U.N. INTERNATIONAL DAY OF PEACE 2019 theme, “CLIMATE ACTION FOR PEACE”. Let us find ways and means to avert the likely threats to International Peace and Security by projecting the Universal Cause for combating climate change that in turn protects and promotes U.Ns CONCEPT OF ‘UNIVERSAL PEACE.
On my last visit to Juneau, my Alaskan sister Constance, told me a story. It began over fifteen hundred years ago, when a small band of Pacific Islanders, plagued by overpopulation and the depletion of natural resources, set sail across the Pacific in outrigger canoes to seek new islands to call home.
They were the ancestors of the people of Hawaii, Tahiti, Samoa, and other Polynesian islands. Their only guidance was gleaned from the stars, the wind, ocean currents, the swell of the waves, the birds and the fish, the movement of the clouds. This ancient system of navigation, known as ‘wayfinding,’ enabled them to travel thousands of miles across vast stretches of ocean to remote tiny islands.
My sister told me she had volunteered at an event in honor of native Hawai’ian, Nainoa Thompson, who had come to Juneau to tell his story, and to celebrate the strong bond between the First Peoples of Alaska and Hawai’i. It began in 1976, when Nainoa wanted to follow in his ancestors’ wake by sailing from Hawai’i to Tahiti with only traditional navigation as guidance. He had a double-hulled outrigger canoe named Hokule’a, ‘Our Star of Gladness’. At that time, ‘wayfinding’ was in danger of being forever lost. Hawaii’s wayfinders had all died, and only a few elderly wayfinders remained in Micronesia. One of them, Mau Piailug, barely spoke English, and the trip from Hawaii to Tahiti longer than any voyage Mau had ever made. But Mau’s children, like the children of so many Native Americans, had been taken away to boarding schools, robbed of their culture, and any interest in learning the ancient art. He agreed to mentor Nainoa.
Under Mau’s tutelage Nainoa completed the trip, and became a master wayfinder, helping to preserve Hawai’ian culture. But the Hokule’a was built from modern materials, and Nainoa wanted to build a ship of traditional Hawai’ian materials. For almost a year, Nainoa searched throughout the Hawai’ian Islands for two koa trees to use as hulls.
Between the devastation of ranching and logging, he couldn’t find a single koa tree tall or thick enough to serve.
It was noted in Captain George Vancouvers journals in 1793–that some Hawai’ian canoes had hulls of Sitka Spruce. The logs had been carried three thousand miles from Alaska by ocean currents, tossed up on Hawaiian beaches, and were considered gifts from the gods.
Nainoa asked Alaskan tribal elders for two Sitka Spruce trees to build an outrigger canoe. He was told that he could have the trees “so you can build the canoe to carry your culture. But we won’t take their lives until you come see that they are what you need.”
The Sitka Spruce trees were beautiful; 200-feet tall, eight feet in diameter, over 400 years old. But Nainoa realized that he couldn’t take the life of those trees before dealing with the destruction of his native Hawaiian forests.
Nainoa returned to Hawai’i to launch a restoration program. People worked together, old and young–some traveled from Alaska–to plant thousands of koa tree seedlings, creating forests that will one day have tree big enough to make canoes.
Only then did Nainoa feel he could return to Alaska to accept the gift of the Sitka Spruce trees.
Nainoa called the new canoe ‘Hawai’iloa’, after the ancient wayfinder who first discovered the Hawai’ian Islands.
Those first Polynesian voyagers coped with overpopulation and depletion of resources by migrating to other uninhabited islands, but that’s no longer an option on our crowded planet. Nainoa’s expanded mission has become ‘Malama Honua’, which means ‘caring for the Earth.’ Last year the Hokule’a completed a three year tour that circled the planet, building global community, and promoting earth care and sustainability as well as Polynesian culture.
I believe we have strayed, and lost sight of the world we want and need to live in. But, as Nainoa discovered, and now teaches, if one is willing to listen and learn, there are wayfinders who can show us the way home.
All images ©2019 Naomi Baltuck
NAOMI BALTUCK (Writing Between the Lines)~ is Resident Storyteller at The BeZine. She is a world-traveler and an award-winning writer, photographer. Her works of fiction and nonfiction are available through Amazon HERE.
Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV (her personal blog) as well as on The BeZine.
Naomi conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.
Naomi says, “When not actually writing, I am researching the world with my long-suffering husband and our two kids, or outside editing my garden. My novel, The Keeper of the Crystal Spring (Viking Penguin), can be read in English, German, Spanish, and Italian. My storytelling anthology, Apples From Heaven, garnered four national awards, including the Anne Izard Storytellers’ Choice. I am currently working on a contemporary women’s novel.”
“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.” Elie Wiesel
In 2011, The Bardo Group Beguines (The BeZine and Beguine Again) collected poems and other works that addressed the need for, the desire for, and prospective paths toward peace. We were inspired by a global movement that was founded by poets Michael Rothenberg and Terri Carrion called 100,000 Poets for Change.
The following year we connected with that global movement and hosted a virtual 100,000 Poets for Change so that folks from anywhere in the world could participate in this extraordinary event even if they were homebound or if there was no event being hosted in their area. It wasn’t long before drummers, mimes, musicians, artists and clergy joined this global initiative. Followers and supporters included people who aren’t in the arts but appreciate the power of the arts to raise the collective consciousness and to foster sensible and compassionate action and policy.
SAVE THE DATES
This year The BeZine September issue (September 15) will be devoted to social justice and on Saturday, September 29, we’ll host 100,000 Poets and Friends for Change on The BeZine site in concert with off-line efforts to be sponsored by communities all over the world.
I hope you’ll join us at the Zine in September.
Perhaps you’ll decide to host an event in your town or region. For details on that connect with Michael Rothenberg on Facebook or sign-up HERE.
Today I share a message Michael Rothenberg and Terri Carrion asked me to post for you:
“100 Thousand Poets for Change began in 2011. It was an initiative that spread by word of mouth across the globe.
“Poets in nearly 100 countries around the world expressed their outrage at war, ecocide, gender inequality, police brutality and a slew of other issues that were not being addressed. Up to then, poets as a community had been fragmented and silenced by the corporatization of the arts and peer pressure that insisted poetry should not be political, that poetry and art did not matter in changing the world.
“Now, 8 years later, it has been regularly demonstrated that poetry and the rest of the arts are a powerful resource in broadcasting the need for positive change. This could be in a very small part because of the effect of 100 Thousand Poets for Change.
“However, I believe that, mostly, there was a paradigm shift in regard to the need for protest and engagement in the world. Many individuals and organizations came to the realization that silence is complicity.
“Today you can hear voices raised against injustice everywhere. It has become part of the curriculum. But sadly, it seems that these voices are not loud enough or strong enough, that although the poetry community has unified in many ways and pushed forward in expressing opposition to injustice, situations have gotten worse.
“War continues and expands, militarization continues and expands, children are gunned down in schools, neo-nazis and white supremacists are emboldened, gender inequality is still the norm, and at this very moment we are witnessing a country that professes to be the most democratic and freest country in the world, the USA, tearing children out of the arms of their parents and putting them in cages as part of their immigration policy.
“My heart is broken.
“Some days, I feel like disconnecting entirely from the horrifying news. I can hardly stand to hear it any longer. But then there are the poets and artists who keep up the fight, who continue to speak out, the beautiful souls who refuse to be broken, and go on against all odds.
“So I go on.
