the Name of Allah, the beneficent, the merciful: Praise be to the Lord of the Universe
who has created us and made us into tribes and nations that we may know each other,
not that we may despise each other.

If the enemy incline towards peace, do thou also incline towards peace, and trust in God,
for the Lord is one that hears and knows all things.
And the servants of God Most Gracious are those who walk on the Earth in humility,
and when we address them, we say, “Peace.”
– U.N. Day of Prayer for World Peace 2

Walking Together in Ubuntu

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A Hindu Prayer for Peace

Supreme Lord, let there be peace in the sky and in the atmosphere.
Let there be peace in the plant world and in the forests.
Let the cosmic powers be peaceful.
Let the Brahman, the true essence and source of life, be peaceful.
Let there be undiluted and fulfilling peace everywhere.
– The Atharva Veda

All Are Invited to Be Fed

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Cheyenne Prayer for Peace

Let us know peace.
For as long as the moon shall rise,
For as long as the rivers shall flow,
For as long as the sun shall shine,
For as long as the grass shall grow,
Let us know peace.
– Cheyenne Prayer

Feeding the World in Spirit and Deed
Farmer Brown’s Garden at Bothell UMC

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A Jewish Prayer for Peace

Grant us peace. Your most precious gift,
O Eternal Source of Peace, and give us the will to proclaim its message to all the peoples of the earth.
Bless our country, that it may always be a stronghold of peace, and its advocate among the nations.
May contentment reign within its borders, health and happiness within its homes.
Strengthen the bonds of friendship among the inhabitants of all lands.
And may the love of Your name hallow every home and every heart.
Blessed is the Eternal God, the source of Peace.
– From The Gates of Prayer: The New Union Prayer Book, by the Central Conferences of American Rabbis

Growing Spiritually and Growing Food

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Buddhist Prayer for Loving Kindness

May all beings be peaceful.
May all beings be happy.
May all beings be safe.
May all beings awaken to
the light of their true nature.
May all beings be free.
– Metta Prayer

Loving Kindness through Loving Care

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A Christian Prayer for Peace

Blessed are the peacemakers, for they shall be called the children of God.
But I say to you that hear, love your enemies; do good to those who hate you;
bless those who curse you; pray for those who abuse you.
To those who strike you on the cheek, offer the other also;
and from those who take away your cloak, do not withhold your coat as well.
Give to everyone who begs from you, and of those who take away your goods,
do not ask them again. And as you wish that others would do to you, do so to them.
– U.N. Day of Prayer for World Peace 2

Becoming the Light Unto the World

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A Non Traditional Prayer for World Peace

Spirit of Life and Love, be present with all who are suffering terribly from violence.
Lift up the hearts of those who fear. And inspire courage among the peacemakers.
Be present with political leaders, ensuring a retreat from violence
and a procession towards the peace table.
Guide the hands of all those who are caring for the injured, the hungry and the grieving.
And, open our own hearts to compassion.
Remind us of our complicity and responsibility.
And lead us towards generous engagement—always towards a vision of peace.
–Adapted from the Unitarian Universalist Tradition

Shalom and Amen,

Terri

© 2013, post and photos, Terri Stewart, All rights reserved

terriREV. TERRI STEWART is our much treasured administrative lead for Bequine Again and The Bardo Group. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction. She is a contributing author to the Abingdon Worship Annual. (The 2014 issue just released!)

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com, www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com

Update on 100,000 Poets for Change …

Reblogged from The Poet by Day

cropped-100TPC2012new2

Over on The Bardo Group blog, we’ve just finished celebrating 100,000 Poets for Change (100TPC). The founders of 100TPC have invited our much valued community (The Bardo Group and Beguine Again) to join in this event again next year. I’ve agreed to participate.

As many readers know, I’ve invited Terri Stewart to take the Bardo leadership role from me and to join our Bardo collaborative with her Beguine Again collaborative to create a powerful synergy for advocating nonviolence. We are moving in new directions. Hence, I don’t want to speak at this time for everyone else but I am personally committed to 100TPC.

