Posted in Environment/Deep Ecology/Climate Change

Venemous Revenge

zoo

Authority Means Responsibility

Strange happenings were noticed in the main zoo of the city. The caged animals appeared to be disturbed  and so were the birds inside their specially built sanctuary. Visitors began to leave early that day, apprehensive of some untoward incident.

The birds had thought of the brilliant idea of communicating for they too had felt the brunt, the pain and pangs of hunger. The parching thirst and severe cold. They formed a group and appointed a leader, none other than the  rare, African, Grey Parrot, the talented mimic, focused, keen listener and verbally so vociferous. Just the right one  for  the job. He was sent to convey the important message to the King Lion, the Tiger, the Fox and the Cobra.

This was the Core Committee for Defense.

The protection of all the animals was at stake.

It all began when the African Grey Parrot shouted out loud, as he flew all around the Zoo.  Over the area, near the cages and the stony rockeries, screaming,  “No need to feed, no need to feed,  the money is all ours, we shall do with it whatever we please, my authority my wish, our authority our wish.”

The animals had a secret plan. Today was the great inspection day. Officials from the Ministry of Environment had already arrived.

“The zoo is too clean, today”, thought the Minister.

Soon the checking began. As they neared the Lion’s cage the always passive animal lunged forward and  grabbed the coat of an accompanying Officer. He pulled at it and tore it away and then let out a loud roar. Next the tiger too showed the same reaction. The fox kept trotting inside the cage, as if in severe pain, letting out whining sounds.

The worst  happened near the snake sanctuary.

As the official’s group moved near, a dark black snake slithered outside, hissing loudly he thrust his head at the Zoo officer and stuck his fangs in his right ankle. The guards leapt to save the officer.

Inquiry revealed that the birds had pecked out an opening for the snake in the thin wired wall.  All the animals had not been served food and water for the past two days.

Authority means responsibility, negligence of duty results in dangerous consequences.

© 2020, story and art, Anjum Wasim Dar

Posted in The BeZine, The BeZine Table of Contents

The BeZine, Vol. 7, Issue 3, June 2020, SustainABILITY

Ultimately, talking points preserve narratives seeking to keep the status quo or create a reality that aligns with the person’s ideology or personal needs.

Marshall Shepherd
3 Common Things In Race, Coronavirus And Climate Change Debates, Forbes, June 12 2020

We want to start this introduction to the SustainABILITY issue of The BeZine with a pause and breath.

Go ahead, breathe in deeply. This is both calming and symbolic of the interrelated crises of humanity at this time.

Three huge, potentially shattering issues loom large today, what commentator Elizabeth Sawin, Co-Director of the nonprofit Climate Interactive calls “three massive threats”:

Climate Change, COVID-19, Racism
a sustainABILITY pastiche


Climate Change

Climate change concerns the atmosphere and excessive carbon.

Breathe in again, deeply. Breathe out.

That exhalation, as you probably know, is CO2, carbon dioxide. We breathe the atmosphere.

And, as we pollute it, we poison our own breaths through industry, fossil fuels, factory farming, and other human activity. We poison the globe. And as climate change continues its charge ahead in leaps and bounds, it will be increasingly difficult for us to breathe, literally.

Climate Change hits much more than White areas in what Hop Hopkins (“Racism is Killing the Planet,” Sierra Club) calls the “Sacrifice Zones,” where White Supremacy’s “Disposable People” live. The 1% remain more secure and protected.

Have you tried to breathe when the temperatures go above body temperature (37C / 98.6F)? Imagine what it must be like for those locations that have had recent record-breaking temperatures of around 50C / 122F?

Where do you think waste is dumped? Where are polluting industries and power plants built? Who lives in areas that risk their health the most? Certainly not those with money, status, and power in societies.

How long can we continue this way? Are we able to find a path to sustain life on earth (human and otherwise)? That is the goal—sustainABILITY.


From Climate to Pandemic

What we should fear now is a perfect storm: a health, economic and mental health crisis. —Slavoj Zizek (Slavoj Zizek’s ‘Brutal, Dark’ Formula for Saving the World, Haaretz interview, 04 June 2020)

According to a 2015 study published in PNAS, a 30,000 year old virus was found in the permafrost of the Arctic, raising concern that rising temperatures could lead to the rise of deadly, archaic illnesses. —cited in Science Alert (Melting Glaciers Are Revealing Dead Bodies And Ancient Diseases, 23 March 2019).

The economic problems will compel those in power to take actions that before this crisis appeared to be radically leftist measures. Even conservatives are having to do things that run against their principles. —Slavoj Zizek (Slavoj Zizek’s ‘Brutal, Dark’ Formula for Saving the World, Haaretz interview, 04 June 2020)

Climate conditions are classified as top predictors of coronavirus illnesses (Dalziel et al., 2018) as wind speed, humidity, temperature and wind speed are critical in the transmission of infectious diseases (Yuan et al., 2006). Bull (1980) reported that pneumonia’s mortality rate is highly correlated with weather changes. —cited in Correlation between climate indicators and COVID-19 pandemic in New York, USA, (Science Direct 20 April 2020)

Higher temperatures and respiratory problems are also linked. One reason is because higher temperatures contribute to the build-up of harmful air pollutants. —U.S. CDC and American Public Health Association (Extreme Heat Can Affect our Health)


COVID-19

COVID-19 blocks our lungs. It literally stops us from breathing. Yes, also organ damage, including heart problems. But it stops our breath, in a world-wide pandemic. Like the global crisis of climate change will, eventually, stop our breath.

There will be more pandemics with continued Global Warming. There will be more disruption, economic loss, social unrest, and all of the things we have seen so far in this pandemic.

Will we avoid the next pandemic? Could a 30,000 year-old virus, or a 150 year-old virus revive to attack? If so, who will have our back? The government?

How will we be able to sustain human and other life on earth if we continue on this path? Will we build a sustainABLE future for our children, our grandchildren? Ourselves?

In the US, even the current CDC admits that COVID-19 has hit POC and Indigenous Peoples, especially African Americans, harder than White people. The 1% remain more secure and protected.


From Pandemic to Race

The effects of COVID-19 on the health of racial and ethnic minority groups is still emerging; however, current data suggest a disproportionate burden of illness and death among racial and ethnic minority groups. —US CDC (COVID-19 in Racial and Ethnic Minority Groups page last reviewed on by CDC June 4 2020)

Robert D. Bullard is a professor at Texas Southern University who has written for more than 30 years about the need to redress environmental racism. He welcomed the statements of support this week from the leaders of big environmental groups but he lamented that the vast amount of donor money still goes to white-led environmental groups.

“I’d like to see these groups start to embrace this whole concept of justice, fairness and equity,” he said. “Those statements need to be followed up with a concerted effort to address the underlying conditions that make for despair.”
—(Black Environmentalists Talk About Climate and Anti-Racism, NYTimes, June 2, 2020)

It’s essential to have anti-racism baked into the goals that even white-led organizations are pursuing because both political racism and environmental racism are drivers of our excess pollution and climate denialism. —Heather McGhee, senior fellow at Demos, a nonpartisan research and advocacy group, and the author of a forthcoming book called The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together (cited in Black Environmentalists Talk About Climate and Anti-Racism, NYTimes, June 2, 2020)

Police violence is an aspect of a broader pattern of structural violence, which the climate crisis is a manifestation of. Healing structural violence is actually in the best interest of all human beings. —Sam Grant, executive director of MN350.org, the Minnesota affiliate of the international climate activist group 350.org (cited in Black Environmentalists Talk About Climate and Anti-Racism, NYTimes, June 2, 2020)


Anti-Racism

Racism has come to the fore with the anti-racist, anti-police-brutality protests and riots since the murder of George Floyd in Minneapolis. His quoted last words, echoing those of Eric Garner (murdered by police in New York City six years ago): “I can’t breathe.” Protest signs and chants have repeated this phrase thousands of times since last month.

George Floyd, a Black man suspected of passing a counterfeit $20, was strangled by a police officer kneeling on his neck for nearly 9 minutes. Eric Garner, a Black man selling loose cigarettes, was strangled by police using a “choke hold.” The 1% remain totally secure and protected.

Structural, systemic racism is an integral part of our extraction economy, according to Hop Hopkins, writing for The Sierra Club. It keeps those in power in power by dividing us against each other—so that the 1% (or 3% or 5% or 10%) can keep in power and grow their wealth. It is built into not only the U.S, but Western Society.

Hopkins writes:

Devaluing Black and Indigenous people’s lives to build wealth for white communities isn’t new. White settlers began that project in the 15th century, when they arrived in North America. Most Native peoples of North America lived in regenerative relationships with the land; they were careful to take no more than the land could sustain. The settlers had another ethic: They sought to dominate and control. —Hop Hopkins (Sierra Club, Racism is Killing the Planet, June 8, 2020)


From “Three Massive Threats” to SustainABILITY

One of the most baffling things throughout the coronavirus pandemic is that even with a life-threatening global pandemic, sides emerged. At the beginning of the pandemic, I remember thinking that this threat to humanity would unify us and strengthen public trust in science. Boy was I wrong. The economic realities of the pandemic, cries of “just the flu”, and protests against social distancing policies tell a different and complex story. —Marshall Shepherd (3 Common Things In Race, Coronavirus And Climate Change Debates, Forbes, June 12 2020)

I wish I had all the answers, but I don’t. The answer is for all of us to figure out together.

All I know is that if climate change and environmental injustice are the result of a society that values some lives and not others, then none of us are safe from pollution until all of us are safe from pollution. Dirty air doesn’t stop at the county line, and carbon pollution doesn’t respect national borders. As long as we keep letting the polluters sacrifice Black and brown communities, we can’t protect our shared global climate. —Hop Hopkins (Sierra Club, Racism is Killing the Planet, June 8, 2020)

Today we face threemassive threats, and the only way to neutralize any one of them is to succeed at addressing all three at once.…

…we must as soon as possible – in our cities, states and nations – convene emergency task forces to tackle equity, the pandemic and climate change as an integrated whole.