“September 29 is the next global 100 Thousand Poets for Change Day. I am convinced this is an initiative worth continuing. Poets and artists must continue to rally and bond, connect, create and speak out in unison against the daily horrors. For each other and for our very own sanity, we must continue and grow.
“The 100 Thousand Poets for Change initiative saves me and keeps me focused and sane.
“I invite you to join hundreds, maybe hundreds of thousands, of other poets globally on this day, September 29, to gather and unify. If you can’t organize on September 29, pick any other day in September or October and let me know where and when you will organize.
“I will spread word of your event to the global poetry community for change, and together we can be empowered to re-write the narrative of civilization to a sustainable alternative. There is strength in numbers. Together we can raise our voices for peace.
“We can do this!”
Love, Michael and Terri, 100 Thousand Poets for Change.
– Jamie Dedes
Welcome to The BeZine’s online,
virtual 100,000 Poets for Change event!
This past week, an international aid convoy in Syria was attacked with devastating results, during a ceasefire. Bombs went off, as usual, in Iraq. They also went off in New Jersey and New York. There were terrorist knife attacks in Jerusalem. And knife attacks also in St. Cloud, Minnesota. Police shot (at least) two unarmed African-Americans in the United States. Police shot “terror suspects” in Israel. Iran arrested dissidents. China gave a dissident’s attorney a 12-year sentence.
Climate change has reduced the arctic ice sheets at record levels, this summer just ended. The Fertile Crescent, where Western civilization began, has suffered such a devastating drought that farmers have fled it for years now—a contributing cause to the Syrian civil war and the refugee crisis. The hardened, drought-stricken soil in the region, broken up by heavy war-machinery, artillery shelling, and bombs, has turned into dust that the wind picks up—a contributing cause of record dust storms throughout the region.
It is time for global change
For the past six years, 100,000 Poets for Change (100TPC) has inspired and supported events on a Saturday in September. This year, there are over 550 events scheduled throughout the world. This blog/zine is one of them. The goal is for poets (artists, musicians, actors, even mimes) to band together and perform / exhibit their work in a call to change the world for the better.
The 100TPC themes are peace, sustainability, and social justice. The September 2016 issue of The BeZine, edited by Priscilla Galasso and Steve Wiencek, focuses on environmental justice. This focus relates to social justice and sustainability, but is a necessary part of obtaining peace.
If we still have poverty and homelessness, what is sustained other than inequality? And, without social justice and a sustainable environment, could there be peace? Could peace be maintained without both social and environmental justice alongside environmental and economic sustainability?
Share your work here, today, as part of our 100TPC online event—help us create a space for change. As in past years, the event will be archived and made available later on The BeZine’s website and will also be archived at Standford University in California.
Here’s how to post your work
For today’s online event, our choice is not to put one of the three themes—peace, sustainability, and social justice—above the others, but to recognize that all of these three necessary areas of change interrelate in complex ways.
We invite you to participate. Share your writing, art, music, videos, thoughts that relate to these themes on our website today.
It’s actually easy to do.
- Click on Mr. Linky below and follow instructions for posting a link to a post on your blog:
- You can also post a link or writing directly into the comments below!
Come back during the day
Please return often today (Sept. 24, 2016) to read what others have posted, follow links, like, and leave comments—and to see and reply to what others have commented on your own posts and links. We would love to see an active dialogue!
Here’s the good news: There are thousands of peace-loving, peace-living artists who gather in solidarity in some 120 countries around the world each year on the fourth Saturday of September and who connect and continue to work and stay connected even after the main event is over. The main event is 100,000 Poets for Change (100TPC), which is in its sixth year.
If we were rioting in 120 countries, for sure you’d see us on CNN, but we bare witness to the desire for and possibility of peace and apparently that doesn’t qualify as news: won’t get the adrenalin going, won’t sell laundry soap, won’t create division among us so that the wealthy and powerful can use us for their own ends. The world in all its strife is left to learn about 100TPC through social media. So be it …
THE BACK STORY:
I wasn’t there at the beginning, but I imagine that 100 Thousand Poets for Change founders, Michael Rothenberg and Terri Carrion (both of Big Bridge Press), were having dinner one night – maybe with some other poets and some artists and musicians – contemplating the state of the world, the disconnection among communities and nations and trying to think of some way to connect positively, to come together in the service of shared ideals such as harmony, stewardship and compassion. And so it happened that in 2011, Michael put out a call on Facebook for 100,000 Poets for Change and a movement was born. If memory serves there were 700 events held simultaneously around the world that first September.
Michael and Terri recently stated that peace and sustainability …
. . . are major concerns worldwide and the guiding principles for this global event. All participants hope, through their actions and events, to seize and redirect the political and social dialogue of the day and turn the narrative of civilization towards peace and sustainability. We are living in a world where it isn’t just one issue that needs to be addressed. A common ground is built through this global compilation of local stories, which is how we create a true narrative for discourse to inform the future . . .
“What kind of change are we talking about? The first order of change is for poets, writers, musicians, artists, anybody, to actually get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This will change how we see our local community and the global community. We have all become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity.”
What started as a poets’ event now includes artists, photographers, musicians, drummers, mimes, dancers, arts lovers and other peacemakers.
Michael Rothenberg and Terri Carrion created a website where anyone who wanted to organize an event could register. It is to this site that you may go to register an event or to find an event in your area. If you want to organize an event and it sounds rather onerous to you, keep in mind that while an event might be big and attended by many in a park or town square, it might also be a small gathering of like-minded artists at your home or a local cafe. I organized The BeZine 100TPC virtual event because I am largely home bound and assume there are others out there like me who would like to participate in 100TPC but would find it difficult to spend the day out. This virtual event also gives people anywhere a place to participant in 100TPC if there is no event scheduled in their vicinity. So just use your imagination and be creative about this. You might dedicate a book club meeting to it or an afternoon at church. This year, Terri Stewart (Beguine Again and The BeZine) has organized a peacemaking circle to be held at her church in Seattle. Bravo!
Organizers generally make flyers for their events. These are often small works of art. Depending on religious or national holidays, in some countries the events are held on days other than the fourth Saturday of September. In other countries – Morocco is one – events are held monthly. The main consistency is spirit and shared vision.
THE BeZINE 100,000 POETS FOR CHANGE, virtual event
The BeZine 100,000 Poets for Change will start on September 15th with our September issue. Priscilla Galasso (scillagrace) is the lead for that issue. The theme is Environment and Environmental Justice, which is our chosen theme for 100TPC 2016. If you’d like to submit work on topic for that issue, send it to firstname.lastname@example.org. Please review submission guidelines first.
Our 100TPC event is hosted from our blog. The post will go up at 12 a.m. PST on September 24 and you can begin including work immediately using either the comments section or Mister Linkey. Direction will be included in the content of the post. American-Israeli Michael Dickel (Fragments of Michael Dickel) is the Master of Ceremonies again this year. He does a fabulous job of it and will keep the action and commentary running via the comments section. You are encouraged to share your own work and to read the work of others. I’ll be on hand to give Michael breaks and to keep the dialog going until midnight PST – California. Ultimately all work shared is archived on site and at Standford University. Please keep in mind, that this is not just for poetry. You can share appropriately themed fiction, music video, creative nonfiction – whatever can be shared in a comment. Long pieces can be shared by putting in the url link to your work on your blog or website.
