Posted in General Interest, interNational Poetry Month, Poems/Poetry

Unicorn Diasporic Birdwatching | Gili Haimovich

Unicorn

latent love
contrived happiness
kindness that can’t be helped
excluded from my own language

how can one be mad at a unicorn
for its rarity?

Unicorn 3
Digital art ©2023 Michael Dickel

Diasporic Nostalgia

We don’t feel shame when
we share memories
of when being in love was a novelty.
We’re nostalgic once a year
and hug a bit more often.
When we do reminisce
it’s not due to our deserted country
but because of the calendar
showing us one of our anniversaries.
Recently we started to hug a bit more frequently
and it is because of our frantic deserted country.
We love like we forgot it ever had a beginning.
and we continue to love like it will have no end.
We acknowledge eventually we’ll die
and discuss, almost negotiate,
how many marks we want to leave behind us.
We’re sick and merry, healthy and sad, we’re sad 
     and sick and merry and married.

Yes, we do like better
who we are
but not enough
not to the degree we’d want you to stare at it.

Birdwatching

Our world begged for existence.
We carried our valor secretly
no witnesses for our triumphs
for overcoming another day.
Not being able to save even ourselves,
we dropped on the bed
as if we’d lost a battle.

In the mornings we melted back
from sleeping like rocks
into floating bodies in a void.
We watched the birds
from our square-foot lawn and cherished
not just their movement –
their gift of coming from different worlds –
but our own growing ability,
while standing up, standing still
to notice them.

Foliage

Written before the Jewish New Year’s Eve of
the year 5782,
 2022 by the Gregorian calendar
I want to write something with the word foliage
but need a better language than this one,
one that will allow it to breathe in a poem
and won’t be florid.
Perhaps in Estonian
where it’s possible to love quietly
and to hate
and then grief.
Perhaps there,
where it’s okay to die every winter and remain naked.
Where it’s really unknown where a sentence will end.
Where you can breathe deeply
all the way down to bring foliage,
or even autumn’s fall, on the body,
but not rain like the desert here pleads for.
Where you can secrete miracles
without desecrating respect,
with no void to cross over forty years of desert
and then what?
Me, reduced of the desert’s wandering,
at the age of a girl starting the second grade.
May she have an ameliorated year,
a year that saturates, sprouts,
a year in which twigs are ignited into buds,
a preceding year before the winters of her life
that will bless her with the fluttering foliage of clear breath,
a sweet one,
a breath,
no more than an exhale of fresh breath that will ease
the severance every end brings

Mainland

Armored by slumber
I cross the flaming oceans
of the un-dared dreams.
Only the ones I didn’t dream
have been fulfilled.

Like a prime number
I am a core
in search for oneness.
Unable to divide into any other kernels
I multiply and withdraw
like waves coming and going — 
a pendulum movement
between the coarse golden ash of sand
to the silver moon-color of the waves.

Within their foam dissolving beauty
hides repetitive abandonment.
Roar at the winter
with nothing
to be hindered by.

The sand is just another foam
in a different consistency
engulfs, embraces
and yet forsakes as well,
but in slower motion.

Now I’m hushing oceans
into the fall of dusk,
searching ways
to turn into an islet
so there’s less of me
needing to be loved.

©2023 Gili Haimovich
All rights reserved


Gili Haimovich

…is a prizewinning bilingual Israeli poet with a Canadian background. She is the author of ten poetry books, four in English and six in Hebrew as well as a multilingual book of her poem ‘Note’. She was awarded prizes for best foreign poet at the international Italian poetry competitions I colori dell’anima (2020) and Ossi di Seppia (2019), a grant for excellency by the Ministry of Culture of Israel (2015) a fellowship residency at the International Writers’ Workshop Hong Kong (2021) and more, including several grants for her Hebrew books from The Pais Committee for Arts and Culture, The Acum Association of Authors and The Goldberg Grant  for Culture and Literature. She has full length books translated into French, Serbian and Estonian and more are forthcoming. Her poems are translated into 33 languages and featured worldwide in numerous anthologies and journals. Gili participates in festivals and literary events across the globe such as in Canada, France, Mexico, Italy, India, Romania, Hong Kong, Taiwan, Kosovo, Chile, Kenya, Mongolia and more. Gili also engages in photography and poetry translation as well as facilitating groups and individuals in creative writing in Israel, Canada and more.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

When The Queen Came to Tea | John Anstie

A little boy in awe, aged six, perhaps more
…or thereabouts, it matters little or less.
Four years had passed since She had been
proclaimed our Queen, our first coronation for 
a Queen Elizabeth in nearly four hundred years. 
So young. So pretty. So popular and pure. 

Around my age there was another little boy
her son and heir apparent, but not quite so excited.
He wasn’t by her side at her glorious crowning.
Now, whilst in my retirement, he bears the burdens of 
the decease of his darling mother, whom he had to 
share with us. So close. So secure. So family. So far.

Meanwhile, at the family picnic, they were 
serving us all, by the loch, among the trees
copious fresh air, inspiration, love and fun
the children, renewing family ties, learning their
duty to serve us. With such stamina, She, so young 
with such a burden, accepted with such grace. 

Our friends’ lonely house lay by that same road 
the Royal planners decreed they should follow
to their next tour venue…that evening in 1956.
As she was passing through, after a busy day
She said “I think we should stop for a cup of tea”  
as She is wont to do, with such instinctive inspiration. 

So willing was She to walk about and meet us all
on the streets or in our places, we came to expect it.
It seemed so normal. It should have come as no surprise.
Our teacher to the class: “who saw the Queen, yesterday?” 
Me, in total belief: “ Yes, Miss, yes, she came to tea with us! ” 
Her response, dismissed my heart-felt truth with just one look.

In her younger days, poignantly, Lillibet once declared…

				“…we are all just passing through ”

Landscape in a Landscape
Painting ©2023 Gerry Shepherd

©2022 John Anstie
All rights reserved



The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

Outcasts Gate Grieving | Linda Chown


Photograph ©2023 Linda Chown

Outcasts have a way of touching

When I start the night
I think Eskimo’s and seashells:
Places of open abandon
Like black sheep and the wild ones-
Outcasts have a way of touching
Those forlorn places that you hide
Beside the beauty of your mind

Sather Gate

Taking me higher than I was
Pairing with my pals

To fight the Knowland police
gone hard metallic-tight

The nation had, it seems, landed in Berkeley
     to see what happened

So we had to stand
up for the prize of freedom

in this small oak-saturated space.
In a small sunny circle we were

ready to face them with the side of our eyes with our 
     cavities even,
with anything.

It was just too important 
to not let them own
our souls their way.

So we leased our 
strength into music

We rejoiced in our togetherness,
In our language, which that day more than meant 
     something:

it was,
it really was
everything.

Versions of grieving

Grief is about a whole new trip that just keeps on 
     getting older.
Grief is how it feels to have two left feet.
Grief is how it feels to be dehydrated in your arms
Grief is how it feels to be lost
in always
Grief is though how it feels 
to be perpetually free.
Grief is the birth of a new beauty only you can see.
Red peonies and orange daisies on a spree
What a feast for the likes of me.