These task forces will need expertise in climate, clean energy, equity, public health, epidemiology and people-centered economics. Each task force should include an additional kind of expertise: the life experience of those who are most impacted by inequity, climate change and COVID-19. Those who live with the impacts of multiple problems often have the most creative ideas about addressing them.

Time and money are in short supply. There isn’t enough of either to treat equity, climate change and the current pandemic as separate issues. A holistic, multisolving approach is an effective, cost-saving way to tackle the great challenges of our times. —Elizabeth Sawin (US News & World Report, Commentary, Why We Can’t Ignore the Link Between COVID-19, Climate Change and Inequity, April 1, 2020)


The June Theme of The BeZine: SustainABILITY

We can’t wait. The time to act is now.

We may want to say, “God save us.” But we have free will, so it is up to us to move forward and make the change, so that we are ABLE to sustain the earth.

Then, perhaps 100% of humans (and other life) would be more secure and protected.

—Michael Dickel, Co-Managing Editor

Much thanks to Michael Dickel for stunning and exhaustive editorial collaboration and technical innovations on this issue, to the whole of the Zine team for stalwart efforts and supports, to our readers and supporters who share our peaceable values, and to Margaret Shaw for the wonderful header-art gracing this edition of the Zine.

In the spirit of love (respect) and community and on behalf of The Bardo Group Beguines,

—Jamie Dedes, Founding Editor and Co-Managing Editor

Given the scope and magnitude of this sudden crisis [the COVID-19 pandemic], and the long shadow it will cast, can the world afford to pay attention to climate change and the broader sustainability agenda at this time? Our firm belief is that we simply cannot afford to do otherwise.

McKinsey & Co., April 7, 2020
Addressing climate change in a post-pandemic world

Table of Contents

Poetry

“Earth care, as it turns out, is really about self-care and other-care. What we design today impacts how we live tomorrow. For better or for worse, it impacts far into upcoming generations.”
L.L. Barkat
Earth to Poetry: A 30-Days, 30-Poems Earth, Self, and Other Care Challenge

Dreaming—Poems, Mike Stone
Three Haikus, Irma Do
Cento, Eric Nicholson
A Walk in the Park, Eric Nicholson
Let Freedom Ring, An Anti-Deterministic Poem, Linda Chowen
Do We Need To?, Munia Khan
The Veggie Lady, Adrian Slonakar
One Sky, One Earth, Ambily Omanakuttan
Tread Softly, Irene Emanuel
Tomorrow’s Question, John R. Ehrenfeeld
creatures today, Connor Orrico
Nature We Failed, Wayne Russell
Three Poems, Shoko Cosmas
A Series of Haikus, Chris Northrop
rootes in solide erthe & 2 other poems, Dennis Formento
Côte-Nord, Candice O’Grady
Daylighting, Candice O’Grady
Migration, Candice O’Grady

Essays

“All the human and animal manure which the world wastes, if returned to the land, instead of being thrown into the sea, would suffice to nourish the world.”
                     —Victor Hugo, Les Misérables

World’s End or World Without End, Corina Ravenscraft
Clothing Production for a Sustainable Earth, John Anstie

Folktale

“The main thing, Ruby said, was not to get ahead of yourself. Go at a rhythm that could be sustained on and on. Do just as much as you could do and still be able to get up and do again tomorrow. No more, and no less.”
                     —Charles Frazier, Cold Mountain

In Your Hands, Margaret Read MacDonald

Fiction

“The environmental movement of the 21st century created a new path to sustainability for cities, the path of wilderness.”
                     —Archimedes Muzenda,
                     Dystopia: How The Tyranny of Specialists Destroy African Cities

Accepting Adversity, A Fable, Anjum Wasim Dar
The Virus of Reason and Fear, A Fable, Anjum Wasim Dar
On a Palm Leaf, Allen Ashley
Soul Searching, Riley Simmons

Art / Photography

“In the end, the term ‘circularity’ may just be one way to make us aware that we need a more encompassing, integrated and restorative sustainability path that includes people as much as technology and nature.”
                                                   —Michiel Schwarz
                     
A Sustainist Lexicon

Imagined Futures, Images, Noelle Richard
Habitat Loss, Eric Nicholson

“..despite myriad differences in beliefs and value systems, people have the capacity to acknowledge that the one constant across the board is the Earth. Her health is our health. Her life is our life.”
                     —Heidi Barr, Woodland Manitou: To Be on Earth

News

Austrailia’s Failure to Protect Great Barrier Reef Prompts Demand for UN Action

Video

WE ARE NATURE, Considerations on the Antropocene

Sierra Club Op-Ed

Sierra Club Op-Ed: Racism is Killing the Planet

We need to stop thinking through a capitalist prism. I don’t agree with those who claim that now is no time for politics, that we should just mobilize to survive these dangers. No! Now is a great time for politics, because the world in its current form is disappearing. Scientists will just tell us, ‘If you want to play it safe, keep this level of quarantine,’ or whatever. But we have a political decision to make, and we are offered different options.

Slavoj Zizek
Haaretz interview, 04 June 2020
Slavoj Zizek’s ‘Brutal, Dark’ Formula for Saving the World


The BeZine: Be Inspired, Be Creative, Be Peace, Be 

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

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SUBMISSIONS:

Read Info/Mission StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted on the Zine blog and The Poet by Day.



 

Posted in General Interest

Final Call for Submissions to “The BeZine” June 2020 issue themed “SustainABILITY”

copyright “The BeZine”

 

THE BeZINE CALL FOR SUBMISSIONS

SustainABILITY

Environmental Sustainability, Environmental Justice, Climate Change …

Call for submissions of feature articles, fiction, creative nonfiction, poetry, art and photography, music videos, and documentary videos on diverse environmental topics including but not limited to: degradation, protection, greenhouse gasses, weather/climate change, justice, and agriculture, famine and hunger. This call is open through May 15. 

While The BeZine does not pay for content, neither do we charge submission or subscription fees.

Work that is not properly submitted will not be considered.

  • Prose, poetry (up to three poems), and links to videos: submit in the body of the email.
  • Please: no odd, unusual, eccentric layouts
  • Photographs or artwork: submit as an attachment
  • DO NOT send PDFs or a document with both narrative and illustrations combined.
  • By submitting work to thezinesubmissions@gmail.com, you are confirming that you own and hold the rights to the work and that you grant us the right to publish on the blog or in the Zine if your submission is accepted. Submissions via Facebook or other social networking or in the comments section, will not be reviewed or accepted.
  • Please include a brief bio in the email. No photographs.

ART & PHOTOGRAPHY: We are looking for something special to be the header for The Table of Contents Page.

SIMULTANEOUS SUBMISSIONS are okay but please let us know immediately if availability changes.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable. Please read our Complete Submission Guidelines.

The BeZine is featured by
pf poetry
Second Light Live newsletters, website, and magazine
Duotrope®

Jamie Dedes
Founder and Co-manager Editor

Michael Dickel
Co-manager Editor

Posted in Calls for submissions, news/events, The BeZine

Call for Submissions, “The BeZine” – June 2020, Themed sustainAbility

THE BeZINE MISSION STATEMENT

Our goal is to foster proximity and understanding through a shared love of the arts and humanities and all things spirited and to make – however modest –  a contribution toward personal healing and deference for the diverse ways people try to make moral, spiritual and intellectual sense of a world in which illness, violence, despair, loneliness and death are as prevalent as hope, friendship, reason and birth.

Our focus is on sacred space (common ground) as it is expressed through the arts. Our work covers a range of topics: spirituality, life, death, personal experience, culture, current events, history, art, and photography and film . . . We feel that our art and our Internet-facilitated social connection offer a means to see one another in our simple humanity, as brothers and sisters, and not as “other.”

Please read our complete Mission Statement HERE.



 THE BeZINE CALL FOR SUBMISSIONS

SustainABILITY

Call for submissions of feature articles, fiction, creative nonfiction, poetry, art and photography, music videos, and documentary videos on diverse environmental topics including but not limited to: degradation, protection, greenhouse gasses, weather/climate change, justice, and agriculture, famine and hunger. This call is open from April 1 through May 15. 

While The BeZine does not pay for content, neither do we charge submission or subscription fees.

Work that is not properly submitted will not be considered.

  • Prose, poetry, and links to videos: submit in the body of the email
  • Please: no odd, unusual, eccentric layouts
  • Photographs or artwork: submit as an attachment
  • DO NOT send PDFs or a document with both narrative and illustrations combined.
  • By submitting work to thezinesubmissions@gmail.com, you are confirming that you own and hold the rights to the work and that you grant us the right to publish on the blog or in the Zine if your submission is accepted. Submissions via Facebook or other social networking or in the comments section, will not be reviewed or accepted.
  • Please include a brief bio in the email. No photographs.

ART & PHOTOGRAPHY: We are looking for something special to be the header for The Table of Contents Page.

SIMULTANEOUS SUBMISSIONS are okay but please let us know immediately if availability changes.

Among the guidelines: our core team, our guest contributors, and our readership are international and diverse. No works that advocate hate or violence, promote misunderstanding, or that demean others are acceptable. Please read our Complete Submission Guidelines.

The BeZine is featured by
pf poetry
Second Light Live newsletters, website, and magazine
Duotrope®

Jamie Dedes
Founding and Co-managing Editor

Michael Dickel
Co-managing Editor

Posted in Environment/Deep Ecology/Climate Change, General Interest

“Partnering With Nature” Exhibition To Be Presented at the World Economic Forum’s 2020 Annual Meeting

spiral artworkDepartment of Seaweed: Living Archive, 2018–ongoing; Julia Lohmann (German, b. 1977), Violaine Buet (French, b. 1977) and Jon Lister (New Zealander, b. 1977); Seaweed and rattan; Dimensions variable; Photo: Pierre-Yves Dinasquet, Department of Seaweed.


Cooper Hewitt, Smithsonian Design Museum has announced that a special exhibition, “Partnering with Nature,” will be on view at the World Economic Forum’s 50th Annual Meeting, Jan. 21 through Jan. 24 in Davos-Klosters, Switzerland. Drawing from the “Nature—Cooper Hewitt Design Triennial” exhibition originally organized by Cooper Hewitt and Cube design museum, this adaptation is a collaboration between the Smithsonian and the World Economic Forum (WEF). This is the fourth year that the Smithsonian and the WEF have collaborated on bringing an exhibition to the Annual Meeting in Davos. Installed in the Congress Centre, the exhibition will be offered alongside panels, workshops and other sessions organized by the WEF that address the ecological crisis and the Forum’s major focus on sustainability.