To help get you going, we’ll do 100TPC writing prompts at The Poet by Day (on Wednesdays, August 23 and August 31, so that you can begin working on something for September 24. Comments will be open for sharing and you what you share doesn’t have to be poetry. It can be flash fiction, creative nonfiction – even a video, photograph or piece of art if you want to share it in advance.
100,000 PEACEMAKERS FOR CHANGE, Seattle, WA
This event is organized by The Bardo Group Beguines‘ Rev. Terri Stewart (Beguine Again and The BeZine) at Riverton Park United Methodist Church, 3118 S 140th Street, Tukwilia, Washington 98168 on Saturday, September 24th, 1 p.m. – 3 p.m. with a social gathering after from 3 p.m. – 4 p.m. Terri will lead a peacemaking circle that will focus on earth justice. She says, “We want to make a public witness of peace and peace for the earth. Hope to see you there!” The Facebook Page for this event is HERE.
That same afternoon there will also be a food drive in process at Riverton for the Tukewila Pantry Emergency Food Bank and donations of food or money are welcome. Here is the wish list if you are able to help:
Canned Meals (i.e. stews, soups, spaghetti, chili, ravioli, etc.) Macaroni & Cheese
Dry or Canned Milk
Dry Goods (i.e. pastas, rice, beans, cold and hot cereals, baking mix, etc.)
Remember, wherever you are in the world, go to 100TPC to find an event in your area or to register to hold one and no matter where you are, you can also participate in The BeZine’s 100TPC virtual event.
If the doors of perception were cleansed every thing would appear to man as it is, infinite.
For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.
The Marriage of Heaven and Hell, William Blake
Faith! In the discussions here you won’t find consistent perspective or theology. You will find faith explored in its many manifestations, religious and otherwise. You’ll find it both shaken and unshakable and in things of the spirit, in nature and humanity, in intuition and in self and family. Unity here is not in things creedal but in the shared values of peace, sustainability and social justice and for many of us – implicitly – in ultimate salvation through artistic expression.
Unitarian Universalist Minister, Rev. Ben Meyers, starts us with an appeal to religions to give their prayers and vigils legs, to befriend one another into the groundswell of local social justice initiatives that ultimately help to inform and bolster global efforts toward equity, justice and peace.This couldn’t be more appropriate as The BeZine “went to press” amid news reports of yet more violence.
You will find our usual diversity represented: skepticism and atheism, the three Abrahamic traditions, shamanism, and the mystical perspectives of Buddhism, Hinduism and Sufism.
Our special selection of lead features and poems are by: shamanic practitioner and psychotherapist, Michael Watson; resident skeptic, James R. Cowles; the always engaging and level-headed analyst, Priscilla Galasso; the fallen altar boy, poet Joe Hesch; professional story-teller and photographer, Naomi Baltuck; our renaissance man in Sheffield, John Anstie; and university librarian, poet and artist, Corina Ravenscraft, on the ultimate triumph of the Universe.
Speaking from positions of their unshakable religious faith are: Algerian poet, Imen Benyoub, on the spiritual joys and family and community connection she finds in the holy tradition of Ramadan; Catholic Theologian, Fr. Daniel S Sormani, theology professor at Ateneo de Manila University, warmly writes about lessons learned from the homely life of the Blessed Virgin Mary; and our gentle Italian literary contributor, Mendes Biondo, tells of inspiration from the Bishop of Hippo Regius (current Annaba, Algeria), St. Augustine. Imen and Mendes are our two student contributors.
Two of our contributors allude to child sexual abuse but a third, Terri Muuss, addresses it head-on and in depth. These are experiences that may strengthen faith in self, though that doesn’t come without pain and work. Terri is featured this month in our popular “Getting to Know You” section.
Our July poetry collection covers matters spiritual, emotional and environmental with excerpts from published collections by Zine regulars: Matt Pasca, Terri Muuss, Myra Schneider, Silva Merjanian and Michael Dickel, contributing editor to The BeZine. With joy we welcome back two lights: German poet, photographer and educator, Dr. Aprilia Zank and English poet, Patricia Leighton.
New to our pages in this issue are:
- Connie Spearing who writes of finally “seeing” her Irish grandmother with the accidental discovery of her family’s history during and after World War 1.
- Sandra Renew’s s poetry expresses her opinions on the state of the world. She wonders who sleeps at night? Who is lucky enough to live in safety and peace?
- Anca Mihaela Bruma, citizen of world, educated in Rumania, is a poet who writes spiritual autobiography. Anca wanted to incorporate some lovely music and art into her posts. Due to copyrights in one case (Dorina Costras’ art) and technical incompetence (mine) in the other, we are unable to share Dorina’s paintings or Anca’s soundcloud recordings. However you can view Dorina’s work HERE. You can listen to Anca on soundcloud HERE.
One last word: DON’T FORGET TO SAVE THE DATE … Saturday, 24 September 2016 is The BeZine’s 100,000 Poets for Change, an event which we host virtually. This event is part of an important annual arts initiative for global solidarity and peace, social justice and sustainability. Reader participation is invited and encouraged. This is a good time to share your work in the service of a worthy cause. As is our tradition, all submissions will be archived here and at Standford University. Instructions for participation will be provided on our blog that day with Michael Dickel serving as Master of Ceremonies. Between Michael and me, the event will run from morning in Israel to midnight in California. The theme this year is Environment/Environmental Justice. More detail HERE.
Now, come friends. Read. Nourish yourselves at our table …
In the spirit of peace, love and community
and on behalf of The Bardo Group Beguines,
Founding and Managing Editor
The World in Vigil, by Rev. Ben Meyers
THEME: FAITH IN ALL THINGS SEEN and UNSEEN
Knowing, Michael Watson
Varieties of Faith – Rational and Religous, James R. Cowles
Faith Means Making Choices, Priscilla Galasso
A Perfect World, Naomi Baltuck
Falling But Willing, Joseph Hesch
The Pine Cone Project, John Anstie
Regarding Faith, Corina Ravenscraft
A Month of Light, Imen Benyoub
The Blessed Mother: She Reminds Me of Who I Am and Who I Should Be, Fr. Daniel S. Sormani, C.S.Sp.
A Little Story of Faith, Mendes Biondo
NOTIONS OF THE SACRED: Poetry as Spritual Practice, Jamie Dedes
The Grandmother I Didn’t See, Connie Spearing
Speculative Flash Fiction
Moshe’s House in Space, Michael Dickle
Unidos en Cristo, a poem in English y en español, Jamie Dedes
And the Village Still Sings for Taha Muhammad Ali, Patricia Leighton
Coverage, Silva Merjanian
Bring all those who are led astray out of the desert, Sandra Renew
3 a.m., Myra Schneider
prayer for shadows, Aprilia Zank
GETTING TO KNOW YOU
CONNECT WITH US
Facebook, The Bardo Group Beguines
Twitter, The Bardo Group Beguines
Access to the biographies of our core team, contributing writers and guest writers is in the blogroll where you can also find links to archived issues of The BeZine (currently in the process of updating), our Mission Statement and Submission Guidelines.
Carl Sagan (1934-1996)
CARL SAGAN was the David Duncan Professor of Astronomy and Space Sciences and Director of the Laboratory for Planetary Studies at Cornell University. He played a leading role in the American space program since its inception. He was a consultant and adviser to NASA since the 1950’s, briefed the Apollo astronauts before their flights to the Moon, and was an experimenter on the Mariner, Viking, Voyager, and Galileo expeditions to the planets. He helped solve the mysteries of the high temperatures of Venus (answer: massive greenhouse effect), the seasonal changes on Mars (answer: windblown dust), and the reddish haze of Titan (answer: complex organic molecules).