Vietnamese Faces

It seemed a day of decay
where my eyes kept 
seeing Vietnamese faces
human expression raw in dark sun
abstract fingers bleeding light
my eyes went into a past
where feeling curves wide, 
not this gray without birds
this quiet without singing

©2023 Linda Chown
All rights reserved


Linda Chown…

…is a longtime contributor to the Bezine,and defends its commitment to justice and peace and equality. She has participated in social movements throughout the West Coast and internationally. She writes both poetry, and what used to be called criticism, that is a close reading of how a piece of writing works, or doesn’t work. She has five books of poems and multiple publications of her many writings. She likes to keep her writing and her living new. As the weeks go by and disasters and worries grow, she hopes her writing grows and changes. Her latest book, sunfishing, is for sale on Amazon.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

Assuage with pen ye troubadours | Lorraine Caputo

Assuagement

I had awakened
my hand aching
from words yet
to be expressed

& foretelling
an all-day rain
that spilled into
the courtyard
outside my door

It felt like an 
autumn day,
dried palm fronds
blown groundward
by the wind

This all-night rain
continues to flow
across the patio
outside my door

Assuage with pen ye troubadours
Digital landscape with Joy Harjo, from photographs
©2023 Michael Dickel

With Pen

With pen 
in hand, I write
one thought…after one thought
creating images, music
with these words, rhythmic scribbles on this page…
clearing my soul of memories
that eat away at my
peace…write, write, sing
with pen

Troubadours

Like mediaeval troubadours
we are keeping vigil
in these hours,
I awaiting the matins
& ye reciting your lauds.

Through this silence
your poem sails
to me…

& another…

Ay,
I write,
So you’re having one of those
middle-of-the-night visits
by the Muses


I drift away
to other sites.…


& when I return,
four more messages
from your keyboard-pen
on screen-vellum glowing
in the darkness.
I read them,
stepping a bit further
back in time
with each.

You are right, you
understand, you
overstand as well,
says the third…
& the fourth
a laud
for me, for us
poets who own the Moon.…

I spill my tears to ye,
Oh brother wandering
troubadour,
careful not to
short-circuit
my pen.


There are those who envy
my travelling-writing life,
errant through these
southern tropics, verdant
jungles, snowy
towering heights, breathless
seas—

& there is I who envy
your life, devoted troubadour, the
World Poet,
traversing continents, across
seas,
able to survive
with your words
created like prayers,
lauds & laments
prickling the souls, the
hearts, the minds.…


How, I do not know.…
I want to ask ye,
brother troubadour,
How do ye do it?

…but I don’t…


I don’t want to stop,
I confess to ye,
my matins arriving
with the dawn’s twilight,
hours before yours. . . .
I want to continue
to do this work the
Creator has given me to do
in this lifetime
(the same as ye…
we, troubadours
of this XXIst century…)
I want to continue a-wandering
& a-writing, performing
like our mediaeval brethren.

But, nay, they who
I entertain don’t want
to pay, to tip even,
nor a bed nor a meal. . . .

I want to ask ye,
there in the land
from which I am exiled,
ye, a strange stranger in a strange land,
How…?
Can ye teach me?

©2023 Lorraine Caputo
All rights reserved


Lorraine Caputo…

…is poet-translator-travel writer who has works appearing in over 400 journals worldwide and 23 collections of poetry–including the upcoming In the Jaguar Valley (dancing girl press, 2022) and Caribbean Interludes (Origami Poems Project, 2022). Her writing has been nominated for the Best of the Net. She journeys through Latin America, listening to the voices of the pueblos and Earth.

Latin American Wanderer


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, Poets/Writers

Memories and Musings | Urmi Chakravorty

Digital Rose
©2023 Miroslava Panayotova

The Legacy of Longing

The diaphanous
sheets susurrate against the onyx parchment
As I gently turn the dog-eared pages of our mothballed 
     album—
The treasured cache of moments and memories of 
     bygone days
Conserved, before the scythe of Time mows us down.

As I gently turn the dog-eared pages of our mothballed 
     album
I chance upon ‘him’—self-assured, charismatic, 
     articulate—
The 2 a.m. buddy and confidant to my nerdy, antsy, 
     teenaged self.
Cupid struck, but with a slanted dart…and he, forever,
     remained unscathed.

The treasured cache of moments and memories of
     bygone days
Enshrouds the wringing, wrenching, carmine landscape 
     of my heart,
Crisscrossed by a breadcrumb trail of wistful longing,
Glossed over by the voguish masquerade of marital bliss!

Conserved, before the scythe of Time mows us down,
These metaphors of yesterday blend with my fragile todays
And gossamer tomorrows; and together, they help 
     me weave
The warp and weft of my soul’s fractured tapestry.
First published on Penmancy in November, 2022.


Leaves
Oil Painting ©2021 Miroslava Panayotova

April Blessings

Flashes of lightning streaking the skies,
Taking the fissured, sapless earth by surprise,
Drops of pure love, thy name is April showers!

Drenched leaves and stems waltz in glee,
Their rustling whispers are music to me,
Tiny prismatic droplets dangle on the bowers!

Purged of dust and grime, terra firma breathes easy again
My parched soul inhales the redolence of summer rain
Glens and vales come alive with fresh, iridescent flowers!
First published on ArtoonsInn Poetry Parlour in January, 2023.


Blue Rose
Mixed Media / Digital Art ©2023 Miroslava Panayotova

I Am

Sometimes I am Hope—
Weaving roseate, virile dreams in hoary, nebulous eyes
And heaving hearts, yearning for a fillip;
I play hide-and-seek with ennui, by the day
At night, I hum a plaintive lullaby of moth-eaten desires
Interred in the caverns of the infecund, impotent mind.

Sometimes I am Light—
Glinting off the Chardonnay in a crystal stein
Held by star-crossed lovers traipsing a parallel universe,
Immured within a prism of perennial passion,
Kissing the full-bodied, carmine lips of eternal youth, today
Only to be eclipsed by the penumbra of transience, 
     tomorrow.

Sometimes I am a Star—
Tucking my pearly corners into the moire duvet
Of the onyx sky, one spark at a time—
A luminous metaphor for waxing wishes,
Until I explode on the milky way of destiny,
Sprinkling confetti of crushed novalunosis and 
     half-kept promises.

I am a memory, I am a void,
I am a chuckle, I am a tear,
I am alchemy, I am Kintsugi
I am here, there, everywhere—
A celebration of life, an inventory of scars!

©2023 Urmi Chakravorty
All rights reserved

Urmi Chakravorty…

…is a former educator whose articles, stories and poems have found space in national dailies like The Hindu, The Times of India, multiple literary platforms, as well as poetry and fiction anthologies.In 2022, she won the Orange Flower Awards instituted by Women’s Web, the second position in the National Poetry Writing Competition, and several such accolades. Reviewing and editing are other areas she finds engaging

.

http://:www.wordsnverses.com / Blog Linked


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

Red Sap | Mykyta Ryzhykh

The Cherry Tree
Painting ©2022 Gerry Shepherd

* * *

Stiletto in the red sap of the cherry orchard birches.