Should the Group be unable to take part, I’ll host the event here at The Poet by Day for other poets who blog and for elders and disabled like me who are mostly home bound and cannot get out and pound the pavement for peace and sustainability.

SAVE THE DATE: 27 SEPTEMBER 2015 …

…and please pass the word

ABOUT

poets, musicians, and artists around the world
in demonstration/celebration to promote peace and sustainability and to call for
serious social, environmental and political change.

Here are some links of interest and some more info . . . MORE

war’s cold night…

war's cold night

in a darkened room
peace sits silently waiting
for sanity’s rise

This is the final post in our series on Peace and Justice, which we’ve presented as an virtual event for 100,000 Poets for Change. Please feel free to link in your own work. At least one of the team members will read and comment and the link will be included in a special commemorative page on this blog. You use Mister Linky below to add your work to ours or you may leave your link in the comments section. Thank you!

 

678ad505453d5a3ff2fcb744f13dedc7-1product_thumbnail.phpCHARLES W. MARTIN (Reading Between the Minds) — earned his Ph.D. in Speech and Language Pathology with an emphasis in statistics.  Throughout Charlie’s career, he maintained a devotion to the arts (literature/poetry, the theater, music and photography).  Since his retirement in 2010, he has turned his full attention to poetry and photography. He publishes a poem and a photographic art piece each day at Read Between the Minds, Poetry, Photograph and Random Thoughts of Life. He is noted as a poet of social conscience. Charlie has been blogging since January 31, 2010. He has self-41V9d9sj5nL-1._SY344_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_published a book of poetry entitled The Hawk Chronicles  and will soon publish another book called A Bea in Your Bonnet: First Sting, featuring the renown Aunt Bea. In The Hawk Chronicles, Charlie provides a personification of his resident hawk with poems and photos taken over a two-year period. The newly published When Spirits Touch recently became available on Amazon.

A Mote of Dust Suspended in a Sunbeam

Carl Sagan (1934-1996)

American astronomer, astrophysicist, cosmologist, author and popularizer of natural and space science

CARL SAGAN was the David Duncan Professor of Astronomy and Space Sciences and Director of the Laboratory for Planetary Studies at Cornell University. He played a leading role in the American space program since its inception. He was a consultant and adviser to NASA since the 1950’s, briefed the Apollo astronauts before their flights to the Moon, and was an experimenter on theMariner, Viking, Voyager, and Galileoexpeditions to the planets. He helped solve the mysteries of the high temperatures of Venus (answer: massive greenhouse effect), the seasonal changes on Mars (answer: windblown dust), and the reddish haze of Titan (answer: complex organic molecules). MORE [The Carl Sagan Portal

Video posted to YouTube by CarlSaganPortal.

Earth as seen from Apollo 17.

“A mote of dust suspended in a sunbeam . . . ” Carl Sagan

Carl Sagan portrait courtesy of the Carl Sagan Planetary Society and in the Public Domain; Earth photo courtesy of NASA

This post is a part of our participation in 100,000 Poets – and Musicians, Artists and Activists –  for Change. Details HERE. Our theme is Peace and Justice.We invite you to participate in this global event by linking in your work with ours. We’ll be collecting all the links in a commemorative page shortly after we close this project on October 3. You may use Mister Linky below or include your link in the comments section. Thank you!

__________________________________

~ The Other Refugees ~

Soldier and Kitten by JustUs09 @ Photobucket.com

~ The Other Refugees ~

He huddled under the wreckage and rubble,

That used to be his home.

His people had fled.

Still others, were dead.

So he waited, shaking, alone.

*

She searched the dust-filled, ruined lots,

For food for her newborn young.

They needed to eat.

So she scoured every street.

But of sustenance, there was none.