“A global platform for design, Cooper Hewitt is delighted to once again collaborate with the World Economic Forum and highlight the power of design to address the most significant environmental issues of our time,” said Caroline Baumann, director of the museum. “Through this powerful, interactive exhibition, Cooper Hewitt will invite leaders to rethink our relationship to nature and jumpstart the dialogue on sustainability practices on an international scale.”

Four installations will encourage participants to play with natural elements, learn about the symbiotic relationships in nature and be inspired to imagine a more cohesive approach to working with nature.

The works on view include:

  • Department of Seaweed Prototyping Workshop, 2019–20. Founded by Julia Lohmann in 2013, the Department of Seaweed brings together experts in design, science and craft to experiment with the fabrication processes and material properties of seaweed and explore possible applications of this plentiful and renewable resource. For the installation at Davos, Lohmann will create a seaweed structure, Hidaka-Ohmu, and have available living seaweed and a display of hanging, dried seaweed to show the materials used in the craft process. Participants will work with seaweed in a workshop with Lohmann’s team.
  • Tree of 40 Fruit, 2008–ongoing. Artist Sam Van Aken collapses an orchard of fruit trees into a single tree using centuries-old grafting techniques. Van Aken worked with Fructus, the Swiss Association for the Protection of Fruit Heritage, to identify, collect and graft 40 apple varieties onto a 6-year-old tree. The varieties originated, are historically grown, or are important commercial varieties in Switzerland. Van Aken maps the tree grafts with hand-drawn sketches that are color-coded to each blossom’s season. Participants will be invited to try bench grafting—a technique where scionwood is grafted to root systems to create new trees.
  • Totomoxtle, 2017–ongoing. Totomoxtle means “corn husk” in the Nahuatl language and refers to the brilliantly colored veneers made from native Mexican corn by designer Fernando Laposse. Since 2017, Laposse has collaborated with farmers, agronomists and scientists to reintroduce native varieties of corn that were decimated by industrial farming. The initiative has led to local job growth, a resurgence of craft and food traditions, and restoration of indigenous farming practices. Participants will join in the completion of a mosaic.
  • Algae Platform, 2019–20. Developed by Atelier Luma, a think-tank, workshop and space for research, production and learning, the Algae Platform investigates the potential of algae as an alternative material to plastic with many possible applications in the architecture and design field. Algae is a globally renewable resource that is found in natural, urban and industrial landscapes, and can be 3-D printed into vessels and extruded into filaments for textiles.

Related programming includes presentations by the designers in the Hub, followed by hands-on workshops. On Jan. 21, the designers from the Algae Platform and the Department of Seaweed will share the creative process of turning unwanted natural materials into art and everyday objects. On Jan. 23, the artists behind the Tree of 40 Fruit and Totomoxtle will discuss what ancient agricultural techniques can teach people about caring for the land. Additional programming during the series includes a Design by Nature session, Jan. 24, featuring Baumann in conversation with Netherlands-based artist and innovator Daan Roosegaarde who explores breakthrough ideas that bring nature and humans together in a sustainable way.

About Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt is America’s design museum. Inclusive, innovative and experimental, the museum’s dynamic exhibitions, education programs, master’s program, publications and online resources inspire, educate and empower people through design. An integral part of the Smithsonian Institution—the world’s largest museum, education and research complex—Cooper Hewitt is located on New York City’s Museum Mile in the historic, landmark Carnegie Mansion. Steward of one of the world’s most diverse and comprehensive design collections—over 210,000 objects that range from an ancient Egyptian faience cup dating to about 1100 BC to contemporary 3-D-printed objects and digital code—Cooper Hewitt welcomes everyone to discover the importance of design and its power to change the world. Cooper Hewitt knits digital into experiences to enhance ideas, extend reach beyond museum walls and enable greater access, personalization, experimentation and connection. The museum is fully accessible.

For more information, visit www.cooperhewitt.org or follow @cooperhewitt on Instagram, Facebook, Twitter and YouTube.

About The World Economic Forum

The World Economic Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. The World Economic Forum’s Annual Meeting brings together over 3,000 participants from governments, international organizations, business, civil society, media and culture from all over the world. The theme of the 50th annual meeting in Davos is Stakeholders for a Cohesive and Sustainable World.

Posted in Charles W Martin, Environment/Deep Ecology/Climate Change, Photograph, poem, Sustainability

go to the mirror, a poem by Charles W. Martin

as i
left
a public park
following
a rally
on
climate change
i saw
the brown bag prophet
with
a questioning look
on
his face
so i asked
if he had
a problem
with
the event
he
said
now
don’t get me wrong
i’m all
for
saving
the planet
and
sustainability
but
nothing’s
gonna change
until
we’ve admitted
to
our own history
and
our current
complicity
in
environmental crimes
for
to change
one
must see
what
is

 

Posted in TheBeZine

The BeZine, June 2019, Vol 6 , Issue 2: SustainABILITY

“Today we are faced with a challenge that calls for a shift in our thinking, so that humanity stops threatening its life-support system. We are called to assist the Earth to heal her wounds and in the process heal our own – indeed to embrace the whole of creation in all its diversity, beauty and wonder. Recognizing that sustainable development, democracy and peace are indivisible is an idea whose time has come.”  Wangari Maathai


We are awash in righteous – and not so righteous – concerns and obsessions: race-and-gender-based inequities, war, greed, hunger, religious and ideological differences, displacement and migration, and leadership that is too often vapid, ignorant and unspeakably cruel. We think of the times as being dark and suffocating, light obscured by dense and low-hanging clouds, but maybe – just maybe – there is a ray of sunshine, a breath of fresh air. And maybe, just maybe, that’s all we need. Let’s take that sliver of light, that breath of fresh air, and build a future. This is a battle for the world in which our children will grow old and our grandchildren will grow up.

Perhaps, Wangari Maathai (1940-2011), Kenyan social, environmental and political activist and the first African woman to win the Nobel Peace Prize, is right. The solutions are all of a piece: in the process of addressing our most immediate and pressing concern, the concern that is universal, environmental sustainability, we will mitigate hunger, migration, war, division, and greed. SustainABILITY requires that we work together. We’re not talking Utopia here.  We’re talking collaboration and compromise, imperfect but functional.

SustainABILITY is rooted in the People (that would be you and me) who pull together to successfully tackle environmental concerns as the people have in efforts like Wangari’s Green Belt Movement in Africa, the tree-planting and intensive agriculture programs in China (including China’s Three North Shelter Forest Program) and in India.


Wangari Maathai speaking at the World Social Forum courtesy of The-time-line under CC BY-SA 3.0


“A tree has roots in the soil yet reaches to the sky. It tells us that in order to aspire we need to be grounded and that no matter how high we go it is from our roots that we draw sustenance. It is a reminder . . .  that we cannot forget where we came from . . . our power and strength and our ability to reach our goals depend on the people, those whose work remains unseen, who are the soil out of which we grow, the shoulders on which we stand.”  Wangari Maathai



This quarter we bring you work by talented, responsible, inspired, and sometimes discouraged artists. We also bring you fact-based hope, proven ideals and ideas, and a fair number of resources.

On behalf of The Bardo Group Beguines,
and in the spirit of love (respect) and community,
Jamie Dedes
Founding and Managing Editor

TABLE OF CONTENTS

How to read this issue of THE BeZINE: You can read each piece individually by clicking the links in the Table of Contents or you can click HERE and scroll through the entire Zine.

BeATTITUDES

In Infinitum Terrae, Corina Ravenscraft
Bird Brains, Naomi Baltuck
Three Pillars of Just and Stable Societies, Wangari Maathai
Two Reminders, Mary Bone
Fiqoo, the Farmer, and the March of the Water Drops/a fable, Anjum Wasim Dar

THE GREENING OF THE PLANET

“The planting of a tree, especially one of the long-living hardwood trees, is a gift which you can make to posterity at almost no cost and with almost no trouble, and if the tree takes root it will far outlive the visible effect of any of your other actions, good or evil.”  George Orwell

China and India Lead the Way in Greening, Abby Tabor, NASA Ames Research Center with Mike Carlowicz, Earth Observatory
The Great Green Wall of Africa, BBC
Wangari’s Trees of Peace, A True Story from Africa, Jeanette Winter
Planet: Safe, Healthy, and Green, Anjum Wasim Dar
UNESCO’S Man and the Biosphere Programme to designate new Biosphere Reserves, International Coordinating Council of UNESCO’s Man and the Biosphere

THE MEMORY

“Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.” Cormac McCarthy, The Road

Box, Anne Stewart
Thinking green would just be there, Linda Chown
The Smell of Wood, The Scorch of Fire, Jamie Dedes

THE PLEASURES

“It is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility. ” Rachel Carson, The Sense of Wonder

Brother Francis and Sister Moon, Sheila Jacob
Head Over Heals, John Anstie
my eyes are deaf, my eyes hear a song, Jamie Dedes

THE HEARTACHE

“. . . there’s no such thing as perfect despair.” Haruki Murakami, Hear the Wind Sing

The Crab, Michael Dickel
A Climate of Change, Joseph Hesch
From the Butcher’s Blade, Jamie Dedes


The BeZine: Be Inspired, Be Creative, Be Peace, Be (the subscription feature is below and to your left.)

Daily Spiritual Practice: Beguine Again, a community of Like-Minded People

Facebook, The Bardo Group Beguines

Twitter, The Bardo Group Beguines

SUBMISSIONS:

Read Info/Missions StatementSubmission Guidelines, and at least one issue before you submit. Updates on Calls for Submissions and other activities are posted on the Zine blog and The Poet by Day.


 


 

Posted in Music, Niamh Clune

We Are the Voice, 2019 – Children’s Anthem to Save Mother Earth

If you are viewing this from an email subscription it’s likely you’ll have to link through to the side to enjoy this moving video.