The saber of the kagan shines. The clatter of hooves resounded, and a shiny dress shoe fell on the Alai carpet. Then the door of the hall opened, and the Mongol Shah himself entered. He was in festive attire; musicians and dancers followed the Shah, and all of them loudly shouted out some kind of joyful song—a song about the sea. And the sea (in the meantime) either existed separately from the land, or burned like a candle along with the night and a smooth surface, difficult to distinguish from air.

The game began. With whom? What? How the Shah would like it all to be a dream—but no, no, the pawn is already moving. And something else.

The gates of the world were opening. To whom are they open now, why? What kind of mysterious expensive shoe, what kind of feast, noise, musicians, and even the Shah himself?

Chess opened the gates of the world. The air weighed heavily on the shoulders of those present, superstition found on everyone.

Chess opened the gates of the lost world. Raya? Hell? Hey, angels, come here, come—we will give birth to children. They will become Cossacks. Those will be kamikaze. Their name will be Zuhra. Myopia of tears—their name will be eared, and above the name—the fungus of Hiroshima, and the Fuhrer, and nothing but the name of the Fuhrer.

Chess of angels opened the gates of the lost world. The machine gun was baptized along with the child. The shah knew all this, he was present at the same time, and his soul was touched by a cloud of flame.

Chess of angels opened the gates of the lost world 2.0 (Vexila regis prodeunt—stars in the sky—addresses of whores from the telegram, a sonorous voice, chatter respectful of the shah. The dog howled—who doesn’t know, this is Andreev, he still has a book "Red Laughter" .In a white corolla of roses, in front of Santa Claus, red nose). It's scary to even imagine: what will happen tomorrow? The cage went to look for the bird—Kafka (in fact, everything in the world has already been said). Fucking feminists, strange children with purple hair, an incomprehensible body—you are so afraid, they will force you to give birth, and everything, everything in the world, slurred, reflected in the pupils of the kagan. Oh, that is the check. That is, someone else. Someone special. Someone who is trying to be someone else. Superstition. We all understood everything. We don't understand. And only death calmly wandered on the shores of the strictest peace.

* * *

This word smells good
It's like a hacked account
Changed password
Passion-poisoned air
The word with which you will not be able to rhyme

So
The look word is dead
Our mysterious touch chat is exhausted


About your armpit hair
Oh my red fingernails
Oh my armpit hair
Oh your red fingernails

Send me attachment in pdf format
(Secularization?)
Let this be your photo
Today there are more of us than me

Where is my long hair
Where is the long hair?
cut off
Kissed the mirror of the day
Lilies of the valley placed on the table
lilies of the valley

Lilies of the valley on the old avatar
Simulacrum of air
Ice nipples on the new avatar
The ghost of the heart and the chest between the ribs screams ayy ayy
No it's not scary it's not scary
(Only between us
You have nothing more to lose)
Yesterday, Washington legalized the word queer for the 100th time.
And in your communal apartment down the street of sadness
The Mongols baptized the child
Lilies of the valley filled with water
They said that the Mongolian hands were born for the hard work of beautiful horses with shaved legs—no not shaved
When you grow up you will be Genghis Khan
Throw out the lilies of the valley ventilate the apartment paint the walls change the floor
So who are you girl? be Mary
Shulamith you are my Shulamith
From the outlet in the kitchen sparks
Hey maria bring cigarettes
_Sister or brother
Mother or father_
Nobody will know)
Bring cigarettes breathe listen
What if Jesus was gay?
Then everything would become clear
Then everything would become clear
But for now, about Allah
Mongolian child
Become Genghis Khan
He will become Genghis Khan
Horses will be whipped fiercely

/Shameless return lilies of the valley/

/Best form of silence dialogue/

He will become Genghis Khan

/ Icy nipples scars on the chest /

And he will wear wardrobes home
The horses will be whipped

/ Eyelash caught an eyelash /

Fuck the kids off
noble women

/we will never have children/

Pih pah oh oh oh


* * *

Blind is your love. Yes, it does not really exist—there is only the fear of loneliness, which at least slightly subsides when the simulacrum of love approaches. Love is also not the highest grace. After all, it is possible to love only one's neighbor, to sympathize—to any creature in the universe. And contrary to popular belief—the end of the world will never come, because the universe is an ideal geometry; the perpetual motion machine is also an ideal geometry, someone launched it at one moment, and it will never stop.

©2023 Mykyta Ryzhykh
All rights reserved


Mykyta Ryzhykh…

……is a Ukrainian poet and the winner of the international competition Art Against Drugs and Ukrainian contests Vytoky, Shoduarivska Altanka, Khortytsky dzvony; laureate of the literary competition named after Tyutyunnik, Lyceum, Twelve, named after Dragomoshchenko. Finalist of the Crimean ginger competition. Nominated for Pushcart Prize. Ryzhkykh has been published in the journals: Tipton Poetry JournalStone Poetry JournalDivot Journal, dyst journal, Superpresent MagazineAllegro Poetry MagazineAlternate RouteBetter Than Starbucks Poetry & Fiction JournalLittoral PressBook of MatchesTheNewVerse NewsAcorn Haiku JournalThe Wise OwlVerse-Virtual, ScudFevers of the Mind, LiteraryYardPlum Tree TavernIterantFleas on the DogThe Tiger Moth ReviewLothlorien Poetry JournalAngel RustNeologism Poetry JournalShot Glass JournalQLRSThe CrankChronogramThe Antonymthe6ress zineMonterey Poetry Review, and PPP Ezine.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

a shadow lurking—3 poems | Mitko Gogov

“…when you dream, you see the most…”
Oil Pastels ©2023 jsburl

[just a little prayer]

Translated by Tom Phillips
when you’re silent, you say the most,
when you dream, you see the most.

elephants wake to the orchestra inside you
—for the first time the hunters are scared by their own trumpets.

take a look inside yourself while you’re taking care not to
          tread on the grass.

in the room there’s the smell of all the nights
we failed to create. the stars fell asleep, waiting
on the floor. there are still traces on the stained tiles, insignificance
like a shadow lurking between outlines.

we will go without getting angry
at the flowers to the dance that turned purple to yellow.
in the night fan we missed another prayer.
—mental dust

which in the cosmos plays out the saddest dream.
winner of the Enhalon prize 2018

[само малку молитва]

кога си тивок тогаш најмногу зборуваш,
кога сонуваш тогаш најмногу гледаш.

се будат слоновите со оркестарoт во тебе
—ловџиите за прв пат се плашат од сопствените труби.

гледај во себе додека внимаваш да не ја настапнеш тревата.

во собата мирисаат сите ноќи
кои не успеавме да ги создадеме. ѕвездите заспаа чекајќи
на подот. по извалканите плочки сѐ уште траги, маленкоста
како сенка се крие помеѓу фугите.

ќе си заминеме без да се лутиме на
цвеќињата, на танцот кој го претворил виолетовото во жолто.
во вентилаторот на ноќта испуштаме уште една молитва
—ментална прашина

што во космосот го игра најтажниот сон.

.hidden scripture

Translated by Nikola Gjelincheski
don’t forget the written
words, the voices that subdued 
the joy of your voice.
 
unite the cities, move the
bridges.
 
in the centre place a fighter, move 
the white capturing piece, do not worry,
the winners
write it down.