Here Sagan puts things into perspective for all human kind: As we celebrate our mothers and our mothering, may we also celebrate Mother Earth with right living and right stewardship.
Video posted to YouTube by CarlSaganPortal.
Earth as seen from Apollo 17.
“A mote of dust suspended in a sunbeam . . . ” Carl Sagan
HAPPY MOTHER’S DAY
FROM THE BARDO GROUP BEQUINES!
It cannot be forgotten why this piece of music was written at the turn of the millennium, at the end of a century dominated by the most destructive of wars. We are also in the midst of the centenary commemorating the first of those wars, WW1. Composer Karl Jenkins intention was to embrace all faiths and religions of the world. These aims are very much in keeping with those of the Bardo Group Bequines … reminding us of our need to rise above the polarisation of politics and religion across the world.
This video is one of thirteen. You can access the other movements on YouTube.
– John Anstie
I thought it would be nice if we all had a list of charitable organizations that assist refugees and others living in compromised situations to easily share on our Facebook Pages and our blogs and so forth. I took some time to gather the info. Nonetheless, I’m sure I’ve left some worthy organizations out. If anyone knows of an organization that should be included, please leave it in the comments section and I’ll keep track for an update sometime in the future. Meanwhile, you can also check on a charity’s performance record at: Charity Navigator. So if inclined please do download this and feel free to share anywhere you feel it’s warranted, maybe even on employee, union and/or church affiliated sites. J.D.
Peace will prevail because of people just like you. Maybe not this year or the next but ultimately. Amen!
I feel almost inclined to start this story with “once upon a time” since it feels that we began our adventure so long ago. I started The Bardo Group (though it wasn’t titled that way to begin with) in 2011 as a way to encourage a sort of world without borders by having people from different cultures and religions come together to show what’s in their hearts and in doing so to demonstrate that with all our differences we have much in common: our dreams and hopes, our plans for children and grandchildren, our love of family, friends and the spiritual traditions we’ve chosen or into which we were born . . . not to mention our love of sacred space as it is expressed in the arts and our concerns for peace, social justice and sustainability.
At one point I decided that it would be nice to have a sort of virtual Sunday service and invited Terri Stewart, a Methodist Minister, to be our “Sunday Chaplain.” In 2008 she founded Beguine Again, an interfaith platform for clerics and spiritual teachers to offer daily solace and inspiration. I felt comfortable inviting Terri in because she didn’t want to convert anyone and seemed to appreciate the beauty and wisdom of traditions other than her own. She even incorporated the wisdom of other traditions in her rituals and writings. Terri supported our mission. She didn’t appear threatened by different opinions or beliefs.
A little over a year ago, I suggested we might throw our two efforts together, Beguine Again and The Bardo Group. I hoped that would ensure the continuation of the The Bardo Group and the wise, beautiful and valued work and ideals of our core team and guests, a group of earnest and talented poets, writers, story-tellers, essayists, artists, photographers and musicians. Each is a strong advocate for a better – fair, peaceful and sustainable – world. Together they are a powerhouse.
Okay, yes! I’m a bit biased. I’ve only met one of our group in person and only talked by phone with Terri, but I’ve read everyone’s work – their emails, messages, books, blogs and FB posts for years now. We’ve been through deaths in families, births and birthdays, graduations, illness and recovery, major relocations, wars and gunfire, triumphs and failures. Two of our original contributors have died. I feel that our core team and our guests might be my next-door neighbors instead of residing in Romania, England, Algeria, the Philippines, Israel, India, Greece, Bulgaria, the United States and other countries I’ve probably forgotten. We’ve featured work by people ranging in age – as near as I can guess – from 19 to nearly 90. They’ve been Muslims, Christians, Jews, Hindus, Buddhists, atheists and agnostics. The growth of our readership is slow but steady, loyal and just as diverse as our core team and guests.
So what did we do to facilitate this merger: At Beguine Again daily posts continued. That team joined The Bardo Group. We stopped posting daily on The Bardo Group site and started The BeZine, a monthly online publication with a fresh theme for each issue. Terri got a grant to establish a community website from the Pacific Northwest United Methodist Church. The website has been over a year in the works. Today, we unveil it.
The site is designed to be a spiritual networking community. Though it is an extended ministry of the Lake Washington United Methodist Church, this effort remains both interfaith and a labor of love.
The site is supported by donations, membership (paid membership is optional) and a generous grant from Pacific Northwest United Methodist Church, which funded the design and development of the site. The grant from the church ends on December 31, 2015. Donations and membership fees will support the cost of technical assistance, web hosting and so forth. Should there be any excess funds they will go to the Youth Chaplaincy Coalition, a Seattle nonprofit (also interfaith) founded by Terri under the aegis of the church. Coalition members provide assistance to incarcerated youth. No income is earned by anyone associated with Beguine Again, The Bardo Group, The BeZine or the Youth Chaplaincy Coalition. All are labors of love.
The BeZine can still be easily and conviently accessed directly either here at this site or through Beguine Again if you choose to become a member of the community.
Please check out the site. Any questions? Let us know … and do let us know what you think. Please be patient too. The tech gremlins are still working behind the scenes.
A note on the name: Beguine Again. The original Beguine community was a Christian lay order in Europe that was active between the 13th and 16th century. Terri chose the name “Because they worked outside the religious structure and were a safe place for vulnerable people.”
© 2015, article and photograph, Jamie Dedes; Beguine Again logo, copyright Beguine Again
Using a Wikipedia list, even with all of its faults, provides a sobering view of terror in the world. The countries listed below were the sites of at least one and often several terror attacks in the last (almost) three years. Some of those attacks resulted only in injuries, most caused one or more death—victims and / or perpetrators. Many attacks killed dozens of people. A few, one-hundred of more. Not all of the perpetrators are from Islamic groups—many come from other “political, religious, or ideological” motivations. According to the Wikipedia site, the list of attacks that I used to find the countries:
…is a list of non-state terrorist incidents that have not been carried out by a state or its forces (see state terrorism and state-sponsored terrorism). Assassinations are listed at List of assassinated people.
Definitions of terrorism vary, so incidents listed here are restricted to those that:
- are not approved by the legitimate authority of a recognized state
- are illegally perpetrated against people or property
- are done to further political, religious, or ideological objectives
Comments on the Wikipedia listing indicate that it is incomplete and may be biased. Still, I found 56 countries on the list for the three years I looked at, and I remembered the larger attacks from news reports. If it is incomplete, there could be more countries. If it is biased, there could be other countries, as well.
This list should give us all pause—not only for our world, but for the children growing up exposed to this global level of war. This is their normal world. They are at risk on so many levels. As adults, we must stop and remember the children. And we must find just solutions to the underlying causes of this violence that literally reaches every corner of the earth.
Non-State Terror Attacks:
Jan 1, 2013–Nov 14, 2015
- Bosnia and Herzegovina
- Central African Republic
- Northern Ireland
- Saudi Arabia
- South Korea
- South Sudan
- United Kingdom
- United States
Behind the scenes we’re working to pull together the wealth of insight and artistry shared for 100,000 Poets (and friends) for Change into a commemorative page, the content of which will also be archived at Stanford University, Stanford, California. Thank you to all who contributed, read, commented, shared links and supported this worthwhile effort here as a virtual event or in one of some 500 cities around the world.