*

Both were pitiful victims of war,

Forgotten, while the dropped bombs fell.

Their families were gone.

Yet, they still struggled on.

In the burning, abandoned hell.

*

It wasn’t their fault they had nowhere to go.

They’d been born with fur, not skin.

No more soft voices, or gentle pats,

Both wondered,

If they’d ever be happy again.

*

Then came the strangers with kind, loving care.

They brought food and they sheltered lost pets.

They didn’t have much,

But they shared what they had,

While the rest of society forgets…

*

There are more than people who suffer in war.

Animals can be refugees, too.

Let us stop and remember

Each four-legged family member.

There’s still plenty of helping to do.

~ C.L.R. ~ © 2014

Image borrowed from takepart.com
Image borrowed from takepart.com

I came across this article the other day, as I was trying to decide what my offering would be for The Bardo 100,000 Poets For Change topic “Peace and Justice”. It struck me that there are so many animals who get forgotten in the chaos of war, and I knew that I had found my subject.

Of course it’s the people who get the attention and aid when they escape war-zones, and it’s important that we continue to help those human victims who need it. But. But there is a large segment of the population of refugees who get forgotten in the shuffle. In our haste to help the humans, the poor animals who are hurt or left behind are often overlooked. It’s sad, as is most everything about war, but it is an unfortunate truth.

The good news is that there ARE organizations who focus on helping displaced and injured animals affected by the ravages of war. The selfless people who run many of these shelters risk their own lives to help the animals left behind. If you are so inclined, the next time that you think about donating time or money to the victims of war, please consider one of these efforts. The cause is noble and just as worthy, and you will be helping someone who needs you, maybe more than you can imagine.

Animals Without Limits

Harmony Fund

Animals Lebanon

Nowzad

SPCA International

 

 

– Corina Ravenscraft

This post is a part of our participation in 100,000 Poets – and Musicians, Artists and Activists –  for Change. Details HERE. Our theme is Peace and Justice.We invite you to participate in this global event by linking in your work with ours. We’ll be collecting all the links in a commemorative page shortly after we close this project on October 3. You may use Mister Linky below or include your link in the comments section. Thank you!

effecd1bf289d498b5944e37d8f4ee6fdragonkatet (Dragon’s Dreams) ~  Regarding the blog name, Dragon’s Dreams ~ The name comes from my love-affairs with both Dragons and Dreams (capital Ds). It’s another extension of who I am, a facet for expression; a place and way to reach other like-minded, creative individuals. I post a lot of poetry and images that fascinate or move me, because that’s my favorite way to view the world. I post about things important to me and the world in which we live, try to champion extra important political, societal and environmental issues, etc. Sometimes I wax philosophical, because it’s also a place where I always seem to learn about myself, too, by interacting with some of the brightest minds, souls and hearts out there. It’s all about ‘connection(s)’ and I don’t mean “net-working” with people for personal gain, but rather, the expansion of the 4 L’s: Light, Love, Laughter, Learning.

Politics, Treachery and… a Rose – Part 1

[Current world events have conspired to remind me recently about a post that I wrote over three years ago. My experience to date, at that time, had demonstrated to me that I don’t have complete control over the processes that steer me through life. Nobody does, however much we would like to think we do. It is also apposite that the worrying and sinister developments in talks between the European Union and the USA about what is called the TTIP (Transatlantic Trade and Investment Partnership) have rather vindicated the concerns that I expressed three years ago. It may also be appropriate to mention that the theme of this essay just happens to align, I think quite well, with Corina’s last piece – “Wilful Ignorance and Some Food for Thought” as well as Jamie’s “Earthlings, Making The Compassionate Connection” ].

Since my retirement, I’ve had more time not only to reflect but also review, research and interrogate life’s processes and relate them to what’s going on ‘out there’. I’ve woken up and opened my eyes. I admit, from time to time, that I’ve allowed my mind to become infected by pessimistic thoughts, which have conspired to worsen my mood, with a concomitant fear for the futures of my children and grandchildren in a world with an increasing population, increasing greed for its limited resources, self-interest, political and corporate corruption, treachery and tyranny!