We Are The Voice: Children’s anthem to save Mother Earth. This song written by Niamh Clune in 2002 for the World Summit in Johannesburg. We have re-recorded it with singers from six Surrey schools. The song launches our children’s plastic awareness campaign.
Find us on Spotify HERE: https://open.spotify.com/album/2Y66pe…
and I tunes HERE: https://itunes.apple.com/us/album/we-…
app=itunes&ign-mpt=uo%3D4.
Join our campaign: https://www.wearethevoice.org.uk

Posted in Culture/History, Environment/Deep Ecology/Climate Change, Naomi Baltuck, Nature, ocean bliss, Peace & Justice, Photo Story, Photography/Photographer, Spiritual Practice, story, Story Telling, Photo Story, Sustainability, Teachers, TheBeZine, trees, Writing

Hope Floats

 

On my last visit to Juneau, my Alaskan sister Constance, told me a story. It began over fifteen hundred years ago, when a small band of Pacific Islanders, plagued by overpopulation and the depletion of natural resources, set sail across the Pacific in outrigger canoes to seek new islands to call home.

 

They were the ancestors of the people of Hawaii, Tahiti, Samoa, and other Polynesian islands.  Their only guidance was gleaned from the stars, the wind, ocean currents, the swell of the waves, the birds and the fish, the movement of the clouds. This ancient system of navigation, known as ‘wayfinding,’ enabled them to travel thousands of miles across vast stretches of ocean to remote tiny islands.

My sister told me she had volunteered at an event in honor of native Hawai’ian, Nainoa Thompson, who had come to Juneau to tell his story, and to celebrate the strong bond between the First Peoples of Alaska and Hawai’i.  It began in 1976, when Nainoa wanted to follow in his ancestors’ wake by sailing from Hawai’i to Tahiti with only traditional navigation as guidance.  He had a double-hulled outrigger canoe named Hokule’a, ‘Our Star of Gladness’.  At that time, ‘wayfinding’ was in danger of being forever lost.  Hawaii’s wayfinders had all died, and only a few elderly wayfinders remained in Micronesia. One of them, Mau Piailug, barely spoke English, and the trip from Hawaii to Tahiti longer than any voyage Mau had ever made.  But Mau’s children, like the children of so many Native Americans, had been taken away to boarding schools, robbed of their culture, and any interest in learning the ancient art.  He agreed to mentor Nainoa.

Under Mau’s tutelage Nainoa completed the trip, and became a master wayfinder, helping to preserve Hawai’ian culture.  But the Hokule’a was built from modern materials, and Nainoa wanted to build a ship of traditional Hawai’ian materials.  For almost a year, Nainoa searched throughout the Hawai’ian Islands for two koa trees to use as hulls.

Between the devastation of ranching and logging, he couldn’t find a single koa tree tall or thick enough to serve.

It was noted in Captain George Vancouvers journals in 1793–that some Hawai’ian canoes had hulls of Sitka Spruce.  The logs had been carried three thousand miles from Alaska by ocean currents, tossed up on Hawaiian beaches, and were considered gifts from the gods.

Nainoa asked Alaskan tribal elders for two Sitka Spruce trees to build an outrigger canoe.  He was told that he could have the trees “so you can build the canoe to carry your culture.  But we won’t take their lives until you come see that they are what you need.”

The Sitka Spruce trees were beautiful; 200-feet tall, eight feet in diameter, over 400 years old.  But Nainoa realized that he couldn’t take the life of those trees before dealing with the destruction of his native Hawaiian forests.

Nainoa returned to Hawai’i to launch a restoration program. People worked together, old and young–some traveled from Alaska–to plant thousands of koa tree seedlings, creating forests that will one day have tree big enough to make canoes.

Only then did Nainoa feel he could return to Alaska to accept the gift of the Sitka Spruce trees.

Nainoa called the new canoe ‘Hawai’iloa’, after the ancient wayfinder who first discovered the Hawai’ian Islands.

Those first Polynesian voyagers coped with overpopulation and depletion of resources by migrating to other uninhabited islands, but that’s no longer an option on our crowded planet.  Nainoa’s expanded mission has become ‘Malama Honua’, which means ‘caring for the Earth.’  Last year the Hokule’a completed a three year tour that circled the planet, building global community, and promoting earth care and sustainability as well as Polynesian culture.

I believe we have strayed, and lost sight of the world we want and need to live in.  But, as Nainoa discovered, and now teaches, if one is willing to listen and learn, there are wayfinders who can show us the way home.

All images ©2019 Naomi Baltuck


NAOMI BALTUCK (Writing Between the Lines)~ is Resident Storyteller at The BeZine. She is a world-traveler and an award-winning writer, photographer. Her works of fiction and nonfiction are available through Amazon HERE.

Naomi presents her wonderful photo-stories – always interesting and rich with meaning and humor – at Writing Between the Lines, Life from the Writer’s POV (her personal blog) as well as on The BeZine.

Naomi conducts workshops such as Peace Porridge (multicultural stories to promote cooperation, goodwill, and peaceful coexistence), Whispers in the Graveyard (a spellbinding array of haunting and mysterious stories), Tandem Tales, Traveling Light Around the World, and others. For more on her programs visit Naomi Baltuck.com.

Naomi says, “When not actually writing, I am researching the world with my long-suffering husband and our two kids, or outside editing my garden. My novel, The Keeper of the Crystal Spring (Viking Penguin), can be read in English, German, Spanish, and Italian. My storytelling anthology, Apples From Heaven, garnered four national awards, including the Anne Izard Storytellers’ Choice. I am currently working on a contemporary women’s novel.”

Posted in 100,000 Poets, Musicians, Artists and Activists for Change

100,000 Poets (Artists/Musicians/Friends) for Change, for Raising the Collective Consciousness

“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.” Elie Wiesel



In 2011, The Bardo Group Beguines (The BeZine and Beguine Again) collected poems and other works that addressed the need for, the desire for, and prospective paths toward peace. We were inspired by a global movement that was founded by poets Michael Rothenberg and Terri Carrion called 100,000 Poets for Change.

The following year we connected with that global movement and hosted a virtual 100,000 Poets for Change so that folks from anywhere in the world could participate in this extraordinary event even if they were homebound or if there was no event being hosted in their area. It wasn’t long before drummers, mimes, musicians, artists and clergy joined this global initiative.  Followers and supporters included people who aren’t in the arts but appreciate the power of the arts to raise the collective consciousness and to foster sensible and compassionate action and policy.

SAVE THE DATES

This year The BeZine September issue  (September 15) will be devoted to social justice and on Saturday, September 29, we’ll host 100,000 Poets and Friends for Change on The BeZine site in concert with off-line efforts to be sponsored by communities all over the world.

I hope you’ll join us at the Zine in September.

Perhaps you’ll decide to host an event in your town or region. For details on that connect with Michael Rothenberg on Facebook or sign-up HERE.

Today I share a message Michael Rothenberg and Terri Carrion asked me to post for you:

“100 Thousand Poets for Change began in 2011. It was an initiative that spread by word of mouth across the globe.

“Poets in nearly 100 countries around the world expressed their outrage at war, ecocide, gender inequality, police brutality and a slew of other issues that were not being addressed. Up to then, poets as a community had been fragmented and silenced by the corporatization of the arts and peer pressure that insisted poetry should not be political, that poetry and art did not matter in changing the world.

“Now, 8 years later, it has been regularly demonstrated that poetry and the rest of the arts are a powerful resource in broadcasting the need for positive change. This could be in a very small part because of the effect of 100 Thousand Poets for Change.

“However, I believe that, mostly, there was a paradigm shift in regard to the need for protest and engagement in the world. Many individuals and organizations came to the realization that silence is complicity.

“Today you can hear voices raised against injustice everywhere. It has become part of the curriculum. But sadly, it seems that these voices are not loud enough or strong enough, that although the poetry community has unified in many ways and pushed forward in expressing opposition to injustice, situations have gotten worse.

“War continues and expands, militarization continues and expands, children are gunned down in schools, neo-nazis and white supremacists are emboldened, gender inequality is still the norm, and at this very moment we are witnessing a country that professes to be the most democratic and freest country in the world, the USA, tearing children out of the arms of their parents and putting them in cages as part of their immigration policy.

“My heart is broken.

“Some days, I feel like disconnecting entirely from the horrifying news. I can hardly stand to hear it any longer. But then there are the poets and artists who keep up the fight, who continue to speak out, the beautiful souls who refuse to be broken, and go on against all odds.

“So I go on.

“September 29 is the next global 100 Thousand Poets for Change Day. I am convinced this is an initiative worth continuing. Poets and artists must continue to rally and bond, connect, create and speak out in unison against the daily horrors. For each other and for our very own sanity, we must continue and grow.

“The 100 Thousand Poets for Change initiative saves me and keeps me focused and sane.

“I invite you to join hundreds, maybe hundreds of thousands, of other poets globally on this day, September 29, to gather and unify. If you can’t organize on September 29, pick any other day in September or October and let me know where and when you will organize.

“I will spread word of your event to the global poetry community for change, and together we can be empowered to re-write the narrative of civilization to a sustainable alternative. There is strength in numbers. Together we can raise our voices for peace.

“We can do this!”

Love, Michael and Terri, 100 Thousand Poets for Change.

– Jamie Dedes

Posted in 100,000 Poets, Musicians, Artists and Activists for Change

100TPC — 2016

Welcome to The BeZine’s online,
virtual 100,000 Poets for Change event!

This past week, an international aid convoy in Syria was attacked with devastating results, during a ceasefire. Bombs went off, as usual, in Iraq. They also went off in New Jersey and New York. There were terrorist knife attacks in Jerusalem. And knife attacks also in St. Cloud, Minnesota. Police shot (at least) two unarmed African-Americans in the United States. Police shot “terror suspects” in Israel. Iran arrested dissidents. China gave a dissident’s attorney a 12-year sentence.

Climate change has reduced the arctic ice sheets at record levels, this summer just ended. The Fertile Crescent, where Western civilization began, has suffered such a devastating drought that farmers have fled it for years now—a contributing cause to the Syrian civil war and the refugee crisis. The hardened, drought-stricken soil in the region, broken up by heavy war-machinery, artillery shelling, and bombs, has turned into dust that the wind picks up—a contributing cause of record dust storms throughout the region.