.скриено писмо

не заборавај ги напишаните
зборови, оние гласови кои ја покорија
радоста на твојот глас.
 
обедини ги градовите, помести ги
мостовите.
 
во средината постави борец, пушти
го белиот ловец, не грижи се,
оној кој победува
запишува.

.the forgotten stool everyone should sit

Translated by Nikola Gjelincheski
proud of our past
unstable in the present
we tremble before the future
we cut down trees although we know
that a football pitch can’t be built on a hill
where the goalposts can’t be seen
 
we run uphill with stones in our pockets
the doors and windows don’t creak anymore, 
but behind them the same snobs throw us away
like spoiled pickled food, they don’t smell us,
they throw us in the cellar as destroyed,
invalid evidence.  
 
true values, right?
 
we/they are all managers of the office for 
lost reasonable opinions. 
one day I’ll take all the flags waving in vain
and I’ll put them in a washing machine. 
they all need to be washed—together.
with the same washing powder and the same softener. 
because that should be the new freedom!
we float in life like a plastic bag in the wind
in a full-length silent film. the ones who don’t realize it,
even more so. 
 
great people leave, little sweethearts come
—except for the ones found on the shore.
 
will they achieve greatness or will unease eat them up?
amid crudeness, stupidity and vanity galore
everyone looks for their place under the sun to scream their heart out
about everything weighing down on their soul. 
 
we want to be cherries, yet we’re worms, hidden inside them.
a mandala made of sand left in the storm,
until someone stops breathing 
 
—we’ll keep on destroying ourselves.

.заборавениот троножец на кој сите треба да седнеме

горди на минатото
нестабилни во сегашноста
се тресеме на иднината

сечеме дрвја иако знаеме
дека фудбалскиот терен не се гради на рид во кој
головите не се гледаат

трчаме по угорница со камења во џебовите
вратите и прозорците повеќе не крцкаат,
но позади нив истите снобови како расипана зимница
не фрлаат, не нѐ мирисаат,

не расфрлаат во депото како уништени,
невалидни докази.

нели вистински вредности?

сите с(м)е директори на канцеларијата за
изгубени здраворазумни ставови.

еден ден ќе ги соберам сите знамиња кои залудно се веат
и ќе ги ставам во перачка машина.
на сите им треба перење и тоа—заедно.
со ист прашок за перење и ист омекнувач.
оти тоа би требало да биде новата слобода!

лебдиме во животот како пластично ќесе на ветрот
во долгометражен нем филм. оние кои не препознаваат,
уште повеќе.

големите луѓе си одат, мали срценца доаѓаат
—освен оние најдени на брегот.

ќе станат ли и тие големи или јанѕата ќе ги изеде?

во раскошот на грубоста, глупоста, ништожноста,
секој си бара место за да си извика
сѐ она што му тежи на душичката.

сакаме да бидеме цреши, а црви сме, скриени во нив.

мандала сме од песок оставена на бура,
се додека некој не престане да дише

—ќе продолжиме да се уништуваме.

Poetry ©2018–2023 Mitko Gogov
English Translation of [just a little prayer] ©2023 Tom Phillips
English Translations of .hidden scripture and
.the forgotten stool everyone should sit on ©2023 Nikola Gjelincheski
All rights reserved


Mitko Gogov

…was born on 11 November 1983, in Skopje, Macedonia. He writes poetry, short stories, essays and journal articles. He also writes haiku, senryu, renga and publishes them on the microblogging network twitter. His works have been translated and published in numerous anthologies, poetry books and journals for art and literature in India, Pakistan, the Philippines, China, Taiwan, Egypt, USA, Argentina, Russia, Spain, Italy, the Czech Republic, Romania, Germany, Israel, Mexico, Serbia, Croatia, Albania, Kosovo, Greece, Bulgaria… 

He has published the poetry collections: Ice Water (BCC, Serbia 2011), Anthologist (2014), Hidden Letter Anthologist (2019), Linear. Numbers (Macabeo, 2021) and won several awards and recognitions including: Enhalon, presented by the Struga Poetry Evenings; Angelo La Vecchia Prize in Sicily, Italy; Prizes at the “Poetic Literary Sparks” Poetry Slam in Prilep; Struga Waves in Struga; and many more. 

He is the president of the Association for Cultural Development and Protection of the cultural heritage “Context – Strumuca,” an organizer of the global poetry event “100 Thousand Poets for Change,” a representative of the World Union of Poets and the School of Poetry–Macedonian Delegation, One of the founders of the Antevo Slovo and Antevo Per” Awards, and Editor of strumicaonline.net and reper.net.mk. He also is a conceptual artist and has had several exhibitions, installations, performances, scenography and multimedia projects in Norway, France, Italy, Serbia, Macedonia, Bulgaria… And he organizes cultural and art events, collaborates with youth, art, film and theatre festivals.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

Spring Hope | jsburl

spring has come slowly

the morning sun rises in all its glory
to dusky rose colored clouds, tinting the world,
but from the west comes an ominous dark wall
high above the land, dosing fast.

rain drops begin to descend, softly, gently.
tears from heaven to cares the soul.
sultry as smoke, a wall of rain approaches
a deluge to wash away winter's last clutches.

quickly the last pockets of snow melt away.
uncovering the grey of stone walls long covered
soon will come the green of spring but all there is today
are a fow jonquils, hyacinths, and crocuses—spring's promise.

quickly the rain passes, leaving all shiny in its wake
as the swallows come out, in all there glory
to swoop and dance in the wind practicing their aeronautic prowess.

afternoon falls, darkness descends
and the snow once again begins to fall
and so i sigh, dreaming of the sun's warmth,
as i wait for the dawn anew.

hope

so beautiful
yet so fragile
hopes are easily dreamed
but so quickly dashed

we hope for the stars
and won't accept less
we are crushed
when what we don't want happens
but aren't thankful when it does

hope…
we need hope
but we shouldn't expect
shouldn't ask for what we don't need
yet we do
we should accept the little blessings
for what they are
tiny glimmers of hope
be thankful for friends and family
he glad to be alive in this beautiful world

and the rest
well
the rest is negotiable…

Art and Poems ©2023 jsburl
All rights reserved



The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, poem, Poems/Poetry, poetry

Toy Improv Play | Gerry Shepherd

Introducing the Country Boys
Painting, ©2023 Gerry Shepherd

Ah Ha, I Found Pete in a Toy Box

I had porridge for breakfast. I wore a bow tie with a map of the Martian canals.
There are no Martian canals; my bow tie was a frog and it hopped away.
While I was eating, two giraffes entered the floating room (I have the lily pad blues!).
One of the giraffes was carrying a smoking hat, the other a giant apricot.
The stone of the apricot had been removed and replaced by an embryonic neutron star.
The neutron star was orbiting a black hole – they are like brother and sister.
At the end of the world time reverses and we all have a chance to go sdrawkcab.
I am wearing a red dress with pink rose petals glued to it.

I am thinking of the future like a miner thinks of a coal dust covered cheese sandwich.
An Egyptian mummy dressed as a ballerina pulls the chain and then dances out of the toilet.
Three old ladies hadn’t reached the finish line so they couldn’t start the race.
An old man stumbles towards the start pulling a kite – the kite had grown hands.
One hand was holding the skeleton of a saintly typewriter from which issued spirit words.
These would be read by a dog headed judge singing to himself on a playground swing.
 The playground was otherwise empty as all the children had either grown up or grown down.
Venus kicks Mars and Mars kicks me; I haven’t got anyone to kick.