In my less cynical moments, I like to call this ‘life’s rich tapestry’ and all the more interesting for it. So not all is bad; there is still hope.

Babbacombe and the Carey Arms from Oddicombe (© 2011 John Anstie)
Babbacombe and the Carey Arms from Oddicombe (© 2011 John Anstie)

We are all self-interested, to a greater or lesser degree; we are all selfish and greedy from time to time; and, given the opportunity, I dare say there are many of us, who would be tempted to take advantage of privilege and power, if we had it in sufficient measure! I hope that I would not be one of these, but how can I say so with certainty? It is only the truly arrogant, who are unable to see how fragile and vulnerable we all are! But it takes a certain type of personality to be capable of merciless and ruthless exploitation and treachery; to be bereft of conscience – I am reminded of the ‘Morlocks’ in H G Wells’ chilling vision of the world in “The Time Machine“, published late in the 19th Century.

These personalities display all the characteristics of damaged minds that can exploit beyond a simple local selfish motive; even beyond a desire to build and run a large, successful organisation – be it commercial, charitable or social one. I’m talking here of international, corporate power mongering; a desire to exploit and control whole populations, with the end game being investment solely in the interests of a minority elite. It has happened throughout the history of the human race. It continues today, but that doesn’t make it right.

In the face of all this, it is sometimes encouraging to know that there are still some very courageous, inspiring as well as philosophically and intellectually ennobled people in the world, people with huge integrity as well as faith, who are capable of giving us great strength as well as hope for the future of humanity. They come in all shapes and sizes and you find them in the most unexpected places, not least amongst some of the free spirits that are to be found here in ‘Blogosphere’. They can be anybody, from wealthy philanthropists like the social thinker and reformer, John Ruskin, on the one hand, to the totally charitable, nay saintly, who dedicate their lives to the cause of the underprivileged, to help the truly needy of the world, whose selfish human motive seems to have been subordinated and whose spiritual conscience transcends all that is material; here I think of Mother Teresa of Calcutta.

The Captain's Table nearby poetic inspiration...
The Captain’s Table nearby poetic inspiration…

Whilst we each fight our own battles to survive and thrive, to overcome whatever obstacles there may be in our competition for the world’s resources, as well as our own sanity, I am constantly reminded that there is also a vast array, a rich vein of powerful and beautiful natural phenomena that have the unquenchable capacity to ennoble our own minds, to elevate our spirits. I am speaking of the natural world; the flora, fauna and insectoids, some of which existed long before homo sapiens marched onto the scene with our unique set of biological characteristics that have enabled us to rule, dominate and change all that we see. But – and I say this with some trepidation, because I know it is controversial in some quarters – we are still animals; animals with an extraordinary ability for creative and innovative endeavour, but animals nonetheless. Look what happens, as we turn on our television screens almost every day, when law and order breaks down or when people get hungry or angry [evidence the London Riots in 2011], and tell me human beings are only capable of civilised behaviour… the fact that we are, well, hopefully a vast majority of us, capable of civilised behaviour, listening to your conscience and, above all, giving air to our compassion, is a cause for optimism; a cause for us never, and I mean never to give up the fight to maintain democracy and intelligently to vanquish those who represent the worst side of human nature (ibid) and the greatest threat to our freedoms.

Although the natural world cannot help us directly in this quest, it is in this vein that I come to the crux. Something occurred to me that I would not normally have expected, not even given my ability for creative thought. This … happening … somehow focussed my attention and led me, in that moment, to become intensely mindful.

This experience will be revealed in Part 2:

https://thebezine.com/2014/09/30/politics-treachery-and-a-rose-part-2/.