It is time for global change

For the past six years, 100,000 Poets for Change (100TPC) has inspired and supported events on a Saturday in September. This year, there are over 550 events scheduled throughout the world. This blog/zine is one of them. The goal is for poets (artists, musicians, actors, even mimes) to band together and perform / exhibit their work in a call to change the world for the better.

The 100TPC themes are peace, sustainability, and social justice. The September 2016 issue of The BeZine, edited by Priscilla Galasso and Steve Wiencek, focuses on environmental justice. This focus relates to social justice and sustainability, but is a necessary part of obtaining peace.

If we still have poverty and homelessness, what is sustained other than inequality? And, without social justice and a sustainable environment, could there be peace? Could peace be maintained without both social and environmental justice alongside environmental and economic sustainability?

Share your work here, today, as part of our 100TPC online event—help us create a space for change. As in past years, the event will be archived and made available later on The BeZine’s website and will also be archived at Standford University in California.

Here’s how to post your work

For today’s online event, our choice is not to put one of the three themes—peace, sustainability, and social justice—above the others, but to recognize that all of these three necessary areas of change interrelate in complex ways.

We invite you to participate. Share your writing, art, music, videos, thoughts that relate to these themes on our website today.

It’s actually easy to do.

  • Click on Mr. Linky below and follow instructions for posting a link to a post on your blog:

  • You can also post a link or writing directly into the comments below!
Come back during the day

Please return often today (Sept. 24, 2016) to read what others have posted, follow links, like, and leave comments—and to see and reply to what others have commented on your own posts and links. We would love to see an active dialogue!

Posted in 100,000 Poets, Musicians, Artists and Activists for Change

IF WE WERE RIOTING IN 120 COUNTRIES, YOU’D SEE US ON THE 6 P.M. NEWS: we’re not, so here’s everything you need to know about 100,000 Poets (and others) for Change

100TPC2014Logo

Here’s the good news: There are thousands of peace-loving, peace-living artists who gather in solidarity in some 120 countries around the world each year on the fourth Saturday of September and who connect and continue to work and stay connected even after the main event is over. The main event is 100,000 Poets for Change (100TPC), which is in its sixth year.

If we were rioting in 120 countries, for sure you’d see us on CNN, but we bare witness to the desire for and possibility of peace and apparently that doesn’t qualify as news: won’t get the adrenalin going, won’t sell laundry soap, won’t create division among us so that the wealthy and powerful can use us for their own ends. The world in all its strife is left to learn about 100TPC through social media.  So be it …

THE BACK STORY: 

I wasn’t there at the beginning, but I imagine that 100 Thousand Poets for Change founders, Michael Rothenberg and Terri Carrion (both of Big Bridge Press), were having dinner one night – maybe with some other poets and some artists and musicians  – contemplating the state of the world, the disconnection among communities and nations and trying to think of some way to connect positively, to come together in the service of shared ideals such as harmony, stewardship and compassion. And so it happened that in 2011, Michael put out a call on Facebook for 100,000 Poets for Change and a movement was born.  If memory serves there were 700 events held simultaneously around the world that first September.

The first night of the 100TPC World Conference in Salerno, Italy in 2015. Over 80 poets from 22 countries and 6 continents came together to share and to plan for the future of 100TPC
The first night of the 100TPC World Conference in Salerno, Italy in 2015. Over 80 poets from 22 countries and 6 continents came together to share and to plan for the future of 100TPC

Michael and Terri recently stated that peace and sustainability …

. . . are major concerns worldwide and the guiding principles for this global event. All participants hope, through their actions and events, to seize and redirect the political and social dialogue of the day and turn the narrative of civilization towards peace and sustainability. We are living in a world where it isn’t just one issue that needs to be addressed. A common ground is built through this global compilation of local stories, which is how we create a true narrative for discourse to inform the future . . .

“What kind of change are we talking about? The first order of change is for poets, writers, musicians, artists, anybody, to actually get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This will change how we see our local community and the global community. We have all become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity.”

What started as a poets’ event now includes artists, photographers, musicians, drummers, mimes, dancers, arts lovers and other peacemakers.

100TMC

100TAC

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Michael Rothenberg

Michael Rothenberg and Terri Carrion created a website where anyone who wanted to organize an event could register.  It is to this site that you may go to register an event or to find an event in your area. If you want to organize an event and it sounds rather onerous to you, keep in mind that while an event might be big and attended by many in a park or town square, it might also be a small gathering of like-minded artists at your home or a local cafe.  I organized The BeZine 100TPC virtual event because I am largely home bound and assume there are others out there like me who would like to participate in 100TPC but would find it difficult to spend the day out. This virtual event also gives people anywhere a place to participant in 100TPC if there is no event scheduled in their vicinity. So just use your imagination and be creative about this.  You might dedicate a book club meeting to it or an afternoon at church. This year, Terri Stewart (Beguine Again and The BeZine) has organized a peacemaking circle to be held at her church in Seattle. Bravo!

Organizers generally make flyers for their events. These are often small works of art. Depending on religious or national holidays, in some countries the events are held on days other than the fourth Saturday of September.  In other countries – Morocco is one – events are held monthly. The main consistency is spirit and shared vision.

To keep up with 100TPC, check out the website for information and updates and connect with 100TPC on Facebook.

THE BeZINE 100,000 POETS FOR CHANGE, virtual event

The BeZine 100,000 Poets for Change will start on September 15th with our September issue. Priscilla Galasso (scillagrace) is the lead for that issue. The theme is Environment and Environmental Justice, which is our chosen theme for 100TPC 2016. If you’d like to submit work on topic for that issue, send it to bardogroup@gmail.com. Please review submission guidelines first.

Our 100TPC event is hosted from our blog. The post will go up at 12 a.m. PST on September 24 and you can begin including work immediately using either the comments section or Mister Linkey. Direction will be included in the content of the post. American-Israeli Michael Dickel (Fragments of Michael Dickel) is the Master of Ceremonies again this year. He does a fabulous job of it and will keep the action and commentary running via the comments section. You are encouraged to share your own work and to read the work of others. I’ll be on hand to give Michael breaks and to keep the dialog going until midnight PST – California.  Ultimately all work shared is archived on site and at Standford University. Please keep in mind, that this is not just for poetry.  You can share appropriately themed fiction, music video, creative nonfiction – whatever can be shared in a comment. Long pieces can be shared by putting in the url link to your work on your blog or website.

To help get you going, we’ll do 100TPC writing prompts  at The Poet by Day (on Wednesdays, August 23 and August 31, so that you can begin working on something for September 24.  Comments will be open for sharing and you what you share doesn’t have to be poetry. It can be flash fiction, creative nonfiction – even a video, photograph or piece of art if you want to share it in advance.

100,000 PEACEMAKERS FOR CHANGE, Seattle, WA

This event is organized by The Bardo Group Beguines‘ Rev. Terri Stewart (Beguine Again and The BeZine) at Riverton Park United Methodist Church, 3118 S 140th Street, Tukwilia, Washington 98168 on Saturday, September 24th, 1 p.m. – 3 p.m. with a social gathering after from 3 p.m. – 4 p.m. Terri will lead a peacemaking circle that will focus on earth justice. She says, “We want to make a public witness of peace and peace for the earth. Hope to see you there!” The Facebook Page for this event is HERE.

That same afternoon there will also be a food drive in process at Riverton for the Tukewila Pantry Emergency Food Bank and donations of food or money are welcome. Here is the wish list if you are able to help:

Canned Meats/Fish
Canned Vegetables
Canned Fruits
Canned Meals (i.e. stews, soups, spaghetti, chili, ravioli, etc.) Macaroni & Cheese
Dry or Canned Milk
Peanut Butter
Dry Goods (i.e. pastas, rice, beans, cold and hot cereals, baking mix, etc.)

Remember, wherever you are in the world, go to 100TPC to find an event in your area or to register to hold one and no matter where you are, you can also participate in The BeZine’s 100TPC virtual event.

RELATED:

The BeZine 100TPC Commemorative Collection, 2014
The BeZine 100TPC Commemorative Collection, 2015
Michael Dickel’s report back from the Salerno Conference
The BeZine 100TPC Facebook discussion page

Posted in Beguine Again, General Interest, TheBeZine

a story of faith, hope and love

IMG_1955I feel almost inclined to start this story with “once upon a time” since it feels that we began our adventure so long ago.  I started The Bardo Group (though it wasn’t titled that way to begin with) in 2011 as a way to encourage a sort of world without borders by having people from different cultures and religions come together to show what’s in their hearts and in doing so to demonstrate that with all our differences we have much in common: our dreams and hopes, our plans for children and grandchildren, our love of family, friends and the spiritual traditions we’ve chosen or into which we were born  . . . not to mention our love of sacred space as it is expressed in the arts and our concerns for peace, social justice and sustainability.

At one point I decided that it would be nice to have a sort of virtual Sunday service and invited Terri Stewart, a Methodist Minister, to be our “Sunday Chaplain.”  In 2008 she founded Beguine Again, an interfaith platform for clerics and spiritual teachers to offer daily solace and inspiration. I felt comfortable inviting Terri in because she didn’t want to convert anyone and seemed to appreciate the beauty and wisdom of traditions other than her own. She even incorporated the wisdom of other traditions in her rituals and writings. Terri supported our mission. She didn’t appear threatened by different opinions or beliefs.

A little over a year ago, I suggested we might throw our two efforts together, Beguine Again and The Bardo Group. I hoped that would ensure the continuation of the The Bardo Group and the wise, beautiful and valued work and ideals of our core team and guests, a group of earnest and talented poets, writers, story-tellers, essayists, artists, photographers and musicians.  Each is a strong advocate for a better – fair, peaceful and sustainable – world. Together they are a powerhouse.