While the big event is over for this year, the goals are ongoing as this video indicates. The work for Peace, Sustainability and Social Justice is a never-ending journey. So the question each one of us asks ourselves is what next? What action can I take? What small part of the big project can I take on? It is, after all, up to each of us to “be the change.”
We have decided to continue with our 100TPC Facebook group discussion page. Let us know if you are interested in being part of that. This year our theme was poverty. The environment and environmental justice are themes for 2016. Your input to that is welcome.
Welcome to the 5th year of 100,000 Poets (Musicians, Artists, Mimes…) for Change, and the 2015 edition of The BeZine Online 100TPC Event! If you’ve done this before and you know the score, skip to the comments or Mister Linky at the bottom of the post and begin. If you are wondering, hey, what are you folks up to then check out some serious non-fiction here:
Our mission here today as poets, writers, artists, photographers, musicians and friends is a sort-of fission for change—a burning with and expression of the desire for peace, environmental and economic sustainability, social justice, inclusion, equity and opportunity for all. We seek through our art to do a bit of old-fashioned consciousness raising, to stimulate thought and action leading to the kind of change that is sustainable, compassionate and just, and to engage in the important theme of the issues facing humanity today—but all with a goal to alleviate suffering and foster peace. We don’t want to just “talk about it,” we want words, art and music that help us take action in some way for positive change wherever we are in our lives, in our world.
We see a complex inter-woven relationship between peace, sustainability, and social justice. We all recognize that when people are marginalized and disenfranchised, when they are effectively barred from opportunities for education and viable employment, when they can’t feed themselves or their families or are used as slave labor, there will inevitably be a backlash, and we’re seeing that now in violent conflicts, wars and dislocation. Climatologists have also linked climate change, with its severe weather changes and recent droughts, to the rise violence in the world, and even contributing to inequities in areas – like Syria – where a severe drought destabilized food production and the economy, contributing to the unrest that led to the civil war, according to one study.
There are too many people living on the streets and in refugee camps, too many whose lives are at subsistence level, too many children who die before the age of five (as many as four a minute dying from hunger, according to one reliable study—more info), too many youth walking through life with no education, no jobs and no hope. It can’t end well…
More than anything, our mission is a call to action, a call to work in your own communities where ever you are in the world, and to focus on the pressing local issues that contribute to conflict, injustice, and unsustainable economic and environmental practices. The kind of change we need may well have to be from the ground up, all of us working together to create peaceful, sustainable and just cultures that nurture the best in all the peoples of this world.
Poverty and homelessness are evergreen issues historically, but issues also embedded in social and political complexity. They benefit the rich, whose economic system keeps most of the rest of us as, at best, “wage slaves,” and all too many of us in poverty, without enough to provide for basic needs or housing (including the “working poor,” who hold low-paying jobs while CEOs are paid record-breaking salaries and bonuses in the global capitalist system). We are united in our cries against the structures of injustice, where the rich act as demigods and demagogues. We have to ask of what use will all their riches be in the face of this inconceivable suffering and the inevitable backlash from the marginalized and disenfranchised. We need fairness, not greed.
So, with this mission in mind, and with the complexity of the interrelationships of social justice, sustainability and peace as a framework, we focus on hunger and poverty, two basic issues and major threads in the system of inequality and injustice that need addressing throughout the world.
We look forward to what you have to share, whether the form is poetry, essay, fiction, art, photography, documentary, music, or hybrids of any of these—and we want to engage in an ongoing conversation through your comments on all of the above as you not only share your own work here today but visit and enjoy the work of others, supporting one another with your “likes” and comments, starting or entering into dialogues with writers, artists and musicians throughout the world and online viewers, readers, listeners.
Think globally, act locally, form community.
—Michael Dickel, Jerusalem (with G. Jamie Dedes, California, USA)
DIRECTIONS FOR PARTICIPATION
Share links to your relevant work or that of others in a comment or by using Mister Linky below. To use Mr. Linky, just click on the graphic. (Note: If you are sharing someone else’s work, please use your name in Mister Linky, so we can credit you as the contributor—we will give the author / artist name in the comments, from the link when we post the link in a comment.)
You may leave your links or works in the comment section below this post. If you are sharing the work of another poet or artist, however, please only use a link and not the work itself.
In addition to sharing, we encourage you to visit others and make connections and conversation. To visit the links, click on Mr. Linky (the Mister Linky graphic above) and then on the links you see there. (Some Mr. Linky-links can be viewed in the comments section after we re-post them.)
All links will be collected into a dedicated Page here at The BeZine and also archived at 100TPC.
Thank you for your participation. Let the conversation begin …
As of this writing, there are well over 500 events scheduled around the world. To find an event near you or to register an event that you are organizing go to 100TPC.
Our own (Beguine Again and The Bardo Group) virtual event is scheduled to be held here at The BeZine blog on 26 September 2015. You are invited to join us by linking in your relevant work on poverty (our theme this year) through Mr. Linky (directions will be included in the post that day) or simply by adding your link or your work in the comments. You retain your own copyright. All the links and works will be collected and posted in a Page at The BeZine and also archived at 100TPC. Think about and prepare something you’d like to share so you can have your say and feature your own work.
To “meet” our host for that event, American-Israeli Poet Michael Dickel, link HERE.
To “meet” the founders of 100TPC, link HERE.
Editors note: The theme for our September issue is poverty. It is part of our 100,000 Poets (and other artists and friends) for Change event (change being peace and sustainability) to be held here as a virtual event on 26 September 2015. Michael Dickel takes the lead on this project and the September issue. Here’s an opportunity to get to know him better. Michael’s vision: “… hope must/ still remain with those who cross/ borders, ignore false lines and divisions/” is consistent with the mission of Bequine Again and The Bardo Group, publishers of The BeZine. The September issue will post on the 15th. J.D.
“That some of those labelled as enemies
have crossed the lines to offer condolences
at the mourning tents; that the mourning
families spoke to each other as parents
and cried on each others’ shoulders;
that we cried for the children who died
on both sides of the divide; that the
war began anyway; that hope must
still remain with those who cross
borders, ignore false lines and divisions;
that children should be allowed to live;
that we must cry for all children who die”
– Michael Dickel, (Mosquitos) War Surrounds Us
Jerusalem, Summer 2014: Michael Dickel and his family including Moshe (3 years) and Naomi (1 year) hear the air raid sirens, find safety in shelters, and don’t find relief during vacation travels. In a country smaller than New Jersey, there is no escaping the grumbling wars that encircle. So Michael did what writers and poets do. He bore witness. He picked up his pen and recorded thoughts, feelings, sounds, fears, colors, events and concerns in poetry. The result is his third collection of poems, a chapbook, War Surrounds Us.
While some use poetry to galvanize war, Michael’s poetry is a cry for peace. He watched the provocations between Israel and Hamas that resulted in war in 2014 and he illustrates the insanity.
And the retaliation
Continues, reptilian and cold,
retaliation the perpetrator
of all massacres.
Though the poems change their pacing and structure, they present a cohesive logical and emotional flow, one that takes you blood and bone into the heart of Michael’s experience as a human being, a poet, a Jew, a father and husband. He touches the humanity in all of us with his record of the tension between summer outings and death tolls, life as usual and the omnipresence of war. Both thumbs up on this one. Bravo, Michael.