Essay (© 2014) and photographs (© 2011) John Anstie

~~~~~~~~~~~~~~~~~~

This post is a part of our participation in 100,000 Poets – and Musicians, Artists and Activists –  for Change. Details HERE. Our theme is Peace and Justice.We invite you to participate in this global event by linking in your work with ours. We’ll be collecting all the links in a commemorative page shortly after we close this project on October 3. You may use Mister Linky below or include your link in the comments section. Thank you!

John_in_Pose_Half_Face3

JOHN ANSTIE (My Poetry Library and 42) ~ is a British writer and poet, a contributing editor here at Bardo, and multi-talented gentleman self-described as a “Family man, Grandfather, Occasional Musician, Singer, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer”. He has participated in d’Verse Poet’s Pub and is a player in New World Creative Union as well as a being a ‘spoken-voice’ participant in Roger Allen Baut’s excellent ‘Blue Sky Highway‘ radio broadcasts. He’s been blogging since the beginning of 2011. He is also a member of The Poetry Society (UK).

*****

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51w-rH34dTL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_John has also been involved in the recent publication of two anthologies that are the result of online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group, for which he produced and edited their anthology, “Petrichor* Rising. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.

 

The Eve of Distruction

The facts are dated but the sentiment is true. Thanks to Charlie Martin for this.

This is an anti-war song written by P.F. Sloan in 1965.  Barry McGuire sings it here though for many years he had refused to sing it due to his religious convictions. While others recorded the song, Mc Guire’s seems to be the most popular version. In recent years, McGuire has updated it to match more current events when he sings it during live performances.

References might be obscure to some:

  • old enough to kill but not for voting ~ at the time in the United States men could be drafted at eighteen years but the legal voting age in most states was twenty-one

  • Jordan River has bodies floating ~ refers to Battle Over Waters between Israel and its Arab neighbors, 1964 – 1967

  • the reference to Selma ~ Bloody Sunday and the marches in Alabama from Selma to Montgomery, 1965; these marches were a part of the American Civil Rights Movement (1954-1968); they helped lead the United States to the Voting Rights Act, 1965

  • four days in space ~ the Gemini space flight took four days, 1965

  • pounding of drums, the pride and the disgrace ~ President John F. Kennedy (the pride) was assassinated (the disgrace) and there were drums gently beaten as his funeral cortége made its way to Arlington Cemetery, 1963

I did this from memory, which these days leaves something to be desired. If anyone has corrections or thoughts to add, feel free. Also feel free to link in your own art, music, videos, essays and poetry to this post, which is part of our seven day solidarity with 100,000 Poets for Change … You may use Mister Linky to link in or you may leave your link in the comments section. One of the members of the Core Team will visit and ultimately we’ll also collect all posts submitted into one commemorative Page. The theme of this effort is Peace and Justice.

Thank you for your participation.

– Jamie Dedes

Memories of September 11, 2001

Yesterday on our partner blog writers Ruth, Terri, Chrysty, Donna and James shared their memories of the 9/11 tragedy. You may want to read what they each have to say and to add your own voice there as well.

BARDO NEWS: “Beguine Again” + “The Bardo Group” merging; Poetry Kudos; 100,000 Poets, Musicians and Artists for Change event; the People’s Climate March gone global …

800px-rafael_-_el_parnaso_estancia_del_sello_roma_1511-1STATUS ON MERGING  Beguine Again and our collective, The Bardo Group, continue with sharing of ideas and some modifications to site links already in progress. At this point the intention is to continue with daily posts. The official transition date is October 1st. On Saturday, October 4, Terri Stewart will post a more complete status report. Jamie Dedes will remain as a part of the core team and as poetry liaison.

We move forward with 100,000 Poets, Musicians and Artists for Change. However, we have streamlined the plan given the weight of work that is now upon us. We won’t be able to publish a book this year – a dream for next year maybe – but we’ll still have daily post/s and in the spirit of the occasion, we invite readers to link in their own relevent work to the posts via Mister Linky or in the comments sections starting September 27 and through October 3 inclusive. Shortly after the event close, we’ll collect links into a Page like the one we did for Poets Against War, 2013 Collection HERE.