Okay, yes!  I’m a bit biased.  I’ve only met one of our group in person and only talked by phone with Terri,  but I’ve read everyone’s work – their emails, messages, books, blogs and FB posts for years now.  We’ve been through deaths in families, births and birthdays, graduations, illness and recovery, major relocations, wars and gunfire, triumphs and failures. Two of our original contributors have died. I feel that our core team and our guests might be my next-door neighbors instead of residing in  Romania, England, Algeria, the Philippines, Israel, India, Greece, Bulgaria, the United States and other countries I’ve probably forgotten. We’ve featured work by people ranging in age – as near as I can guess – from 19 to nearly 90. They’ve been Muslims, Christians, Jews, Hindus, Buddhists, atheists and agnostics. The growth of our readership is slow but steady, loyal and just as diverse as our core team and guests.

So what did we do to facilitate this merger: At Beguine Again daily posts continued. That team joined The Bardo Group. We stopped posting daily on The Bardo Group site and started The BeZine, a monthly online publication with a fresh theme for each issue. Terri got a grant to establish a community website from the Pacific Northwest United Methodist Church. The website has been over a year in the works. Today, we unveil it.

footer-logo

The site is designed to be a spiritual networking community.  Though it is an extended ministry of the Lake Washington United Methodist Church, this effort remains both interfaith and a labor of love.

The site is supported by donations, membership (paid membership is optional) and a generous grant from Pacific Northwest United Methodist Church, which funded the design and development of the site. The grant from the church ends on December 31, 2015. Donations and membership fees will support the cost of technical assistance, web hosting and so forth. Should there be any excess funds they will go to the Youth Chaplaincy Coalition, a Seattle nonprofit (also interfaith) founded by Terri under the aegis of the church. Coalition members provide assistance to incarcerated youth. No income is earned by anyone associated with Beguine Again, The Bardo Group, The BeZine or the Youth Chaplaincy Coalition.  All are labors of love.

The BeZine can still be easily and conviently accessed directly either here at this site or through Beguine Again if you choose to become a member of the community.

Please check out the site. Any questions? Let us know … and do let us know what you think. Please be patient too.  The tech gremlins are still working behind the scenes.

A note on the name: Beguine Again.  The original Beguine community was a Christian lay order in Europe that was active between the 13th and 16th century.  Terri chose the name “Because they worked outside the religious structure and were a safe place for vulnerable people.”

© 2015, article and photograph, Jamie Dedes; Beguine Again logo, copyright Beguine Again

Posted in General Interest

We have a goal …

Behind the scenes we’re working to pull together  the wealth of insight and artistry shared for 100,000 Poets (and friends) for Change into a commemorative page, the content of which will also be archived at Stanford University, Stanford, California. Thank you to all who contributed, read, commented, shared links and supported this worthwhile effort here as a virtual event or in one of some 500 cities around the world.

While the big event is over for this year, the goals are ongoing as this video indicates. The work for Peace, Sustainability and Social Justice is a never-ending journey. So the question each one of us asks ourselves is what next? What action can I take? What small part of the big project can I take on? It is, after all, up to each of us to “be the change.”

We have decided to continue with our 100TPC Facebook group discussion page. Let us know if you are interested in being part of that.  This year our theme was poverty.  The environment and environmental justice are themes for 2016.  Your input to that is welcome.

Posted in 000 Poets, 100, Musicians

100TPC Event Today … Link in your poems, art, stories, film, music, videos for peace, sustainability and social justice with an emphasis on poverty and hunger

Hand of Fire, Hand of Creation<br/>Moshe Dekel (age 5)
Hand of Fire, Hand of Creation by Moshe Dekel (age 5)

Welcome to the 5th year of 100,000 Poets (Musicians, Artists, Mimes…) for Change, and the 2015 edition of The BeZine Online 100TPC Event! If you’ve done this before and you know the score, skip to the comments or Mister Linky at the bottom of the post and begin. If you are wondering, hey, what are you folks up to then check out some serious non-fiction here:

Our mission here today as poets, writers, artists, photographers, musicians and friends is a sort-of fission for change—a burning with and expression of the desire for peace, environmental and economic sustainability, social justice, inclusion, equity and opportunity for all. We seek through our art to do a bit of old-fashioned consciousness raising, to stimulate thought and action leading to the kind of change that is sustainable, compassionate and just, and to engage in the important theme of the issues facing humanity today—but all with a goal to alleviate suffering and foster peace. We don’t want to just “talk about it,” we want words, art and music that help us take action in some way for positive change wherever we are in our lives, in our world.

We see a complex inter-woven relationship between peace, sustainability, and social justice. We all recognize that when people are marginalized and disenfranchised, when they are effectively barred from opportunities for education and viable employment, when they can’t feed themselves or their families or are used as slave labor, there will inevitably be a backlash, and we’re seeing that now in violent conflicts, wars and dislocation. Climatologists have also linked climate change, with its severe weather changes and recent droughts, to the rise violence in the world, and even contributing to inequities in areas – like Syria – where a severe drought destabilized food production and the economy, contributing to the unrest that led to the civil war, according to one study.

Jerusalem in an unprecedented dust storm that engulged much of the Mideast, linked by one climate scientist to the Syrian civial war and ISIS conflict
Jerusalem in an unprecedented dust storm that engulfed much of the Mideast, linked by one climate scientist to the Syrian civil war and ISIS conflict

There are too many people living on the streets and in refugee camps, too many whose lives are at subsistence level, too many children who die before the age of five (as many as four a minute dying from hunger, according to one reliable study—more info), too many youth walking through life with no education, no jobs and no hope. It can’t end well…

Syrian refugee camp, photo: The Telegraph
Syrian refugee camp
photo: The Telegraph

More than anything, our mission is a call to action, a call to work in your own communities where ever you are in the world, and to focus on the pressing local issues that contribute to conflict, injustice, and unsustainable economic and environmental practices. The kind of change we need may well have to be from the ground up, all of us working together to create peaceful, sustainable and just cultures that nurture the best in all the peoples of this world.

Poverty and homelessness are evergreen issues historically, but issues also embedded in social and political complexity. They benefit the rich, whose economic system keeps most of the rest of us as, at best, “wage slaves,” and all too many of us in poverty, without enough to provide for basic needs or housing (including the “working poor,” who hold low-paying jobs while CEOs are paid record-breaking salaries and bonuses in the global capitalist system). We are united in our cries against the structures of injustice, where the rich act as demigods and demagogues. We have to ask of what use will all their riches be in the face of this inconceivable suffering and the inevitable backlash from the marginalized and disenfranchised. We need fairness, not greed.

So, with this mission in mind, and with the complexity of the interrelationships of social justice, sustainability and peace as a framework, we focus on hunger and poverty, two basic issues and major threads in the system of inequality and injustice that need addressing throughout the world.

We look forward to what you have to share, whether the form is poetry, essay, fiction, art, photography, documentary, music, or hybrids of any of these—and we want to engage in an ongoing conversation through your comments on all of the above as you not only share your own work here today but visit and enjoy the work of others, supporting one another with your “likes” and comments, starting or entering into dialogues with writers, artists and musicians throughout the world and online viewers, readers, listeners.

Think globally, act locally, form community.

—Michael Dickel, Jerusalem (with G. Jamie Dedes, California, USA)

DIRECTIONS FOR PARTICIPATION

Share links to your relevant work or that of others in a comment or by using Mister Linky below. To use Mr. Linky, just click on the graphic. (Note: If you are sharing someone else’s work, please use your name in Mister Linky, so we can credit you as the contributor—we will give the author / artist name in the comments, from the link when we post the link in a comment.)

You may leave your links or works in the comment section below this post. If you are sharing the work of another poet or artist, however, please only use a link and not the work itself.

In addition to sharing, we encourage you to visit others and make connections and conversation. To visit the links, click on Mr. Linky (the Mister Linky graphic above) and then on the links you see there. (Some Mr. Linky-links can be viewed in the comments section after we re-post them.)

Thank you! 

All links will be collected into a dedicated Page here at The BeZine and also archived at 100TPC.

Thank you for your participation. Let the conversation begin …

Posted in 100,000 Poets, Musicians, Artists and Activists for Change, Art, Peace & Justice, poem, Poems/Poetry, poetry

100,000 TPC 2015, Event Posters from Around the World

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As of this writing, there are well over 500 events scheduled around the world. To find an event near you or to register an event that you are organizing go to 100TPC.

Our own (Beguine Again and The Bardo Group) virtual event is scheduled to be held here at The BeZine blog on 26 September 2015. You are invited to join us by linking in your relevant work on poverty  (our theme this year) through Mr. Linky (directions will be included in the post that day) or simply by adding your link or your work in the comments.  You retain your own copyright.  All the links and works will be collected and posted in a Page at The BeZine and also archived at 100TPC.  Think about and prepare something you’d like to share so you can have your say and feature your own work.

To “meet” our host for that event, American-Israeli Poet Michael Dickel, link HERE.

To “meet” the founders of 100TPC, link HERE.

Posted in 000 Poets, 100, justice, Michael Dickel, Musicians, Peace & Justice, poem, Poems/Poetry, poetry, Poets/Writers, TheBeZine, Writing

The Poet as Witness: “War Surrounds Us,” an interview with American-Israeli Poet, Michael Dickel

Editors note: The theme for our September issue is poverty. It is part of our 100,000 Poets (and other artists and friends) for Change event (change being peace and sustainability) to be held here as a virtual event on 26 September 2015. Michael Dickel takes the lead on this project and the September issue. Here’s an opportunity to get to know him better. Michael’s vision: “… hope must/ still remain with those who cross/ borders, ignore false lines and divisions/” is consistent with the mission of Bequine Again and The Bardo Group, publishers of The BeZine.  The September issue will post on the 15th. J.D.

5182N5cYeEL._SX355_BO1,204,203,200_“That some of those labelled as enemies
have crossed the lines to offer condolences
at the mourning tents; that the mourning
families spoke to each other as parents
and cried on each others’ shoulders;
that we cried for the children who died
on both sides of the divide; that the
war began anyway; that hope must
still remain with those who cross
borders, ignore false lines and divisions;
that children should be allowed to live;
that we must cry for all children who die”

– Michael Dickel, (Mosquitos) War Surrounds Us

Jerusalem, Summer 2014: Michael Dickel and his family including Moshe (3 years) and Naomi (1 year) hear the air raid sirens, find safety in shelters, and don’t find relief during vacation travels.  In a country smaller than New Jersey, there is no escaping the grumbling wars that encircle. So Michael did what writers and poets do. He bore witness. He picked up his pen and recorded thoughts, feelings, sounds, fears, colors, events and concerns in poetry. The result is his third collection of poems, a chapbook, War Surrounds Us.