– Jamie Dedes
MY INTERVIEW WITH MICHAEL DICKEL:
Jamie: Putting together a poetry collection and ordering the work in a way that enhances the meaning and clarity of poems included is not easy. One of the first things to strike me about the collection as a whole is how it flows, so well in fact that it reads almost like one long poem. I found that quality contributed to the work’s readability. How did you work out the order? Was it consciously ordered or did it arise organically out of the experience of the war?
Michael: I’m very gratified that you noticed this about my book. I hadn’t thought of it quite in that sense, of being one poem, but I like that it reads that way. The sense of a book holding together, a collection of poems having some coherence, is important to me. I don’t think my first book achieved this very well, although it has some flow poem to poem. The whole is not focused, though. My second book has a sense of motion and narrative, from the Midwest where I grew up to arriving and living in Israel, and now being part of the Mid-East. However, War Surrounds Us, my third book, finally has a sense of focus that the other two did not.
Unfortunately, I probably can’t take too much credit for that coherence. Even more unfortunate, a real war raged in Gaza, with rockets also hitting the Jerusalem area, not that far from where I live. As we know now, thousands died, most apparently civilians, many children. Just across the border to the Northeast, diagonally opposite of Gaza, a much larger scale conflict burned and still burns through Syria—with even larger death tolls and even more atrocities over a longer time. These wars had, and still have, a huge impact on me and my family.
During last summer, the summer of 2014, this reality of war surrounding us had all of my attention. And it came out in my writing as obsession with the war, my family, the dissonance between living everyday life and the reality of death and destruction a missile’s throw away. So the topic filled my poems those months, as it did my thoughts. And the poems emerged as events unfolded over time, so a sort of narrative wove into them—not a plot, mind you, not exactly, anyway.
This gives a chronological structure to the book. However, not all of the poems appear in the order I wrote them. I did move some around, seeing connections in a theme or image—if it did not jar the sense of the underlying chronology of the war. Some of the events in our life could move around, and I did move some poems to places where I thought they fit better. I also revised the poems, reading from beginning to end several times, trying to smooth out the flow. A few of the poems I actually wrote or started before this phase of the ongoing conflict broke out—but where they also fit into a pattern, I included them. In the end, I moved and revised intuitively, following my own sense of flow and connection. I’m glad that it seems to have worked for you, as a reader, too.
Jamie: What is the place of the poet and poetry in war? Can poetry, art and literature move us to peace? How and why?
Michael: This is a difficult question. Historically, one place of poets was to call the soldiers to war, to rile them up and denounce the enemy. There is a famous poem from the Hebrew Scriptures. Balaam is called by Balak to curse Jacob and his army. The story sets a talking donkey who sees an angel with a sword and other obstacles in his way, but long story short, he arrives and raises his voice. He is the poet who is supposed to curse the enemy. Instead, he begins, “How beautiful your tents, O Jacob…” and recites a poem that is now part of the Jewish liturgy. This is not necessarily a peace poem, but it shows words and their power to curse of bless. I think the place of the poet is to bless and, rather than curse, to witness with clear sight.
There is a long history of poet as witness and observer. Czeslaw Milosz in The Witness of Poetry and Carolyn Forché, following him, in her books Against Forgetting: Twentieth Century Poetry of Witness and Poetry of Witness, which goes back to the 16th Century, argue that the poet’s role is to observe and bear witness to the world—to the darkness, the atrocities, genocide, war… Forché quotes Bertolt Brecht: “In these dark times, will there also be singing? / Yes, there will be singing. / About the dark times.” I think that is what we do as poets. That’s what I hope that War Surrounds Us does at its best, albeit as much a witnessing of my own family and context as of the Other. Then, as feminist theory has taught me, the personal is political, the political personal.
Can art and literature move us to peace? I don’t know. I hope it can move us to see more clearly, to feel more acutely, and to embrace our humanity and the humanity of others. Perhaps that will move us toward peace. There is so much to do, and it is as the rabbinic wisdom says about healing creation: it may not be ours to see the work completed, but that does not free us from the responsibility to do the work. As poets, we make a contribution. I hope the songs about the dark times will also be blessings for us all.
Jamie: Tell us about your life as a poet. When did you start and how did you pursue the path? How do you carve out time for it in a life that includes work, children and community responsibilities. You live on a kibbutz, I think.
Michael: Well, starting at the end, no, I don’t live on a kibbutz, I live in Jerusalem (the pre-1967 side of the Green Line). I do teach English at a college that was started by the Kibbutz Movement as a teacher’s college in the 1960s, now Kibbutzim College of Education, Arts and Technology. That appears in my email signature and confuses some people outside of Israel, who think I teach as part of living at a kibbutz. I’m actually more like adjunct faculty, but no one at the college works directly for a kibbutz as far as I know, and the college is open to anybody who qualifies.
While I only have a short day, from when the kids of my current family go to pre-school until I pick them up, I also usually only teach part-time. Some semesters I teach full-time or even more, but usually not. And, many of my courses in the past couple of years have been online, meeting only a few times during the semester. This helps.
My wife works full-time in high tech, which allows us to survive on my irregular, adjunct pay. She also has some flexibility, which allows her to usually be free to pick up the kids as needed around my teaching schedule, and we have on occasion hired someone to help with the kids so I could teach, not so much for my writing. But that has allowed writing time on other days.
Mostly, I write during those few hours when the kids are at pre-school, after the kids have gone to bed, or even later, after my wife has also gone to bed. If I’m working on a deadline or a large project, such as some of the freelance work I do for film production companies, I write after my wife gets home from work even if the kids are still awake. Usually, though, I write when I find time, and I find time when I don’t have other obligations.
Perhaps of relevance to this book, the writing took over. I was late in getting papers back to students and delayed other obligations and deadlines, even canceling a couple of other projects—although it was not just the writing, but the whole experience of the war, dealing with it and wanting to be very present with my children. As the poems relate, we went to the Galilee, in the North, for a month, a vacation we have taken before. Last summer, though, it had extra urgency because of the war. Unfortunately, during an outing picking apples in the Golan Heights, we heard artillery across the border in Syria, and that’s when I wrote the title poem of the book, “War Surrounds Us.”
The summer before, on that same month-long getaway, I wrote a lot of flash fiction, which makes up most of my next book, which should come out by the end of the year. I wrote during both summers when the kids were napping or after their bedtime, mostly. The place we stay in, a friend’s house (he travels every summer), has a lovely courtyard, and after the children went to bed, Aviva and I would sit out in it, usually with a glass of wine. She would read or work online and I would write on my laptop into the night. It was lovely and romantic.
I have to say that I almost don’t remember a time when I didn’t write poetry or stories. I recall trying to stop on a few occasions, either to work in some other aspect of my life, or when I did a different kind of writing, such as for my dissertation (which devolved into creative writing for more than half of it). But really, going back into my early years, I wrote stories or poems of some sort—influenced I suppose by A. A. Milne, Sol Silverstein, Kenneth Grahame and, later, Mark Twain and even Shakespeare. I had books of Roman and Greek myths, the Lambs’ bowdlerized Shakespeare for children, and some Arthurian tales as a child, not to mention shelves of Golden Books. Later, I read Madeleine L’Engle and a lot of science fiction. And everything I read made me also want to write.
I owe the earliest of my poems that I can remember to exercises from grade school teachers, one in 3rd grade, maybe 4th, the other in 6th grade. However, I’m sure that I wrote stories and possibly “poems” earlier. My first sense that I could become a poet arrived via a junior high school teacher, who encouraged me to submit some poetry to a school contest. I tied for first place.