The Bardo Group chosen area of concern for this year’s event is Peace and Justice.

The founders of 100,000 Poets, Musicians and Artists for Change are enthusiastically rolling forward. Founders Michael Rothenberg, poet and editor of Big Bridge Press and zine,  and Terri Carrion, poet, writer and associate editor and visual designer of Big Bridge Press and zine, have pages set up for all participating organizations. THE BARDO GROUP event page is HEREWe take this opportunity to thank Michael and Terri for their vision and their work.

Michael and Terri have written: 

“The first order of change is for poets, writers, musicians, artists, activists to get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This will change how we see our local community and the global community. We have all become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity. It will be empowering.”  MORE

KUDOS

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PEOPLE’S CLIMATE MARCH (HERE) The largest global demonstration for climate action in history is scheduled for September 21. In solidarity, Beguine Again will post spiritual practice relevant to the issues.

(c) 2014 Jamie Dedes
(c) 2014 Jamie Dedes

 

More than 100 organizations are taking part in an online recruitment drive to sign people up for the demonstration. In the first hours of the push, thousands of new sign-ups have already begun to flow in.

The People’s Climate March is expected to be the largest demonstration for climate action in history. The march takes place just two days before world leaders gather for an emergency Climate Summit at the United Nations. Marchers are demanding leaders go beyond rhetoric and commit to bold action at the summit.

More than 750 organizations around the world are supporting the People’s Climate March, from the largest transit workers union in New York City to a coalition of buddhist monks.

In total, the groups represent roughly 100 million people worldwide.

The scale of organizing for the march now rivals that of a major electoral campaign, with thousands of volunteers, daily phone-banks and canvasses in NYC, and a major online operation to turn out marchers. Updates from the field include:

Trains and hundreds of buses will be bringing people from across the country for the march. Including a dedicated train from San Francisco to New York, a dedicated train from D.C. to New York, and buses from multiple points outside of New York.

More than 45 labor unions have signed onto the march, pledging to turn out members in New York City and from surrounding areas.

Connecticut alone has over 40 different groups confirmed to attend.

Renowned artist Shepard Fairey, whose Obama Hope poster has become world famous, has donated a poster design for the march.

At a warehouse in Brooklyn, artists are creating giant sculptures, floats, and banners for the march.

The global campaigning group Avaaz has secured 10% of the subway ads in NYC for the month before the march. The ads were chosen after a poster design contest that netted over 400 entries worldwide. Groups are planning a major student recruitment push for college campuses as classes resume in September.

In New Delhi, thousands will take over the streets on September 20 to demand a renewable energy revolution.

In Australia, organizers are expecting hundreds of individual events to take place across the country, including a major march in Melbourne.

In London environment organisations and faith groups are combining forces to create a historic march through the city to the steps of Parliament.

In Berlin three parallel marches will combine forces in a colourful festival.

Events are already being planned in Ghana, Kenya, DRC, Nigeria, and Guinea, along with a major march in Johannesburg.

In Paris, local groups will create the “Paris Marche pour le Climat,” with parades, marches, and bicycle rides planned across the bridges of the Seinne.

Reports are also coming in of large mobilizations planned in: Kathmandu, Rio, Sao Paulo, Jakarta, Dublin, Manila, Seoul, Mumbai and Istanbul.

Organizers are confident that the sheer scale and diversity of the People’s Climate March events, from the headline demonstration in New York City to the simultaneous events worldwide, will show politicians that there is a massive, energized movement demanding immediate action to address the climate crisis.

In New York City, the message will be difficult to ignore: marchers have come to an agreement with the NYPD for the march to flow directly through the middle of Manhattan. The march will begin at Columbus Circle at 11:30am on Sunday, proceed over on 59th Street to 6th Avenue, down 6th Avenue to 42nd Street, then right on 42nd Street to 11th Avenue. The route passes by some of New York City’s most famous landmarks, from Rockefeller Center to Times Square.