I photograph myself photographing myself; several pencils were sticking out of a Plasticine ox.
A veteran of the war at Woodstock doesn’t care if he paranoid as the world is a confectionery.
A senior citizen refuses the sweet offered by a young girl standing on a bass drum.
Meanwhile six hooded figures walk by, each holding a candle, only one of which was lit.
The room looked like a mangrove swamp with neon signs for trees and fish in Wellingtons.
A portrait painting on a sniggering wall hiccups; the man with hair on his hat turns round.
Behind him the secret cupboard smells of fish; who cares if the ocean is a foreign language.
I say goodbye to the manatee king using seaweed words – I forget the full stop, ha ha.

An Improbable Atlas
Painting, ©2023 Gerry Shepherd

Improvisation A1

Stanza One
I thought I had baked a dream in a cake
It had risen like a frog’s head
Blowing a trumpet in an incandescent light bulb
The bulb cracked like winter water
I saw the reflection of the back of my head
I had a Pompeii hat and Herculaneum earrings
Vesuvius jumped upon a kangaroo paw
A cathedral bell winked at a weathered gargoyle
The rain was knitting a jumper I would never wear
As the sun comes out like a bicycle in a muddy field
I dip my pen in the Somme trenches
And draw with hate on a tranquil sky
A bird the size of a coal fired power station perched on a paper clip
Will read the paper like a razor blade
A werewolf barber and a vampire tailor
Sitting in a hospital for lost socks
The lost boys were hidden in rubber gloves
Hanging from the comb of a bald man
I held my head as if it was a seashell
I heard the sound of a dried up sea.


Stanza Two
I thought I had said a prayer in a toffee wrapper
The priestess dressed in the dead leaves of Spring
With a fire in a water bottle and a puddle in a grate
I feel the warmth of space rocket footprints
As I follow a water rat executioner along a poor man’s artery
A picture of beggar veins huddled in a wren’s nest
My a hair a woodland screaming like a torn cloth
A blind painter hiding from the sound of his own name
His reflection says his name backwards
Smoke issues from a disappearing statue
A house on caterpillar tracks in a railway tunnel
Where the sun emerges from a fishnet stocking
To meet a moon goddess made from mouse cheese
A trap that catches thoughts with dreams
A nightmare in a free flowering rain
Water in the shape of a sailing boat
The horizon a rock vein in a gold wall
Hope like a smoking top hat
Bends in a wind tunnel of war
Like features that fight across an ageing face


Stanza Three
I thought I had found a bat in a ball cave

An Improbable Atlas — Rearrangement One
Painting, ©2023 Gerry Shepherd

Micro-Play 1

A sparsely furnished room, the heavily curtained window faces east. A worn faux leather sofa in a subdued orange, resplendent in the stains of a personal history; a chair in a similar material and in a similar condition; a fold up table, pushed into the corner and a coffee table pulled into the centre. Although close to midday there is not enough light to see clearly, with more light coming through the partially opened door than issuing through the floral patterned window.

A large man with bushy beard and bushy eyebrows coughs as he enters the room, looks round as if he is not sure if this is the right room and promptly leaves again.

Another man, just as tall but much thinner comes in quickly, drops a newspaper several days old on the coffee table and goes out with equal haste.

A little plump lady languidly enters, sits on the slightly less worn side of the sofa, takes out a comb from her handbag and combs her hair. After replacing the comb she gets up and walks out, saying something to herself that no one hears.

Immediately afterwards a small boy runs in, circles the sofa one way and circles the chair the other. He then runs out, getting his foot caught in a raised piece of carpet and almost tripping up as he does so.

An attractive girl enters, glances at her reflection in an ornate mirror over the Victorian fireplace and then sits in the chair with a cultivated elegance. She crosses and uncrosses her legs before standing up abruptly and after hesitantly picking up an object from the table and placing it in her pocket she leaves.

Rain can be heard falling outside and a clock chimes twelve times in another room.

Return of the Country Boys
Painting, ©2023 Gerry Shepherd

The Wait

The Wait (Man House Variant)
The wall has a large mouth
And is chewing gum
The eye in the roof looks up
The rain comes down

A giraffe climbs a step ladder and
An elephant climbs inside a cushion

The thatch is wearing a wig
Small people climb down the creepered wall
Like tears
Hahaha, large hands grasp sky like trees
As all shapes are coloured blue or green

A snake hides in a hose pipe
A kite pulls on a piece of string
The listener turns the page

While a poet holds a hod of bricks
And the bricklayer writes verse


The Wait (House Man Variant)
Specks on a bare wall
I make a crane with my Meccano hands
The chimney (bent like a broken promise) coughs

I imagine a desert in a soup bowl
The clock has four hands

Flashes of light in a bare sky
I write with lengths of licorice
A dead musician turns the music up

The chimney (straight like a laying down lie) sighs


The Wait (In A Doctor’s Surgery)
Speech like sludge
I poke mud out of my third eye
The carpet coughs
The mumbles continue from an ancestral mouth

Music like a spider's web
The chair taps it's foot
To the heartbeat of a million men

A hand emerges from the wall
And I shake it

©2023 Gerry Shepherd
All rights reserved


Gerry Shepherd…

…frequently contributes art to The BeZine.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry

intentional attention | Lonnie Monka

denying our disdain for the loneliness of honesty 

…heaped up chaos of knowledge
which fails to have an external effect…
—Nietzsche
denying our disdain for the loneliness of honesty
we emerge in these capitalistic space-time territories
where to be courageous you must hunt
beyond the bounds of automatable actions
staying at least one step ahead of the exponential hunger
as totalities fiend to feed off our labor:
this constant conversion of potential into actions

we devise devices to combat the need
to feel grounded in any given place & any given time
we manipulate ourselves with screens
distorting our sense of presence
with far off times & far off places, as if soon
     we'll never think
(thanks to this grace of our disgraces) to be where &
     when we are
transforming "when" & "where" into all time, all places

but please, let's not deny our purpose
let us instill intention into this attention

would you perhaps pretend to bother

would you perhaps pretend to bother
now that my current has begun its seduction
(dear timbre of distracted trees) now
my mind’s continuous & chaotic river
pulls you along as driftwood wishing to be burnt:
will you perhaps pretend to bother
to be my equal, my friend, my merging water?

the chaotic & continuous river of my mind
hostile & bitter, nourishing & sweet—this river
is playful deceptive, defiant, contiguous
rivers accept all confluence but mine contains residue
from Santa Fe, Austin, & New Orleans,
stretching from Sḥem to Jerusalem
& roaring with the ambiguous sounds of musical intent
—do I dare submerge you
into the unseen world of emerging re-emergences
merging—as equals, as friends, as water?

would you perhaps pretend to bother
to prevent malicious voices of the dead
from igniting false fires of renewal—those voices
that consume all that has yet to merge
with the water?
please merge, my merging, friendly water…
my mind’s chaotic & continuous river
carries your rolling body, soaked but still separate from me,
more present than any molecule & sharper than any atom:
pretend, pretend, pretend to bother
to be my equal, my friend, my merging water