So, I started writing forever ago. By the time of the junior high contest, I had read e e cummings, Emily Dickinson, some Whitman. By 9th grade, I discovered the Beats through a recording of Ginsberg reading “Kaddish” and other poems. Hearing him read the poems, then reading them myself, changed everything.
Alongside this development, one of my brothers brought Dylan records home that I listened to. All three of my brothers, with my parents’ tacit approval, played folk music and protest music in the form of songs of Woody Guthrie; The Weavers; Joan Baez; Peter, Paul and Mary; in addition to Dylan. These influenced both my writing and my world view. The same year that I came across Ginsberg’s work, I was involved in anti-war activity in my high school. That spring, four students were shot at Kent State. In another way, that changed everything, too.
Writing, activism, and politics, for me have always been interwoven. I also heard that year about “The Woman’s Movement,” which today we call Feminism. Later, much later, I would read and take to heart the idea of the personal being political, the body being political. I think my poems, even the most personal, always have a political and theoretical lens. And the most philosophical or political or theoretical, also have a personal lens. I don’t think that we can help but do that, but I try to be aware of the various lenses, of using their different foci deliberately as part of my craft. I’m not sure that is the current trend, and much of my work doesn’t fit well in spoken word or slam settings (some of it fits). However, this is my poetry and poetics—and they arise from a specific cultural context, the complexity of which I could not begin to convey in less than a lifetime of writing.
My development from those awakening moments looked like this: I read. I wrote. I shared my work with other people who wrote. Sometimes I talked with others about writing. My first degree in college was in psychology, not English, because I naively thought that psych would help me understand the human condition and that English would “ruin” – suppress – my writing voice. However, I took a lot of literature courses and my study abroad term focused entirely on literature.
After college, I had a career as a counselor working with runaways, with street teens, with children undergoing in-patient psych evaluations, and in a crisis intervention and suicide prevention center—a career that taught me a lot about politics, gender, race, and justice. I continued to write, often about some of the most disturbing realities that I encountered, but not well.
I had been out of college nearly a decade when I took some courses in creative writing at the University of Minnesota, at the suggestion of some friends in a writing group who had also taken some. One of the professors encouraged me to apply to the Creative Writing Program, where I was accepted. The acceptance was a poignant moment—I was out of state at my father’s burial. My now ex-wife remained back with our then 2 year-old daughter. She saw the letter in the mail, so called and read it to me. It was also my 32nd birthday. So many emotions all at the same time. Mostly, I remember wishing I could have told my father—from when he first heard that I’d applied, every phone call we had included his asking if I had heard yet if I had been accepted. It was the most direct way he had of saying he was proud.
Jamie: Tell us a little about 100,000 Poets for Change (100TPC) in Israel and how people can get in touch with you if they want to participate this year. Are you able to manage a mix of Arabs and Jews?
Michael: The thing about 100TPC is that it’s pretty loose, as an organization, and very anarchic in governance. Which is to say, I’m not sure there is something I could call 100TPC in Israel. There’s a wonderful poet in Haifa who does some events, I don’t think every year. She is very active in peace activism and poetry. There’s an Israeli mentor of mine, Karen Alkalay-Gut, who has organized 100TPC events in Tel Aviv since the first year. For the past two years, I organized a poetry reading in Jerusalem. The first one was small, a few people I knew and cajoled into reading. The second one was much larger, over 25 poets. We had one Arab writer, who writes in English, at the second reading. Her poetry is powerful and personal, written as an Arab woman, a mother, and an Israeli. An Arab musician was going to join us, but he had a conflict arise with a paying gig. It is difficult to manage the practical, political, and social barriers, but people do it here. I am just learning a bit how to do this now.
For this year, I am working with two other organizations—the Lindberg Peace Foundation, which has held annual Poetry for Peace events. This year will be the 40th anniversary (yartzheit, in Hebrew) of Miriam Lindberg’s tragic death at the age of 18. She wrote poetry, was a peace activist, and also an environmental activist. Her mother was a poet and professor, and passed away a few years ago. Joining us in planning the Jerusalem event will be the Interfaith Center for Sustainable Development. Their mission as I understand it is to develop interfaith leadership for common goals related to eco-justice that would also provide a model for solving the Middle East conflicts.
The Jerusalem events won’t be the same date as the national event (26 September)—our dates will be 15–16 October, to honor the 40th anniversary of Miriam Lindberg’s death. Dorit Weissman, a Hebrew-language poet and playwright, also has become part of 100TPC this year, and she and I are having a smaller reading on 8 October with other poets.
We are just setting up a Facebook page for organizing with the three groups, 100TPC, the foundation, and the center. People could look for me on FB and send me a chat message there to be in touch. I hope that we will have the events posted on FB in the next few weeks, but we are still working on the details. The devil is always in the details, as the saying goes.
Be the peace.
© 2015, book review, Jamie Dedes, All rights reserved; words, poetry, photographs of Michael, Michael Dickel, All rights reserved; cover illustration, The Evolution of Music, by Jerry Ingeman, All rights reserved
100,000 Poets for Change [100TC): poets and other artists and activists in world-wide solidarity for peace and sustainability.
While the great global event is scheduled for September 26 in 2015, there are local events staged at varying venues and times throughout the world. From June 3-8 the first world conference was held in Salerno, Italy. The video below shares the delightful work of some musicians at that conference. (The music starts at 1:20.) At The BeZine (a publication of Beguine Again and The Bardo Group), poet Michael Dickel (War Surrounds Us/Is a Rose Press) will report on the conference in Italy in the July 15 issue.
The BeZine is hosting a virtual 100TCP event for those who do not have access to any local venue or are homebound for whatever reason. We hope you’ll join us. We have chosen to shed our light on poverty this year. More news on that to come here at The Poet by Day and on The BeZine blog.
We have a Facebook group going for our event. If you are on Facebook and would like to join us there, let me know in the comments below and I’ll add you to the The BeZine 100TPC 2015 Discussion Group. We do ask that you keep on topic and communicate about relevant issues and concerns. Thank you!
If you are looking for a local 100TPC event go to 100TPC blog and scroll down the blogroll to your right to see what’s happening in your area and to find a contact. If you want to organize an event yourself, go to the Home Page for information.
Heads-up everyone: For the fifth year on September 26, 2015, more than 100,000 Poets (and artists, musicians, and other creatives and activist) will meet in town squares, theaters, on beaches, in cafes and probably some backyards in solidarity for a peaceful and sustainable world.
At The Bardo Group/Bequine Again, we’re hosting a virtual event so that those who have no neighborhood events to go to or who are home bound can participate.
At this writing founder Michael Ronthenberg, poet and publisher, reports that 300 events are already registered. To see if there’s an event near you or to register an event in your neighborhood, go to the site.
The following is a message from the founders of 100TPC:
100 THOUSAND POETS FOR CHANGE [100TPC] MOVEMENT for PEACE & SUSTAINABILITY!
Do you want to join other poets, musicians, and artists around the world in a demonstration/celebration to promote peace and sustainability and to call for serious social, environmental and political change?
“What kind of CHANGE are we talking about?”
The first order of change is for poets, writers, musicians, artists, activists to get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This changes how we see our local community and the global community. We have become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity. It is empowering . . .
… and there is trouble in the world. Wars, violation of human rights, ecocide, racism, genocide, gender inequality, homelessness, the lack of affordable medical care, police brutality, religious persecution, poverty, censorship, animal cruelty, and the list goes on and on.