While some use poetry to galvanize war, Michael’s poetry is a cry for peace. He watched the provocations between Israel and Hamas that resulted in war in 2014 and he illustrates the insanity.

            And the retaliation
Continues, reptilian and cold,
retaliation the perpetrator
of all massacres.

Though the poems change their pacing and structure, they present a cohesive logical and emotional flow, one that takes you blood and bone into the heart of Michael’s experience as a human being, a poet, a Jew, a father and husband. He touches the humanity in all of us with his record of the tension between summer outings and death tolls, life as usual and the omnipresence of war.  Both thumbs up on this one. Bravo, Michael.

– Jamie Dedes

Poems from War Surrounds Us:
Again
Musical Meditations
The Roses

TLV1 Interview and Poetry Reading

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MY INTERVIEW WITH MICHAEL DICKEL:

Jamie: Putting together a poetry collection and ordering the work in a way that enhances the meaning and clarity of poems included is not easy. One of the first things to strike me about the collection as a whole is how it flows, so well in fact that it reads almost like one long poem. I found that quality contributed to the work’s readability. How did you work out the order? Was it consciously ordered or did it arise organically out of the experience of the war?

Michael: I’m very gratified that you noticed this about my book. I hadn’t thought of it quite in that sense, of being one poem, but I like that it reads that way. The sense of a book holding together, a collection of poems having some coherence, is important to me. I don’t think my first book achieved this very well, although it has some flow poem to poem. The whole is not focused, though. My second book has a sense of motion and narrative, from the Midwest where I grew up to arriving and living in Israel, and now being part of the Mid-East. However, War Surrounds Us, my third book, finally has a sense of focus that the other two did not.

Unfortunately, I probably can’t take too much credit for that coherence. Even more unfortunate, a real war raged in Gaza, with rockets also hitting the Jerusalem area, not that far from where I live. As we know now, thousands died, most apparently civilians, many children. Just across the border to the Northeast, diagonally opposite of Gaza, a much larger scale conflict burned and still burns through Syria—with even larger death tolls and even more atrocities over a longer time. These wars had, and still have, a huge impact on me and my family.

During last summer, the summer of 2014, this reality of war surrounding us had all of my attention. And it came out in my writing as obsession with the war, my family, the dissonance between living everyday life and the reality of death and destruction a missile’s throw away. So the topic filled my poems those months, as it did my thoughts. And the poems emerged as events unfolded over time, so a sort of narrative wove into them—not a plot, mind you, not exactly, anyway.

This gives a chronological structure to the book. However, not all of the poems appear in the order I wrote them. I did move some around, seeing connections in a theme or image—if it did not jar the sense of the underlying chronology of the war. Some of the events in our life could move around, and I did move some poems to places where I thought they fit better. I also revised the poems, reading from beginning to end several times, trying to smooth out the flow. A few of the poems I actually wrote or started before this phase of the ongoing conflict broke out—but where they also fit into a pattern, I included them. In the end, I moved and revised intuitively, following my own sense of flow and connection. I’m glad that it seems to have worked for you, as a reader, too.

Jamie: What is the place of the poet and poetry in war? Can poetry, art and literature move us to peace? How and why?

Michael: This is a difficult question. Historically, one place of poets was to call the soldiers to war, to rile them up and denounce the enemy. There is a famous poem from the Hebrew Scriptures. Balaam is called by Balak to curse Jacob and his army. The story sets a talking donkey who sees an angel with a sword and other obstacles in his way, but long story short, he arrives and raises his voice. He is the poet who is supposed to curse the enemy. Instead, he begins, “How beautiful your tents, O Jacob…” and recites a poem that is now part of the Jewish liturgy. This is not necessarily a peace poem, but it shows words and their power to curse of bless. I think the place of the poet is to bless and, rather than curse, to witness with clear sight.

There is a long history of poet as witness and observer. Czeslaw Milosz in The Witness of Poetry and Carolyn Forché, following him, in her books Against Forgetting: Twentieth Century Poetry of Witness and Poetry of Witness, which goes back to the 16th Century, argue that the poet’s role is to observe and bear witness to the world—to the darkness, the atrocities, genocide, war… Forché quotes Bertolt Brecht: “In these dark times, will there also be singing? / Yes, there will be singing. / About the dark times.” I think that is what we do as poets. That’s what I hope that War Surrounds Us does at its best, albeit as much a witnessing of my own family and context as of the Other. Then, as feminist theory has taught me, the personal is political, the political personal.

A1oKsOxRrJL._UY200_Can art and literature move us to peace? I don’t know. I hope it can move us to see more clearly, to feel more acutely, and to embrace our humanity and the humanity of others. Perhaps that will move us toward peace. There is so much to do, and it is as the rabbinic wisdom says about healing creation: it may not be ours to see the work completed, but that does not free us from the responsibility to do the work. As poets, we make a contribution. I hope the songs about the dark times will also be blessings for us all.

Jamie: Tell us about your life as a poet. When did you start and how did you pursue the path? How do you carve out time for it in a life that includes work, children and community responsibilities. You live on a kibbutz, I think.

Michael: Well, starting at the end, no, I don’t live on a kibbutz, I live in Jerusalem (the pre-1967 side of the Green Line). I do teach English at a college that was started by the Kibbutz Movement as a teacher’s college in the 1960s, now Kibbutzim College of Education, Arts and Technology. That appears in my email signature and confuses some people outside of Israel, who think I teach as part of living at a kibbutz. I’m actually more like adjunct faculty, but no one at the college works directly for a kibbutz as far as I know, and the college is open to anybody who qualifies.

While I only have a short day, from when the kids of my current family go to pre-school until I pick them up, I also usually only teach part-time. Some semesters I teach full-time or even more, but usually not. And, many of my courses in the past couple of years have been online, meeting only a few times during the semester. This helps.

My wife works full-time in high tech, which allows us to survive on my irregular, adjunct pay. She also has some flexibility, which allows her to usually be free to pick up the kids as needed around my teaching schedule, and we have on occasion hired someone to help with the kids so I could teach, not so much for my writing. But that has allowed writing time on other days.

Mostly, I write during those few hours when the kids are at pre-school, after the kids have gone to bed, or even later, after my wife has also gone to bed. If I’m working on a deadline or a large project, such as some of the freelance work I do for film production companies, I write after my wife gets home from work even if the kids are still awake. Usually, though, I write when I find time, and I find time when I don’t have other obligations.

Perhaps of relevance to this book, the writing took over. I was late in getting papers back to students and delayed other obligations and deadlines, even canceling a couple of other projects—although it was not just the writing, but the whole experience of the war, dealing with it and wanting to be very present with my children. As the poems relate, we went to the Galilee, in the North, for a month, a vacation we have taken before. Last summer, though, it had extra urgency because of the war. Unfortunately, during an outing picking apples in the Golan Heights, we heard artillery across the border in Syria, and that’s when I wrote the title poem of the book, “War Surrounds Us.”

The summer before, on that same month-long getaway, I wrote a lot of flash fiction, which makes up most of my next book, which should come out by the end of the year. I wrote during both summers when the kids were napping or after their bedtime, mostly. The place we stay in, a friend’s house (he travels every summer), has a lovely courtyard, and after the children went to bed, Aviva and I would sit out in it, usually with a glass of wine. She would read or work online and I would write on my laptop into the night. It was lovely and romantic.

I have to say that I almost don’t remember a time when I didn’t write poetry or stories. I recall trying to stop on a few occasions, either to work in some other aspect of my life, or when I did a different kind of writing, such as for my dissertation (which devolved into creative writing for more than half of it). But really, going back into my early years, I wrote stories or poems of some sort—influenced I suppose by A. A. Milne, Sol Silverstein, Kenneth Grahame and, later, Mark Twain and even Shakespeare. I had books of Roman and Greek myths, the Lambs’ bowdlerized Shakespeare for children, and some Arthurian tales as a child, not to mention shelves of Golden Books. Later, I read Madeleine L’Engle and a lot of science fiction. And everything I read made me also want to write.

I owe the earliest of my poems that I can remember to exercises from grade school teachers, one in 3rd grade, maybe 4th, the other in 6th grade. However, I’m sure that I wrote stories and possibly “poems” earlier. My first sense that I could become a poet arrived via a junior high school teacher, who encouraged me to submit some poetry to a school contest. I tied for first place.

So, I started writing forever ago. By the time of the junior high contest, I had read e e cummings, Emily Dickinson, some Whitman. By 9th grade, I discovered the Beats through a recording of Ginsberg reading “Kaddish” and other poems. Hearing him read the poems, then reading them myself, changed everything.

Alongside this development, one of my brothers brought Dylan records home that I listened to. All three of my brothers, with my parents’ tacit approval, played folk music and protest music in the form of songs of Woody Guthrie; The Weavers; Joan Baez; Peter, Paul and Mary; in addition to Dylan. These influenced both my writing and my world view. The same year that I came across Ginsberg’s work, I was involved in anti-war activity in my high school. That spring, four students were shot at Kent State. In another way, that changed everything, too.

Writing, activism, and politics, for me have always been interwoven. I also heard that year about “The Woman’s Movement,” which today we call Feminism. Later, much later, I would read and take to heart the idea of the personal being political, the body being political. I think my poems, even the most personal, always have a political and theoretical lens. And the most philosophical or political or theoretical, also have a personal lens. I don’t think that we can help but do that, but I try to be aware of the various lenses, of using their different foci deliberately as part of my craft. I’m not sure that is the current trend, and much of my work doesn’t fit well in spoken word or slam settings (some of it fits). However, this is my poetry and poetics—and they arise from a specific cultural context, the complexity of which I could not begin to convey in less than a lifetime of writing.

My development from those awakening moments looked like this: I read. I wrote. I shared my work with other people who wrote. Sometimes I talked with others about writing. My first degree in college was in psychology, not English, because I naively thought that psych would help me understand the human condition and that English would “ruin” – suppress – my writing voice. However, I took a lot of literature courses and my study abroad term focused entirely on literature.