Puck’s Glen, Scotland
Photograph ©2023 jsburl

our future is not the future if we choose

It avails not, time nor place—distance avails not                     
I am with you, you men and women of a generation, or ever
so many generations hence.                                                
—Whitman
our future is not the future if we choose
to hide what we don’t choose: mortality
is not a mask we wear like relative morality
blind to its ends & aimed at exhausting what we know of
           mortality,
like the lifespan of a picture presenting some present
as impressive because more important than choosing
is to be chosen: seducing potentialities sings immortality

actualities! potentialities! being human & being born
into the condition of choosing choices that forget
the disdainful desire of being chosen to help
in this endless string of bearing: bear the future,
     bear the present,
bear these projected fractions of the self
presented to impress whoever might next approach:
new patterns emerge from the pain
of our having chosen & our having been chosen
because once the desire to defer presence was entertained
time & distance formed—allowing us to betray
one another, forming tears that tear out pain
of actual sadness from potential futures:
thinking of how everyone eventually will have been
we are all statisticians, analyzing time & space
for the pleasure of losing ourselves between patterns:
pattern forming—pattern finding—each pattern
      a seductive song
so go measure—measure & then deduce probable solutions

how do abstract thoughts suggest that they can affect?
whether as geometer or statistician, our wonder
ought to discover the pleasure enjoyed by those who
impart projections of future forces to imagined objects
because even abstract objects have the power to
     affect the world:
from the rivers of Babylon to the mountains of Sinai
from the cedars of Lebanon to the salt of the Dead Sea
all these times, places & songs—once measured—
     can be chosen

©2023 Lonnie Monka
All rights reserved


Lonnie Monka…

……founded Jerusalism, a non-profit organization to promote Israeli literature in English. He is a PhD student at Hebrew University, researching the intersection of modernist art and orality through a study of David Antin’s talk-poems, and is an OWL Lab Fellow.

Jerusalism


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry, Poets/Writers, Writing

Whispering Vibrations | Waqas Khwaja

what is left

on a kite string you fly me
then cut me adrift
with your own hand
to float on air
in the passage of seasons
the flight of geese

carried by the breeze
spinning and sailing
ever further and away
keeling when it sags
to sink among trees

snagged by a runner
as spoils of conquest
claimed by strange hands
by right of possession
used willfully then
harnessed and tied
to unfamiliar strings

raised once more to fly
and ripple in the wind
its dance and the surge
could still entrance
but severed in a duel
swept away by the draft
i am seized yet again as bounty
straight out of a fickle sky

so captured and surrendered
in casual repetition
riding ever degraded strings
in the hands of fortune-hunters
my colors fast declining
my garments wearing thin
patched up for tears
dispirited now and dull
flickering but damply

spent and shabby
i fall at last
to a gaggle of street boys 
who brawl and bicker
over a patched-up thing
and tear it to pieces
in rivalry and spite

the one most irate
snaps the spine in two
cracks the bow
shreds and crumples what is left
tosses it on the roadside 
kicks dust over it
looks about for other game

all broken and torn
i am but scraps
of the paper kite I was
fooled by the fable
of a momentary release

it was just sport for you
but a worn piece of thread
still locked in a knot
you tied with your hand
binding spine and bow
to equip me to fly
remains as a relic
in the wreckage that is left

furnace of galaxies

	virtual in cyberspace
			a cypher and 
		a dot
				digital breath

waves of sound
			no flesh 
		no bones 
cyphers and dots 

		meeting 
cyphers and dots 
			across riven continents
	littered oceans

		a wilderness of black ice
phyllium forests abuzz
				stir and fuss
	of cybernetic insects 

hammer and din 
		over deserts
	of white hot sand
				over wastelands of burnt rock
  
	whispered vibrations
in virtual ears 
			cuddles
in virtual arms

		qalandar condor
wings thrashing 
			storms spectral lips
	strokes and scours

			and shreds
	with ghostly talons
			tears into phantom
		belly and entrails

			plop
		plop 
			astral stones bubble
	molten in flaming lakes	

furnace of galaxies
	fizzing endlessly
			jets of heat
		seethe singing

	galactic light 
burbling
		spilling over
			babbling in concentric ripples

	scattering 
		clumsy wares
				a cosmic potter’s wheel
churning swirls of stars

				crude
	suns and moons
			comets
and planets fired

		glazed and burnished
celestial dregs
			candescent debris of eternity
		immeasurable space

			nothing
	purgatory in perpetual dissolution
		mutation
					trance

		trans 
				cyphers and 
dots meeting
			cyphers 

	and dots 
splatter in a virtual eye	
				arsenic
		on a virtual tongue

a virtual palm
			salted for prayer
	a virtual heart
pumping plasma

			through cyber thoroughfares
 	cyphers 		dots
burning slag
		flooding galactic highways


Puck’s Glen, Scotland
Photograph ©2023 jsburl

tryst

holding back I refuse
that gift of life
toward which I have traveled
all these long years
without knowing 
where I was headed
till ready to slip away
without regret or rancor
seeking even fondly
that state of not being
existing without 
awareness of existence
without self 
or sense of self

and this forbearance
launches us
into orbits 
far from each other
where we shall not 
cross paths
in dimensions of time 
we know
yearning incomplete lost
pulled into another world
into other worlds
until the collapse of time
in the collapse of space

that instant 
which allows us
to tear through curtains
of separating life screens
crash through spun glass
of gossamer fancies
hurtling towards a tryst
that is written into our lives
certain beyond doubt
and possible only then
at the very end
when hours are dust
and dust a flash of light

we dream the impossible
long for something 
that cannot be
and what is imagined
is rendered probable

all that has ever occurred
all that is happening
all that will transpire
converge and come together 
held all at once
in this moment 
that must be ours 
an instant that unites
and so reunites us
in a transitory gleam
in the glassworks of the imaginary 
that seizes the real
and preserves it forever
in the moment
of its obliteration

©2023 Waqas Khwaja
All rights reserved

Waqas Khwaja…

…has published four collections of poetry,a literary travelogue about his experiences as a fellow of the International Writing Program, University of Iowa, and a couple of edited anthologies of Pakistani literature. He served as translation editor and contributor for Modern Poetry from Pakistan, a Pakistan Academy of Letters project supported by a grant from the National Endowment of the Arts, and is the Ellen Douglass Leyburn Professor of English at Agnes Scott College, where he teaches courses in literature and creative writing.

Website



The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry, Poets/Writers, Writing

Spring Throat | Mykyta Ryzhykh

***

lump in spring throat
can't hear the singing of the nightingale
vacuum of nature

***

absolute evil
when he stepped into the woods
on the rustle of leaves
color of ripe amber

***

While Judas is still killed—
Evil triumphs.