Transformation towards peace and a more sustainable world are the major concerns and the global guiding principle for 100 TPC events. War is not sustainable. There is an increasing sense that we need to move forward and stop moving backwards. But we are trying not to be dogmatic. We hope that together we can develop our ideas of the “change/transformation” we are looking for as a global community , and that each local community group will decide their own specific area of focus for change for their particular event. All we ask is that local communities organize events about change within the guidelines of peace and sustainability.
“I want to organize in my area. How do we begin to organize?”
100 Thousand Poets for Change will help organize and find individuals in each area who would like to organize their local event.
If you are an organizer for your community you will consider a location for the event and begin to contact people in your area who want to participate in the event. Participation means contacting the media, posting the event on the web, in calendars, newspapers, etc., reading poems, doing a concert, performing in general, supplying cupcakes and beer (it’s up to you), demonstrating, putting up an information table, inviting guest speakers, musicians, etc., organizing an art exhibit, and documenting the event (this is important, too), and cleaning up, of course.
Organizers and participants will create their own local event as an expression of who they are locally. Do they want a a concert or a jam session, candlelight vigil or a circus, a march or a dance, poetry reading in a cafe or on the subway, do they want absolute silence, a group meditation on a main street; it’s up to the local organization.
However, groups should try to hold some part of the event, if not all of it, outdoors, in public view (not required). The point is to be seen and heard, not just stay behind closed walls. It is also important that the event be documented. Photos, audio, videos, poems, journals, paintings! Documentation is crucial. The rest of the 100 Thousand Poets for Change want to hear what you have to say about change and enjoy your creativity too! The documentation will be shared through a blog/website that I will set up, a blog/website where groups can share and announce event information, as well as post photos, videos, poetry, art, and thoughts. But an event doesn’t have to involve tons of people. It can be just you (the organizer) and your pet, on a street corner, with a sign. Just let me know what you are planning!
Every effort counts!
Each local organization determines what it wants to focus on, something broad like, peace, sustainability, justice, equality, or more specific causes like Health Care, or Freedom of Speech, or local environmental or social concerns that need attention in your particular area right now, etc. Organizations will then come up with a mission statement/manifesto that describes who they are and what they think and care about. Mission statements form arround the world have been collected and worked together into a grand statement of 100 Thousand Poets for Change.
Thank you for joining us!
Best, Michael Rothenberg and Terri Carrion
Editorial note: The next issue of The BeZine will publish on Sunday, March 15. Meanwhile, this hugely popular intro and collection of prayers was originally posted by Terri Stewart for Saturday, September 7, 2013, in response to a call for worldwide prayer and fasting to focus on peace in Syria. With all that is going on in the Middle East and given the Ukraine crises, the many conflicts in Africa and the deaths and dislocations resulting from drug wars in Central and South America, this seems a good time to post it again in the spirit of peace, love and community … Jamie Dedes
I have seen many things happening–prayer vigils, personal meditation practices, marches, and communications with elected officials. We decided to offer a Labyrinth Walk for Peace at Bothell UMC in Bothell, WA in the morning. I gathered inter-faith prayers, we walked, prayed, and focused on bringing peace to the world. What follows is prayers and photos from that journey that became deeply personal for each attendant. There was a certain transition that occurred for me as I took in my surroundings and noticed Farmer Brown’s Garden. I began to see, literally, a connection between peacefulness and being fed. You will see.
Entering Sacred Space
Sufi Prayer for Peace
Send Thy peace, O Lord, which is perfect and everlasting, that our souls may radiate peace.
Send Thy peace, O Lord, that we may think, act,
and speak harmoniously.
Send Thy peace, O Lord, that we may be contented
and thankful for Thy bountiful gifts.
Send Thy peace, O Lord, that amidst our worldly strife we may enjoy thy bliss.
Send Thy peace, O Lord, that we may endure all,
tolerate all in the thought of thy grace and mercy.
Send Thy peace, O Lord, that our lives may become a
divine vision, and in Thy light all darkness may vanish.
Send Thy peace, O Lord, our Father and Mother,
that we Thy children on earth may all unite in one family.
– Sufi Prayer
The Journey Begins
An Islamic Prayer for Peace
In the Name of Allah, the beneficent, the merciful: Praise be to the Lord of the Universe
who has created us and made us into tribes and nations that we may know each other,
not that we may despise each other.
If the enemy incline towards peace, do thou also incline towards peace, and trust in God,
for the Lord is one that hears and knows all things.
And the servants of God Most Gracious are those who walk on the Earth in humility,
and when we address them, we say, “Peace.”
– U.N. Day of Prayer for World Peace 2
Walking Together in Ubuntu
A Hindu Prayer for Peace
Supreme Lord, let there be peace in the sky and in the atmosphere.
Let there be peace in the plant world and in the forests.
Let the cosmic powers be peaceful.
Let the Brahman, the true essence and source of life, be peaceful.
Let there be undiluted and fulfilling peace everywhere.
– The Atharva Veda
All Are Invited to Be Fed
Cheyenne Prayer for Peace
Let us know peace.
For as long as the moon shall rise,
For as long as the rivers shall flow,
For as long as the sun shall shine,
For as long as the grass shall grow,
Let us know peace.
– Cheyenne Prayer
Feeding the World in Spirit and Deed
Farmer Brown’s Garden at Bothell UMC
A Jewish Prayer for Peace
Grant us peace. Your most precious gift,
O Eternal Source of Peace, and give us the will to proclaim its message to all the peoples of the earth.
Bless our country, that it may always be a stronghold of peace, and its advocate among the nations.
May contentment reign within its borders, health and happiness within its homes.
Strengthen the bonds of friendship among the inhabitants of all lands.
And may the love of Your name hallow every home and every heart.
Blessed is the Eternal God, the source of Peace.
– From The Gates of Prayer: The New Union Prayer Book, by the Central Conferences of American Rabbis
Growing Spiritually and Growing Food
Buddhist Prayer for Loving Kindness
May all beings be peaceful.
May all beings be happy.
May all beings be safe.
May all beings awaken to
the light of their true nature.
May all beings be free.
– Metta Prayer
Loving Kindness through Loving Care
A Christian Prayer for Peace
Blessed are the peacemakers, for they shall be called the children of God.
But I say to you that hear, love your enemies; do good to those who hate you;
bless those who curse you; pray for those who abuse you.
To those who strike you on the cheek, offer the other also;
and from those who take away your cloak, do not withhold your coat as well.
Give to everyone who begs from you, and of those who take away your goods,
do not ask them again. And as you wish that others would do to you, do so to them.
– U.N. Day of Prayer for World Peace 2
Becoming the Light Unto the World
A Non Traditional Prayer for World Peace
Spirit of Life and Love, be present with all who are suffering terribly from violence.
Lift up the hearts of those who fear. And inspire courage among the peacemakers.
Be present with political leaders, ensuring a retreat from violence
and a procession towards the peace table.
Guide the hands of all those who are caring for the injured, the hungry and the grieving.
And, open our own hearts to compassion.
Remind us of our complicity and responsibility.
And lead us towards generous engagement—always towards a vision of peace.
–Adapted from the Unitarian Universalist Tradition
Shalom and Amen,
© 2013, post and photos, Terri Stewart, All rights reserved
REV. TERRI STEWART is our much treasured administrative lead for Bequine Again and The Bardo Group. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction. She is a contributing author to the Abingdon Worship Annual. (The 2014 issue just released!)
Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com, www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk. To reach her for conversation, send a note to email@example.com