After college, I had a career as a counselor working with runaways, with street teens, with children undergoing in-patient psych evaluations, and in a crisis intervention and suicide prevention center—a career that taught me a lot about politics, gender, race, and justice. I continued to write, often about some of the most disturbing realities that I encountered, but not well.

I had been out of college nearly a decade when I took some courses in creative writing at the University of Minnesota, at the suggestion of some friends in a writing group who had also taken some. One of the professors encouraged me to apply to the Creative Writing Program, where I was accepted. The acceptance was a poignant moment—I was out of state at my father’s burial. My now ex-wife remained back with our then 2 year-old daughter. She saw the letter in the mail, so called and read it to me. It was also my 32nd birthday. So many emotions all at the same time. Mostly, I remember wishing I could have told my father—from when he first heard that I’d applied, every phone call we had included his asking if I had heard yet if I had been accepted. It was the most direct way he had of saying he was proud.

IMG_1250

Jamie: Tell us a little about 100,000 Poets for Change (100TPC) in Israel and how people can get in touch with you if they want to participate this year. Are you able to manage a mix of Arabs and Jews?

Michael: The thing about 100TPC is that it’s pretty loose, as an organization, and very anarchic in governance. Which is to say, I’m not sure there is something I could call 100TPC in Israel. There’s a wonderful poet in Haifa who does some events, I don’t think every year. She is very active in peace activism and poetry. There’s an Israeli mentor of mine, Karen Alkalay-Gut, who has organized 100TPC events in Tel Aviv since the first year. For the past two years, I organized a poetry reading in Jerusalem. The first one was small, a few people I knew and cajoled into reading. The second one was much larger, over 25 poets. We had one Arab writer, who writes in English, at the second reading. Her poetry is powerful and personal, written as an Arab woman, a mother, and an Israeli. An Arab musician was going to join us, but he had a conflict arise with a paying gig. It is difficult to manage the practical, political, and social barriers, but people do it here. I am just learning a bit how to do this now.

For this year, I am working with two other organizations—the Lindberg Peace Foundation, which has held annual Poetry for Peace events. This year will be the 40th anniversary (yartzheit, in Hebrew) of Miriam Lindberg’s tragic death at the age of 18. She wrote poetry, was a peace activist, and also an environmental activist. Her mother was a poet and professor, and passed away a few years ago. Joining us in planning the Jerusalem event will be the Interfaith Center for Sustainable Development. Their mission as I understand it is to develop interfaith leadership for common goals related to eco-justice that would also provide a model for solving the Middle East conflicts.

The Jerusalem events won’t be the same date as the national event (26 September)—our dates will be 15–16 October, to honor the 40th anniversary of Miriam Lindberg’s death. Dorit Weissman, a Hebrew-language poet and playwright, also has become part of 100TPC this year, and she and I are having a smaller reading on 8 October with other poets.

We are just setting up a Facebook page for organizing with the three groups, 100TPC, the foundation, and the center. People could look for me on FB and send me a chat message there to be in touch. I hope that we will have the events posted on FB in the next few weeks, but we are still working on the details. The devil is always in the details, as the saying goes.

Michael will host The BeZine‘s virtual 100TPC this 26 September 2015.

Be the peace.

© 2015, book review, Jamie Dedes, All rights reserved; words, poetry, photographs of Michael, Michael Dickel, All rights reserved; cover illustration, The Evolution of Music, by Jerry Ingeman, All rights reserved

Posted in General Interest

100,000 Poets … and writers, artists, photographers, musicians and activists … for Change … Italy

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100,000 Poets for Change [100TC): poets and other artists and activists in world-wide solidarity for peace and sustainability.


While the great global event is scheduled for September 26 in 2015, there are local events staged at varying venues and times throughout the world. From June 3-8 the first world conference was held in Salerno, Italy. The video below shares the delightful work of some musicians at that conference. (The music starts at 1:20.) At The BeZine (a publication of Beguine Again and The Bardo Group), poet Michael Dickel (War Surrounds Us/Is a Rose Press) will report on the conference in Italy in the July 15 issue.

The BeZine is hosting a virtual 100TCP event for those who do not have access to any local venue or are homebound for whatever reason. We hope you’ll join us. We have chosen to shed our light on poverty this year.  More news on that to come here at The Poet by Day and on The BeZine blog.

We have a Facebook group going for our event.  If you are on Facebook and would like to join us there, let me know in the comments below and I’ll add you to the The BeZine 100TPC 2015 Discussion Group. We do ask that you keep on topic and communicate about relevant issues and concerns. Thank you!

If you are looking for a local 100TPC event go to 100TPC blog and scroll down the blogroll to your right to see what’s happening in your area and to find a contact. If you want to organize an event yourself, go to the Home Page for information.

Posted in 100,000 Poets, Musicians, Artists and Activists for Change, Poets/Writers, Sustainability

SAVE THE DATE: 26 Sept. 2015: 100,000+ poets in solidarity for peace and sustainability

Heads-up everyone: For the fifth year on September 26, 2015, more than 100,000 Poets (and artists, musicians, and other creatives and activist) will meet in town squares, theaters, on beaches, in cafes and probably some backyards in solidarity for a peaceful and sustainable world.

At The Bardo Group/Bequine Again, we’re hosting a virtual event so that those who have no neighborhood events to go to or who are home bound can participate.

At this writing founder Michael Ronthenberg, poet and publisher, reports that 300 events are already registered.  To see if there’s an event near you or to register an event in your neighborhood, go to the site. 

The following is a message from the founders of 100TPC:

Michael Rothenberg: Poet and editor of Big Bridge Press and zine

and

Terri Carrion: Associate editor and visual designer of Big Bridge Press and zine

100 THOUSAND POETS FOR CHANGE [100TPC] MOVEMENT for PEACE & SUSTAINABILITY!

Do you want to join other poets, musicians, and artists around the world in a demonstration/celebration to promote peace and sustainability and to call for serious social, environmental and political change? 

“What kind of CHANGE are we talking about?”

The first order of change is for poets, writers, musicians, artists, activists to get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world. This changes how we see our local community and the global community. We have become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity. It is empowering . . .

… and there is trouble in the world. Wars, violation of human rights, ecocide, racism, genocide, gender inequality, homelessness, the lack of affordable medical care, police brutality, religious persecution, poverty, censorship, animal cruelty, and the list goes on and on.

Transformation towards peace and a more sustainable world are the major concerns and the global guiding principle for 100 TPC events. War is not sustainable. There is an increasing sense that we need to move forward and stop moving backwards. But we are trying not to be dogmatic. We hope that together we can develop our ideas of the “change/transformation” we are looking for as a global community , and that each local community group will decide their own specific area of focus for change for their particular event. All we ask is that local communities organize events about change within the guidelines of peace and sustainability.

“I want to organize in my area. How do we begin to organize?”

100 Thousand Poets for Change will help organize and find individuals in each area who would like to organize their local event.

If you are an organizer for your community you will consider a location for the event and begin to contact people in your area who want to participate in the event. Participation means contacting the media, posting the event on the web, in calendars, newspapers, etc., reading poems, doing a concert, performing in general, supplying cupcakes and beer (it’s up to you), demonstrating, putting up an information table, inviting guest speakers, musicians, etc., organizing an art exhibit, and documenting the event (this is important, too), and cleaning up, of course.

Organizers and participants will create their own local event as an expression of who they are locally. Do they want a a concert or a jam session, candlelight vigil or a circus, a march or a dance, poetry reading in a cafe or on the subway, do they want absolute silence, a group meditation on a main street; it’s up to the local organization.

However, groups should try to hold some part of the event, if not all of it, outdoors, in public view (not required). The point is to be seen and heard, not just stay behind closed walls. It is also important that the event be documented. Photos, audio, videos, poems, journals, paintings! Documentation is crucial. The rest of the 100 Thousand Poets for Change want to hear what you have to say about change and enjoy your creativity too! The documentation will be shared through a blog/website that I will set up, a blog/website where groups can share and announce event information, as well as post photos, videos, poetry, art, and thoughts. But an event doesn’t have to involve tons of people. It can be just you (the organizer) and your pet, on a street corner, with a sign. Just let me know what you are planning!

Every effort counts!

Each local organization determines what it wants to focus on, something broad like, peace, sustainability, justice, equality, or more specific causes like Health Care, or Freedom of Speech, or local environmental or social concerns that need attention in your particular area right now, etc. Organizations will then come up with a mission statement/manifesto that describes who they are and what they think and care about. Mission statements form arround the world have been collected and worked together into a grand statement of 100 Thousand Poets for Change.

Thank you for joining us!

Best, Michael Rothenberg and Terri Carrion

—————————–
Michael Rothenberg: Poet and editor of
Big Bridge Press and zine

Terri Carrion: Associate editor and visual designer of
Big Bridge Press and zine

Posted in 100,000 Poets, Musicians, Artists and Activists for Change, Environment/Deep Ecology/Climate Change, General Interest, Peace & Justice

Update on 100,000 Poets for Change …

Reblogged from The Poet by Day

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Over on The Bardo Group blog, we’ve just finished celebrating 100,000 Poets for Change (100TPC). The founders of 100TPC have invited our much valued community (The Bardo Group and Beguine Again) to join in this event again next year. I’ve agreed to participate.

As many readers know, I’ve invited Terri Stewart to take the Bardo leadership role from me and to join our Bardo collaborative with her Beguine Again collaborative to create a powerful synergy for advocating nonviolence. We are moving in new directions. Hence, I don’t want to speak at this time for everyone else but I am personally committed to 100TPC.

Should the Group be unable to take part, I’ll host the event here at The Poet by Day for other poets who blog and for elders and disabled like me who are mostly home bound and cannot get out and pound the pavement for peace and sustainability.

SAVE THE DATE: 27 SEPTEMBER 2015 …

…and please pass the word

ABOUT

poets, musicians, and artists around the world
in demonstration/celebration to promote peace and sustainability and to call for
serious social, environmental and political change.

Here are some links of interest and some more info . . . MORE