©2023 Mykyta Ryzhykh
All rights reserved

Mykyta Ryzhykh…

…is a Ukrainian poet and the winner of the international competition Art Against Drugs and Ukrainian contests Vytoky, Shoduarivska Altanka, Khortytsky dzvony; laureate of the literary competition named after Tyutyunnik, Lyceum, Twelve, named after Dragomoshchenko. Finalist of the Crimean ginger competition. Nominated for Pushcart Prize. Ryzhkykh has been published in the journals: Tipton Poetry Journal, Stone Poetry Journal, Divot Journal, dyst journal, Superpresent Magazine, Allegro Poetry Magazine, Alternate Route, Better Than Starbucks Poetry & Fiction Journal, Littoral Press, Book of Matches, TheNewVerse News, Acorn Haiku Journal, The Wise Owl, Verse-Virtual, Scud, Fevers of the Mind, LiteraryYard, Plum Tree Tavern, Iterant, Fleas on the Dog, The Tiger Moth Review, Lothlorien Poetry Journal, Angel Rust, Neologism Poetry Journal, Shot Glass Journal, QLRS, The Crank, Chronogram, The Antonym, the6ress zine, Monterey Poetry Review, and PPP Ezine.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, Poets/Writers, Writing

Departure, Arrival | Julia Knobloch

Pico-Robertson, Before Departure

A back alley glows in apricot and pink
seven trumpets praise the early sun
Crows sit on wires like purple sparks
palm trees worship the wind, their fronds clatter
like plastic blinds in a sparsely furnished bedroom
 
June gloom stretches into July
A skateboard stumbles over rotten dates
Marine layer is just another term for fog
but the beaches in the west are always open
 
The hot months I love to greet will arrive
after I have traveled to a summer in decline
My peach garden will be gone when I return
others will harvest what they plant
sit on dunes and squint their eyes
watch the sun set behind mid-century balconies
contemplate desert colors from the snow
 
Now that the silent neighborhoods light up 
again, I must leave
although I still don’t know what happened
to the silver hoops I forgot
pool-side on Shenandoah
next to a pile of cherry pits, another layer of my soul

The Beautiful Cityscape
©2023 Binod Dawadi

Arrival

In the first week, sleep comes any hour, hunger early
when the pillar of dawn climbs up the stone wall
in gray and blue, and the neighbors have sex, again
 
In the space between jet-lag and transition
exhilaration and exhaustion
water from the shower engulfs my skin
an orange glow
It seems easy to wash away age and memories 
longing to emerge
to exhale, to play a wind instrument
 
With gusto, I eat olives and labneh, warm pita
with za’atar from the Bukharian baker
I can’t write a line but walk far and beyond
in somnambulant serenity
through alleys that smell of fresh detergent
moth powder and worn ceramic tiles
 
I nod and smile and some smile back
I am not deaf but mute
I see but I don’t know how I am seen
I log my journey of discount and preparation

©2023 Julia Knobloch
All rights reserved

Julia Knobloch…

…is a poet and literary event organizer studying to be a rabbi. As part of her studies, she is living this year in Jerusalem.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, poem, Poems/Poetry, Writing

from Hiraeth | Mike Stone

A Place I Never Was
pastels ©2023 jsburl

Hiraeth

from “The Sylvan Dialogues”
Somewhere deep inside me
Is a longing for a place I never was
In a time I’ve never been
In a home I never had.
There is a feeling that belongs
To a person I never occupied.
There is a dream that is
More real than any reality.
It is a bird that flies through the
Night and can never land,
Whose home is my breast.
August 16, 2022

Blanks Blanks!

Blanks blanks
Another shouted
Smoking gun in hand
As a man crumpled
To the ground
One night long ago,
Just as another man
Shouts blanks blanks
As democracy crumples
To the ground
These days.
January 27, 2023

Echoes

Sitting next to a piano
In the dim light from another room
Reaching for an ivory key from memory
An echo from long ago
Sitting on a couch behind my aunt
As she sat on her piano bench
Both hands tentatively fingering the keys
How I loved her graceful movements
In my youth perhaps I felt that
If I could only fill the world with love
Perhaps I could feel its echo.
February 9, 2023

The Histories of the Future

I’ve often wondered what would
The histories of the future be.
Would they be as far from the mark
As the futures of our many pasts?
Would our pessimisms or optimisms
Prove as unfounded as our other
Beliefs and prejudices
That betray us? Silence and
Inaction are the unsung heroes
Who would save our lemming selves
From running off the cliffs
Unwittingly.
March 4, 2023

©2023 Mike Stone
All rights reserved

Mike Stone…

…was born in Columbus Ohio, USA, in 1947. He graduated from Ohio State University with a BA in Psychology. He served in both the US Army and the Israeli Defense Forces. Mike moved to Israel in 1978 and lives in Raanana. He has self-published ten books of poetry, four novels, a book of short stories, and a book of essays. Mike is married to Talma. They have 3 sons and 8 grandchildren.

Uncollected Works


The 2023 (Inter)National Poetry Month BeZine Blog Bash

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Art: European Robin, pastels, ©2021 Tom Higgins

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Eternal Memories Souls | Dessy Tsvetkova

Eternal painted melody

Carry on
the rhythm
of bubbling air.
Sing with the ocean wind.
Step on jiggling sand
of the magic dunes.
The moments are there
to breath as twinned
with birds,
to fill the eyes with sand
and twisting tunes.
Embrace the streets
full of beats of hearts,
make a wish,
send your ivy thoughts
to the chronicles of the eternal time.
Each glossy belief
will enrich the shine of stars,
the paradigm of life
is to add your miniature
to the giant canvas of space,
if you can, with chime.

Memories

The memories are sailing birds with us.
They make us travelling in time.
The cruise is sometimes sad ash in dust,
but often bright they really shine.
They float as feathers in the lake,
as autumn leaves they dance.
The memories are time for break.
We see ourselves in a glance.
The memories, the bridges of the moments,
I swim with you like surfer grabs the waves,
I travel back if I need some adornments.
Through you I grow and go on to behave.
My orange shining memories,
come when I need you, please!

The souls

Wherever I go,
the birds are right nearby.
Whatever was done,
It's always a moment to fly.
Whoever I meet,
I leave there a smile.
Wherever was taken,
It gives back Devine.
Some people are birds,
they are blessed by the sky.
Some others are shadows
and use other's shine.
Some persons are fishes,
They float into plasma
and reach deep to arteries,
Some others are stones,
They don't make a sign.
But they can build mountains
if needed as high as the Everest,
And back to the species,
I prefer to fly...

To S.

He had a light shadow.
His figure was holding on
to a straight shovel.
When he was walking,
among the beds the weeds disappeared.
The wind was always his way.
Birds ate from his palms ...
As soon as he smiled
to someone
they stopped to look at him ...
A real miracle,
every time,
when
its direction
led to my door.

©2023 Dessy Tsvetkova
All rights reserved


Dessy Tsvetkova…

…is a Bulgarian who writes poems in Bulgarian and in English. She lived in Luxembourg and currently she lives and works in Belgium. Dessy has publications in many Bulgarian magazines and newspapers, also in Romania, Belgium, USA, India, Peru,Philippines.She has 4 books in Bulgarian, 1 in English, and she has also compiled a book as translator from Bulgarian into English, an anthology of Bulgarian top authors.She writes about nature, love and God,and her accent is the positive message at the final.Member of Flemish Party for Poetry.Editor in Homagi international Web literature magazine.