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The march and the Climate Summit in New York mark the beginning of a busy 18 months of crucial international negotiations. Climate negotiators will head to Lima, Peru, in December 2014 to make progress towards a global climate deal. Then, in September 2015 world leaders will meet back in New York to adopt the Sustainable Development Goals, the global post-2015 development agenda. Three months later, the world will gather in Paris to try and sign a new international climate treaty.

BLOGGERS AND WEBSITE OWNERS don’t forget that September 10 is Internet Slowdown. This is all about NetNutrality. Our site host, WordPress, is participating.

In the spirit of peace, love and community,

The Bardo Group

An Old Story

Summer_sunsetWe are a Jewish-Native household and events in the Middle-East have deep resonance for us. For the past two weeks we have watched and thought about the fighting in Gaza, our sadness, and sense of helplessness, growing daily.

Of course, it is impossible to know, with any certainty, the truth of things. Propaganda is unleashed by both sides. Still, there is something terribly familiar about the one-sided nature of the conflict. The history of the U.S., like that of Palestine, is usually told from the view of the dominant power. From our Indian perspective, the story is vastly different from that told in most history books.

We watched as the colonial powers invited landless Europeans to emigrate, and forced criminals and others who were disenfranchised to do so. Thus, they created an ever-growing hunger for land, a tidal wave that would eventually sweep over us.  We were under constant pressure to move West, and to relinquish our ancestral lands. The colonists made promises and gave us land that would be ours “forever”. Then they brought in settlers who lived in enclaves, always encroaching on our land. When our people attempted to defend the land the colonial powers had seeded to us, the colonial government made war against us. They killed our children and elders, and raped and murdered our women. They sought to destroy our cultures by stealing the land, our traditional knowledge and life-ways, and our children. Because we hold this knowledge, many of us remember, and observe remembrance of, the Shoah, the Holocaust, and acknowledge our kinship with those who were the victims of that genocide.

Let us remember that, like the Jews who made their way to the Holy Land, many of those early emigrants to our lands were the dispossessed. The British attempted to depopulate Ireland, Scotland, and Wales. They used war, famine, and desperation to drive people from their traditional lands. They employed “Acts of Enclosure” to force their own people to flee to the cities, hungry and destitute; many families eventually found their way to our lands.  Because they understood colonialism and genocide, because they understood trauma, many of these early immigrants married Native people. But soon, propaganda, hunger, greed, and the rising tide of immigration overwhelmed us.

Although they had killed ninety-nine percent of our people, forcing us to live on tiny reserves, starving and desperate, they continued their attack. They banned hunting, and our drums and our ceremonies, the heart of our cultures. This is not ancient history, it continues, as governments grab what little land we retain and willy-nilly destroy our sacred sites. It continues as Non-Natives rape and murder our women, and jail our young people, in vastly disproportionate numbers. When I see destruction of olive groves in Palestine, and hear reports of the rape of women and the murder of children, I am reminded of this. When I see the Bedouins forced into reservations, their traditional nomadic life forbidden to them, my heart breaks in recognition.

This is an old story. Those with superior numbers and weapons take land from people who have lived in a place for untold centuries. They use resistance to their domination as an excuse to make war on the people. As they do so, they often target children, women, and elders. Too frequently, women are raped and/or killed, children are murdered or traumatized, the land that feeds the stomachs and culture of the people is stolen. Thus the future of the people is threatened. These are acts of genocide. We cannot remain silent when we witness them. Our ancestors lived through this. They remember and whisper their experience in our minds. They are always with us, and they do not forget.

This post was originally shown on Dreaming the World.

– Michael Watson

© 2014, essay and photographs, Michael Watson, All rights reserved

michael drumMICHAEL WATSON, M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.