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry, Writing

Sonnet Hues Profaned | Kushal Poddar

Sonnet to the White

One, two, three leaves sink in the sun.
The bituminous pitch turns liquid.
The path undone runs towards the school 
I hear the Miss Teacher translating
English to Northern East, to the city
seeking a leeway in the narrow shadow
beneath the parking cars and licking
its rear before stretching and curling up. 

Quite feverish, I feel time peddle heat
through the veins, hear the children
croon in the manner they are tutored.
"This is the summer of everything."
I remember you used to say in the end.
I hold onto my shivering blurred to bleach.

Hues We See Not

We did not name these colours.
They exist between the shades 
When my uncle don madness
he can scoop those in his fist
and cast on the face of this race of the names. 

"We are not blind enough to see." 
He says. Whatever it may mean. 
I have to drag him inside. Sometimes
people are so hostile!
And my skin feels the sheen and grain.
I see no granules of hues. I rub my hands
again and again.

The Profaned Coparceners

I tell my cousin brother profaning,
"Defile anything; not a gentleman,
I am a poet. I can call my mother a whore
and still give her respect.”

This spring morning sky bursts into crows.
Their flight pattern looks like spokes
from a shouting mouth. 
I shake my head and head out for
the downstairs where I live.
He has the upstairs. It is landing of the stairs
where a big window makes us silhouette.

The Constant

Two men at work talks about iron
with gust and credulity unknown
to me. Last night's rain rusts away.

The flowers of summer leave a trail 
to the stream, to the West of the city. 
The residue of the clouds pass by
the delta of the labour hard hands.

The river gurgles, "There is a tectonic
shift nearby.”
Yet we build. Iron. Hands. Sun. Sweat beads.

©2023 Kushal Poddar
All rights reserved


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in General Interest, interNational Poetry Month, Poems/Poetry, poetry, Writing

our preoccupation | gary lundy

i will speak better

Woman Sitting Near a Window
©2023 Binod Dawadi
when i arrive there.
or somewhere
where tongues are 
untied and given 
slack in order to 
properly tune by 
well designed fork.
you search for
oddities in order
to wrestle out.
fixed equations unlike
normative equilibrium.
you give it up seriously prior to reaching its midpoint 
place intrigued by various shorter stylized as a foot or 
consisting of inexplicable line breaks.

or possibly none
at all. a fact of
simply striking
the edge of a
page. denigrate
what they can't
understand poised
in alarming
discoloration.

where in the world did such a surprising animal come 
from. what might we have said had our language not 
belonged actually to the books we'd read or 
been reading.

done now 
at the least.

emaciated

incandescence 
tongue play 
somnolence 
pre lingual in 
foreplay. a voice 
in background 
not unlike talking 
on phone. one 
sided accuracy 
impeding other 
habits of 
language 
usage. 

i would bask in your pheromone productivity 
disavowed impermeable shrink wrapped. 

holding their 
hug past any 
need of excuse 
the consensual 
incursion 
into dream 
manufacture. 

all the while imagination takes a vacation abandoning 
us outside the geographic boundaries once so 
important and agreed upon.

Metaphorical Mind
©2023 Binod Dawadi

a driving ambition

to push the 
next sentence 
onto the next 
page. even if 
that necessitates 
an otherwise 
superfluous 
wordiness within a 
run on. 

marginal terms of division wrapped in winter apparel. 
spelling encroaches on the rapid flight of compound 
ideation. 

small packs 
able still to 
hold necessities 
of the coming 
day. 

murmurs framed by disparaging self imagination. our 
departure usurps any surprise of others.

we're almost
done with it.

it may reduce

to nearsightedness. 
our preoccupation 
with wants 
and needs 
instead of those 
too distant 
even to echo 
clearly. lost 
nights now sleeping 
on or near ocean 
broken by well 
timed fog horns. 

who might have understood the quiet isolated beach 
walks. their violet winter jacket stuffed with balls of 
what must surely be wool. 

all the buttons 
securely sewn on. 
the last thing 
we'd mean to 
do would be 
make you 
uncomfortable 
through poor taste 
in melodic 
intercession. 

salacious imposition of improbable lavender shadows 
mimic light bearing down in timed gaps on the street. 

when you said 
you'd something to 
share they couldn't 
have imagined 
the awaiting 
face slap.

The World of Cityscape
©2023 Binod Dawadi

the lights go out

and those 
before us engage 
in improvised 
dance while 
enjoying cold 
water or hot 
tea coffee. 

we shrug off the platitudinal diatribes slung out at the 
unsuspecting. merely to cover their guilt over mistakes 
made. 

whatever the 
reason no amount 
of volume or paper 
can justify 
that willingness 
to slip in blindness. 
you sleep in and 
may be late for 
work joining others 
in this well 
practiced cycle. 

evidently they don't deserve to live peacefully if their 
accent or skin tone differs from ours. don't believe it.

a cold time of year 
reflected in the 
breakdown of 
communication. 
what after all can 
they be wishing 
for if not an 
alternative physical 
presence.

Poems ©2023 gary lundy
All Rights Reserved


The 2023 (Inter)National Poetry Month BeZine Blog Bash

Pastel of European Robin perched on a small branch by Tom Higgins ©2021
Art: European Robin, pastels, ©2021 Tom Higgins

Posted in Art, homelessness, Poems/Poetry, poetry, Poets/Writers

Spare Guardian


Aware that M.S. Evans paints and draws, as well as writing poetry, The BeZine invited her to submit artwork to accompany these poems when we accepted this blog post. We asked M.S. Evans for artwork to accompany and complement the words on the screen (we used to say “on the page”), not to “illustrate| the poems. The result is this blog post, which The BeZine presents here as separate yet interconnected works of art by M.S. Evans.

—Michael Dickel, Editor


Spare Guardian Floating


Spare Change

Spare Change
Sidewalk, slouched.
 
My eyes circle the rim of a crumpled
paper cup.
 
Puddles cooly stare up;
too sure of an answer. 
 
Strangers offer me
naked cigarettes;
slim-boned solidarity.
 
My softness wrapped
in copper wire,
 
I learned to smoke.

Floating Away
oil pastel

Guardian of Keepsakes

The weight of boxes ease; released,
forgotten, re-homed.
 
A guardian of  keepsakes,
I carry the irreplaceable,
sentimental.
 
Not naive enough to trust
my home will last
 
this time.

Bronx Botanical Garden
watercolor and ink

Kicked Out

They gave my room away
when I became pregnant
 
You’re welcome to pay for the basement;
uneven floodplain.
 
First trimester: missed period, tender,
insulted.

Backdoor
tercolor and ink

—Poetry and Art by M.S. Evans


Artist’s Notes

“Floating Away” is an oil pastel piece I did in the early 2000s, when my housing was very unstable. There is a lot of yearning in this piece: for stability, but generally for a future. 

“Bronx Botanical Garden” is a watercolor and ink piece from my time in NY, in the late ’90s. At that time I was doing a work-exchange for a room in the house of an elderly Yiddish poet and artist. 

“Backdoor” is a watercolor and ink piece from my current living situation in Butte, Montana. There are signs of decay, but also of continuity and intent. 



Poetry and Artwork ©2020 M.S. Evans
All rights reserved